Keskustelujen arkisto

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Topic: 200606

(47 messages)
SRoweCanoe
Oops,

guess yall can see Im not a baseball fan (although it was Gene Autry who
owned the Angels, right?)

and I knew better than to say Gladstone when I meant Gemstone.....
or at least i think I know its Gemstone......

Steven,

>Actually, I have two slight corrections to make there:
>? Mr. Geppi is co-owner of the Baltimore *Orioles* baseball team (the
Angels are in >Anaheim, California), and
>? he's the President/Publisher/CEO of *Gemstone* Publishing (which, I'll
admit, can be >easily confused with Gladstone!).
Marc Newman
A few more details about Steve Geppi. He's a former mailman with a deep
love for comics. He became a comic book dealer and quickly a
distributor. He has a good rep. for dealing fairly but when things got
tough in the distribution business he came out on top. So he's
basically king of comics now.

He has an absolutely tremendous collection, some of which he sells from
time to time. I know he's a Ducks and Barks fan.

He's also minority owner in the Baltimore Orioles and I believe has been
named Man of the Year (or businessman of the year) in Baltimore.

Best of all, he's opening up a museum of pop culture in Baltimore with a
huge emphasis on comics!

Btw, I did take a look for you Tristan. Closest we had was Uncle
Scrooge 307 and 313. :(

Regards,
Marc Newman
www.HouseofComics.com
"Super-Selection of Silver and Bronze Age Comics"
Niels Houlberg Hansen
Hello everbody (and especially the readers from Argentina)

I'm writing an article about the late, great Daniel Branca - including
his non-Disney works. But I need a bit of help with the illustrations.

Is there anyone who owns a collection of "Billiken" from the early 1970s
and who make these 2 scans for me:
* A picture of Barbeta & Grunchi
* A picture of El mono Relojero

I only need 1 panel (not an entire page) of each character, but I need
it in a high resolution (300-400 dpi).
(I've searched the internet for illustrations, but the ones I could find
are in a lower resolution.)

In return I can offer you my eternal gratitude.

Kind regards
Niels
Kimba1962
Steven Rowe wrote:

> guess yall can see Im not a baseball fan (although it was Gene Autry who
> owned the Angels, right?)

Yes. He was the owner of the team when it began as the (original) Los Angeles Angels in 1961. Unfortunately, he didn't live to see the Angels win their first World Series in 2002.

Marc Newman said (regarding Steve Geppi):

> Best of all, he's opening up a museum of pop culture in Baltimore with a
> huge emphasis on comics!

In case you were unaware: This museum was originally supposed to open over the July 4th weekend. Now the opening has been pushed back to early September (not coincidentally, the weekend of the Baltimore Comic-Con at the nearby Baltimore Convention Center).

Chris Barat
Victor
Hello!
I know that several panels were removed from the American version of The
Incredible Shrinking Tightwad.
But why did Disney allow it to be published all over Europe?
Don't they have any power over Egmont?
Will the whole shory ever be reprinted in USA?

//Victor
Mark Baker-Wright
On 6/25/06, kimba1962 at comcast.net wrote:
>
>
> Steven Rowe wrote:
>
> > guess yall can see Im not a baseball fan (although it was Gene Autry who
> > owned the Angels, right?)
>
> Yes. He was the owner of the team when it began as the (original) Los
> Angeles Angels in 1961. Unfortunately, he didn't live to see the Angels win
> their first World Series in 2002.
>

OK. This is a bit complex, but in the interests of accurate information,
the team Autry owned was not, technically, the "original" Los Angeles
Angels. Here's the deal.

The "original" Los Angeles Angels were a minor league baseball team that was
ACTUALLY based in Los Angeles. They played from 1903-1957, as part of the
"Pacific Coast League." (Actually, this may not even be true, as Wikipedia
suggests that the name has origins in 1892, but I can find evidence of that
team).

The team that Gene Autry founded did indeed start in Los Angeles in 1961,
and did use the name "Los Angeles Angels" for a few years, but moved to
Anaheim in 1966 to the stadium they use today, and changed their name to the
"California Angels." (One assumes that they didn't think the name of
Anaheim was well-known enough in these early days of Disneyland.)

The team became the "Anaheim Angels" in 1996, which actually caused a lot of
outcry among fans at the time who STILL didn't think that the name "Anaheim"
represented anything important (although Disneyland would have LONG been
connected to the name by this time).

Finally, in 2005, the team changed its name to the current "Los Angeles
Angels of Anaheim," arguing both that the name reflects the team's original
roots and that the name of Los Angeles held greater marketing power. This
move infuriated Anaheim city officials (who had signed a contract with the
team owners a few years previously stipulating that the name Anaheim would
remain a part of the team's name, and were not mollified by its inclusion as
the inferior end of a "two-city" team name) as well as many local fans, who
by this time had the team's success in the 2002 World Series to add to
Anaheim local pride. The city sued the owners of the team to try to get the
name changed back, but the court found that the owners had technically
upheld the terms of their contract by including Anaheim at the end of the
name, despite the fact that the team no longer has any technical connection
to Los Angeles (being neither in the city nor in the county of that name),
which already has a team of their own (The Dodgers).

Anyway, my apologies for taking this off-topic....

Mark Baker-Wright
--
Assistant to the Faculty and Dean's Office, SOT: Fuller Theological Seminary
Transforming Seminarian (my blog):
http://transformingseminarian.blogspot.com

Ask me about singer/songwriter David LaMotte!
Arie Fachrisal
Hi,
Anyone from this list will be going there? Please drop me an email if you
do, thank you very much.

Keep On Quacking,
Arie Fachrisal
Arie Fachrisal
Hi,
Anyone from this list will be going there? Please drop me an email if you
do, thank you very much. fyi one of the planned featured guests is Don Rosa.

Keep On Quacking,
Arie Fachrisal
SRoweCanoe
In a message dated 6/26/2006 2:48:37 PM Eastern Daylight Time,
cien2 at cbn.net.id writes:
>Anyone from this list will be going there? Please drop me an email if you
>do, thank you very much. fyi one of the planned featured guests is Don Rosa.

I will be there, but then Ive been to every Heroes Con for the past 20 plus
years

steven rowe
Joachim Butz
Gee,
Don Rosa back here in Germany!!! - Not really beliavable yet. But it seems true as some
websites say
http://www.donrosa.de/?Specials:Deutschland-Tour_2006

Seems he will to be here for Frankfurt Book fair and doing some traveling to German Comic
Shops too (see noted link).

Remebers me to Don's first visits here in Germany to Comic exhibition in Erlangen back in 1994
and 1996. So I am looking forward to see Don again and, maybe, got the chance to talk a little
bit. But as ever, his timeschedule would be crowded. But nevertheless, it will be very nice to see
Don doing some drawings live.

So, Don, happy to able to see you again here in good old Germany even if there would no
occaission to talk a little bit. Is there hiking planned for this visit?

Even yet I wish "Gute Reise"

happily
joachim butz
Lars Jensen
On May 17th, Jonathan H. Gray wrote:

> Disney sees this success, says "Hey, we can do this ourselves and get
> more of a cut on this revenue!" takes it, and tries to change the
> formula entirely (going back to "if it aint broke don't fix it")

I'm going off on a tangent here, but... Many times, the phrase "if it ain't
broke, don't fix it" has been used to excuse doing absolutely nothing. If
you don't continuously freshen up the creative property you're working
on, it will stagnate and eventually fall apart.

That said, overall I preferred Gladstone's method of "fixing" the earlier
Whitman editorial standard to Disney's method of "fixing" the Gladstone
editorial standard (which I don't feel was as necessary).

Lars
Dan Shane
LARS WRITES:

I'm going off on a tangent here, but... Many times, the phrase "if it ain't
broke, don't fix it" has been used to excuse doing absolutely nothing. If
you don't continuously freshen up the creative property you're working
on, it will stagnate and eventually fall apart.

AND I RESPOND:

If something is stagnating then it is "broke". If a format is functioning
just fine and pleasing its readers I see no reason to fiddle with it.
That's not being lazy; it's simply sticking to a proven method. I get your
point, though, Lars. It is always important to keep things fresh, but
that's not the same as the intrusive tinkering that Disney used to destroy
its own product.
Travis Seitler
Funny you should ask... I believe you might be interested in reserving a
copy of Uncle Scrooge #359! ;)

Here's a link to Amazon's page for it: <*http://tinyurl.com/qaydv* > And
yes, it will have the original panels restored! As to why they were removed
in the first place... Mr. Gerstein, care to take a stab at it?

// Travis Seitler :: travis at webseitler.com

On 6/25/06, Victor <victor1717 at gmail.com> wrote:
>
> Hello!
> I know that several panels were removed from the American version of The
> Incredible Shrinking Tightwad.
> But why did Disney allow it to be published all over Europe?
> Don't they have any power over Egmont?
> Will the whole shory ever be reprinted in USA?
>
> //Victor
>
Gary Leach
I guess I would describe Gladstone's efforts as resuscitation more
than anything else. We really were trying to see what life the ol'
dog still had in her. Disney's mistake was thinking we'd found Ol'
Yeller's pups.

Gary

> On May 17th, Jonathan H. Gray wrote:
>
>> Disney sees this success, says "Hey, we can do this ourselves and get
>> more of a cut on this revenue!" takes it, and tries to change the
>> formula entirely (going back to "if it aint broke don't fix it")
>
> I'm going off on a tangent here, but... Many times, the phrase "if
> it ain't
> broke, don't fix it" has been used to excuse doing absolutely
> nothing. If
> you don't continuously freshen up the creative property you're working
> on, it will stagnate and eventually fall apart.
>
> That said, overall I preferred Gladstone's method of "fixing" the
> earlier Whitman editorial standard to Disney's method of "fixing"
> the Gladstone editorial standard (which I don't feel was as
> necessary).
>
> Lars
David Gerstein
Hey Victor (and Travis):

>> I know that several panels were removed from the American version
of The
>> Incredible Shrinking Tightwad.
>> But why did Disney allow it to be published all over Europe?
>> Don't they have any power over Egmont?
>> Will the whole story ever be reprinted in USA?
>
> Funny you should ask... I believe you might be interested in
reserving a
> copy of Uncle Scrooge #359! ;)
>
> Here's a link to Amazon's page for it: <*http://tinyurl.com/qaydv*
> And
> yes, it will have the original panels restored! As to why they
were removed
> in the first place... Mr. Gerstein, care to take a stab at it?

Sure thing, Mr. Seitler!

The Disney staffers who approved the Gladstone publications in
1997 considered a few gags in the story to be too "unsanitary" for
younger readers. It's quite a stretch; we're talking about mild
business such as a Beagle Boy keeping prunes in his pocket.
Nevertheless, Gladstone had no choice but to delete the sequences at
the time.
Flash forward nine years. A different group of Disney staffers
now approves the modern Gemstone comics; and while they do ask us to
alter certain stories, they quite sensibly see no problem with the
complete version of "Shrinking Tightwad." Readers have been
requesting it for one eternity, so here's our chance to give it to you.
As for whether Disney has any control over Egmont: American
Disney publications and European Disney publications have
historically been approved by *different* groups of staffers within
Disney, with differing editorial tastes. So often one thing is
permitted in one publishing region and not in another.

"The Incredible Shrinking Tightwad" isn't the only story we're
publishing due to reader requests, by the way. Our recent reprint of
Carl Barks' "Daringly Different" came as a response to Elaine
Ramshaw. This month, Floyd Gottfredson's "Love Trouble" begins in
WALT DISNEY'S COMICS AND STORIES 670, thanks to requests from Thad
Komorowski and Jonathan Gray.
I'd be remiss if I didn't mention, also, that we're just two
months away from the epic Romano Scarpa story that *everybody* asks
for. More than 70 pages long, "Mickey Mouse in the Delta Dimension"
will be appearing in full in MICKEY MOUSE ADVENTURES 11. It's a
sequel to "Island in the Sky," Floyd Gottfredson's personal favorite
among his Mickey stories, and I like to imagine that Floyd would
consider it deserving of that special status. I do.

Hmm, how about that Amazon link, Dr. Einmug?
Thanks! Here we go: http://tinyurl.com/p2yzr

Best, David
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