Keskustelujen arkisto

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Topic: 200406

(144 messages)
Timo Ronkainen
Hi all!

In The Duckburg Times #14 article "Just Another Duck Man" writer Jim Korkis
mentions taliaferro interview from 1968. Article says it hasn't never been
printed. That was 1982. Is it still unprinted?
Sure would like to read that one.

Timo

^^''*''^^
Cartoonist - writer - donaldist -
Timo Ronkainen ---------------- -
YO-kyl? 52 A 26 --------------- -
20540 Turku ------------------- -
Finland ----------------------- -
timoro at hotmail.com
timoro2 at yahoo.com

?? Personal:
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?? Ankkalinnan Pamaus:
http://www.perunamaa.net/ankistit/

?? Kvaak-sarjakuvaportaali:
http://www.kvaak.fi
.................................
"Rumble on, buxom bumble bee!
Go sit on a cowslip - far from me!"

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GGK
UNDBKB at aol.com routh :

>Sorry Mr. Rosa, Your popularity is NOT because we know who you are or that
we
>know you to be a "Real" person,
> But because you do Great stories.

Your Rait! Don Rosa storys are the best! They rulle! Maby it's hard to
comper theam to Carl Barks but anny way they are just wonderfull! Not just
bicouse they super funny but they have exelent plots and some times they
relly sad ore hart warming (like "Super Snuper straik agian for Exampel")!
And Drawing are beutyfull and charecters look cute
I thik all of Duck artist shut take example from his storys!

Yours
Maciek

P.S.
I just sow exited theat "Black Knith GLORPS Agian" coming soon :-)
Fernando Ventura
Maciek (ggk at wp.pl ) wrote about Don's draw:
"...and charecters look cute"

You are talking about Rosa or Claude Marin?

I like very much the way Don draw these characters...but...cute?!

Fernando! :P
Dyer, Sonia
Daniel van E wrote:
>Only few people care for credits when consuming products of big
companies.
>Have many people do carefully read the credits after a movie is over?
How
>many people do carefully read the detailed credits of a software
programme? Only freaks do.

Well thank you for calling me a freak. I tend to look at
products as creations of talented individuals, not as creations of
faceless corporations. When I see the name of one or more of the
creators of something I enjoyed, I am pleased, and look for more of
their work. With respect to movies, several recent ones have actually
even made an effort to make the closing credits fun to look at (Shrek 2,
Harry Potter 3).

> How many people have read Barks's non-Disney stories?
> Have many people have really cared to even look for them?

Like a number of people on this list, I have books full of
Barks' earlier work because this is someone whose work I enjoy, Disney
or not, and because it gives me greater insight into their creative
development as an artist. If people don't commonly read them, perhaps
it's because they're not mass marketed. I doubt the average comics
reader even knows there are Barks non-Disney stories, and therefore they
don't look for them.

>There are even ADULTS who tend to think that Donald Duck and Mickey
Mouse
>are actual living creatures, copmplete with life-story, family tree and

>traumas.

Now to my point of view, that's the freak department - folks
unable to distinguish fantasy from reality? Really!

>Full credits placed on every *other* children's book ever published?
This
>is not true.

I have to agree with you on that one. Many modern books do at
least credit many of the contributing people, but some do not.

Sonia
Don Rosa
> From: "Fernando Ventura" <fernandopventura at uol.com.br>
> Subject: Cute Characters!
> Maciek (ggk at wp.pl ) wrote about Don's draw:
> "...and charecters look cute"
>
> You are talking about Rosa or Claude Marin?
> I like very much the way Don draw these characters...but...cute?!

Heh. Sometimes at an American comics convention I'll be sitting drawing a
picture of the Yukon $crooge (back when I drew pics in America, pre-eBay),
and a middle-aged woman would walk up, one of the Disneyana-zombies (as
opposed to the Marvel-zombies people always mention) who is not even aware
there have ever been Disney comics, and she'll look at what I'm drawing and
say, "Oh! Isn't that so CUTE!". And I'll look up and smile and say, "Lady...
this Duck would take your arm off with a Bowie knife in a barroom brawl.
Cute he ain't."

And as for all the compliments that Mr. Maciek lavished on me, all I can say
through my own computer-audio-translator is, "Thaenck yew virry mutch!"
GGK
Fernando! :

>You are talking about Rosa or Claude Marin?

As far I remember Don Rosa :-)

>I like very much the way Don draw these characters...but...cute?!

Ofcourse not all. For exemple Panchito look rylle cute (the way Don Rosa
draw him) , and Huey, and Duey, and Daisy, and Matilda (wen she was young)
and Goldie...

Yours
Maciek
M.J. Prior
Maciek:

> For exemple Panchito look rylle cute (the way Don Rosa
> draw him)

I really like the way Don Rosa drew Jos? Carioca in his
first 3C story, at the bottom of the 27th page, when Jos?
is very sad, and with all the shading on his beak, making
it look real rounded. I felt sooo sorry for poor Jos?...
I also like his first scene, with the reflection in the
machete. I miss Jos?'s cigar, though.

And for really cute comics, you all ought to take a good
look at www.comics.nl/cutie/ because it's really very
good.

Bye,

Michiel Prior.
Lars Jensen
Timo Ronkainen wrote:

> Could the first editor of Boys' World comic magazine (founded 1963
> afaik), Jim Kenner, be same Jim Kenner who has written several Disney
> comics for Egmont (between 1973-1999)? Comics published in Boys'
> World Wrath of the Gods, Brody, Merlo the Magician are said to be all
> his original ideas.

I know this is a little late, but hopefully you can still use my info. I
asked Egmont editor Stefan Printz-PÄhlson about this. His reply (in my
translation) was:

> Sure. Jim Kenner worked as editor on a whole lot of British comic
> books. After marrying Danish Edele, he then moved to Denmark, where he
> became one of Gutenberghus' very first script writers. It was also
> with the help of Jim's many contacts in London we got hold of the
> first generation of English writers. Donne Avenell, Jack Sutter, Bob
> Bartholomew, Dave Angus, Albert Cosser and others...

As you probably know, "Gutenberghus" is Egmont's former name.

Lars
Chris Hilbig
This question is for those in the know. I'd like to try my chances at
submitting some pencil/ink samples to Egmont. From my research (on the
web) I've found Egmont Creative to be the head office, headquartered in
Denmark. I also know Egmont has offices in just about every country in
Europe. (with a few notable exceptions.) I'm not quite sure how the
command structure works out. But what I'm getting at, are Egmont
editors in countries outside of Denmark independent of Egmont Creative
or do the editors at Egmont Creative oversee production in other
countries?

This question just came to mind this morning, and I thought I may as
well ask then waste postage. From what I understand Peter Schlecht is
the Manager of Egmont Creative (I believe that's his title), although I
have no clue if he directly deals with submissions from new artists.
Maybe some one can resolve that question for me as well. :P I've tried
emailing Mr. Schlecht a few times requesting submission guidelines,
gaining no response.

None the less, I'd appreciate any help I can get.

Thanks,

Chris Hilbig
Katie Sullivan
> From: "Don Rosa" <donrosa at iglou.com>
>
> Heh. Sometimes at an American comics convention I'll be
> sitting drawing a
> picture of the Yukon $crooge (back when I drew pics in
> America, pre-eBay),
> and a middle-aged woman would walk up, one of the
> Disneyana-zombies (as
> opposed to the Marvel-zombies people always mention) who is
> not even aware
> there have ever been Disney comics, and she'll look at what
> I'm drawing and
> say, "Oh! Isn't that so CUTE!". And I'll look up and smile and
> say, "Lady...
> this Duck would take your arm off with a Bowie knife in a
> barroom brawl.
> Cute he ain't."

ROTFL!!! That completely cracked me up. I can just see the
look on the lady's face! And it's true, of course...even if
Disney would censor it so that it would look like Scrooge was
just pointing angrily at someone. ;D

Katie Sullivan
http://www.sullivanet.com/

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GGK
Michiel Prior :

>I really like the way Don Rosa drew Jos? Carioca in his
>first 3C story, at the bottom of the 27th page, when Jos?
>is very sad, and with all the shading on his beak, making
>it look real rounded. I felt sooo sorry for poor Jos?...

I agre. The way Jose looks (moustly the ayes) make me sad as well.
One more sad picture is Donald on page 2.

One more relly cute picture is Donald and Gladstone as kids in "The Sing"
story. I seen some storys showig Gladston as a child by varius artists and
as far Rosa-Version is the best.

>I also like his first scene, with the reflection in the
>machete.

For me the best part of the story is the music number. One of moust
fantastic (wonderfull) moment's I saw in a duck story.

> I miss Jos?'s cigar, though.

Yes, k'now what you have in maind. In movie Jose have his cigar in evry sene
and here it's Ignor. How ever it's good for Jose he quit smoking, and don't
have to be afrait he get Cancer.

Yours
Maciek
Larry Giver
Recently I visited someone, and heard some very loud, screeching birds
nearby. They were coming from 2 moderate size birds in a cage outside
a neighboring apartment. This was the worst bird noise I've heard in a
long time. Then I remembered hearing this noise before when I read
Barks' second Magica story, "The Unsafe Safe" (US38). The Tanganyiki
Yeekers in that story are much larger than the birds I saw in this cage,
and I didn't see any broken glass windows at their apartment. But I'm
sure these birds are closely related to Barks' Yeekers.
----Larry Giver.
Yahoo!News
John Chadwick (wolfsong at mpinet.net) has sent you a news article. (Email address has not been verified.)
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Personal message:

You mean he didnt already have one?

Donald Duck, Scotty Get Starred
http://story.news.yahoo.com/news?tmpl=story&u=/eo/14339

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Joachim Butz
Hello,

today I have a special question to our french DCML members.

I am planning a trip to Paris (in order to visit the Blak & Mortimer exhibition). At that
occassion I want to have a look to French comic book stores looking for used comic
books, posters and all the things related to comics. first of all I want to look for all the
Piscou booklets with Don Rosa art.
Besides this I am looking for used magazines like corto maltese and posters, cards
etc.
It would be great if someone can give me some adresses where I can get these things
cheap.

Thx a lot

Joachim Butz
Jeanmarcbano
The past of Scrooge plays an important part in many american and italian Scrooge's stories, the unknow past, lived as a black hole, something unpredictable, which comes back in an unexpected way for haunting the present, often for the worse; this is such the case in stories like 'oncle picsou et le mur de la honte - paperino e la vecchia ricevuta - 1967; in 'Donald et le Tignouf' - Voodoo Hoodoo - 1949, an african sorcerer was seeking for revenge after a dark story of soils Scrooge had concluded in his young age; in 'Donald roi du cirque Konstanz' - paperino e il grande barunz - 1957, we find Scrooge at his craftiest behaviour, he doesn't hesitate to leave his associate while this one is chased by angry indians (we are very far from the peak of the character innocence of the Tralla La story, but, in general, as i said before in a previous comment, the Scrooge of Carl Barks is kinder than the italian Scrooge, and so, that leads to different stories with different plots due to a different -but not entirely different- characterization); we must note that in these italian stories the past of Scrooge has not often the same significance than in Carl Barks; in Barks for example in the 'Magic Hourglass', the quest for recovering the hourglass is a search for rebuilding the Scrooge's wealth due to the magic powers of the object, this is not a quest to 'exorcize' a shady past like in 'Barunz'.
Romano Scarpa's technique (2): In Scarpa too, a lot of stories find their explanation in the past of the protagonists (for Mickey : Topolino e la collona Chirikawa, Calidornia, in some proportion 'dimensione Delta' too (the picture of an early Mickey, reminiscent of the imaginary of Gottfredson, given by Mirandus to Atomiinus); for Scrooge, The flying Scottman - Donald et la l?gende de l'Ecossais volant - paperino e la leggenda dello Scozzese volante - 1957 where the 'double' of Scrooge is a really impressive ghost in this story, 'Les lentilles de Babylone' - paperino e le lentiecchie di Babilonia - 1960, where the most part of the story is a flashback.
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