Maybe someone remembers that I was creating a list of Disney
comics published all over the world. Anyone?!?!? No? Anyway, my list is
getting bigger and bigger, and now I have found a book, which contains all
the information about ALL Disney comics published in Europe and Eastern
Europe. It is really a great book. The book isn't mine though. I have to
give it back to it's owner in about a week, but I'm going to make photo-
copies of it, and use the information for my list. The book is not availabe
for 'normal' people. It was made for companies, who want to place
advertisements in Disney comics all over Europe. The title is: "Adver-
tising Guide Disney Magazines Europe/Middle East". The book also contains
the advertising Rates. For example: when you want to place a
full-page-advertisement in the Italian Topolino (there're 13 different
Italian Disney comics mentioned), it costs 22,000,000 Lire. All information
about every Disney comic is in the book. The average sale, the format in
centimeters, the number of pages and advertising pages, average readership,
gender breakdown by sales, everything. It's incredible.
Is there anyone on this list, who knows more about this book,
or maybe if there are more books availabe. If there's an "Advertising Guide
Disney Magazine Europe", there's probably also a "Advertising Guide Asia",
or "Advertising Guide Northern and Southern America".
___
C:\>aR|HUr
Author
Topic: 199510
(299 messages)
Arthur De Wolf
Advertising Guide Disney Magazines
Message 211 -
1995-10-22 at 02:59:25
Augie De Blieck Jr.
Disney-comics digest #822.
Message 212 -
1995-10-22 at 03:47:38
Per asked what was scheduled to be in the Gladstone titles in November.
So I pull out my trusty PREVIEWS magalog and tell him:
(And remember, things change. This magalog comes out three months before
the book is actually published, and pulishing schedules can be really
weird. e.g. Uncle $crooge and WDC&S #600 both came out on the same
week. Haven't seen a new title since...)
Donald Duck Adventures #35:
"Peace in Pieces" written by John Lustig (Hi, John!) and illustrated by
Vicar.
"The Ice Taxis" by Carl Barks
Cover by Van Horn (William, that is)
Uncle $crooge #296
The fateful finale to Lo$. ::sob:: I miss it already.
Cover by Don, as well.
WDC&S #601 (starting "a new era")
"The Treasure of Croesus" by Don Rosa, Part 1 (UGH)
"Blaggard Castle" by Floyd Gottfredson, "Part One of a classic 1932
Mickey Mouse newspaper strip."
"Dupe in the Deep" by WVH
"Cash Clash", "a new Donald story by Gary Gabner and Jose Guardia"
And part one of the Sunday serial presentation of "The Sword in the Stone."
ALSO:
A complete reprinting of "Mickey Mouse Magazine" from 1933, which later
became WDC&S
"Special Disney features; a Don Rosa biography, and more!"
--Of course, the whole thing will put quite a dent into my wallet at $5.95
-Augie
------------------------------------------------------------------------
Augie De Blieck Jr. | Finger adebliec at drew.edu |
Media Relations | for info on how you can | #7
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So I pull out my trusty PREVIEWS magalog and tell him:
(And remember, things change. This magalog comes out three months before
the book is actually published, and pulishing schedules can be really
weird. e.g. Uncle $crooge and WDC&S #600 both came out on the same
week. Haven't seen a new title since...)
Donald Duck Adventures #35:
"Peace in Pieces" written by John Lustig (Hi, John!) and illustrated by
Vicar.
"The Ice Taxis" by Carl Barks
Cover by Van Horn (William, that is)
Uncle $crooge #296
The fateful finale to Lo$. ::sob:: I miss it already.
Cover by Don, as well.
WDC&S #601 (starting "a new era")
"The Treasure of Croesus" by Don Rosa, Part 1 (UGH)
"Blaggard Castle" by Floyd Gottfredson, "Part One of a classic 1932
Mickey Mouse newspaper strip."
"Dupe in the Deep" by WVH
"Cash Clash", "a new Donald story by Gary Gabner and Jose Guardia"
And part one of the Sunday serial presentation of "The Sword in the Stone."
ALSO:
A complete reprinting of "Mickey Mouse Magazine" from 1933, which later
became WDC&S
"Special Disney features; a Don Rosa biography, and more!"
--Of course, the whole thing will put quite a dent into my wallet at $5.95
-Augie
------------------------------------------------------------------------
Augie De Blieck Jr. | Finger adebliec at drew.edu |
Media Relations | for info on how you can | #7
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Augie De Blieck Jr.
Disney-comics digest #822.
Message 213 -
1995-10-22 at 03:52:22
Of course, the books you asked specifically about are the books set for
DECEMBER release, which would be, according to PREVIEWS:
Donald Duck #295
"The Code of Duckburg" by Carl Barks, with a collection of Taliaferro strips
DD&MM #4
"Old Froggie Catapult" by Carl Barks
"The Treasure of Shark Reef", a 16-page MM story without any artists or
writers mentioned
Cover by WVH
WDG #4
"The Mysterious Stranger", a 11 page Mickey/Goofy take-off on "The
Invisible Man." Cover by Pat Block
U$A #37
Chapter one of Romano Scarpa's "Colossus of the Nile" at last (I remember
a letter in Gladstone's last run asking for this story, giving a detailed
account of it, which Gladstone edited out for obvious reasons.)
Cover by Jose Guardia
Hope this helps!
-Augie, typed this up before looking at what Per had, so I could very well
be repeating everything for all I know, but there are those who
are interested, no doubt.
------------------------------------------------------------------------
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Media Relations | for info on how you can | #7
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DECEMBER release, which would be, according to PREVIEWS:
Donald Duck #295
"The Code of Duckburg" by Carl Barks, with a collection of Taliaferro strips
DD&MM #4
"Old Froggie Catapult" by Carl Barks
"The Treasure of Shark Reef", a 16-page MM story without any artists or
writers mentioned
Cover by WVH
WDG #4
"The Mysterious Stranger", a 11 page Mickey/Goofy take-off on "The
Invisible Man." Cover by Pat Block
U$A #37
Chapter one of Romano Scarpa's "Colossus of the Nile" at last (I remember
a letter in Gladstone's last run asking for this story, giving a detailed
account of it, which Gladstone edited out for obvious reasons.)
Cover by Jose Guardia
Hope this helps!
-Augie, typed this up before looking at what Per had, so I could very well
be repeating everything for all I know, but there are those who
are interested, no doubt.
------------------------------------------------------------------------
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Media Relations | for info on how you can | #7
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Augie De Blieck Jr.
One last time!
Message 214 -
1995-10-22 at 03:59:25
OK, this is it - I promise. Now that I realize you are talking abut the
cover dates of these issues:
Donald Duck #293
Cover by Mau Heymans
"The Dye is Cast" by Carl Barks
Newspaper strips from 12/9/38 through 1/14/39
DD&MM #2
Cover art by Sparky Moore
"Special Delivery" by Carl Barks
"Mickey Aladdin" Part 2
U$A #35
Cover by WVH
"The Treasure Temple of Khaos" is the only story
WDG #2
cover by Carl Barks, layout by John Clark
OK, I'm going to shut up now and go sit in my corner. But at least you
all know now what came before and what is still to come! ;)
-Augie
------------------------------------------------------------------------
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cover dates of these issues:
Donald Duck #293
Cover by Mau Heymans
"The Dye is Cast" by Carl Barks
Newspaper strips from 12/9/38 through 1/14/39
DD&MM #2
Cover art by Sparky Moore
"Special Delivery" by Carl Barks
"Mickey Aladdin" Part 2
U$A #35
Cover by WVH
"The Treasure Temple of Khaos" is the only story
WDG #2
cover by Carl Barks, layout by John Clark
OK, I'm going to shut up now and go sit in my corner. But at least you
all know now what came before and what is still to come! ;)
-Augie
------------------------------------------------------------------------
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Media Relations | for info on how you can | #7
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Per Starback
Contents of *ember Gladstones + phonograph needles
Message 215 -
1995-10-22 at 04:28:31
Thanks Augie! Thanks Augie! Thanks Augie! :-)
No wonder you thought I was talking about later issues than I was.
Who would ask about books so old that "everyone" already has them?
I told you it was an uninteresting question. To compensate, here's a
question that might prove interesting -- I hope:
Once when I quoted "she musta been vaccinated with a phonograph needle",
which is Mickey Mouse on Clarabelle Cow, someone told me that he
recognized that as a Groucho Marx quote, even though he couldn't tell
me from where it was. Is that so? And in that case, who copied whom?
Or is neither Mickey nor Groucho first to come up with this wisecrack
remark?
-- "
Per Starback, Uppsala, Sweden. email: starback at minsk.docs.uu.se
"I heard she had her tonsils removed so she could talk more freely!"
No wonder you thought I was talking about later issues than I was.
Who would ask about books so old that "everyone" already has them?
I told you it was an uninteresting question. To compensate, here's a
question that might prove interesting -- I hope:
Once when I quoted "she musta been vaccinated with a phonograph needle",
which is Mickey Mouse on Clarabelle Cow, someone told me that he
recognized that as a Groucho Marx quote, even though he couldn't tell
me from where it was. Is that so? And in that case, who copied whom?
Or is neither Mickey nor Groucho first to come up with this wisecrack
remark?
-- "
Per Starback, Uppsala, Sweden. email: starback at minsk.docs.uu.se
"I heard she had her tonsils removed so she could talk more freely!"
Mike Pohjola
Disney-comics digest #822.
Message 216 -
1995-10-22 at 20:55:04
DON:
I was in Sweden in Saturday and visited a comics store and what do you know:
They had Walt Disney Giant #1: "Scrooge McDuck in Yukon"! I read it and I have
to tell you this was the second time I ever cried because of a Disney comic-
book. (the first time was when Scrooge's mom died)
And this was the FIRST time I ever bought an American Disney comic and it
really made me wonder why am I still living in Finland. The dialogue, the
coloring, everything was way better than any Egmont I've seen. But now to
comment on the story and give
SPOILERS to everybody who hasn't read it...
The episode on page 4 of the story was a real laugh! You really made me
think that guy being Steele. After I saw the real one, though, I remembered who
the guy really was. And if I remember correctly, Jack London wrote "King of
Klondike". Never got to read that book, so who was him? Steele? Well, anyway,
his personality is very funny. And then a real screw-up on your side. You didn't
check, did you? Well, there are no reindeers in Iceland. Iceland is a small
island in the north of the Atlantic Ocean. There are reindeers in Finland,
Sweden, Norway and some parts of northern Russia. And reindeer-like animals
called keribus which live in Northern-most parts of America. (and of course
no-one (except for superhero-fans) would say 'by Thor') The meeting of Goldie
and Scrooge in the bar was superb! He is pretty darn proud, that duck, he is.
And on the last page, Scrooge's last thought... It was so sad that I actually
cried (in the middle of a public square in Stockholm several people staring at
me).
--
Mike - The Finnish Trekkie
I was in Sweden in Saturday and visited a comics store and what do you know:
They had Walt Disney Giant #1: "Scrooge McDuck in Yukon"! I read it and I have
to tell you this was the second time I ever cried because of a Disney comic-
book. (the first time was when Scrooge's mom died)
And this was the FIRST time I ever bought an American Disney comic and it
really made me wonder why am I still living in Finland. The dialogue, the
coloring, everything was way better than any Egmont I've seen. But now to
comment on the story and give
SPOILERS to everybody who hasn't read it...
The episode on page 4 of the story was a real laugh! You really made me
think that guy being Steele. After I saw the real one, though, I remembered who
the guy really was. And if I remember correctly, Jack London wrote "King of
Klondike". Never got to read that book, so who was him? Steele? Well, anyway,
his personality is very funny. And then a real screw-up on your side. You didn't
check, did you? Well, there are no reindeers in Iceland. Iceland is a small
island in the north of the Atlantic Ocean. There are reindeers in Finland,
Sweden, Norway and some parts of northern Russia. And reindeer-like animals
called keribus which live in Northern-most parts of America. (and of course
no-one (except for superhero-fans) would say 'by Thor') The meeting of Goldie
and Scrooge in the bar was superb! He is pretty darn proud, that duck, he is.
And on the last page, Scrooge's last thought... It was so sad that I actually
cried (in the middle of a public square in Stockholm several people staring at
me).
--
Mike - The Finnish Trekkie
Arthur De Wolf
Just some figures
Message 217 -
1995-10-23 at 00:35:26
I've been reading in this "Disney Magazine Europe"-book. Some
figures are just incredible. What to think of the German "Micky Maus"
which has an average sales of 666,000 copies and an average readership
of 1,650,000. It's not suprising to see that it costs DM 36,000 (over
$50,000?) to have a full advertising page in the German "Micky Maus".
I was also surprised to see that in Finland, one-fifth of the
population reads "Aku Ankka". This weekly comic has an average reader-
ship of nearly one million people. 98% of these readers are subscribers,
while only 2% buy them in kiosks. Those figures are nothing, compared
to Norway, where 1,100,000 of 4,000,000 people read "Donald Duck & Co."
Now, I also know for sure that Portugese and Brazilian Disney
comics are mixed. It says: "One of the largest publishers in the world,
Editorial Abril, is headquartered in Sao Paulo, Brazil. The Portuguese
market benefits not only from Disney comics imported from Brazil, but
also from locally developed magazines."
Also Eastern Europe, with a consumer base of 250 million people,
will become an increasingly powerful sector of Europe, and Disney magazines
will be part of the growth for years to come. Russia, for example, has
two Disney comics: Mickey Mouse (MNKKN MAYC) and Ducktales. Each with
an average readership of one million people. And what do you think of
Egypt? I happen to have bought some Egyptian Disney comics yesterday.
Very strange to see the cover on the back side of the issue. ;-)
Most of the Disney comics are aimed at children. There are some more
mature magazines though. Especially in Skandinavia and Greece. In Greece,
they have the monthly Komix, launched in 1988. It has a target age group of
10 and up. Don already talked about the credits being printed in this
magazine. The Greek magazines are, in large part, adult collector's items.
I had never heard of the British Disney Mirror, a comics supplement
of the Daily Mirror. It has an average sales of 2.5 million!
Just incredible to see all these figures. Disney comics are sure
becoming more and more popular in Europe.
___
C:\>aR|HUr
figures are just incredible. What to think of the German "Micky Maus"
which has an average sales of 666,000 copies and an average readership
of 1,650,000. It's not suprising to see that it costs DM 36,000 (over
$50,000?) to have a full advertising page in the German "Micky Maus".
I was also surprised to see that in Finland, one-fifth of the
population reads "Aku Ankka". This weekly comic has an average reader-
ship of nearly one million people. 98% of these readers are subscribers,
while only 2% buy them in kiosks. Those figures are nothing, compared
to Norway, where 1,100,000 of 4,000,000 people read "Donald Duck & Co."
Now, I also know for sure that Portugese and Brazilian Disney
comics are mixed. It says: "One of the largest publishers in the world,
Editorial Abril, is headquartered in Sao Paulo, Brazil. The Portuguese
market benefits not only from Disney comics imported from Brazil, but
also from locally developed magazines."
Also Eastern Europe, with a consumer base of 250 million people,
will become an increasingly powerful sector of Europe, and Disney magazines
will be part of the growth for years to come. Russia, for example, has
two Disney comics: Mickey Mouse (MNKKN MAYC) and Ducktales. Each with
an average readership of one million people. And what do you think of
Egypt? I happen to have bought some Egyptian Disney comics yesterday.
Very strange to see the cover on the back side of the issue. ;-)
Most of the Disney comics are aimed at children. There are some more
mature magazines though. Especially in Skandinavia and Greece. In Greece,
they have the monthly Komix, launched in 1988. It has a target age group of
10 and up. Don already talked about the credits being printed in this
magazine. The Greek magazines are, in large part, adult collector's items.
I had never heard of the British Disney Mirror, a comics supplement
of the Daily Mirror. It has an average sales of 2.5 million!
Just incredible to see all these figures. Disney comics are sure
becoming more and more popular in Europe.
___
C:\>aR|HUr
JALustig
Donald Duck Adv. #35 & 36
Message 218 -
1995-10-23 at 01:31:37
All:
Several people in recent weeks have mentioned info from Diamond's "Preview"
catalogue in regard to coming Gladstone issue. Unfortunately, Gladstone sent
out the wrong info in regard to one issue. As Augie De Blieck, Jr. (Hi,
Augie!) mentioned recently Diamond states that the contents of Donald Duck
Adventures #35 are supposed to be:
"Peace in Pieces" written by me and illustrated by Vicar.
"The Ice Taxis" by Carl Barks
Cover by William Van Horn.
The only trouble is that those are the contents of issue #36. Not 35.
Donald Duck Adventures #35 is, of course, already out and has a story "The
Poorest Duck in Duckburg" by Ron Fernandez and Pat Block.
Issue #36 with my story should be out in a few weeks. (November or early
December?) This is the second time Gladstone has advertised that story in the
wrong issue. Hopefully it'll actually appear this time--although it seems a
bit odd to have a story that's obviously set in the summer appearing in a
winter issue. Oh, well...
--John Lustig
Several people in recent weeks have mentioned info from Diamond's "Preview"
catalogue in regard to coming Gladstone issue. Unfortunately, Gladstone sent
out the wrong info in regard to one issue. As Augie De Blieck, Jr. (Hi,
Augie!) mentioned recently Diamond states that the contents of Donald Duck
Adventures #35 are supposed to be:
"Peace in Pieces" written by me and illustrated by Vicar.
"The Ice Taxis" by Carl Barks
Cover by William Van Horn.
The only trouble is that those are the contents of issue #36. Not 35.
Donald Duck Adventures #35 is, of course, already out and has a story "The
Poorest Duck in Duckburg" by Ron Fernandez and Pat Block.
Issue #36 with my story should be out in a few weeks. (November or early
December?) This is the second time Gladstone has advertised that story in the
wrong issue. Hopefully it'll actually appear this time--although it seems a
bit odd to have a story that's obviously set in the summer appearing in a
winter issue. Oh, well...
--John Lustig
Mami Yamada
Unsubscribe
Message 219 -
1995-10-23 at 06:28:45
unsubscribe a6295119 Mami Yamada
Don Rosa
Disney-comics digest #823.
Message 220 -
1995-10-23 at 07:08:00
MIKE:
I mentioned this some weeks ago on here, but since you hadn't read
"Hearts of the Yukon" at that point, it naturally didn't know what I was
referring to and it didn't stick in your mind. But I'd said that it was the
LETTERER who screwed up in that story. My script said that the reindeer,
drivers and sleds were hired from LAPLAND, not Iceland. That letterer made
other careless errors in that story -- he was the same letterer who made
careless errors in my "The Duck Who Never Was". He letters good, but he
just... makes errors. And it wasn't Todd Klein, of course. I sure wish he'd
lettered that story, especially since I see it as part 8A of the "Lo$". But
I don't think they asked him as it was a real rush job.
By the way, how does one usually number entries in an "outline" like
we were taught to make in grade school? If I want to add something between 8
& 9, do I call the addition "8A"? Or do I call it "8B", implying that the
original 8 is "8A"?
Did Jack London write something called "King of the Klondike"? I
don't have all of London's stories here in my library. I don't suppose his
book was about $crooge, eh?
DAN:
Indian burial mounds? Been there, done that. An Indian burial mound
plays a major role in the conclusion of "The Lost Charts of Columbus". In
fact, when the Ducks are bombed by that helicopter (as mentioned by the
questioner), they are at that point excavating an Indian burial mound.
I mentioned this some weeks ago on here, but since you hadn't read
"Hearts of the Yukon" at that point, it naturally didn't know what I was
referring to and it didn't stick in your mind. But I'd said that it was the
LETTERER who screwed up in that story. My script said that the reindeer,
drivers and sleds were hired from LAPLAND, not Iceland. That letterer made
other careless errors in that story -- he was the same letterer who made
careless errors in my "The Duck Who Never Was". He letters good, but he
just... makes errors. And it wasn't Todd Klein, of course. I sure wish he'd
lettered that story, especially since I see it as part 8A of the "Lo$". But
I don't think they asked him as it was a real rush job.
By the way, how does one usually number entries in an "outline" like
we were taught to make in grade school? If I want to add something between 8
& 9, do I call the addition "8A"? Or do I call it "8B", implying that the
original 8 is "8A"?
Did Jack London write something called "King of the Klondike"? I
don't have all of London's stories here in my library. I don't suppose his
book was about $crooge, eh?
DAN:
Indian burial mounds? Been there, done that. An Indian burial mound
plays a major role in the conclusion of "The Lost Charts of Columbus". In
fact, when the Ducks are bombed by that helicopter (as mentioned by the
questioner), they are at that point excavating an Indian burial mound.
Anders Engwall
Phonograph needles
Message 221 -
1995-10-23 at 08:43:17
> Once when I quoted "she musta been vaccinated with a phonograph needle",
> which is Mickey Mouse on Clarabelle Cow, someone told me that he
> recognized that as a Groucho Marx quote, even though he couldn't tell
> me from where it was. Is that so?
Yep. Groucho said something like this in "Duck Soup" (!) -- that's the
one where he plays one Rufus T. Firefly who all of a sudden is appointed
president of Freedonia... One of my all-time favourites.
Actually, Groucho's line is about himself, I think it's something like
"Ya know, I haven't stopped talking since I came here -- I must have
been vaccinated with a phonograph needle".
> And in that case, who copied whom?
Dunno. The movie is from 1933. How old is the strip?
---
Anders Engwall
"N{r atombomben kommer, l}t oss ta en kasse |l
och g} ut i skogen med tills det blir fred"
> which is Mickey Mouse on Clarabelle Cow, someone told me that he
> recognized that as a Groucho Marx quote, even though he couldn't tell
> me from where it was. Is that so?
Yep. Groucho said something like this in "Duck Soup" (!) -- that's the
one where he plays one Rufus T. Firefly who all of a sudden is appointed
president of Freedonia... One of my all-time favourites.
Actually, Groucho's line is about himself, I think it's something like
"Ya know, I haven't stopped talking since I came here -- I must have
been vaccinated with a phonograph needle".
> And in that case, who copied whom?
Dunno. The movie is from 1933. How old is the strip?
---
Anders Engwall
"N{r atombomben kommer, l}t oss ta en kasse |l
och g} ut i skogen med tills det blir fred"
Solid Solutions
No subject
Message 222 -
1995-10-23 at 11:57:13
signoff disney-comics solid at euronet.nl
Fredrik Ekman
German coinage
Message 223 -
1995-10-23 at 13:46:42
On Fri, 20 Oct 1995, Gilbert Roser wrote:
> Btw. German money
> has silver, copper and Messing (don't know the English name) coins.
The English word for Messing is brass, I believe.
> Thats my two cents!
You do mean your two Kreuzers, don't you?
/F
> Btw. German money
> has silver, copper and Messing (don't know the English name) coins.
The English word for Messing is brass, I believe.
> Thats my two cents!
You do mean your two Kreuzers, don't you?
/F
David A Gerstein
Disney-comics digest #822.
Message 224 -
1995-10-23 at 17:17:08
PER:
"DD 293: cover by Heymans, Taliaferro strips, what more??"
The DD-story in the issue is actually "The Dye is Cast", and
the Taliaferro strips in the back are mostly a continuity about a
superstitious DD trying to avoid being jinxed. I've just fixed my
error on the "new Gladstones" WWW-page.
DD&MM 2: WDC 203 + Aladdin part 2. Cover by whom?
The cover is by Sparky Moore. I know this name, maybe he did
some work for Disney Comics Inc.? His art is VERY 1950s, so I thought
this was a Dick Moores cover until I looked at the credits.
USA 35: "Temple of Khaos". Nothing more? Cover by whom?
There's also a 1-page DD gag, but I can't remember what it's
about. Drawn by Tony Strobl though. Then the cover is by William Van
Horn.
And the cover of WDG 2 is just an enlarged CB panel from the
"King Solomon" story -- the same kind of thing they do for the
CBL-albums. Now and then they like to have a "new Barks cover" rather
than one of the modern-day artists illustrate a story.
JORGEN:
I'll try suggesting "Plastic Mickey" to Gladstone, but whether
they use it will probably rely on whether their license to publish
Disney comics gets renewed (according to some magazine articles, they
have a 3-year license, and that will expire after DDMM 6... and the
Egmont stories for DDMM 4-6 are, I think, already chosen. #4 is "The
Treasure of Shark Reef" (with Eli Squinch) and #5 is "The Trojan
Horse" (a good Pegleg Pete story). I don't know what's in #6
though... maybe JANET, you'd like to personally get in touch with
Gladstone about your story? It sounds GREAT.
David Gerstein
<96dag at williams.edu>
"Have a chestnut, boys! ... OW!"
"DD 293: cover by Heymans, Taliaferro strips, what more??"
The DD-story in the issue is actually "The Dye is Cast", and
the Taliaferro strips in the back are mostly a continuity about a
superstitious DD trying to avoid being jinxed. I've just fixed my
error on the "new Gladstones" WWW-page.
DD&MM 2: WDC 203 + Aladdin part 2. Cover by whom?
The cover is by Sparky Moore. I know this name, maybe he did
some work for Disney Comics Inc.? His art is VERY 1950s, so I thought
this was a Dick Moores cover until I looked at the credits.
USA 35: "Temple of Khaos". Nothing more? Cover by whom?
There's also a 1-page DD gag, but I can't remember what it's
about. Drawn by Tony Strobl though. Then the cover is by William Van
Horn.
And the cover of WDG 2 is just an enlarged CB panel from the
"King Solomon" story -- the same kind of thing they do for the
CBL-albums. Now and then they like to have a "new Barks cover" rather
than one of the modern-day artists illustrate a story.
JORGEN:
I'll try suggesting "Plastic Mickey" to Gladstone, but whether
they use it will probably rely on whether their license to publish
Disney comics gets renewed (according to some magazine articles, they
have a 3-year license, and that will expire after DDMM 6... and the
Egmont stories for DDMM 4-6 are, I think, already chosen. #4 is "The
Treasure of Shark Reef" (with Eli Squinch) and #5 is "The Trojan
Horse" (a good Pegleg Pete story). I don't know what's in #6
though... maybe JANET, you'd like to personally get in touch with
Gladstone about your story? It sounds GREAT.
David Gerstein
<96dag at williams.edu>
"Have a chestnut, boys! ... OW!"
David A Gerstein
Disney-comics digest #823.
Message 225 -
1995-10-23 at 17:27:17
AAARGH! I should have read Digest #823 before replying to
#822... now I know that my descriptions of the Gladstones aren't
really needed (although Augie, ya missed the 1-pager in USA 35).
PER:
Mickey's comment on Clarabelle (1930) came before the Groucho
quote, in "Duck Soup" (1933, isn't it?). But maybe Groucho also uses
the quote in "The Cocoanuts" (1929), which I haven't seen in years.
In any event, that's Walt Disney himself writing for Mickey
when he says that. WD's own conception of Mickey has him constantly
letting out puns and wisecracks: "A starch in time keeps the worm
from turning" ... "Lafayette, we are here!" ... and of course my
favorite, "The only way for anyone to get *ahead* of Mickey Mouse --
is to run in front of him!"
Kinda gives the lie to that 1934 character synopsis that says
"Mickey is not a clown... he is neither silly nor dumb." While
Mickey's no dope, he has a good sense of humor in the cartoon films
UNTIL 1934. Luckily, Gottfredson's MM remained enjoyable after that.
David Gerstein
<96dag at williams.edu>
"Heh, heh, heh! A nice stroke of business!"
#822... now I know that my descriptions of the Gladstones aren't
really needed (although Augie, ya missed the 1-pager in USA 35).
PER:
Mickey's comment on Clarabelle (1930) came before the Groucho
quote, in "Duck Soup" (1933, isn't it?). But maybe Groucho also uses
the quote in "The Cocoanuts" (1929), which I haven't seen in years.
In any event, that's Walt Disney himself writing for Mickey
when he says that. WD's own conception of Mickey has him constantly
letting out puns and wisecracks: "A starch in time keeps the worm
from turning" ... "Lafayette, we are here!" ... and of course my
favorite, "The only way for anyone to get *ahead* of Mickey Mouse --
is to run in front of him!"
Kinda gives the lie to that 1934 character synopsis that says
"Mickey is not a clown... he is neither silly nor dumb." While
Mickey's no dope, he has a good sense of humor in the cartoon films
UNTIL 1934. Luckily, Gottfredson's MM remained enjoyable after that.
David Gerstein
<96dag at williams.edu>
"Heh, heh, heh! A nice stroke of business!"