On Fri, 30 Sep 1994, James Williams wrote:
> You're both correct. Carl Barks gave up drawing comic books before he
> quit writing them. The catch is that Carl didn't use scripts, he used
> rough breakdowns instead. According to Mark Evanier, this was a
> normal method used by most "funny animal" publishers. I think Archie
> Comics still uses this method. So Carl Barks wrote a series of
> Junior Woodchuck stories. These were finished by other people and
> printed. But, the artwork wasn't anything special. Daan Jippes
> has been re-inking these stories.
>
When I attended the Barks exhibit in Hannover, Germany, they had a JWW
story on display. The pages were the rough pencils and layouts from
Barks, and the story was about the JWWs ferrying animals to a nature
preserve. (One of the acronyms was A.R.K.) It was quite funny, and I
wonder why Gladstone doesn't publish these, either from the original Gold
Key issues, or the re-inkings. As Don Rosa has proven, a good story can
lessen bad art. (Just kidding, Don! Your art is wonderful!) And from
what I can recall, the early HDLs had decent art.
T.O.R.S.T.E.N. A.D.A.I.R. torsten at cwis.unomaha.edu Omaha, NE, USA
Author
Topic: 199501
(168 messages)
Torsten Wesley Adair
Jippes and the JWW
Message 16 -
1995-01-05 at 08:56:43
Jørgen Andreas Bangor
DD&Co #51
Message 17 -
1995-01-05 at 22:35:01
It's about three weeks since I sent the last review of Norwegian
Disney magazines. Time to start again. You should have recovered
from the last ones now :-)
Donald Duck & Co #51
--------------------
In the lead story (D94050, 10 pages) Donald is a journalist in a
newspaper. He has just got an interview with a famous actor, but
right after the actor has left the house, Donald manages to
destroy the tape. Therefore he follows the actor's car to get a new
interview. He follows the wrong car, and ends up in a space
laboratory. He is sent out in space by accident, and the spaceship
crashes at the North Pole. He gets an interview with Santa Claus.
Art by Vicar.
Next is a Beagle Boys story (D92050, 8 pages). A group of actors
are coming to the prison to entertain the prisoners. The BB take
their place and escapes from the prison. To get out of town they
steal a sled, and dresses like Santa Claus. They go to a small
house outside the city where they believe there is food and money.
Not so. The house has fallen apart. The real Santa Claus finds
them, and transports them back to the prison.
Third is a Gyro Gearloose story (D93058, 4 pages). The guards in
a lighthouse are isolated because of a storm. Therefore the coast
guard cannot send them food for Christmas. GG is trying to do it
with his flying saucer. It chrashes. Then he dresses up in a
diving suit, and walks under water out to the lighthouse.
Oh, no... another Zoom Transport story (D93291, 8 pages). And if
that wasn't enough... it's a continuation story! Oh, well. The
Phantom Blot builds an antenna to make peoples TV screens
hypnotize them. Then he can be the world leader.
Last is a DD one-pager (KF 6.2.46).
There's also an extra issue coming with this issue. The comic
adaption of the Lion King. No code. I didn't buy Marvel's
adaption, so I don't know if it's the same. If it is, I guess that
would be an answer to Fredrik's question about the rights to their
Disney stories.
Jorgen
Disney magazines. Time to start again. You should have recovered
from the last ones now :-)
Donald Duck & Co #51
--------------------
In the lead story (D94050, 10 pages) Donald is a journalist in a
newspaper. He has just got an interview with a famous actor, but
right after the actor has left the house, Donald manages to
destroy the tape. Therefore he follows the actor's car to get a new
interview. He follows the wrong car, and ends up in a space
laboratory. He is sent out in space by accident, and the spaceship
crashes at the North Pole. He gets an interview with Santa Claus.
Art by Vicar.
Next is a Beagle Boys story (D92050, 8 pages). A group of actors
are coming to the prison to entertain the prisoners. The BB take
their place and escapes from the prison. To get out of town they
steal a sled, and dresses like Santa Claus. They go to a small
house outside the city where they believe there is food and money.
Not so. The house has fallen apart. The real Santa Claus finds
them, and transports them back to the prison.
Third is a Gyro Gearloose story (D93058, 4 pages). The guards in
a lighthouse are isolated because of a storm. Therefore the coast
guard cannot send them food for Christmas. GG is trying to do it
with his flying saucer. It chrashes. Then he dresses up in a
diving suit, and walks under water out to the lighthouse.
Oh, no... another Zoom Transport story (D93291, 8 pages). And if
that wasn't enough... it's a continuation story! Oh, well. The
Phantom Blot builds an antenna to make peoples TV screens
hypnotize them. Then he can be the world leader.
Last is a DD one-pager (KF 6.2.46).
There's also an extra issue coming with this issue. The comic
adaption of the Lion King. No code. I didn't buy Marvel's
adaption, so I don't know if it's the same. If it is, I guess that
would be an answer to Fredrik's question about the rights to their
Disney stories.
Jorgen
Jørgen Andreas Bangor
DD&Co #52
Message 18 -
1995-01-05 at 22:38:16
Donald Duck & Co #52
--------------------
The lead story is a Dutch story (H8499, 10 pages). A foreign stamp
collector is coming to Duckburg to buy a stamp from Scrooge. Scrooge
refuses to sell it. Donald wants to help HDL with their stamp collection
(they will sell the stamps to buy icecream), and tears off the stamp from
the letter, where this collector is telling he's coming. He also tears of
a bit of the letter. This makes Scrooge believe that the collector wants
to buy a pillow from him. He puts the pillow in a box, and asks Donald
to deliver it. Donald wants to send it by mail instead of walking to
the hotel. He then puts a stamp on it. Guess which one!
Rest of the story is about getting it back. A good story. Good art.
Art by Jan Guldbransson (thanks, Harry. Your index is very useful :)
Next is a Beagle Boys story (D92313, 6 pages). The BB are released from
prison. Their nephews come to visit them. After some days, the BB want
to get back to the prison.
The third story is a Madam Mim story (H90102, 2 pages). She wants an
egg for breakfast. She finds it to be very difficult to use magic to
create one.
The fourth story is Barks' "Serum to Codfish Cove" (WR/WDC 114 A,
10 pages).
Then the second, and (fortunately) last part of the Zoom Transport
story (D93291, 8 pages).
Last is a DD one-pager (KF 10.13.46).
Jorgen
--------------------
The lead story is a Dutch story (H8499, 10 pages). A foreign stamp
collector is coming to Duckburg to buy a stamp from Scrooge. Scrooge
refuses to sell it. Donald wants to help HDL with their stamp collection
(they will sell the stamps to buy icecream), and tears off the stamp from
the letter, where this collector is telling he's coming. He also tears of
a bit of the letter. This makes Scrooge believe that the collector wants
to buy a pillow from him. He puts the pillow in a box, and asks Donald
to deliver it. Donald wants to send it by mail instead of walking to
the hotel. He then puts a stamp on it. Guess which one!
Rest of the story is about getting it back. A good story. Good art.
Art by Jan Guldbransson (thanks, Harry. Your index is very useful :)
Next is a Beagle Boys story (D92313, 6 pages). The BB are released from
prison. Their nephews come to visit them. After some days, the BB want
to get back to the prison.
The third story is a Madam Mim story (H90102, 2 pages). She wants an
egg for breakfast. She finds it to be very difficult to use magic to
create one.
The fourth story is Barks' "Serum to Codfish Cove" (WR/WDC 114 A,
10 pages).
Then the second, and (fortunately) last part of the Zoom Transport
story (D93291, 8 pages).
Last is a DD one-pager (KF 10.13.46).
Jorgen
Jørgen Andreas Bangor
DD&Co #1 1995
Message 19 -
1995-01-05 at 22:40:48
Donald Duck & Co #1 1995
------------------------
The lead story is a van Horn story (D93491, 10 pages). Donald is
a fish controller in zone seven. His job is to count all the fishes
in his part of the sea to make sure they are all there. He drives a
strange fish, which doesn't belong there, away. This makes his chief
very angry, because the fish is very rare. If Donald doesn't find the
fish, he will be fired.
Nest is a Mickey story (D93256, 8 pages). Horace buys a lot of knight
suits from the theatre, and makes it a new trend in Duckburg to wear
these.
Stupid idea. Why would anyone walk around in panser plates? The art
looks like Tello.
The third story is a Br'er Rabbit story (D94018, 4 pages). It's about
an election in the forest. Very inconsistent.
Then a Gyro Gearloose story (D93410, 6 pages). Emil Eagle is trying
to steal something from Gyro before he gets a patent on it. Gyro makes
up a lot of things to prevent the eagle from getting close to him. This
also prevent all his friends from getting close to him.
Good story.
Then the first part of Barks' "Race to the South Seas" (W/M.O.C. 41 1949).
Last is a Pluto one-pager (KF 6.11.39).
Jorgen
------------------------
The lead story is a van Horn story (D93491, 10 pages). Donald is
a fish controller in zone seven. His job is to count all the fishes
in his part of the sea to make sure they are all there. He drives a
strange fish, which doesn't belong there, away. This makes his chief
very angry, because the fish is very rare. If Donald doesn't find the
fish, he will be fired.
Nest is a Mickey story (D93256, 8 pages). Horace buys a lot of knight
suits from the theatre, and makes it a new trend in Duckburg to wear
these.
Stupid idea. Why would anyone walk around in panser plates? The art
looks like Tello.
The third story is a Br'er Rabbit story (D94018, 4 pages). It's about
an election in the forest. Very inconsistent.
Then a Gyro Gearloose story (D93410, 6 pages). Emil Eagle is trying
to steal something from Gyro before he gets a patent on it. Gyro makes
up a lot of things to prevent the eagle from getting close to him. This
also prevent all his friends from getting close to him.
Good story.
Then the first part of Barks' "Race to the South Seas" (W/M.O.C. 41 1949).
Last is a Pluto one-pager (KF 6.11.39).
Jorgen
Jørgen Andreas Bangor
MM #1 1995
Message 20 -
1995-01-05 at 22:42:23
Mikke Mus #1 1995
-----------------
First another bad Mickey story (D93153, 6 pages). Mickey is visited
by a foolish and naive cousin. He gets into trouble, and Mickey gets
him out of it.
In the second story (D90189, 17 pages) Scrooge is told that one of
his oil wells in Alaska is empty. He goes there to check it, and
finds that an alien space ship has crashed there.
A few good gags, but mostly stupid.
The third story is better, though not much better (D91395, 8 pages).
Donald and HDL has just seen a werewolf movie. The boys are really
scared. Donald finds it very amusing to scare them even more. They
take revenge by dressing Donald like a werewolf while he is asleep.
He scares up most of the neighboorhood while he's chasing a thief.
The werewolf look disappear when he falls into the water, but he's
put in jail because the police want to see if he turns into a werewolf
again at next fullmoon.
Last is a Goofy one-pager (D93320).
Jorgen
-----------------
First another bad Mickey story (D93153, 6 pages). Mickey is visited
by a foolish and naive cousin. He gets into trouble, and Mickey gets
him out of it.
In the second story (D90189, 17 pages) Scrooge is told that one of
his oil wells in Alaska is empty. He goes there to check it, and
finds that an alien space ship has crashed there.
A few good gags, but mostly stupid.
The third story is better, though not much better (D91395, 8 pages).
Donald and HDL has just seen a werewolf movie. The boys are really
scared. Donald finds it very amusing to scare them even more. They
take revenge by dressing Donald like a werewolf while he is asleep.
He scares up most of the neighboorhood while he's chasing a thief.
The werewolf look disappear when he falls into the water, but he's
put in jail because the police want to see if he turns into a werewolf
again at next fullmoon.
Last is a Goofy one-pager (D93320).
Jorgen
Fredrik Ekman
At last!
Message 21 -
1995-01-06 at 01:20:00
On Fri, 30 Dec 1994, Fabio Gadducci wrote:
> And what about Gancio? The raven Elmer (it first appeared in a September
> 1949 Sunday Page, drawn by Manuel Gonzales, if I remeber correctly) is
> quite a well known character in Italy.
I am confused. (That may be my normal state of mind, but now I am more so
than usually.) Did we not agree that his English name is Ellsworth? Or is
there something wrong with my memory?
> About the super-extra-magnificent edition of 'Horsing around...'
> [...]
> And as it is obvious, she did not know anything about the other European
> editions, even if the statement of 'first edition ever' is quite ambiguous
> and could be intepreted as 'first English edition ever': but I know for
> sure she didn't know anything about the other European editions.
There was something similar in the Swedish edition. On the cover, they
wrote something like "Only in Kalle Anka & Co!". Of course, this could be
interpreted as "In Sweden, only in KA", but that is absolutely stupid. I
mean, in what other Swedish publication would it appear besides this?
/F
> And what about Gancio? The raven Elmer (it first appeared in a September
> 1949 Sunday Page, drawn by Manuel Gonzales, if I remeber correctly) is
> quite a well known character in Italy.
I am confused. (That may be my normal state of mind, but now I am more so
than usually.) Did we not agree that his English name is Ellsworth? Or is
there something wrong with my memory?
> About the super-extra-magnificent edition of 'Horsing around...'
> [...]
> And as it is obvious, she did not know anything about the other European
> editions, even if the statement of 'first edition ever' is quite ambiguous
> and could be intepreted as 'first English edition ever': but I know for
> sure she didn't know anything about the other European editions.
There was something similar in the Swedish edition. On the cover, they
wrote something like "Only in Kalle Anka & Co!". Of course, this could be
interpreted as "In Sweden, only in KA", but that is absolutely stupid. I
mean, in what other Swedish publication would it appear besides this?
/F
Bob Wright
Disney-comics digest #541.
Message 22 -
1995-01-06 at 02:41:55
ALL: On the subject of Scrooge collectables, has anyone seen a Scrooge
cookie jar? I've been trying to find one for some time, as my wife would
like it for her collection. Some years back I saw a Scrooge bank, complete
with brass-rimmed spectacles, done in a bright green, which would have made
a nice jar. Any ideas?
Anyone for 23,000,000 quarts of pickled rutabagas?
cookie jar? I've been trying to find one for some time, as my wife would
like it for her collection. Some years back I saw a Scrooge bank, complete
with brass-rimmed spectacles, done in a bright green, which would have made
a nice jar. Any ideas?
Anyone for 23,000,000 quarts of pickled rutabagas?
Don Rosa
Disney-comics digest #544.
Message 23 -
1995-01-06 at 06:49:32
FREDRIK:
Of course, I haven't inspected their contract, but I'm rather
certain that Marvel has the same deal that all the other Disney comics
licensees have. In other words, if any other Disney comic licensee
worldwide took a fancy to one of the Disney stories produced by Marvel,
they would be free to reprint it, and not for a "nominal fee" -- it
would be absolutely free to them (or the cost of the photostats at
most). The only licensee that would not be allowed to do this would be
Gladstone since the license for animated-feature comics, TV comics and
"classic" (Dell) comics is split up in the U.S. The same applies to the
fact that Marvel cannot reprint any story that does not exclusively
feature those animated-feature characters it handles.
JORGEN:
Very astute -- of course, in my version of "The Treasury of
Croesus", DD would not be singing that ABBA song. The story dealt with
Croesus, the king of ancient Lydia -- when the Ducks are approaching the
Museum, U$ asks DD what he knows of Lydia, and DD say he learned all
about Lydia watching the Late Show and goes into a rendition of "Lydia
the Tattooed Lady" (best known as the song Groucho sings in AT THE
CIRCUS). DD breaks into this song every few pages throughout the story
as the running gag. I knew when I wrote this into my story that it would
cause problems for translators, but sometimes I just ignore this problem
so that I won't be so burdened with it, and have faith in the able
translators to come up with their own solutions. I knew of Stefan Dios'
solution for his translation in KALLE ANKA & CO., and it seems a good
one. Of course, that song was not written when my story is supposed to
be taking place (c. 1955), but that's okay.
The bigger problem will come when Gladstone reprints the story
-- I've recently found out that Gladstone cannot print a full line out
of a song that is still under copyright, and as old as "Lydia" is, it's
probably still covered by some ancient copyright as songs are. (For
instance, would you believe that "Happy Birthday to you" is covered by
a copyright, and every time it is sung in a movie or TV show, two
little old ladies here in Louisville get a check for 1 cent or
something like that. This answers the question you might have as to why
you hear that tune oddly paraphrased in movies now and then -- not to
avoid the 1 cent payment {only Disney would do that} but to avoid the
needless red tape.) Anyway, we'll worry about that problem when the
times comes -- perhaps Gladstone can use the original song by just
changing one word in each line? I had to change a few words even in my
script since the lyrics are rather risque for a 1995 Disney comic, even
though the tune was written about 70 years ago.
Of course, I haven't inspected their contract, but I'm rather
certain that Marvel has the same deal that all the other Disney comics
licensees have. In other words, if any other Disney comic licensee
worldwide took a fancy to one of the Disney stories produced by Marvel,
they would be free to reprint it, and not for a "nominal fee" -- it
would be absolutely free to them (or the cost of the photostats at
most). The only licensee that would not be allowed to do this would be
Gladstone since the license for animated-feature comics, TV comics and
"classic" (Dell) comics is split up in the U.S. The same applies to the
fact that Marvel cannot reprint any story that does not exclusively
feature those animated-feature characters it handles.
JORGEN:
Very astute -- of course, in my version of "The Treasury of
Croesus", DD would not be singing that ABBA song. The story dealt with
Croesus, the king of ancient Lydia -- when the Ducks are approaching the
Museum, U$ asks DD what he knows of Lydia, and DD say he learned all
about Lydia watching the Late Show and goes into a rendition of "Lydia
the Tattooed Lady" (best known as the song Groucho sings in AT THE
CIRCUS). DD breaks into this song every few pages throughout the story
as the running gag. I knew when I wrote this into my story that it would
cause problems for translators, but sometimes I just ignore this problem
so that I won't be so burdened with it, and have faith in the able
translators to come up with their own solutions. I knew of Stefan Dios'
solution for his translation in KALLE ANKA & CO., and it seems a good
one. Of course, that song was not written when my story is supposed to
be taking place (c. 1955), but that's okay.
The bigger problem will come when Gladstone reprints the story
-- I've recently found out that Gladstone cannot print a full line out
of a song that is still under copyright, and as old as "Lydia" is, it's
probably still covered by some ancient copyright as songs are. (For
instance, would you believe that "Happy Birthday to you" is covered by
a copyright, and every time it is sung in a movie or TV show, two
little old ladies here in Louisville get a check for 1 cent or
something like that. This answers the question you might have as to why
you hear that tune oddly paraphrased in movies now and then -- not to
avoid the 1 cent payment {only Disney would do that} but to avoid the
needless red tape.) Anyway, we'll worry about that problem when the
times comes -- perhaps Gladstone can use the original song by just
changing one word in each line? I had to change a few words even in my
script since the lyrics are rather risque for a 1995 Disney comic, even
though the tune was written about 70 years ago.
Fabio Gadducci
Small remark...
Message 24 -
1995-01-06 at 14:26:17
Just a small remark about the Lion King.
In Italy, the adaptation has been published as the main story in a recent
issue of the weekly 'Topolino'. Yes, they have the rights...
And yes, Fredrik, I wrongly wrote Elmer (Fudd, maybe...) instead of
Ellsworth: only Gad knows why...
================================================================
Fabio Gadducci Dip. di Informatica
Home: +39-50-541725 Universita` di Pisa
Off.: +39-50-887268 Corso Italia 40, 56100 PISA (ITALY)
FAX: +39-50-887226 E-mail:gadducci at di.unipi.it
================================================================
In Italy, the adaptation has been published as the main story in a recent
issue of the weekly 'Topolino'. Yes, they have the rights...
And yes, Fredrik, I wrongly wrote Elmer (Fudd, maybe...) instead of
Ellsworth: only Gad knows why...
================================================================
Fabio Gadducci Dip. di Informatica
Home: +39-50-541725 Universita` di Pisa
Off.: +39-50-887268 Corso Italia 40, 56100 PISA (ITALY)
FAX: +39-50-887226 E-mail:gadducci at di.unipi.it
================================================================
PAULO BARRETO
Disney coins
Message 25 -
1995-01-07 at 00:16:00
Ave ALL!
As a new subscriber to Disney Comics mailing list, I've found
some messages about Disney collectibles; many about the Uncle $crooge
banks and the like. Anybody know something about Disney coin
collections?
The only such collection I know has been released by Abril and
the coins were given away with their comics around 1977/78 (I'm not 100%
sure). The coins pictured the most popular characters. I remember I
found the collection pretty disappointing since the otherwise
well-struck coins became rusty (in less than one week!) and just a light
polishing exposed the iron core under the brass (?) coating. They
released also a fine paper cash register kit for keeping the collection.
The '72 "No. 1 coin" included with _Manual do Tio Patinhas_ was
something worse: a smaller coin in a lighter (supposedly more fragile)
material with dismal engraving.
_____m__(0/\0)__m_____ NaCl d'PP de Paulo Barreto
---
* QMPro 1.0 12-3456 * Coming soon: MS-Windows 5.0 DV-AWARE...
As a new subscriber to Disney Comics mailing list, I've found
some messages about Disney collectibles; many about the Uncle $crooge
banks and the like. Anybody know something about Disney coin
collections?
The only such collection I know has been released by Abril and
the coins were given away with their comics around 1977/78 (I'm not 100%
sure). The coins pictured the most popular characters. I remember I
found the collection pretty disappointing since the otherwise
well-struck coins became rusty (in less than one week!) and just a light
polishing exposed the iron core under the brass (?) coating. They
released also a fine paper cash register kit for keeping the collection.
The '72 "No. 1 coin" included with _Manual do Tio Patinhas_ was
something worse: a smaller coin in a lighter (supposedly more fragile)
material with dismal engraving.
_____m__(0/\0)__m_____ NaCl d'PP de Paulo Barreto
---
* QMPro 1.0 12-3456 * Coming soon: MS-Windows 5.0 DV-AWARE...
PAULO BARRETO
Disney-comics digest #544
Message 26 -
1995-01-07 at 00:16:00
DON:
> Very astute -- of course, in my version of "The Treasury of
>Croesus", DD would not be singing that ABBA song. The story dealt with
>Croesus, the king of ancient Lydia -- when the Ducks are approaching the
>Museum, U$ asks DD what he knows of Lydia, and DD say he learned all
>about Lydia watching the Late Show and goes into a rendition of "Lydia
>the Tattooed Lady" (best known as the song Groucho sings in AT THE
>CIRCUS). DD breaks into this song every few pages throughout the story
>as the running gag. I knew when I wrote this into my story that it would
>cause problems for translators, but sometimes I just ignore this problem
>so that I won't be so burdened with it, and have faith in the able
>translators to come up with their own solutions. I knew of Stefan Dios'
>solution for his translation in KALLE ANKA & CO., and it seems a good
>one. Of course, that song was not written when my story is supposed to
>be taking place (c. 1955), but that's okay.
> The bigger problem will come when Gladstone reprints the story
>-- I've recently found out that Gladstone cannot print a full line out
>of a song that is still under copyright, and as old as "Lydia" is, it's
>probably still covered by some ancient copyright as songs are. (For
>instance, would you believe that "Happy Birthday to you" is covered by
>a copyright, and every time it is sung in a movie or TV show, two
>little old ladies here in Louisville get a check for 1 cent or
>something like that. This answers the question you might have as to why
>you hear that tune oddly paraphrased in movies now and then -- not to
>avoid the 1 cent payment {only Disney would do that} but to avoid the
>needless red tape.) Anyway, we'll worry about that problem when the
>times comes -- perhaps Gladstone can use the original song by just
>changing one word in each line? I had to change a few words even in my
>script since the lyrics are rather risque for a 1995 Disney comic, even
>though the tune was written about 70 years ago.
That reminds me of a similar situation in a Brazilian version:
Editora Abril (the local Disney comics publisher) could neither
translate the original tune nor transcribe verbatim the lyrics of a
Brazilian classic substitute.
The story is "Mickey e a Ilha do ce'u" (no code available)
published originally in Brazilian _Mickey_ #12 (around mid-50's, I
guess): Mickey and Goofy follow a flying car and find an island floating
in the sky, inhabited by an idealistic "mad" scientist. (anybody know
about that story?)
The song appears on page 10, panels 13-15. Sorry, I can't
really reproduce the characters with accents in this ^%@#$&%#@ 7-bit
environment...
ACTUAL LYRICS |STORY TEXT
-------------------------|-------------------------------
Lata d'a'gua na cabec,a, |13: Lata de o'leo na cabec,a,
La' vai Maria, | La' vai Maria...
La' vai Maria |
Sobe o morro e na~o se |14: ...o morro e na~o se
cansa | cansa...
Pela ma~o leva a crianc,a|15: Pelas asas da esperanc,a...
La' vai Maria |
I've come across a number of Brazilian song insertions in
foreigh-made Disney comics (though local Disney production has been
quite large since the 60's), but the've always managed to make them
as natural as possible. All in all, the translation is excellent; much
better for Disney than for superhero Marvel and DC versions from the
same Editora Abril.
_____m__(0/\0)__m_____ []s, Paulo Barreto
---
* QMPro 1.0 12-3456 * Coming Soon: Mouse Support for Edlin!!!
> Very astute -- of course, in my version of "The Treasury of
>Croesus", DD would not be singing that ABBA song. The story dealt with
>Croesus, the king of ancient Lydia -- when the Ducks are approaching the
>Museum, U$ asks DD what he knows of Lydia, and DD say he learned all
>about Lydia watching the Late Show and goes into a rendition of "Lydia
>the Tattooed Lady" (best known as the song Groucho sings in AT THE
>CIRCUS). DD breaks into this song every few pages throughout the story
>as the running gag. I knew when I wrote this into my story that it would
>cause problems for translators, but sometimes I just ignore this problem
>so that I won't be so burdened with it, and have faith in the able
>translators to come up with their own solutions. I knew of Stefan Dios'
>solution for his translation in KALLE ANKA & CO., and it seems a good
>one. Of course, that song was not written when my story is supposed to
>be taking place (c. 1955), but that's okay.
> The bigger problem will come when Gladstone reprints the story
>-- I've recently found out that Gladstone cannot print a full line out
>of a song that is still under copyright, and as old as "Lydia" is, it's
>probably still covered by some ancient copyright as songs are. (For
>instance, would you believe that "Happy Birthday to you" is covered by
>a copyright, and every time it is sung in a movie or TV show, two
>little old ladies here in Louisville get a check for 1 cent or
>something like that. This answers the question you might have as to why
>you hear that tune oddly paraphrased in movies now and then -- not to
>avoid the 1 cent payment {only Disney would do that} but to avoid the
>needless red tape.) Anyway, we'll worry about that problem when the
>times comes -- perhaps Gladstone can use the original song by just
>changing one word in each line? I had to change a few words even in my
>script since the lyrics are rather risque for a 1995 Disney comic, even
>though the tune was written about 70 years ago.
That reminds me of a similar situation in a Brazilian version:
Editora Abril (the local Disney comics publisher) could neither
translate the original tune nor transcribe verbatim the lyrics of a
Brazilian classic substitute.
The story is "Mickey e a Ilha do ce'u" (no code available)
published originally in Brazilian _Mickey_ #12 (around mid-50's, I
guess): Mickey and Goofy follow a flying car and find an island floating
in the sky, inhabited by an idealistic "mad" scientist. (anybody know
about that story?)
The song appears on page 10, panels 13-15. Sorry, I can't
really reproduce the characters with accents in this ^%@#$&%#@ 7-bit
environment...
ACTUAL LYRICS |STORY TEXT
-------------------------|-------------------------------
Lata d'a'gua na cabec,a, |13: Lata de o'leo na cabec,a,
La' vai Maria, | La' vai Maria...
La' vai Maria |
Sobe o morro e na~o se |14: ...o morro e na~o se
cansa | cansa...
Pela ma~o leva a crianc,a|15: Pelas asas da esperanc,a...
La' vai Maria |
I've come across a number of Brazilian song insertions in
foreigh-made Disney comics (though local Disney production has been
quite large since the 60's), but the've always managed to make them
as natural as possible. All in all, the translation is excellent; much
better for Disney than for superhero Marvel and DC versions from the
same Editora Abril.
_____m__(0/\0)__m_____ []s, Paulo Barreto
---
* QMPro 1.0 12-3456 * Coming Soon: Mouse Support for Edlin!!!
Daniel Shane
Disney-comics digest #544.
Message 27 -
1995-01-07 at 01:40:00
DON:
> Anyway, we'll worry about that problem when the
>times comes -- perhaps Gladstone can use the original song by just
>changing one word in each line?
Why sure! After all, as an immigrant "collectibles" dealer once told me,
"As long ass eets a lettle beet different, ess hokay!"
> Anyway, we'll worry about that problem when the
>times comes -- perhaps Gladstone can use the original song by just
>changing one word in each line?
Why sure! After all, as an immigrant "collectibles" dealer once told me,
"As long ass eets a lettle beet different, ess hokay!"
Don Rosa
Disney-comics digest #545.
Message 28 -
1995-01-07 at 05:15:41
BOB W.:
I have watched the skies for every Duck toy or item with extreme
care for several decades, and I feel confidant that there has never been
an Uncle $crooge cookie jar, at least not in America (where there have
been very few $crooge items altogether). But then, of all the $crooge
banks I have, none of them have wire-rim specks such as the one you
describe -- where did you see that and are you sure of it?
I have watched the skies for every Duck toy or item with extreme
care for several decades, and I feel confidant that there has never been
an Uncle $crooge cookie jar, at least not in America (where there have
been very few $crooge items altogether). But then, of all the $crooge
banks I have, none of them have wire-rim specks such as the one you
describe -- where did you see that and are you sure of it?
GaryB98294
Odds 'n' ends
Message 29 -
1995-01-07 at 08:33:11
DON
Oddly enough, the rights to the song "Happy Birthday" is owned by Paul
McCartney, believe it or not. He bought it along with many other songs in the
late 70s or early 80s.
I apologize if I missed this earlier, but what exactly happened regarding
your cover to Uncle Scrooge Adventures #31. The explanation inside was rather
nebulous.
Oddly enough, the rights to the song "Happy Birthday" is owned by Paul
McCartney, believe it or not. He bought it along with many other songs in the
late 70s or early 80s.
I apologize if I missed this earlier, but what exactly happened regarding
your cover to Uncle Scrooge Adventures #31. The explanation inside was rather
nebulous.
MooseJoe
Disney Comics
Message 30 -
1995-01-07 at 21:04:34
I got your address out of the Internet Yellow Pages. I am a big Disney fan
and I was wondering exactly what you are about. Is it something I can get
involved in or is it a private organization?
I look forward to hearing from you!
Thanks!
and I was wondering exactly what you are about. Is it something I can get
involved in or is it a private organization?
I look forward to hearing from you!
Thanks!