Keskustelujen arkisto

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Author

Topic: 199401

(189 messages)
Torsten Wesley Adair
On 23 Jan 1994, Gary Leach wrote:
> TORSTEN:
> Concerning cashier racks, Disney won't have any part of it on Gladstone's
> behalf (they just want their royalty payments), and Marvel has just opted out
> of spending $200 a month on continuing a co-op ad program with us. Gladstone's
> all alone in the wilderness on this one. And guess which of the three
> companies doesn't have tens of thousands of dollars and banks of lawyers to
> throw into just negotiating this sort of thing?

I, Torsten Adair, hereby declare that I will henceforth cease all future
discussion about Disney comics as they relate to cashier racks.

> DON AGAIN, TOO:
> Egmont isn't entirely unconstrained by Disney, but what you said pretty much
> hit the proverbial nail a smart rap. Several years ago I heard that Indonesia
> (I think it was Indonesia) nationalized the Disney characters, claiming they
> were the property of the people of that country and so not subject to the
> dictates of The Walt Disney Company as to their use in that country. It was a
> fascinating bit of hearsay, but I never heard any more about it. Has anyone
> else?

My brother worked for Mobil Oil in Sumatra, Indonesia. I had him buy some
comic books for me from the various countries he visited, and one of them
was a digest sized (about sixteen pages) comic book depicting a very badly
drawn (even worse than you, Don! |)) Donald Duck. The paper was crude
(yellowish brown), and there was no color. I couldn't decipher the
dialogue, so I don't know what it was about.

Until recently, Indonesia was one of the worst offenders of international
copyright law. They have since changed their policy, thanks in part to
the United States of America. I don't know what the current situation is.
I'll have him buy some more the next time I see him.

> TORSTEN, FINALLY:
> Thanks for the rundown on upcoming Gladstones. Is this a regular item that you
> post?

When I have the time. I'll be posting more shortly. However, I will be
leaving the country for a while, and so someone else will need to enter
the info from CBG and Diamond Previews.

> It surprised me to find myself reading my own deathless ad copy for CBG #1055
> in Digest 219. I often find myself writing the CBG ads at the last minute, so
> I hope they mostly make sense...mostly.

Yup. They do. Although the Jefferson dates ad was sort of confusing.
Also, you need to check the black and white photos for clarity. The first
DDA in Color cover was clear, but the second one with the Egyptian tomb
was a bit murky. Maybe if you just printed off a cover with only the
black line art. You could use this for press releases as well (CBG runs
an occasional cover in the news columns, and I'm sure Don Thompson would
use it to sing the praises of Disney comics in his review column.)

> AND THAT...
> ...is more than enough (and probably way too much) from me for now.

Thanks for the information!

Torsten Adair torsten at cwis.unomaha.edu Omaha, NE, USA
Torsten Wesley Adair
On Fri, 28 Jan 1994, James Williams wrote:
> This isn't related to Disney Comics directly. Since it pertains to
> Gladstone, I thought you all would find it interesting. Apparently,
> Gladstone has secured the comic book rights to Filmation's Mighty
> Morphing Power Rangers. I'm pretty sure that Jack C. Harris will be
> one of the writers. I've been worried about how Gladstone would remain
> solvent when their titles sold so poorly. Hopefully, MMPR will help.
> Gary Leach: What other non-Disney Comics is Gladstone planning? Also,
> if I have any of the detail wrong, please correct me.

For those of you who do not have direct access to American television
(quick! Call the United Nations! We must have an airlift for Europe!), I
will explain the previous post.

Mighty Morphing Power Rangers is a live action television program imported
from Japan. The story is about five teenagers who have the ability to
transform into five martial artists to fight Rita Repulsive and her evil
band of nasties. Each MMPR (three boys, two girls) also commands a large
robotic prehistoric animal (tyrannosarus, pteryodactyl, mastodon,
sabertooth tiger, triceratops), which can also be assembled to create a
giant robot, which usually fights one of Rita's giant creations, and thus
destroys a miniature replica of Los Angeles. Guiding the youths is an
electronic sentient master, and an android.

So, what's so great about this program that kids actually get up early on
school days to watch it? Well, it has giant robots, prehistoric
creatures, lots of cool ninja fight scenes (no graphic violence, evil villains
disappear), and some really cheap dubbing of Rita. Mindless fun, usually
with some environmental message.

The real genius is that the MMPR costumes are unisex. You can't tell who
is in the costume, which means the Japanese fight scenes don't have to be
reshot. And the nasties are full costumes as well, leaving Rita as the
only difficult dubbing job, which usually isn't that well done anyway.
All that has to be done is about five minutes of USA filming with the
normal teenagers.

Fact: Last Christmas, MMPR toys were impossible to find in the U.S. I
visited Toys R Us last week, and didn't see any then.

Torsten Adair torsten at cwis.unomaha.edu Omaha, NE, USA
Torsten Wesley Adair
I could claim that I used logical deduction to find this, but in all
actuality, I was looking for something else.

Source: Diamond Previews November 1993 Vol. III, No. 11 p.223

DCD [publisher?]
REMAINDER BOOKS [i.e. company cleaned out warehouse, books cheap]

Donald Duck 50 Years of Happy Frustration Ltd. Ed.

Published in England nearly 10 years ago, this absolutely "ducky"
collectors volume celebrates 50 years of Donald's witless cartoon
shenanigans with loads of full-color artwork, a detailed history of the
character, a special merchandising section, comprehensive film &
bibliographies, a section on "duck language", 3 facsimile letters (from
Carl Barks, Clarence Nash, and Jack Hannah), and a whole lot more! Also
features illustrated end-papers, gold-leafing, and a sturdy slipcase. An
exclusive full-color print--"The Duck Family Tree" (by William Van Horn,
who also signed it)--is also included with every volume.

HC, 9x11, 96pg, FC..........................PI
[Hardcover, size in inches--about 28cm, pages, full color, please inquire]

The "family tree" is shown. At the trunk is US and Grandma Duck[?].

Flintheart Gus
Ludwig Van Drake Gyro Gladstone
H,D,L April, May, June (one is on a swing)
DD Daisy

US GD

In the bushes is Magica de Spell.

As has been said before, this is not definitive, and most likely was done
for fun.

Torsten Adair torsten at cwis.unomaha.edu Omaha, NE, USA
Torsten Wesley Adair
SOURCE: Diamond Previews February 1994 Vol. IV, No. 2 p.107

Gladstone/Disney

Graphic Novels

CBL of DDA in Color #4 [illustration of cover showing giant dragon about
to devour unsuspecting Donald as HDL try to warn him. Comic book cover?
Card illustration?]

Since the inception of Gladstone's acclaimed "Library Album" series, Barks
devotees have anxiously anticipated a similar treatment of the artist's
longer Donald and Scrooge adventures, which originally appeared in the
pages of Dell Four Color and other comic books. Now, Gladstone is pleased
to announce that, via a new license from the Walt Disney Company, they
will publish those adventures in Comic Album format over the course of the
next five years. Each album also includes a special trading card,
featuring a full-color story image drawn from the book, and available
nowhere else. This issue: "Terror of the River" from Donald Duck Four
Color #108, as well [sic] two shorter backup stories: "The Firebug" and
"Seals Are So Smart".
SC, 8x11, 56pg, FC.............$8.95

CBL Album #28 WDC&S in Color [Illustration of DD and HDL in car looking at
old west town in background.]

This twenty-seventh [sic] volume in Gladstone/Disney's complete,
chronological reprinting of all of Carl Barks's comics from the pages of
Walt Disney's Comics & Stories includes: "The Daffy Taffy Pull" from
WDC&S #175; "The Ghost Sheriff of Last Gasp" from WDC&S #176; "A Descent
Interval" from WDC&S #177; "Donald's Raucous Role" from WDC&S #178; and
"Good Canoes and Bad Canoes" from WDC&S #179. Also contains an exclusive
Carl Barks Heroes & Villains trading card--numbered like this volume
(#28)--depicting Chisel McSue.
SC, 8x11, 56pg, FC.....................$8.95

Comics

DD #285
Contains Carl Barks's "Cheltenham's Choice", plus 16 pages of Donald Duck
newspaper strips from the 1930s by Al Taliaferro.
FC....................$1.50

Donald and Mickey #24
This issue: "A Descent Interval" by Carl Barks, and Part Two of "Don't
Call Me Tut" starring Mickey and Goofy. New cover image by William Van Horn.
FC.......................$1.50

USA #27 [Illustration shows US, HDL, and JWW hound (?) in front of giant seal]
Features Donald and the Junior Woodchucks in "Guardians of the Lost
Library"--a new, 28-page story by Don Rosa.
FC....................$1.50

Gary, you guys need to watch which stories are reprinted where. Having "A
Descent Interval" show up twice during one month is not good marketing.
Suppose I had already seen the other stories presented in the CBLA, and
just wanted to read this story? Which title do you think I would buy?

However, considering that you are publishing a new Don Rosa story (What?
No exclamation points?!), I'll let it pass this once.

Also, any chance of having that Overstreet ad run in Diamond Previews? It
would attract a lot of attention....
Torsten Wesley Adair
SOURCE: Comics Buyer's Guide #1056 February 11, 1994 p.108

SHIPPING IN MAY!
WALT DISNEY'S COMICS
IN COLOR #1

The first issue of a new comic book anthology title from Gladstone!

It begins with an all-Donald 64-page issue that will include--no
kidding!--the very first Donald Duck adventure produced in the comic book
format! It's being reprinted in the U.S. for the first time ever!
Walt Disney's Comics in Color is scheduled to be a bi-monthly
alternating regualr-siz and double-size book. In months to come it will
also feature appearances by Uncle Scrooge, Gyro Gearloose, Mickey Mouse,
Gladstone Gander, Daisy Duck and all your favorite traditional Disney
characters. Look for more than a few surprises, as well! What else would
you expect from Gladstone?

[two boxed texts, next to each other]

Comic shops! A solicitation has gone out to your distributor, who will be
taking your orders for this best pick soon. Read all about Walt Disney's
Comics in Color and plan to stock up!

Collectors! Watch the CBG for further exciting details in this space and
elssewhere about Walt Disney's Comics in Color #1 and what we have cooking
for future issues of this new title!

Walt Disney's Comics #1 wil be Gladstone's special issue honoring
the 60th anniversary of Donald Duck. All Disney fans are ging to want
this one!

For those of you who have no ready retail outlet for Disney
comics, we invite you to become a charter subscriber to Walt Disney's
COmics in Color as well as subscribe to any of our other fine Disney
titles by using the handy coupon below:

[WDCiC, DDA, USA will have three double-sized issues in 1994. All titles
$18 in U.S., $23 Foreign]

VINTAGE DISNEY COMICS COLLECTORS--THANK YOU!
We ran an ad in CBG and in our customer catalog offering more than
250 vintage Disney comics spanning over 30 years: Barks, non-Barks,
complete comics, incomplete comics, copies in only fair or good to near
mint file copies... and they quickly sold out! We could have sold the lot
out four times if we'd had more duplicates! To those who missed the
book(s) you wanted, stay tuned! More to follow!
Who said Disney comics are not hot?
--Bruce Hamilton

Torsten Adair torsten at cwis.unomaha.edu Omaha, NE, USA
Don Rosa
I have returned. Yes, my computer did, indeed, go foul and I
awaited a friend who knows computers to come by and see if he could
figure out what was wrong; but the VERY weird local weather kept him
away from my country home until today. What seemed to happen was that
my Drive A was suddenly unable to read any discs. Not just ONE disc,
but any disc. The last time I logged on I did so by switching my
software to Drive B. But the next moment Drive B also became unable to
read anything, and started making the same weird noises as Drive A. If
you're following me, this doesn't make much sense. The problem seemed
to be in the drives, not the discs, but what possible reason could
there be for BOTH drives to break down within an hour of each other. It
would be like driving around on some tires for 5 years and having all 4
blow out at the same time. It didn't make sense... until we took it
apart and found the problem. If I had ever guessed what the problem was
I could have fixed it myself right off, but who woulda' expected THIS
oddity. Here's a problem for all you computer buffs to make a note of:
The break-down occured on the morning after we (in Louisville)
had the COLDEST night in history... 25 below 0 (F). (This was 2 days
after we had the deepest snow in history and which was still on the
ground, and some of which still is -- 20 inches. Deep snow and
super-cold do NOT happen together -- in fact, they normally preclude
one another. It was a VERY strange day when Louisville had both its
deepest snow AND coldest temperature at the same time.
I turn off the heat overnight in my studio here, and it got
down into the mid 50s (F) in the room. In fact, the first idea I had
about my failed computer was that the discs were too cold (?) or the
computer dewed up, and all would be well after it warmed up, but that
wasn't the case.
Well, as near as we can figure, this is what happened: in each
disc drive is a tiny "cushion" of foam on a bit of metal which, I
guess, is designed to prevent the innards of the drive from bouncing
around during shipment or such. This cushion is attached to the top of
the drive compartment, metal to metal, with a drop of glue. 55 degrees
was JUST enough to make the glue become brittle and not one, but BOTH
"cushion" bits fell off and into the drive. This acted as a tiny
monkey-wrench in each drive and the drive was unable to read an entire
disc. Perhaps the bit of metal didn't fall into Drive B until after I'd
gotten through one last call-in. But anyway, we took out each drive,
shook it, and these tiny pieces fell out. Now everything works fine
again. That seems like a pretty strange thing to happen, but then I
guess that was a strange day in local history all around.

I just read through all those Digests...

TORSTEN made a gag (was it in a private note?) that maybe I
shoulda put antifreeze in my computer. That is exactly what my problem
was. Good call.

PER:
If you were asking me if the Russian MM you have is the same one
that Disney was selling in America as the #1 issue and charging $10+
for... YES, it is the same. And that is definitely NOT the first
Russian MM. It is the 3rd. Those Russian issues were printed by
Egmont-Sweden, and they gave me a copy of a previous issue. Since then
I've been told by another Egmont branch that there was an even earlier
issue (by a few months).

MATTIAS:
You might come to America? Of course, I hope you might find
yourself passing through Louisville, and staying a night here at my
home... but there's nothing really to waste time seeing in Louisville
and I don't know how it would be convenient to pass through unless you
were going from Chicago south to Florida or such.
Did you imply that your musical job involves playing "swing"...
so called "big band" music? Did I know that? Did you know I am a very
great fan of "swing", and that it's the only type of music I like
besides classical (and movie soundtracks which I consider to be the
classical music of the 20th century)?
And you like American style breakfasts? With all the GREEEESY
eggs and GREEEEESY pork and GREEEEEESY fried potatoes and GREEEEEESY
gravy??? When I visit Europe the thing I MOST look forward to, honest
to gosh, are the Scandanavian breakfasts with cheeses and cold cuts and
smoked fish and boiled eggs. I think the worst food we have in America
is the #$%@& we eat for breakfast. Maybe the only reason you look
forward to American breakfasts is that it's the MOST different sort of
food we have all at once? Would you wanna eat that greasy slop every day
for the rest of your nacherul life? Why do you think you people LIVE
longer than we do in the first place? It's all that greasy food and red
meat we eat. (Though, I LOVE my bloody, undercooked, American red meat!)
Speaking of my visiting Europe, it looks like I might be in
Germany during the first week of June, visiting their big comic
convention near Nuremburg.
James Williams
>Most comic fans are male, also most members of the german organization
>D.O.N.A.L.D. (the crazy organization who is devoted to explore the
>Duck Universe up to its smallest detail) are male (approx. 90 - 95 %).
>Heaven knows why!?

>Nevertheless I know a girl who is nutty about Disney stuff (like
>clothes, films etc...), but: she admitted she didn't know the comics
>very well... But if you really have a close look at the role women
>play in the disney comics, I think it's not surprising. They
>unfortunately play the second part.

This is my main problem with disney comics. They don't handle
their female characters well. There is no reason that Daisy
or Minnie couldn't be featured more often. I'd love to see
'Thin Man' style stories with Mickey and Minnie solving mysteries
together.

This is the same reason that The Little Mermaid is so propular in
America. Ariel is unique. There are too few good female role
models.

James Williams
Mattias Hallin
ALL:

please excuse me if this posting is not-so-donaldistic; but I don't wanna
make Don pay extra, just to get a non-duck message from me, so I'm putting this
on the list any way...

DON:

THANK YOU for your invitation -- I sure hope to be able to take you up on
it! I might very well pass through Louisville, going nowhere in particular --
my preliminary plans is to just rent a car for a week, mebbe ten days, and go
on the road. We did that occasionally when I and three friends travelled in the
U.S. in 1991; I liked that kind of not too heavilly scheduled travelling very
much, and also I don't care for flying, if I can avoid it... Not that I'm
scared of flying -- it's just lacks any kind of creature comfort, and is a
total bore at that!

Yes and no -- I play orthodox 1930's small-band swing (on the pattern of, say,
"Red" Allen, Fats Waller and similar) with my latest, just started band; but
the one I'm hoping to come to America with is a 1920's bigband - NOT a swing
big band -- we play stock arrangements, arrangements transcribed from records
and a few original arrangements, and base our repertoire on such bands as King
Oliver's Dixie Syncopators, Fletcher Henderson, Charlie Johnson's Paradise Ten
and others, in the period c. 1921-1931. In yet other bands I play Classic Jazz,
based on Oliver's Creole Jazz Band, or Clarence Williams, or Bessie Smith. So,
all in all, my musical emphasis and my greatest musical love is 1920's Classic
Jazz, I guess -- but I'm also a reasonably avid swing devotee, and generally
enjoy all jazz up to and including John Coltrane (albeit I'll have to confess a
certain difficulty with the MOST modern styles within this compass). I also
have a great liking for classical music -- perhaps in particular opera, with a
certain extra passion for Verdi and/or (preferrably and) Jussi Bjoerling.

Well -- American breakfasts... I DO confess that during my last (and only, so
far) American tenure, I greatly enjoyed starting the day with a stack of
pancakes, a few strips of bacon and two eggs sunny side up... but then I do
have a terribly sweet tooth, so any breakfast were I'm allowed to pour
concentrated sugary syrup on top of everything is fine by me... but NO! i
couldn't live that way! During my two months in the States I gained 20
pounds!!! And also -- American coffee took SOME getting used to, I can tell! I
come from that part of Sweden where men aren't necessarily all that manly, but
where coffee is STRONG and BLACK!!! Anyway, I really guess it was the CHANGE as
much as anything I enjoyed back then... Over here, I break fast MUCH more
frugally, I can assure you!

Anyway -- I hope I do get to see you; but for the time being: All my best!!!

Mattias
M93
Good evening on the net!

Who out there knows anything about the
Carl Barks-Exhibition in the Wilhelm-Busch-
Museum in Hannover (Germany) which is
supposed to start in March?
It's supposed to be in Munich as well.

I only know that the originator of this exhibition
(Gottfried Helnwein) just published a book
called 'Wer ist Carl Barks' which presumeably
is meant to accompany the event.
This Book mainly contains magnified panels
of Barks stories, sorted after characters
(Donald, Gyro, Scrooge, etc..).
I think this book gives a good impression
of the visual marvellous work Barks has done, but
it's nothing really new to the hard Barks-fan.

Does anyone know if the exhibition in March
will just contain these pictures out of the book
or will there be some oils exhibited, too ?

But anyway, I think I'm not gonna miss this exhib.!

Nikolaus.
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