Keskustelujen arkisto

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Topic: 199905

(139 messages)
Ventnor
Hello.

When I was a child, on holiday in Germany in the early part of 1966, I
remember having bought for me a copy of Mickey Mouse ("Micky Maus"?) that
I'd like to try to track down (in its English equivalent). It was bought new
in the first half of 1966, and I remember one frame shows Mickey tripping
over a half-buried object (a treasure chest?) in the sand.

Can anyone help here?

Thanks,

David King.
Oliv
Hello all

Can you tell me what do the several numbers in
the creators file mean ?

And why some full names of the first column don't
appear in the third ?

Oliv

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End of Disney comics Digest V99 Issue #81
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Oliv
Thanks for all answers !

Now I know the roots of this word.
This is my first step in greek :-)

The second step would be that you tell
me how do you "feel" this word in your
language ?
ie : in French the translation sounds like
a funny word. Probably because the translation
is made with usual word. In english, the
translation of the french version could be :
thirteenophobia.
Is the fact of using Greek roots to compose
this word affect the feeling of this word for
Italians ?
Can you give me your opinion ?

Thanks for your future answers.

Oliv

PS : I'm sorry for the ending message.
If you know a free mail server with SMTP...
I'm looking for it but it's not easy to find.

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Luca Boschi
So, Paolo (hi!),
you didn't like the exhibition held in Rome to celebrate the 50th
birthday of "Topolino". This opinion by yourself is very interesting,
because maybe it reflects that one of many "addetti ai lavori".

> Almost all the exhibition was a
> giant comic story, and just few items were of some interest for
> people older that 5 years.

Ahi, ahi! I'll go to visit it only in the days of Expocartoon. For me
it's impossible to go to Rome earlier.
>
> There are original panels from Italian stories,

Original artworks, you mean! With Federico Fiecconi they were chosen
by myself, in the Disney Archives, around Piacenza. There are some old
(very old) Bottaro's and carpi's stuff which I found extremely
interesting.

> a collection of gadgets
> Topolino gave through years

It comes from the Sergio Pignatone's collection; a part of it was
exhibited in the last Lucca Comics, joined with the Floyd
Gottfredson's show.

> all that stuff was placed here without any
> care, many of the explanations placed on the items exposed were
> wrong: Almanacco Topolino presented as the "Classico Viva
> Topolino", or an inversion of the labels of the stories "Il
> Milione" and "Miseria e nobilta'"...

Baaaaaaad!!! Did you tell it to someone of the organizers? Obviously
is their own fault, if they cannot distinguish an artwork from
another!!

> But there were also 6 very interesting items: original drawings
> from Scarpa, coloured by Bordini and with the *original
> signature* of Walt Disney! I never saw before Walt's original
> signature anywhere, and the paintings were very very beautiful.

Well, I must give you a disillusion. I wish to see the original
illustrations, which come from a private collection. The owner told
that that one is the original Disney signature. But I spoke with
Romano Scarpa, last week, in Positano, and he confirmed that those
signatures were made by himself!!! Like in his early comics.

> There was explained that those paints were commissioned to Scarpa
> to make lithographies to give as *present* to the subscribers of
> Mondadori Disney issues...

It's true. In 1962.

> BTW, there was also a catalogue, with interesting stuff in it,
> from "our friends" Luca Boschi, Alberto Becattini, Leonardo Gori
> and Lidia Cannatella. I haven't read it yet, but I think I'll
> appreciate it!

I also have not seen it yet. How do you find it? And how much it
costs? It has been mad "running". But I hope that the graphic care
values its price. Can you make a short review of it just for us?
Thank you again!
Bye,
Luca
Dr. Archontis Pantsios
Follow Quackeroos:

KOMIX #131, May 1999, features the following:

a) A cover by Daan Jippes.
b) "Romano Scarpa: The Court of Miracles of the Master from Venice"; a
2-page editorial on the great maestro, including a photo, and a number of
drawings by him done for "special" ocassions, e.g. the cover for "Topolino"
#2000, a cover for Comic Art's publication of "Gli uomini vespa", a rare
drawing published only as late as 1994 (showing Mickey reading a Topolino
libretto, with the rest of the "gang" listening to him), and others.
c) Romano Scarpa's "La gara da $100", ("The $100 contest") from I-TL #299, 1961.
d) "Hang-Gliding Race": A 2-page reprint of the full text to Barks' "Hang
Gliders Be Hanged". Rough Barks drawings are also shown.
e) "The dirty mountain", H-7910, art by Daan Jippes, story by Byron Erickson
(according to KOMIX).
f) "Floyd Gottfredson: Mickey's Pioneering Artist": a 3-page editorial,
including a self-caricature, and sample strips from the following stories:
"Death Valley", "Horse Tanglefoot", "The Foreign Legion", "MM Outwits the
Phantom Blot", "The Nazi Submarine", and "The Mook Treasure".
g) "The Monarch of Medioka: Part 5", Bill Wright's adaptation of Osborn's
and Gottfredson's original.
h) "The Beagle Boys": a 1-page editorial from "The Archives of KOMIX"

Cheers,

Archontis
Kriton Kyrimis
ARCHONTIS:

> My first pick: "Paperon de' Paperoni Visir di Papatoa": Originally printed
> in TL #352, 1962; Greek re-print in "KLASIKA" #121, Nov.- Dec. 1992 (Greek
> title "The Master of the Golden Wing"). Art: Romano Scarpa, Script: Rodolfo
> Cimino.

We must be raiding the same used comics bin, as I bought "KLASIKA" #121 only
a couple of weeks ago. Indeed, a great story!

I remember back when I learnt about Carl Barks, when I would flip through
my stack of old greek Mickey Mouse comics, setting aside any stories that I
recognized as being in his style. These days I do the same for Romano Scarpa
in used book stores! It is surprising how many good stories had been printed
in Greece in the more than thirty years that their being published in this
country.

ALL:

I suspect there is a new meaning to the word "treiskaidecaphobia": Fear
of being the only one who fails to answer "what does treiskaidecaphobia
mean"!!! BTW, I believe the word greeks actually use is
"decatriophobia" (pronounced thekatriofovEEa, with the "th" sound as in
the word "the"), and I'm almost certain there was a Donald Duck story
published in Greece under that name. (The same story that generated
the "treiskaidecaphobia" question, perhaps?)

Kriton (e-mail: (Email removed))
(WWW: http://dias.cti.gr/~kyrimis
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Nisse Krenchel
Archontis wrote:
- >From now on, once a week (or so), I aspire to write a short (OK,
maybe long
- once in a while) piece on the story that most struck my fancy among
the ones
- read (or re-read) during the previous week's period. A sort of comics'

- "Siskel and Ebert", without the "Ebert" part! :-)

What a good idea - and thanks a lot for this weeks informative and
entertaining report.

Is it possible, that these story-reports can be saved somewhere on the
internet pages? It could be a place to go, if you are looking for a good
story to read next!

Regards/Nisse
Fluks, H.W.
Archontis:

> KOMIX #131, May 1999, features the following:
> a) A cover by Daan Jippes.

Which one?

> d) "Hang-Gliding Race": A 2-page reprint of the full text to
> Barks' "Hang
> Gliders Be Hanged". Rough Barks drawings are also shown.

Rough Barks drawings? Did Barks do these for Egmont? Were these published in
the Carl Barks Library?

> e) "The dirty mountain", H-7910, art by Daan Jippes, story by
> Byron Erickson
> (according to KOMIX).

8-(
They could at least have *mentioned* Freddy Milton.

> h) "The Beagle Boys": a 1-page editorial from "The Archives of KOMIX"

It sounds to me that "the archives of Komix" is more like "the archives of
Gladstone"...

--Harry.
http://home.wxs.nl/~fluks4
http://here.is/inducks
Fluks, H.W.
> From: oliv [mailto:(Email removed)]

> Can you tell me what do the several numbers in
> the creators file mean ?

I think you refer to one of the pages on my Bolderbast site:

http://members.xoom.com/bolderbast/creators.html

well, the meaning of the numbers is explained in:

http://members.xoom.com/bolderbast/xxlegends.html

> And why some full names of the first column don't
> appear in the third ?

Er... now I am not sure if I know what you mean. The file I mention above
has only two columns...
(I'm also not sure why you sent your message to the "dcomics" list. So if my
answer is totally besides the point, skip it.)

--Harry.
Francois Willot
Kriton wrote:

>and I'm almost certain there was a Donald Duck story
>published in Greece under that name. (The same story that
>generated the "treiskaidecaphobia" question, perhaps?)

I guess that Oliv is referring to

Story code
I TL 718-A
Number of pages
33
Written by
Guido Martina
Pencilled by
Romano Scarpa
Inked by
Giorgio Cavazzano
Layout
3-strip
Hero
Donald Duck
Some appearing characters
Uncle Scrooge, Huey, Dewey and Louie
First published
1969-08-31
Publications
Germany (Die panische Angst vor der 13!)
LT 35
France (Donald et la treizophobie)
MPP 1134
Netherlands
PC.13

Nisse Krenchel to Archontis:

>What a good idea - and thanks a lot for this weeks informative
>and entertaining report.

Yes, that was interesting. It's one of the first Disney comics story I
ever read, and it is indeed very good. Many "short" Scarpa stories of
the same period (those published here in Mickey-Parade at least) are
excellent I think.

Francois
LKumpinsky
Simple question here: Did Carl Barks do any sort of comic book work after
1966?
Bye!
------Leah Kumpinsky
Fluks, H.W.
> Simple question here: Did Carl Barks do any sort of comic
> book work after 1966?

Simple answer: yes. 8-)

Slightly less simple answer, taken from the "Grimble Gromble" pages
(http://www.geocities.com/SoHo/Lofts/5038/biograph.htm):

<<
On June 30, 1966, Barks retired and he left the world he created to new
artists who picked up his style and approach. Still, this wasn't the end of
his career. From 1972 up to today he has made about 150 paintings which
mostly feature scenes from his stories and covers. In 1994 he made a tour
through Europe and he co-worked on two new stories: Horsing Around with
History (1994) and the yet-to-be-published Somewhere in Nowhere (1997). He's
also involved in the making of some collectibles, like the 70 drawings he
made for his 96th birthday in 1997.
>>

This text forgets to mention that Barks also did the scripts of many Junior
Woodchuck stories in the early 70s. Other people did the finished drawings.

--Harry.
http://here.is/inducks
http://home.wxs.nl/~fluks4

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End of Disney comics Digest V99 Issue #82
*****************************************
Halsten =?iso-8859-1?Q?Aastebøl?=
At 09:41 04.05.99 +0100, Fluks, H.W. wrote:
>This text forgets to mention that Barks also did the scripts of many Junior
>Woodchuck stories in the early 70s. Other people did the finished drawings.
>
>--Harry.

That was 24 Junior Woodchuck stories in the period 1970 to 1974.
He also did the scripts for some Donald Duck stories:
"Pawns of the Loup Garou" (DD 117, jan 68)
"Officer for a day" (DD 126, july 69)
"A day in a duck's life" (DD 138, july 71)
"Hang gliders be hanged" (first published in Denmark I think)

And the script for the Uncle Scrooge story:
"Go slowly sands of time" (US 216, april 87)
This script was written much earlier (around 1968?), and a version
illustrated by Barks appeared in the book "Uncle Scrooge McDuck: His life &
Times" (Celestial arts 1982).

But what about the Daisy Duck Diary story "The Dainty Daredevil" first
published in Walt Disney's Comics Digest 5, November 1968? Was it written
before retirement?

Halsten
Mike Pohjola
DON ROSA:
How's that Kalevala story coming along? What are your plans after that
one is completed?

Mike Pohjola "Aquila non captat muscas."
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+358-50-5238399 (Email removed) http://www.iki.fi/mikep/
Kriton Kyrimis
> The second step would be that you tell
> me how do you "feel" this word in your
> language ?

Believe it or not, "treiskaidecaphobia" sounds odd to a modern greek's
ears, as it uses an archaic form of the greek word for the number
thirteen, which can only be found in ancient Greek texts.

HARRY:

> > e) "The dirty mountain", H-7910, art by Daan Jippes, story by
> > Byron Erickson
> > (according to KOMIX).
>
> 8-(
> They could at least have *mentioned* Freddy Milton.

Not if the Gladstone credits said something along the lines of "American
script by Byron Erickson"!

> It sounds to me that "the archives of Komix" is more like "the archives of
> Gladstone"...

Let's not forget that up until a few months ago, when they started
raiding the back issues of their Mickey Mouse title, they would only
print stories that had been published by Gladstone or Disney.

Kriton (e-mail: (Email removed))
(WWW: http://dias.cti.gr/~kyrimis
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"A stitch with twine saves time."
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