One of the peak of the Mickey's detective story by Gottfredson is 'The Gleam'; first of all, this is an another example of the allergy of Goofy for the supernatural; Goofy in this story has brains, this is not the kind of idiot that we meet in other stories (Mickey contre le roi des voleurs - Topolino e la grande impresa di 'Lascia o t'accoppo - 1956); he has here the attitude of an intelligent poor guy, clumsy, brilliant from time to time; here, in background, his wits are the undercurrent trend which permit Mickey to unravel the mystery; yes, there is some flaws in the plot (but i think this is inevitable for keeping the suspense on a high level): we don't understand for example why the villain keeps on stealing jewels in the same town such a long time with the increasing risk of being caught by both Mickey and Chief O' Hara; Minnie in this story is the feminine character, kind like always, but awfully snobbish (this trait of her character appears also in the unglia di Kali - Romano Scarpa - where her snobbery leads her to claim that an old broom is an ancient relic), a satire of the snobbish behaviour also appears at the end of the excellent story 'Picsou contre Lord Hambard - Zio Paperone e il clavicembalo scrivano 1962 - where the mission of Donald is to sell old typewriters as it was the new indispensable fashionable object to possess in a house; in The Gleam an important part of the story happens during the night parties; another similarity with the story of Romano Scarpa 'Kali' is the discovery of the identity of the villain, the story is different of the Scarpa's one of course but, like in Kali, the villain, even if we don't know him yet, is present at the beginning of the story and moves about around our heroes who haven't the slightly clue in their head that this is him; so this story, its midnight dramas, revolver and dramatic parties, elegant and sophisticated robber with a lot of skills enhance this adventure lived like a very good film noir; according to the inducks database, the character of the gleam, rarely used in the Mickey's stories, seems to have been used again in the italian story with Mickey called 'The Inferno'.
Eega Beeva in Wonderland (about the story Mickey l'?cumeur des mers - the reluctant pirate - topolino e il terrore dei mari - 1953): there is not a lot of information about this english story in the inducks database, the name of Ronald Neilson is credited for the story but i don't know exactly in what proportion; surreal masterpiece, the story leads mickey in a fantasy land where Eega Beeva travels on the wings of a plane (a steward opens the door of the plane during the travel, he is worried about Eega and ask him if he has not too much wind and air, Eega answer that this is sure and if he can close the door), takes the attitude of statues in some big gardens; there is two holes in the plot: there is no exaplantion how the important leaves in the book about the ancestor of Mickey has been cut, how Sam F?mal (i don't know the name in English, this is the competitor of Mickey in the story) goes back to the past without the help of the magic powers of time traveler of Eega Beeva; this is naive, sometimes clumsy, imaginative, and very refreshing; for the time travels, wonderfully done, Eega change the vignettes of the story and we are changing of time, the dummies of a travel agency, in a setting of Caribbean sea, start moving around Mickey thanks to Eega, and we are back a long time ago; there is an another story of Ronald Neilson mentioned in the inducks database about Eega Beeva called 'Eega Beeva Once Upon a Time', but i haven't more information about, if someone have, in particular where it can be found (particularly in what issue ? comics), that would be a good thing.
Author
Topic: 200406
(144 messages)
Jeanmarcbano
Mickey's buddies part 3 : The Gleam - Eega Beeva in Wonderland
Message 91 -
2004-06-21 at 17:33:19
Olivier
Buying Comics in Paris
Message 92 -
2004-06-21 at 19:00:07
Hi Joachim!
>>>> today I have a special question to our french DCML members.
An endangered species from the looks of it. Franois has disappeared, and
Gilles hasn't posted for several months (almost a year?). Didider does post
from titme to time. Are you French or Belgian or Swiss or Canada from yet
another country, Jean-Marc?
>>>> I am planning a trip to Paris (in order to visit the Blak & Mortimer
exhibition). At that
>>>> occassion I want to have a look to French comic book stores looking for
used comic
>>>> books, posters and all the things related to comics. first of all I
want to look for all the
>>>> Piscou booklets with Don Rosa art.
Unfortunately, though I am Parisian, I don't kno many such places as I never
buy anything second-hand. I know there's a little bookstore with lots of
old Mickey Parade issues, Rue Dante (5?me arrondissement).
The closest metro station is Cluny-La Sorbonne-- the Rue St Jacques exit;
when you get out at the crossroads, there are two streets on your left (sort
of a fork); it's the second one.
Going down the street, you will reach the Seine, along whch are many
"bouquinistes", who sell all sorts of old books; I remember seeing some
Disney magazines.
Right next to this metro exit, you will see Album, which sells bandes
dessin?es of all sorts.
If you get out the other exit (looking away from the abbey), there's Le
Boulimire (red store), which also sells bandes dessin?es and second-hand
books.
Have a nice stay in Paris! :)
Olivier
>>>> today I have a special question to our french DCML members.
An endangered species from the looks of it. Franois has disappeared, and
Gilles hasn't posted for several months (almost a year?). Didider does post
from titme to time. Are you French or Belgian or Swiss or Canada from yet
another country, Jean-Marc?
>>>> I am planning a trip to Paris (in order to visit the Blak & Mortimer
exhibition). At that
>>>> occassion I want to have a look to French comic book stores looking for
used comic
>>>> books, posters and all the things related to comics. first of all I
want to look for all the
>>>> Piscou booklets with Don Rosa art.
Unfortunately, though I am Parisian, I don't kno many such places as I never
buy anything second-hand. I know there's a little bookstore with lots of
old Mickey Parade issues, Rue Dante (5?me arrondissement).
The closest metro station is Cluny-La Sorbonne-- the Rue St Jacques exit;
when you get out at the crossroads, there are two streets on your left (sort
of a fork); it's the second one.
Going down the street, you will reach the Seine, along whch are many
"bouquinistes", who sell all sorts of old books; I remember seeing some
Disney magazines.
Right next to this metro exit, you will see Album, which sells bandes
dessin?es of all sorts.
If you get out the other exit (looking away from the abbey), there's Le
Boulimire (red store), which also sells bandes dessin?es and second-hand
books.
Have a nice stay in Paris! :)
Olivier
Jeanmarcbano
Buying Comics in Paris
Message 93 -
2004-06-21 at 23:46:19
I live in the South West of France Olivier (but that doesn't mean anything for me, Paris has also its good side).
Jeanmarcbano
Errata about Mickey Buddies 3
Message 94 -
2004-06-21 at 23:51:27
In the second part of Mickey Buddies 3, in my comments about the story about Mickey and Eega there is an error, this is not exaplantion but explanation.
JOHN CHADWICK
Great site for Disney shirts
Message 95 -
2004-06-22 at 02:45:03
http://www.zazzle.com/collections/disneyinkshop/
I wondered if everyone knew about this site, where you can browse through hundreds of Disney related images and have them put on just about any kind of shirt you can think of.
Check out the comic art styles. I spotted some Gottfredson Mice and some Taliaferro Ducks in there. Don't think any of them were Barks (correct me if I'm wrong), but at least one looked Rosa-ish. Don?
Visit The Cartoon Character Hall of Fame at http://www.toonhalloffame.com
I wondered if everyone knew about this site, where you can browse through hundreds of Disney related images and have them put on just about any kind of shirt you can think of.
Check out the comic art styles. I spotted some Gottfredson Mice and some Taliaferro Ducks in there. Don't think any of them were Barks (correct me if I'm wrong), but at least one looked Rosa-ish. Don?
Visit The Cartoon Character Hall of Fame at http://www.toonhalloffame.com
ZeldasTriforce
May 2004 US Comic Book Sales
Message 96 -
2004-06-22 at 11:01:16
Hi all!
Here are the sales for Gemstone comics in the US for May 2004.
190. Uncle Scrooge #330 5,782
192. Donald Duck and Friends #316 5,574
195. Mickey Mouse and Friends #265 5,359
197. Walt Disney's Comics and Stories #645 4,951
http://www.icv2.com/articles/home/5132.html
Derek Smith
Here are the sales for Gemstone comics in the US for May 2004.
190. Uncle Scrooge #330 5,782
192. Donald Duck and Friends #316 5,574
195. Mickey Mouse and Friends #265 5,359
197. Walt Disney's Comics and Stories #645 4,951
http://www.icv2.com/articles/home/5132.html
Derek Smith
Don Rosa
DCML Digest Issue 23
Message 97 -
2004-06-22 at 14:46:55
From: "JOHN CHADWICK" <wolfsong at mpinet.net>
Subject: Great site for Disney shirts
>>>I wondered if everyone knew about this site, where you can browse through
hundreds of Disney related images and have them put on just about any kind
of shirt you can think of.
at least one looked Rosa-ish. Don?
Nope.
Subject: Great site for Disney shirts
>>>I wondered if everyone knew about this site, where you can browse through
hundreds of Disney related images and have them put on just about any kind
of shirt you can think of.
at least one looked Rosa-ish. Don?
Nope.
UNDBKB
FCBD Riddle of the Red Hat
Message 98 -
2004-06-22 at 22:02:16
For those interested in copies of The Free Comic Book Day issue of
Riddle of the Red Hat, I will again (like last year) send out copies to
Digest members at "Cost." Just send me an e-mail and I will send copies for what my
costs are. If groups can get together and have me send 5-10 issues to one
address and have that person distribute them, it would be easiest.
I did that that year. The comic will be available after July 3rd.
Barry
(SMcDuck)
Riddle of the Red Hat, I will again (like last year) send out copies to
Digest members at "Cost." Just send me an e-mail and I will send copies for what my
costs are. If groups can get together and have me send 5-10 issues to one
address and have that person distribute them, it would be easiest.
I did that that year. The comic will be available after July 3rd.
Barry
(SMcDuck)
Mickey
FCBD Riddle of the Red Hat
Message 99 -
2004-06-22 at 23:50:21
Italy is too far, isn'it it?
Mickey
PS I'm joking...
Mickey
PS I'm joking...
Daniel Van Eijmeren
Dutch Credits
Message 100 -
2004-06-23 at 01:14:28
PASCAL OOST to CHRIS HILBIG, 15-06-2004:
> Apart from being great and fun, creating Disney comics is also a job.
> And a job needs to be rewarding. Considering it does not pay well,
> there is no job-security whatever, and selling all publishing rights
> to Disney takes away all possible future income from re-publishing,
> it's becoming hard to feel motivated to work for Disney comics.
> Crediting his work could be one (cheap) way to help a artist feel
> appreciated.
I fully agree.
What I basically meant in my last e-mails (just before my computer broke
down on June 14), is that the Dutch weekly *Donald Duck Weekblad* should
avoid getting too *factual* about the adventures in the issue, which IMO
would destroy the atmosphere of this particular comic, which has a long
tradition of being some kind of weekly "report" of adventures in the
Disney universe.
A universe were Donald and other Disney characters even *anwer* the
reader's letters personally, in the letter column.
(This "childish" approach and tradition might make foreign people think
that the Dutch weekly is for silly kids and crazy adults, but at least
in my opinion, Donald Duck Weekblad also has a long-time tradition of
publishing the best of the best Disney comics (IMO), including stories
by Barks, Gottfredson, Taliafferro, Jippes, Heymans, Hubbard, Milton,
etc. etc.)
I do think that artists and writers should be credited in comics, also
within Donald Duck Weekblad, but on a *separate* page, as part of the
*editorial* stuff. The stuff that kids and dreamers don't want to read.
And preferably those credits should not too detailed. I think that
"Junior Woodchucks: Daan Jippes, Carl Barks" would be enough. Excluding
all kind of background facts like: script, inking, drawing, year of
creation, blah blah, etcetera, as part of a contents list or - even
worser - under the opening page of each individual story. I think that
would ruin the atmosphere of the Dutch weekly.
(BTW. With Donald Duck Weekblad, I also mean the comic Katrien Duck, which
is centered around Daisy Duck. That comic appears a few times a year, but
basically has the same approach as Donald Duck Weekblad. There, it's Daisy
who mostly answers the reader's letters.)
As a fan and collector, I LOVE all kind of detailed facts. The more the
better. But I think there are better sources for that than in Donald Duck
Weekblad. For example, as part of indexes, on paper or on internet. Or in
*other* Disney comics, like those by Gladstone and Gemstone. Those are
even known and appreciated for giving background information to readers.
I think the Dutch monthly Donald Duck Extra would be a nice issue to become
an equivalent of the Gladstone/Gemstone comics, with background facts
included. This is because Donald Duck Extra seems to be aiming at older
kids, students, and adults.
The Dutch albums already do give credits and (some) background information.
I think it fits nice, as I look at these albums as being intended for the
fans under the readers.
But I'm also thinking of a negative side of giving credits within issues
themselves: What if the credits are wrong or discussable? This happens
regularly. And I believe it's rarely corrected afterwards. (Or am I wrong
about that?)
And (IMO) more important: What if the editors make changes against the
artist's intentions? Then the artist might not *want* to be credited,
but he/she will always be too late in requesting an alias. And the story
might be reprinted at anytime, anywhere, without any control on the
credits. If only because of database differences, and further mistakes.
That's why I like fanzines and internet. If the source is steady and
available, one can even read about changes made in (some) stories.
Depending on the willingness (and time) of the people behind the source,
it's easier to discuss and correct mistakes.
So much for now. I'm going to read the credits discussion in full, later.
--- Dani?l
> Apart from being great and fun, creating Disney comics is also a job.
> And a job needs to be rewarding. Considering it does not pay well,
> there is no job-security whatever, and selling all publishing rights
> to Disney takes away all possible future income from re-publishing,
> it's becoming hard to feel motivated to work for Disney comics.
> Crediting his work could be one (cheap) way to help a artist feel
> appreciated.
I fully agree.
What I basically meant in my last e-mails (just before my computer broke
down on June 14), is that the Dutch weekly *Donald Duck Weekblad* should
avoid getting too *factual* about the adventures in the issue, which IMO
would destroy the atmosphere of this particular comic, which has a long
tradition of being some kind of weekly "report" of adventures in the
Disney universe.
A universe were Donald and other Disney characters even *anwer* the
reader's letters personally, in the letter column.
(This "childish" approach and tradition might make foreign people think
that the Dutch weekly is for silly kids and crazy adults, but at least
in my opinion, Donald Duck Weekblad also has a long-time tradition of
publishing the best of the best Disney comics (IMO), including stories
by Barks, Gottfredson, Taliafferro, Jippes, Heymans, Hubbard, Milton,
etc. etc.)
I do think that artists and writers should be credited in comics, also
within Donald Duck Weekblad, but on a *separate* page, as part of the
*editorial* stuff. The stuff that kids and dreamers don't want to read.
And preferably those credits should not too detailed. I think that
"Junior Woodchucks: Daan Jippes, Carl Barks" would be enough. Excluding
all kind of background facts like: script, inking, drawing, year of
creation, blah blah, etcetera, as part of a contents list or - even
worser - under the opening page of each individual story. I think that
would ruin the atmosphere of the Dutch weekly.
(BTW. With Donald Duck Weekblad, I also mean the comic Katrien Duck, which
is centered around Daisy Duck. That comic appears a few times a year, but
basically has the same approach as Donald Duck Weekblad. There, it's Daisy
who mostly answers the reader's letters.)
As a fan and collector, I LOVE all kind of detailed facts. The more the
better. But I think there are better sources for that than in Donald Duck
Weekblad. For example, as part of indexes, on paper or on internet. Or in
*other* Disney comics, like those by Gladstone and Gemstone. Those are
even known and appreciated for giving background information to readers.
I think the Dutch monthly Donald Duck Extra would be a nice issue to become
an equivalent of the Gladstone/Gemstone comics, with background facts
included. This is because Donald Duck Extra seems to be aiming at older
kids, students, and adults.
The Dutch albums already do give credits and (some) background information.
I think it fits nice, as I look at these albums as being intended for the
fans under the readers.
But I'm also thinking of a negative side of giving credits within issues
themselves: What if the credits are wrong or discussable? This happens
regularly. And I believe it's rarely corrected afterwards. (Or am I wrong
about that?)
And (IMO) more important: What if the editors make changes against the
artist's intentions? Then the artist might not *want* to be credited,
but he/she will always be too late in requesting an alias. And the story
might be reprinted at anytime, anywhere, without any control on the
credits. If only because of database differences, and further mistakes.
That's why I like fanzines and internet. If the source is steady and
available, one can even read about changes made in (some) stories.
Depending on the willingness (and time) of the people behind the source,
it's easier to discuss and correct mistakes.
So much for now. I'm going to read the credits discussion in full, later.
--- Dani?l
Jonathan H. Gray
Death In Disney Comics?
Message 101 -
2004-06-23 at 10:06:27
Here's a curious question. The topic of death has often come up in the
fandom for the Sonic The Hedgehog (for anyone familiar with the games and
comics - Princess Sally, Emerl, Dr. Robotnik I, Maria Robotnik, Gerald
Robotnik, Shadow The Hedgehog - just to name a few examples) and upon
discussing the topic of the deaths of one of the comics and videogame
characters, I remembered being really young and reading Gemstone's
reprinting of Bill Walsh and Floyd Gottfredson's "The House Of Mystery" in
which Drusilla is implied to have died in a fire at the end of the story.
There's also "The Pirate Ghostship" in which Blackbeard (I cant remember his
name for the life of me) was engulfed in a flow of lava and the pink
princess's Raven replied "he can't hear you anymore...." or something to
that effect when he went back to check on him. In that same vein there's
also "The World Of Tomorrow" in which the near anorexic Professor
Numbspiegel is shown eating and slowly reaching for a ray gun with a beaten
and battered Pete in the room. The latter two stories ended showing that the
the adventure was, of course, a dream sequence in which Mickey wakes up
from, but all three (Particularly the "deaths" of Drusilla and Blackbeard)
are relatively strong images that have always stuck in my mind when thinking
of Bill Walsh's Mickey Mouse.
His Gottfredson Mickey stories were always as dark as you got as far as
Mickey was concerned but equally powerful (that era of Gottfredson is rarely
seen and is my personal favorite in a way ^_^).
Anyways enough rambling and onto the question. Its rather morbid for the
list but were there ever any other occurrences of death in the Disney comics
as far as the mouse and duck universe is concerned? I think Don Rosa did a
very tasteful death scene of one of the McDucks in Life And Times but its
been ages and I dont have my comics on me so I dont remember. I'm just
curious as to how often the theme came up during Walsh's run or perhaps even
in others stories by the "Duck and Mouse Masters": Barks, Scarpa, Rota,
Murry or perhaps even today among current artists. I'd be curious to hear
what some of the creatives stances are on death considering (unlike Sonic
which has an ongoing continuity) most all Duck/Mouse stories are
self-contained.
Just curious.
Jonathan H. Gray
Undergrad & Artist Of "Sonic The Hedgehog"
Sonic #138-#141 (Next month's issue)
fandom for the Sonic The Hedgehog (for anyone familiar with the games and
comics - Princess Sally, Emerl, Dr. Robotnik I, Maria Robotnik, Gerald
Robotnik, Shadow The Hedgehog - just to name a few examples) and upon
discussing the topic of the deaths of one of the comics and videogame
characters, I remembered being really young and reading Gemstone's
reprinting of Bill Walsh and Floyd Gottfredson's "The House Of Mystery" in
which Drusilla is implied to have died in a fire at the end of the story.
There's also "The Pirate Ghostship" in which Blackbeard (I cant remember his
name for the life of me) was engulfed in a flow of lava and the pink
princess's Raven replied "he can't hear you anymore...." or something to
that effect when he went back to check on him. In that same vein there's
also "The World Of Tomorrow" in which the near anorexic Professor
Numbspiegel is shown eating and slowly reaching for a ray gun with a beaten
and battered Pete in the room. The latter two stories ended showing that the
the adventure was, of course, a dream sequence in which Mickey wakes up
from, but all three (Particularly the "deaths" of Drusilla and Blackbeard)
are relatively strong images that have always stuck in my mind when thinking
of Bill Walsh's Mickey Mouse.
His Gottfredson Mickey stories were always as dark as you got as far as
Mickey was concerned but equally powerful (that era of Gottfredson is rarely
seen and is my personal favorite in a way ^_^).
Anyways enough rambling and onto the question. Its rather morbid for the
list but were there ever any other occurrences of death in the Disney comics
as far as the mouse and duck universe is concerned? I think Don Rosa did a
very tasteful death scene of one of the McDucks in Life And Times but its
been ages and I dont have my comics on me so I dont remember. I'm just
curious as to how often the theme came up during Walsh's run or perhaps even
in others stories by the "Duck and Mouse Masters": Barks, Scarpa, Rota,
Murry or perhaps even today among current artists. I'd be curious to hear
what some of the creatives stances are on death considering (unlike Sonic
which has an ongoing continuity) most all Duck/Mouse stories are
self-contained.
Just curious.
Jonathan H. Gray
Undergrad & Artist Of "Sonic The Hedgehog"
Sonic #138-#141 (Next month's issue)
Jonathan H. Gray
Quick Question For The Gemstone Crew On Mickey Mouse/Gottfredosn
Message 102 -
2004-06-23 at 10:13:34
This is just a quickie. i know its been asked a MILLION and one times
already (I'm forgetful - so sue me. XD) but what was the status of printing
the numerous "lost" Gottfredson Mickey stories and many of the Murry Mickey
stories again? Was it that you all didnt have access to the material anymore
or that you all didnt have any way of editing the newspaper strips for print
anymore?
The same question goes for Taliaferro's Donald Duck material as well. Sorry
to be pestiferous. Just curious. ^_^
Jonathan H. Gray
Undergrad & Artist Of "Sonic The Hedgehog"
#138-#141
already (I'm forgetful - so sue me. XD) but what was the status of printing
the numerous "lost" Gottfredson Mickey stories and many of the Murry Mickey
stories again? Was it that you all didnt have access to the material anymore
or that you all didnt have any way of editing the newspaper strips for print
anymore?
The same question goes for Taliaferro's Donald Duck material as well. Sorry
to be pestiferous. Just curious. ^_^
Jonathan H. Gray
Undergrad & Artist Of "Sonic The Hedgehog"
#138-#141
Kriton Kyrimis
Death In Disney Comics?
Message 103 -
2004-06-23 at 10:49:42
J???????:
> were there ever any other occurrences of death in the Disney
> comics as far as the mouse and duck universe is concerned?
Not just death, but willful murder: I remember reading, in an old Gladstone
issue, a strip (I think by Taliaferro) where Donald ties an anchor on Goofy's
leg and tricks him into jumping off a pier into the sea. Although I can
understand the black humor, I always found it upsetting that this was
published as a Disney characters gag, and even more upsetting that, at a time
when Disney would not allow showing someone having a prune in his pocket, they
had no trouble with this particular strip.
Kriton.
-----
"We've even got gold tipped bullets for you know what!"
-----
> were there ever any other occurrences of death in the Disney
> comics as far as the mouse and duck universe is concerned?
Not just death, but willful murder: I remember reading, in an old Gladstone
issue, a strip (I think by Taliaferro) where Donald ties an anchor on Goofy's
leg and tricks him into jumping off a pier into the sea. Although I can
understand the black humor, I always found it upsetting that this was
published as a Disney characters gag, and even more upsetting that, at a time
when Disney would not allow showing someone having a prune in his pocket, they
had no trouble with this particular strip.
Kriton.
-----
"We've even got gold tipped bullets for you know what!"
-----
Sander Dijkhuis
Dutch Credits
Message 104 -
2004-06-23 at 13:16:20
Dani?l wrote:
> I do think that artists and writers should be credited in comics, also
> within Donald Duck Weekblad, but on a *separate* page, as part of the
> *editorial* stuff. The stuff that kids and dreamers don't want to read.
In "Donald Duck speciaal reclamenummer 2004" they've put the credits at
the first page of every story. You can see it on two pictures by Martijn
Houwen:
http://server6.uploadit.org/files/Martijn87-ReclameDuck2_111.JPG
http://server6.uploadit.org/files/Martijn87-ReclameDuck2_016.JPG
I'm wondering if they're going to do the same in the coming weeklies.
> But I'm also thinking of a negative side of giving credits within issues
> themselves: What if the credits are wrong or discussable? This happens
> regularly. And I believe it's rarely corrected afterwards. (Or am I wrong
> about that?)
This has happened in the new "Avonturen"-album, according to Daan Jippes:
http://p086.ezboard.com/fstripnetstripliefhebbersforumfrm2.showMessage?topicID=470.topic&index=73
Sander Dijkhuis
http://mcduck.nl/
> I do think that artists and writers should be credited in comics, also
> within Donald Duck Weekblad, but on a *separate* page, as part of the
> *editorial* stuff. The stuff that kids and dreamers don't want to read.
In "Donald Duck speciaal reclamenummer 2004" they've put the credits at
the first page of every story. You can see it on two pictures by Martijn
Houwen:
http://server6.uploadit.org/files/Martijn87-ReclameDuck2_111.JPG
http://server6.uploadit.org/files/Martijn87-ReclameDuck2_016.JPG
I'm wondering if they're going to do the same in the coming weeklies.
> But I'm also thinking of a negative side of giving credits within issues
> themselves: What if the credits are wrong or discussable? This happens
> regularly. And I believe it's rarely corrected afterwards. (Or am I wrong
> about that?)
This has happened in the new "Avonturen"-album, according to Daan Jippes:
http://p086.ezboard.com/fstripnetstripliefhebbersforumfrm2.showMessage?topicID=470.topic&index=73
Sander Dijkhuis
http://mcduck.nl/
Daniel Van Eijmeren
Barks and the refloated ship - scan request
Message 105 -
2004-06-23 at 13:46:35
In private, someone sent me a scans request. But I can't use my
scanner, because of computer problems.
Can someone help me? Preferably by temporarily putting the scans
online?
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Hello from New Zealand. I am a teacher at Napier Boys' High School in
Napier, New Zealand. Some of my pupils are making a video for a
competition. They have decided to look at science and history as it
is shown in comic books and have called their video "Everything I know,
I learnt from comics."
One of the examples that they wish to use is the Carl Barks story that
inspired Kroeyer to refloat the ship in Kuwait. You have a link to a
story on your site here:
http://www.seriesam.com/barks/deta_text_s_pop_science_1965-04.html
which describes it. We were wondering if you had scans of the photos
(and the panels from the comic if possible) that we could use. We
would acknowledge any copyright and your website in the credits.
The closing date is 15 July so we would appreciate a prompt reply.
Thanks, in advance, for your help.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
The article has been reprinted in in The Carl Barks Library (page
8C-666). It was originally published on page 118-119 of Popular
Science, April 1965.
The code of the mentioned Barks story is WDC 104.
http://www.seriesam.com/barks/comicswdc100.html#ccus_wdc0104-02
Thanks in advance,
--- Dani?l
scanner, because of computer problems.
Can someone help me? Preferably by temporarily putting the scans
online?
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Hello from New Zealand. I am a teacher at Napier Boys' High School in
Napier, New Zealand. Some of my pupils are making a video for a
competition. They have decided to look at science and history as it
is shown in comic books and have called their video "Everything I know,
I learnt from comics."
One of the examples that they wish to use is the Carl Barks story that
inspired Kroeyer to refloat the ship in Kuwait. You have a link to a
story on your site here:
http://www.seriesam.com/barks/deta_text_s_pop_science_1965-04.html
which describes it. We were wondering if you had scans of the photos
(and the panels from the comic if possible) that we could use. We
would acknowledge any copyright and your website in the credits.
The closing date is 15 July so we would appreciate a prompt reply.
Thanks, in advance, for your help.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
The article has been reprinted in in The Carl Barks Library (page
8C-666). It was originally published on page 118-119 of Popular
Science, April 1965.
The code of the mentioned Barks story is WDC 104.
http://www.seriesam.com/barks/comicswdc100.html#ccus_wdc0104-02
Thanks in advance,
--- Dani?l