When I throw Darkwing Duck out there, it's more of a business decision. Darkwing Duck has a very solid, and very hungry fan base right now. To me, at this point, I think it's a safer bet than a separate Mickey Mouse or Donald Duck title.
Make no mistake, I'd love to see a large number of titles out there. One of my biggest disappointments was that Gemstone launched their line when I was fresh out of college. I didn't have the disposable income to purchase all the titles at a cost of nearly $400 per year. Of course by the time I did, they reduced the number of titles.
Author
Topic: The current state of Disney Comics? Blame Ike?
(53 messages)
MustangRockstar
The current state of Disney Comics? Blame Ike?
Message 31 -
2012-07-19 at 20:26:20
Dutch Duckfan Down Under
The current state of Disney Comics? Blame Ike?
Message 32 -
2012-07-19 at 20:51:44
I'd start with the core four: Comics and Stories, Scrooge, Donald and Mickey. No Darkwing is a purely personal issue. I'd rather throw in some pocket books or digests. I'd focus more on material that hasn't been published in English yet, and (unfortunately) publish very little Barks. Sure, they're good, but there are other good stories out there. Plus, us collectors probably have his stories at least once or twice. More Italian stories! More rare material!
Another question: So, you're the editor-in-chief of the new Disney comics publisher. First thing on the bucket list is Walt Disney's Comics and Stories 721. 32 pages to fill with comics. What do you want to put in that first issue?
Another question: So, you're the editor-in-chief of the new Disney comics publisher. First thing on the bucket list is Walt Disney's Comics and Stories 721. 32 pages to fill with comics. What do you want to put in that first issue?
GeoX
The current state of Disney Comics? Blame Ike?
Message 33 -
2012-07-19 at 21:04:28
I don't have anything against a DA comic, as long as it's not supplanting other things (which, in fairness, it doesn't seem to have for Boom). I agree that the core four are essential, but my real fantasy--as I've noted elsewhere--is a single digest, twice the length of Gemstone's DDA and MMA (ie, normal size for European digests). Gemstone's digests focused almost exclusively on modern Egmont material, but this one would include the best duck and mouse digest stories from all publishers and all eras--with good-quality paper and top-notch localizations, natch (I'd request separate duck and mouse digests along these lines, but hey, I'm not gonna be greedy). IMAGINE HOW GREAT THAT WOULD BE! IMAGINE IT, DAMMIT!
Lars Jensen
The current state of Disney Comics? Blame Ike?
Message 34 -
2012-07-19 at 21:46:02
Quote from user: Dutch Duckfan Down UnderAnother question: So, you're the editor-in-chief of the new Disney comics publisher. First thing on the bucket list is Walt Disney's Comics and Stories 721. 32 pages to fill with comics. What do you want to put in that first issue?
Assuming it's 32 pages of comics, I have a decent-sized budget, and the issue comes out this year:
I'd have a 10-page Egmont Donald, a short self-produced Phineas & Ferb, a short self-produced Darkwing Duck, possibly a very short self-produced Oswald... and end the issue with a 7-8 page Egmont Mickey.
Assuming it's 32 pages of comics, I have a decent-sized budget, and the issue comes out this year:
I'd have a 10-page Egmont Donald, a short self-produced Phineas & Ferb, a short self-produced Darkwing Duck, possibly a very short self-produced Oswald... and end the issue with a 7-8 page Egmont Mickey.
Kimba_1962
The current state of Disney Comics? Blame Ike?
Message 35 -
2012-07-19 at 22:27:01
I agree with those who prefer a putative "new" Disney comics line to focus on the classic characters -- Donald, Mickey, $crooge -- but rather than try to create individual titles for each of the TV shows, why not supplement the core titles with an oversized TV DISNEY comic? That way, you could run classic "Golden Age DTVA" material AND still have some room for the likes of PHINEAS AND FERB and KIM POSSIBLE. Just imagine Marvel-Disney's woe-begotten THE DISNEY AFTERNOON title from the 90s -- only done RIGHT this time.
Also, put me down in support of GeoX's "SUPER-DIGEST" idea.
Also, put me down in support of GeoX's "SUPER-DIGEST" idea.
Matilda
The current state of Disney Comics? Blame Ike?
Message 36 -
2012-07-20 at 02:02:58
Yes, I want super-digests. And like the German Lustiges Taschenbuch series, I'd vote for some that were thematic collections. Partly because I think they might be more attractive to new buyers than random collections of Disney comics... For instance, the LT series has had "underwater adventures" and "outer space adventures" and ghost stories. There could also be collections of stories about...
Whales:
2 Barks/Jippes JW stories: "Whale of a Good Deed" and "Wailing Whalers"
Geradts/Verhagen "Isabella"
Terry LaBan "The Great White Whale"
Paul Murry "The Monster Whale"
a story featuring Pinocchio's Monstro
(no, no Moby Duck stories, unless there's one where the whale eats him!)
Cats:
--a few Kinney/Hubbard stories with Fethry, Donald and Tabby (my favorite for Tabby's expressions and commentary is "Out of the Depths, Despair")
--Halas & Bartholomew/Vicar "Billyum" (HDL's kitten & Magica)
--Strobl "The Cat's Meow" or one or more of the three Brazilian stories prominently featuring Madam Mim's cat Spitfire
--stories featuring the Aristocats
--Barks' one-pager "Kitty-Go-Round" and the 2-page sequel by Gary Gabner & Craig Deeley
--Hubbard's "The Mischievous Kittens" (Scamp)
--one or more Pluto stories featuring a cat or kitten ("July Jubilee," "Multipli-cat-ions," etc.)
--are there comic versions of the cartoons "Mickey's Orphans" and "Lend a Paw"? (I thought there was one of Lend a Paw, but I can't find it by looking for character Pluto & keyword cat/kitten on INDUCKS.)
--the comic version of the movie "That Darn Cat"
Sherlock Holmes-inspired:
Lockman/Strobl "The Hound of Basketville"
Fallberg/Hubbard "The Case of the Pea-Soup Burglaries" (best of Mickey & the Sleuth)
Markstein/Noel Van Horn "Surefoot Jones"
Salvatori/Intini "Daisy Holmes e lo studio in rosso"
one of the Storck/Mebberson Muppet Sherlock Holmes stories
a Shamrock Bones story (my favorite is "The Case of the Talking Bone," but I haven't read them all)
an original story starring Basil of Baker Street (probably "The Great Train Robbery")
Transgaard "An Impossible Crime"
Oh, this is too much fun. Stop me before I go on to dog stories, and ghost ship stories, and lighthouse stories, and lake monster stories.... (But I do need to say that I wish an American publisher existed in order to commission stories about our North American lake monsters. Enough of Nessie already! I want a Minnie & Mickey story by Dave Rawson about Lake Champlain's Champ! Or a story about Ogopogo!)
Whales:
2 Barks/Jippes JW stories: "Whale of a Good Deed" and "Wailing Whalers"
Geradts/Verhagen "Isabella"
Terry LaBan "The Great White Whale"
Paul Murry "The Monster Whale"
a story featuring Pinocchio's Monstro
(no, no Moby Duck stories, unless there's one where the whale eats him!)
Cats:
--a few Kinney/Hubbard stories with Fethry, Donald and Tabby (my favorite for Tabby's expressions and commentary is "Out of the Depths, Despair")
--Halas & Bartholomew/Vicar "Billyum" (HDL's kitten & Magica)
--Strobl "The Cat's Meow" or one or more of the three Brazilian stories prominently featuring Madam Mim's cat Spitfire
--stories featuring the Aristocats
--Barks' one-pager "Kitty-Go-Round" and the 2-page sequel by Gary Gabner & Craig Deeley
--Hubbard's "The Mischievous Kittens" (Scamp)
--one or more Pluto stories featuring a cat or kitten ("July Jubilee," "Multipli-cat-ions," etc.)
--are there comic versions of the cartoons "Mickey's Orphans" and "Lend a Paw"? (I thought there was one of Lend a Paw, but I can't find it by looking for character Pluto & keyword cat/kitten on INDUCKS.)
--the comic version of the movie "That Darn Cat"
Sherlock Holmes-inspired:
Lockman/Strobl "The Hound of Basketville"
Fallberg/Hubbard "The Case of the Pea-Soup Burglaries" (best of Mickey & the Sleuth)
Markstein/Noel Van Horn "Surefoot Jones"
Salvatori/Intini "Daisy Holmes e lo studio in rosso"
one of the Storck/Mebberson Muppet Sherlock Holmes stories
a Shamrock Bones story (my favorite is "The Case of the Talking Bone," but I haven't read them all)
an original story starring Basil of Baker Street (probably "The Great Train Robbery")
Transgaard "An Impossible Crime"
Oh, this is too much fun. Stop me before I go on to dog stories, and ghost ship stories, and lighthouse stories, and lake monster stories.... (But I do need to say that I wish an American publisher existed in order to commission stories about our North American lake monsters. Enough of Nessie already! I want a Minnie & Mickey story by Dave Rawson about Lake Champlain's Champ! Or a story about Ogopogo!)
Stavner
The current state of Disney Comics? Blame Ike?
Message 37 -
2012-07-20 at 02:12:44
How about a US comic that's as big as Topolino in Italy, 160 pages or so?
Dutch Duckfan Down Under
The current state of Disney Comics? Blame Ike?
Message 38 -
2012-07-20 at 11:33:30
Quote from user: GeoXI don't have anything against a DA comic, as long as it's not supplanting other things (which, in fairness, it doesn't seem to have for Boom). I agree that the core four are essential, but my real fantasy--as I've noted elsewhere--is a single digest, twice the length of Gemstone's DDA and MMA (ie, normal size for European digests). Gemstone's digests focused almost exclusively on modern Egmont material, but this one would include the best duck and mouse digest stories from all publishers and all eras--with good-quality paper and top-notch localizations, natch (I'd request separate duck and mouse digests along these lines, but hey, I'm not gonna be greedy). IMAGINE HOW GREAT THAT WOULD BE! IMAGINE IT, DAMMIT!
First thing I'd do is hire you as an editor. You know these Italian comics. And I do agree with your vision. But top-notch paper is a bit too much. The EU pockets have cheap paper, but that is what keeps them so cheap. Gemstone comics had awesome paper, but were expensive. I'd probably go back to the cheap paper of the Dell-Gladstone I era.
My first issue would look like this:
Cover: a mix of WDC 1 and the first EU comics. Drawn by me, if my skill is high enough.
Editorial bit by yours truly.
Fireman Donald, for traditional reasons.
RhuBarbara, because I have a soft spot for the RhuBarbarabarbarbarianbeardbarber.
YD 40-07-04 to YD 40-07-10, continuing Gladstone's way of publishing all DD comic strips.
One of the Don Rosa posters for Picsou Magazine in the middle of the comic.
The Health Nut, to reintroduce Fethry and Von Drake.
His Handy Andy, because it's a great story.
Remember This on the back cover. Okay, I'm cheating, that's the 33rd page.
First thing I'd do is hire you as an editor. You know these Italian comics. And I do agree with your vision. But top-notch paper is a bit too much. The EU pockets have cheap paper, but that is what keeps them so cheap. Gemstone comics had awesome paper, but were expensive. I'd probably go back to the cheap paper of the Dell-Gladstone I era.
My first issue would look like this:
Cover: a mix of WDC 1 and the first EU comics. Drawn by me, if my skill is high enough.
Editorial bit by yours truly.
Fireman Donald, for traditional reasons.
RhuBarbara, because I have a soft spot for the RhuBarbarabarbarbarianbeardbarber.
YD 40-07-04 to YD 40-07-10, continuing Gladstone's way of publishing all DD comic strips.
One of the Don Rosa posters for Picsou Magazine in the middle of the comic.
The Health Nut, to reintroduce Fethry and Von Drake.
His Handy Andy, because it's a great story.
Remember This on the back cover. Okay, I'm cheating, that's the 33rd page.
GeoX
The current state of Disney Comics? Blame Ike?
Message 39 -
2012-07-20 at 20:39:14
Quote from user: Dutch Duckfan Down UnderFirst thing I'd do is hire you as an editor. You know these Italian comics. And I do agree with your vision. But top-notch paper is a bit too much. The EU pockets have cheap paper, but that is what keeps them so cheap. Gemstone comics had awesome paper, but were expensive. I'd probably go back to the cheap paper of the Dell-Gladstone I era.
I'm blushing :p But don't worry: I will take my responsibilities as imaginary editor very seriously. The paper quality thing is negotiable; it doesn't have to be Gemstone-quality, but mayhaps we can do a little better than the Gladstone I stuff. French digests, at any rate, don't have brilliant production quality, but it's a bit higher than that.
I'm blushing :p But don't worry: I will take my responsibilities as imaginary editor very seriously. The paper quality thing is negotiable; it doesn't have to be Gemstone-quality, but mayhaps we can do a little better than the Gladstone I stuff. French digests, at any rate, don't have brilliant production quality, but it's a bit higher than that.
Robb_K
The current state of Disney Comics? Blame Ike?
Message 40 -
2012-07-20 at 21:55:00
Quote from user: MatildaYes, I want super-digests. And like the German Lustiges Taschenbuch series, I'd vote for some that were thematic collections. Partly because I think they might be more attractive to new buyers than random collections of Disney comics... For instance, the LT series has had "underwater adventures" and "outer space adventures" and ghost stories. There could also be collections of stories about...
Whales:
2 Barks/Jippes JW stories: "Whale of a Good Deed" and "Wailing Whalers"
Geradts/Verhagen "Isabella"
Terry LaBan "The Great White Whale"
Paul Murry "The Monster Whale"
a story featuring Pinocchio's Monstro
(no, no Moby Duck stories, unless there's one where the whale eats him!)
Cats:
--a few Kinney/Hubbard stories with Fethry, Donald and Tabby (my favorite for Tabby's expressions and commentary is "Out of the Depths, Despair")
--Halas & Bartholomew/Vicar "Billyum" (HDL's kitten & Magica)
--Strobl "The Cat's Meow" or one or more of the three Brazilian stories prominently featuring Madam Mim's cat Spitfire
--stories featuring the Aristocats
--Barks' one-pager "Kitty-Go-Round" and the 2-page sequel by Gary Gabner & Craig Deeley
--Hubbard's "The Mischievous Kittens" (Scamp)
--one or more Pluto stories featuring a cat or kitten ("July Jubilee," "Multipli-cat-ions," etc.)
--are there comic versions of the cartoons "Mickey's Orphans" and "Lend a Paw"? (I thought there was one of Lend a Paw, but I can't find it by looking for character Pluto & keyword cat/kitten on INDUCKS.)
--the comic version of the movie "That Darn Cat"
Sherlock Holmes-inspired:
Lockman/Strobl "The Hound of Basketville"
Fallberg/Hubbard "The Case of the Pea-Soup Burglaries" (best of Mickey & the Sleuth)
Markstein/Noel Van Horn "Surefoot Jones"
Salvatori/Intini "Daisy Holmes e lo studio in rosso"
one of the Storck/Mebberson Muppet Sherlock Holmes stories
a Shamrock Bones story (my favorite is "The Case of the Talking Bone," but I haven't read them all)
an original story starring Basil of Baker Street (probably "The Great Train Robbery")
Transgaard "An Impossible Crime"
Oh, this is too much fun. Stop me before I go on to dog stories, and ghost ship stories, and lighthouse stories, and lake monster stories.... (But I do need to say that I wish an American publisher existed in order to commission stories about our North American lake monsters. Enough of Nessie already! I want a Minnie & Mickey story by Dave Rawson about Lake Champlain's Champ! Or a story about Ogopogo!)
''
The Shamrock Bones story, "The Shattered Glass Mystery" was very good, as well.
Whales:
2 Barks/Jippes JW stories: "Whale of a Good Deed" and "Wailing Whalers"
Geradts/Verhagen "Isabella"
Terry LaBan "The Great White Whale"
Paul Murry "The Monster Whale"
a story featuring Pinocchio's Monstro
(no, no Moby Duck stories, unless there's one where the whale eats him!)
Cats:
--a few Kinney/Hubbard stories with Fethry, Donald and Tabby (my favorite for Tabby's expressions and commentary is "Out of the Depths, Despair")
--Halas & Bartholomew/Vicar "Billyum" (HDL's kitten & Magica)
--Strobl "The Cat's Meow" or one or more of the three Brazilian stories prominently featuring Madam Mim's cat Spitfire
--stories featuring the Aristocats
--Barks' one-pager "Kitty-Go-Round" and the 2-page sequel by Gary Gabner & Craig Deeley
--Hubbard's "The Mischievous Kittens" (Scamp)
--one or more Pluto stories featuring a cat or kitten ("July Jubilee," "Multipli-cat-ions," etc.)
--are there comic versions of the cartoons "Mickey's Orphans" and "Lend a Paw"? (I thought there was one of Lend a Paw, but I can't find it by looking for character Pluto & keyword cat/kitten on INDUCKS.)
--the comic version of the movie "That Darn Cat"
Sherlock Holmes-inspired:
Lockman/Strobl "The Hound of Basketville"
Fallberg/Hubbard "The Case of the Pea-Soup Burglaries" (best of Mickey & the Sleuth)
Markstein/Noel Van Horn "Surefoot Jones"
Salvatori/Intini "Daisy Holmes e lo studio in rosso"
one of the Storck/Mebberson Muppet Sherlock Holmes stories
a Shamrock Bones story (my favorite is "The Case of the Talking Bone," but I haven't read them all)
an original story starring Basil of Baker Street (probably "The Great Train Robbery")
Transgaard "An Impossible Crime"
Oh, this is too much fun. Stop me before I go on to dog stories, and ghost ship stories, and lighthouse stories, and lake monster stories.... (But I do need to say that I wish an American publisher existed in order to commission stories about our North American lake monsters. Enough of Nessie already! I want a Minnie & Mickey story by Dave Rawson about Lake Champlain's Champ! Or a story about Ogopogo!)
''
The Shamrock Bones story, "The Shattered Glass Mystery" was very good, as well.
Stavner
The current state of Disney Comics? Blame Ike?
Message 41 -
2012-07-21 at 02:11:13
Or how about digital?
Steet
The current state of Disney Comics? Blame Ike?
Message 42 -
2012-07-21 at 07:00:28
That's no surprise, but I'd like (no, I'm fighting for!) a TaleSpin comic before anything else.
As previously said, Disney Afternoon comics would be supplementary, not a replacement to "classics characters". They proved they could be a big success at Boom! Studios (bigger than "classics" actually), and they're a great way to attract the older audience AND the younger one to Disney comics.
I think the problem with Donald, Scrooge and Mickey books is that :
- the older audience see them as "kiddy books" (which is totally untrue, but that's another debate)
- the younger audience see them as "outdated/old fashioned". It's not a "brand" like Cars or Princesses (I HATE brands... XD)
The Disney Afternoon books have both a nostalgic appeal to the older audience, and a "fresh" one to the younger audience. Also, there have been Disney classics for YEARS, even I grew tired of them. (believe me, I read Donald & Scrooge comics for about 10 years! I still like reading one, once in a while, but it's not the same appeal anymore)
As for why a Talespin book? Because that's the only major Disney Afternoon series that hasn't being revived, yet the best and most underrated one...(IMO) and 1500+ people want that to happen!!!
http://www.animationsource.org/talespin/en/petition/&id_film=9
To be honest, I think making a new "Disney Afternoon" monthly book, with several comics for some of the series each month chosen randomly (like the old Disney Adventures book) would be even better than making individual books for each, because I fear TaleSpin will once again be totally and unfairly neglected. That could also allow crossovers more easily!
As previously said, Disney Afternoon comics would be supplementary, not a replacement to "classics characters". They proved they could be a big success at Boom! Studios (bigger than "classics" actually), and they're a great way to attract the older audience AND the younger one to Disney comics.
I think the problem with Donald, Scrooge and Mickey books is that :
- the older audience see them as "kiddy books" (which is totally untrue, but that's another debate)
- the younger audience see them as "outdated/old fashioned". It's not a "brand" like Cars or Princesses (I HATE brands... XD)
The Disney Afternoon books have both a nostalgic appeal to the older audience, and a "fresh" one to the younger audience. Also, there have been Disney classics for YEARS, even I grew tired of them. (believe me, I read Donald & Scrooge comics for about 10 years! I still like reading one, once in a while, but it's not the same appeal anymore)
As for why a Talespin book? Because that's the only major Disney Afternoon series that hasn't being revived, yet the best and most underrated one...(IMO) and 1500+ people want that to happen!!!
http://www.animationsource.org/talespin/en/petition/&id_film=9
To be honest, I think making a new "Disney Afternoon" monthly book, with several comics for some of the series each month chosen randomly (like the old Disney Adventures book) would be even better than making individual books for each, because I fear TaleSpin will once again be totally and unfairly neglected. That could also allow crossovers more easily!
Lars Jensen
The current state of Disney Comics? Blame Ike?
Message 43 -
2012-07-21 at 11:14:35
Just to clarify the terms re: Disney characters:
Mickey, Donald, Scrooge etc. are called Standard Characters.
Snow White, Cinderella, Pocahontas etc. are called Classic Characters.
Quote from user: steetI fear TaleSpin will once again be totally and unfairly neglected.
TaleSpin's absence from comics shelves has nothing to do with being neglected.
Darkwing Duck (to pick one example) is considered either a license on its own or part of the Standard Characters license (depending on contracts). In some areas of the world, this means that if a company want to publish Darkwing comics and already have the Standard Characters license, they can do so without problem. In other areas they'll have to buy the Darkwing Duck license.
TaleSpin is a different matter, though. The way I understand it, Disney consider TaleSpin part of the Jungle Book universe. This has the consequence that if a company want to publish a TaleSpin comic, they'll have to buy the entire Jungle Book license. (Or perhaps even the entire Classic Characters license; I'm not sure.) This means it is expensive to publish TaleSpin comics. Which makes it hard to make a profit on a TaleSpin book.
(Haven't we gone over this before, by the way?)
Mickey, Donald, Scrooge etc. are called Standard Characters.
Snow White, Cinderella, Pocahontas etc. are called Classic Characters.
Quote from user: steetI fear TaleSpin will once again be totally and unfairly neglected.
TaleSpin's absence from comics shelves has nothing to do with being neglected.
Darkwing Duck (to pick one example) is considered either a license on its own or part of the Standard Characters license (depending on contracts). In some areas of the world, this means that if a company want to publish Darkwing comics and already have the Standard Characters license, they can do so without problem. In other areas they'll have to buy the Darkwing Duck license.
TaleSpin is a different matter, though. The way I understand it, Disney consider TaleSpin part of the Jungle Book universe. This has the consequence that if a company want to publish a TaleSpin comic, they'll have to buy the entire Jungle Book license. (Or perhaps even the entire Classic Characters license; I'm not sure.) This means it is expensive to publish TaleSpin comics. Which makes it hard to make a profit on a TaleSpin book.
(Haven't we gone over this before, by the way?)
GeoX
The current state of Disney Comics? Blame Ike?
Message 44 -
2012-07-21 at 17:53:47
Quote from user: steetthe older audience see them as "kiddy books" (which is totally untrue, but that's another debate)
I have very grave doubts that anybody who's a fan of DA properties would dismiss the classic stuff as "kiddy books."
Quote from user: steetthe younger audience see them as "outdated/old fashioned". It's not a "brand" like Cars or Princesses (I HATE brands... XD)
But why would they see DA shows from before they were born as any less "outdated/old fashioned?" Yes, I suppose Tailspin and Darkwing Duck are "brands," but it's not like The Kidz have a Pavlovian reaction to branding per se.
Quote from user: steetAlso, there have been Disney classics for YEARS, even I grew tired of them. (believe me, I read Donald & Scrooge comics for about 10 years! I still like reading one, once in a while, but it's not the same appeal anymore)
I cannot help but note that you are extrapolating your own sensibilities outward with, as far as I can see, no justification.
I have very grave doubts that anybody who's a fan of DA properties would dismiss the classic stuff as "kiddy books."
Quote from user: steetthe younger audience see them as "outdated/old fashioned". It's not a "brand" like Cars or Princesses (I HATE brands... XD)
But why would they see DA shows from before they were born as any less "outdated/old fashioned?" Yes, I suppose Tailspin and Darkwing Duck are "brands," but it's not like The Kidz have a Pavlovian reaction to branding per se.
Quote from user: steetAlso, there have been Disney classics for YEARS, even I grew tired of them. (believe me, I read Donald & Scrooge comics for about 10 years! I still like reading one, once in a while, but it's not the same appeal anymore)
I cannot help but note that you are extrapolating your own sensibilities outward with, as far as I can see, no justification.
Dutch Duckfan Down Under
The current state of Disney Comics? Blame Ike?
Message 45 -
2012-07-21 at 18:29:39
Quote from user: GeoXQuote from user: steetthe older audience see them as "kiddy books" (which is totally untrue, but that's another debate)
I have very grave doubts that anybody who's a fan of DA properties would dismiss the classic stuff as "kiddy books."
I'm sure that if you put "in this issue: LOST IN THE ANDES" on the cover, those people would think "it's can't be that bad". Or, they'll buy them for their kids and then find out they're acutally good.
Quote from user: steetthe younger audience see them as "outdated/old fashioned". It's not a "brand" like Cars or Princesses (I HATE brands... XD)
Nonsense. Disney classics (the animated films) are always popular with kids, even when their grandparents watched the same films. It's really not as much of an issue as some people think. And they'll say it's 'kiddy stuff' before they care if it's old-fasioned. And it helps that most Disney comics hold up pretty well through the ages. Besides, Disney is a brand. It's Disney!
Quote from user: GeoXQuote from user: steetAlso, there have been Disney classics for YEARS, even I grew tired of them. (believe me, I read Donald & Scrooge comics for about 10 years! I still like reading one, once in a while, but it's not the same appeal anymore)
I cannot help but note that you are extrapolating your own sensibilities outward with, as far as I can see, no justification.
I've been reading Disney classics for a decade now, and I've never grown tired of them. Just sayin'. If if weren't for that, I wouldn't be here.
I have very grave doubts that anybody who's a fan of DA properties would dismiss the classic stuff as "kiddy books."
I'm sure that if you put "in this issue: LOST IN THE ANDES" on the cover, those people would think "it's can't be that bad". Or, they'll buy them for their kids and then find out they're acutally good.
Quote from user: steetthe younger audience see them as "outdated/old fashioned". It's not a "brand" like Cars or Princesses (I HATE brands... XD)
Nonsense. Disney classics (the animated films) are always popular with kids, even when their grandparents watched the same films. It's really not as much of an issue as some people think. And they'll say it's 'kiddy stuff' before they care if it's old-fasioned. And it helps that most Disney comics hold up pretty well through the ages. Besides, Disney is a brand. It's Disney!
Quote from user: GeoXQuote from user: steetAlso, there have been Disney classics for YEARS, even I grew tired of them. (believe me, I read Donald & Scrooge comics for about 10 years! I still like reading one, once in a while, but it's not the same appeal anymore)
I cannot help but note that you are extrapolating your own sensibilities outward with, as far as I can see, no justification.
I've been reading Disney classics for a decade now, and I've never grown tired of them. Just sayin'. If if weren't for that, I wouldn't be here.