Keskustelujen arkisto

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Topic: 199507

(198 messages)
Mike Pohjola
DANIEL 2:
>Of course I can send you xeroxes of Marco Polo (of the CBL), but
>please don't wait for it. I already promised Jakob Soderbaum and
>Danny Coenen some xeroxes/comics, but I still haven't got the time.

Yeah, and that would probably be too much trouble for you. Is the
year-old Hollandise (sp?) issue still out? In some second-hand shops perhaps?

>Do you have all Barks other Disney-stories? Jakob said that the CBL
>is being reprinted, maybe that sounds interesting to you? It might be
>very expensive, but to me it was worth every cent.

No, I don't have all the other Barks stories. And yes, the reprinting
of CBL does sound _very_ interesting to me, but the problem is that I do not
have that many cents :) I don't know if a person can become rich by making
comics, but I intend to try by currently writing a long BB adventure, which
I hope will give me some money if I'll ever get it to the Geillusteerde Pres
(somebody said they're looking for scripts to non-disney stories). Does
anybody know about the probability of them liking my work? The story which
with I'm working right now is kinda big farce with everybody chasing each
other. I'm writing it in English, because my Flamish is poor. Non-excistent
in fact.

>What could have been more logical for the story itself is that the
>albatross could indeed have carried along only a microphone, thus
>skipping the whole button-parts.

Yup. But then Barks couldn't have made that many pages with Beagleboys
who were in a major role in the story. Or should've been.

>Well, I think it's a nice illustration for the theme of the story.
>The "horse stuff" was something that *didn't* bother me.

I just thought it was like enhancing this story with some niceties
from old Scrooge adventures.

>Yeah, I also thought of that! You're right. But the whole Troje-thing
>is also a very unique way to re-use it, so this didn't bother me too
>much.

True. It was more like the BB were using the lion as a "Trojan horse"
so to say.

> Is there an old Barks story in which the Beagle Boys are fond of prunes?
> (Sorry, but I can't remember it now.) It sounds very familiar to me.

More than one, I'm sure, but the first one was the one with big
human-like robots terrorizing Duckburg.

>Is that so? I didn't notice the ship having those not used abilities
>while reading the story. If that's right, this is another fact that
>should have ommitted from the story.

While HDL were in the tailor's, Scrooge introduced those abilities
to Donald.

>Barks made it himself too easy in constructing the basic story-line,
>while making it himself too hard by filling in all those odd details.

Right. Nothing (except treasure-finding) really happened before the
final page where the BB re-appeared.

--

Mike - The Finnish Trekkie
Greg Kay
Can anyone give a definitive list of those Carl Barks Library
stories censored compared to the originals. (Some censored
stories were mentioned in an earlier posting from Geier Hasnes.)
I have asked this of Geoffrey Blum at Gladstone but he declined.
It seems that this is a sensitive issue between Gladstone and
Disney.

These are the stories that I know of:

LICD 66 "Atom Bomb"
Last panel; cash register redrawn to a pyramid of bottles

LICD 14 "Darkest Africa"
Natives redrawn
Natives' dialogue changed
References to cannibals removed from dialogue
Panel 3 on page 15 removed, panel 4 extended

LICD 10 "Voodoo Hoodoo"
Natives and "Bop, Bop" redrawn
Natives' dialogue changed
Sharp teeth removed from all natives

LICW 17 "Test at Frostbite Pass"
"Bolivar" changed to "Bornworthy"

Thanks.

Greg Kay.
Greg Kay
Can anyone shed some light on the re-inking of the Carl Barks Library
versions of "Darkest Africa" and "Race to the South Seas". According
to the credits in LICD 14, both stories were recreated by "Daan Jippes
and a team of other Dutch artists". However, it seems to me that
"Race to the South Seas" is a somewhat better recreation --- in quite
a few of the panels in "Darkest Africa" Donald does not quite look
like a Barks Donald.

Does anyone know the history of the recreations?

Thanks.

Greg Kay.
Greg Kay
Can anyone give a definitive list of those Carl Barks Library
stories censored compared to the originals. (Some censored
stories were mentioned in an earlier posting from Geier Hasnes.)
I have asked this of Geoffrey Blum at Gladstone but he declined.
It seems that this is a sensitive issue between Gladstone and
Disney.

These are the stories that I know of:

LICD 66 "Atom Bomb"
Last panel; cash register redrawn to a pyramid of bottles

LICD 14 "Darkest Africa"
Natives redrawn
Natives' dialogue changed
References to cannibals removed from dialogue
Panel 3 on page 15 removed, panel 4 extended

LICD 10 "Voodoo Hoodoo"
Natives and "Bop, Bop" redrawn
Natives' dialogue changed
Sharp teeth removed from all natives

LICW 17 "Test at Frostbite Pass"
"Bolivar" changed to "Bornworthy"

Thanks.

Greg Kay.
JALustig
Greg Kay:

You asked about why there's such a difference in quality between the
re-inking of the two stories in one of the Barks color albums. I've been told
Daan Jippes did all of one of those two stories--"Race to the South Seas" I
assume--and started the other. For some reason Jippes wasn't able to complete
the other story and it had to be turned over to one or more artists.

Jippes is a wonderful artist in his own right. In addition, when it comes to
creating something in a Barksian style, Jippes is probably the best there is.
Still, having to redraw something in someone else's style--and do an exact
recreation of an original--has got to be a laborious process. In any event,
I've heard that the reason Yippes bailed out on the second story is that the
project was starting to wear him out. If that's true then I can't say I blame
him.

--John Lustig
Don Rosa
>HARRY:
Now waitaminit -- U$ didn't DIE in chapter 5 of the "Lo$". He
was...uh...well, caught between heaven and earth, like the characters in
lotsa movies like BETWEEN TWO WORLDS and especially STAIRWAY TO HEAVEN (aka
A MATTER OF LIFE AND DEATH). But he wasn't dead, only unconcious -- that was
why I made sure that stone conked him on the beam rather than him succumbing
to drowning, which is what the immediate threat was.

MIKE:
We are just beginning to think about the cover of my hardback
Finnish collection, and their first idea is the Ducks finding some sort of
trove of books with some Finnish titles (and I haven't even asked them what
the titles mean that they've given me). But we might do something entirely
different... though I still don't know how I could do any sort of scene that
would be anything but an abstract deal like the book finding. I mean, I
can't do scenes from any stories since there'll be too many.
And no, you're correct, I WON'T get a summer vacation this year.
Yes, I have spent too much time traveling Europe for the pleasure of Duck
fans. I must sacrifice my vacation in order to keep up with my page output
so I can keep my income up to a decent level. Vacations don't get pages
done, and these reprint collections don't pay royalties, so the nose must
stay to the grindstone.

MARK:
Yes, that CJ interview is indeed the one from nearly SIX years ago,
and it feels vaguely insulting to see someone using such an interview. It
took place before 95% of all my experiences with these Ducks -- before going
to work for Egmont, before these European tours, before any of that. But
hopefully we can get to work on a lengthy update. The original interview was
over 100 pages long (which we always expected would be pared down
considerably). They say it will be a two-parter??? Egad. They don't do that
very often! Perhaps they figger on the ancient interview being part one and
part two could be a new interview -- that would seem a logical idea. I'll
ask Gary Groth when I see him on COMPUSERVE.
H.W. Fluks
DAVID:
> a Vic Lockman 17-page story, "Beagle Bug-Off" [involves Gyro's]
> "thinking cap" (a huge hat that looks like a chimney, with
> sleepy crows inside it who need to be awake for the hat to work).

I remember that thinking cap from a few stories from the Gold Key (or
Whitman) period. They must have been by Lockman as well.
BTW: I can't believe Gladstone is filling *17* pages with Lockman stuff
while there are so many good stories waiting to be (re)printed...

----
DANIEL (about the "Treasure of Marco Polo"):
> Well, I have the CBL-version here. There is some censoring in the
> dialogue, but that's all.

There is also one panel where a killing device is removed (David showed me
this). You have the German version: compare them!

----
MIKE AND DANIEL ("Horsing around")
> Mike: And what the hell did they need to change that button to a
> Mike: microphone if the albatross had a one too?

The button contained the microphone and a short-range transmitter.
The albatross contained a receiver and a recorder. If the microphone
would have been in the albatross, the quality of the reception would
have been too poor. If the transmitter would have sent the messages
to a receiver miles away (so no need of an albatross), the rest of
the world could have listened too, and some other criminals could have
made their own plans and spoil the BB's plans.

Of course, Barks suggests in his story that the albatross is listening
to the conversations. But he could have had just the command to stay in
the neighborhood (to receive the messages from the button). That's what
I think should have been explained in the story.

> [HDL in the tailor's shop]
> Yeah, this part bothered me a lot! Why didn't Barks just skip this
> whole part?

He needed the prune part to "prepare" the ending of the story.

> Is there an old Barks story in which the Beagle Boys are
> fond of prunes?

I think the "Giant Robber" story (which Mike also mentioned) is the
_only_ Barks story where one BB likes prunes. But there are also some Rosa
stories referring to that, of course...

----
DANIEL (about Disney stories set in Egypt):
> I don't know if this story is mentioned already, but you also have a
> (long) Dutch Verhagen-story taking place in Egypt.

I didn't mention this one because it hasn't been published in the USA yet.
Dwight Decker translated and scripted it. I think it is to be published
somewhere in 1996. Dutch title: "DD en de tempelschatten van Gaos".

--Harry.
H.W. Fluks
MIKE:
> ...the year-old Hollandise (sp?) issue...

A short lesson in western European geography 8-):
The country I live in is called The Netherlands. Most foreign people
call it Holland (like the United Kingdom is often called England).
The adjective to that is "Dutch". I am Dutch. I speak Dutch.
The country next door is called Belgium. Half of that country speaks
Dutch. That half of the country is commonly called Flanders, while the
language variety is called Flemish.

> I [am] currently writing a long BB adventure, which
> I hope will give me some money if I'll ever get it to the Geillusteerde Pres
> (somebody said they're looking for scripts to non-disney stories).

I said on this list that De Geillustreerde Pers (GP) is looking for short
non-DUCK stories. But last week I heard they were also looking for short
Duck-stories. I don't think they want a long Beagle Boys story. But I'm
not sure; please contact GP before you put too much effort in a story they
don't want.
Scripts in English are OK. When they have a Spanish studio do the art, they
have to translate it to Spanish, anyway.
(BTW: it would be great to see a Pohjola story in Dutch DD!)

--Harry.

Harry Fluks ()_() Dutch Disney comics freak
PTT Telecom (_) fluks at pcssdc.pttnwb.nl
Netherlands "Yeah.. I've _heard_ of coral barques"
H.W. Fluks
GREG and JOHN:

A while ago, we discussed on this list all the Barks stories that were not the
original, because they were censored or (partly) redrawn. It is quite a long
list, actually. I once asked Daniel van Eijmeren to make a file of this
list, that can serve as a FAQ, but he didn't get to it (yet?).
(Well, Daniel? 8-)

"Race to the South Seas" was entirely redrawn by Jippes. A few pages
(probably 1-5 and 10) of "Darkest Africa" were done by Jippes, the rest
was redrawn by Dutchman Dick Vlottes. Vlottes never drew any ducks before
or after that, fortunately.

Also, most of the panels of "Atom Bomb" are in fact redrawings by Jippes.
Jippes redrew other giveaway stories, but better proofs of those were found
later. The only other important re-inked story in the CBLibrary is "Santa's
Stormy Visit", done by someone at Egmont.

John Lustig said:
> I've heard that the reason Yippes bailed out on the second story is that the
> project was starting to wear him out. If that's true then I can't say I blame
> him.

Also, Jippes moved to the States at that time, to work for Disney animation.
He may have started the re-inking in about 1978. The story was first published
in Holland in 1982.

BTW, John: what happened to your "DucksEtc." mailbox? I liked that name...

--Harry.
Daniel Van Eijmeren
HARRY, GREG AND JOHN:

H: A while ago, we discussed on this list all the Barks stories that
H: were not the original, because they were censored or (partly)
H: redrawn. It is quite a long list, actually. I once asked Daniel
H: van Eijmeren to make a file of this list, that can serve as a
H: FAQ, but he didn't get to it (yet?). (Well, Daniel? 8-)

That's from the period that I still wasn't a member of this forum,
but sent messages on diskettes via you. As far as I remember the list
I sent then, was "complete". But I'll look and see.

What's the matter with that story in which "Bolivar" is changed in
"Bornworthy"? Does this also count for the original CBL? When I have
time, I'll take a look.

MIKE:

> Yeah, and that would probably be too much trouble for you. Is the
> year-old Hollandise (sp?) issue still out? In some second-hand
> shops perhaps?

Don't think xeroxing is a lot of trouble for me, but I don't have a
xeroxer here. My father has one in his business, about 7 km away.
It's just that I don't have the time to go there and xerox everything
I've promised. So, when I promise xeroxes, don't wait for it, but
you'll *sure* get them!

--- Daniel
Jacob Sparre Andersen
|^^^^^^^^^^
| Now for _Tio Patinhas_ #359, June '95: does somebody know these
| stories?
|
| "Sistema de defesa computadorizado" (I 1867): Donald makes out an
| "infallible" defense system for the money bin. Good old
| traditional Italian style shows DD in an unusual hi-tech genius
| role (he even beats Gyro in this story!). The computer design must
| improve, I guess.
^^^^^^^^^^
I think I recognize this. It has been in the Jumboboger. DD keeps the
password to himself, BB guesses it and get into the moneybin, DD remembers
that he has to change the password, and BB get caught inside the bin. Right?

I like that story.

I didn't recognize any of the other stories.

Greetings,
Jacob
--
A Faroese student - at home.
--
URL's: "mailto:(Email removed)", "http://fys.ku.dk/~sparre".
--
"We need a plan to diverge from", Fesser
Per Starback
Barks (on Scrooge's voice)
> "Oh, I guess an old Scotchman. One that rolled his "r's" a lot..."

David:
> Anyway, I think this settles what kind of accent the adult U$ has.
> Per, can you stick it on the WWW-page?

For me the quote in Swamp of No Return carries much more weight than
what Barks said in an interview in the 70's, so for me it was already
settled.

But I have added that information there now.
-- "
Per Starback, Uppsala, Sweden. email: starback at minsk.docs.uu.se
"That old duck sure had a Scotch burr like Uncle Scrooge's!"
Deckerd
> DANIEL (about Disney stories set in Egypt):
> > I don't know if this story is mentioned already, but you also have a
> > (long) Dutch Verhagen-story taking place in Egypt.
>
> I didn't mention this one because it hasn't been published in the USA yet.
> Dwight Decker translated and scripted it. I think it is to be published
> somewhere in 1996. Dutch title: "DD en de tempelschatten van Gaos".
>
> --Harry.

Actually, that story is on the schedule for September 1995 in the next
issue of Uncle Scrooge Adventures (I forget the number). Gladstone's title
is "The Treasure Temple of Khaos." That's the one where I renamed an
Egyptian camel driver to "Kheno ben Rhosa," which is thoroughly bogus
mock-Egyptian but I've already mentioned it to the target of the in-joke
and he was amused. I'm waiting with bated breath to see if Gladstone left
it in.

--Dwight Decker
Deckerd
Quoth David Gerstein:
>
> UNCLE SCROOGE ADVENTURES 34 is in the shops now...
> Backing up "The Money-Counting Machine" is a Vic Lockman 17-page
> story, "Beagle Bug-Off." It includes...a hairy protest group
> demanding civil rights for flies...
>
Uh, David, considering your normally phenomenal photographic memory for
Disney trivia (which, to my sorrow, I don't have, so I'm always
misremembering things), I'm surprised you misremembered this detail.
Lockman's protest group is not "hairy." Looking at the panel, the
protesters seem like regular folks, even a little older than might be
expected. From your choice of adjective, I was expecting a caricature
of hippies 25 years out of date. Since Lockman has done fundamentalist
Christian and right-wing political tracts in the past (on his own, not
for Disney or other mainstream comic companies), I suppose such a
depiction might have been somewhat in character for him -- but he
didn't do it this time!

--Dwight Decker
Daniel Van Eijmeren
Hi all!

For those who are interested, here's my list of changes in the Carl
Barks Library. Additions are very welcome, although not very much fun
to hear... :-(

* Land beneath the ground: Changes due to restoration in
CBL. Original panel without added caption is printed
apart from the story.

For those who don't know: A lot of pages were cut before the
was printed for the first time. The CBL succeeded in getting some
of them back, but they had to add a caption to a panel to fill in
the "new" art.

* Island in the Sky: Censored dialogue? The original dialogue
about Columbus is not changed. (David mentioned something about
this loooong ago.)

* How green was my lettuce: Silhouette of Scrooge is
*deleted*. Balloons are added, changed and deleted to fill
in the original art. The "original" pasted art is also shown
in CBL. I think the CBL did the restoration very good.

For those who don't know: Before first publication, two pages
were cut from the story. The CBL got 1 3/4 of the art back, but
they had to change some art of the printed "original" version to
fill it in again.

* Santa's Stormy Visit: Redrawn.

* Donald Tells About Kites: At least some art restored or redrawn.

* Too Many Pets: Restored, you can see the thick black lines.

* <steamboat-race> (USGTD 1): Logo "Uncle Scrooge" added
on first page in CBL.

* A Cold Bargain: CBL has changed heads of Brutopians? I
heard there was something censored.

* Peaceful hills: Original art in CBL?

* Balloonatics (WDC): In CBL page 7 is the only one to be
restored, or are there more?

* Treasure of Marco Polo: Dialogue censored. One panel changed,
Harry knows which one.

* The Golden River: Page deleted by Barks is added in the
story in CBL, the panel he draw to replace the page is
shown somewhere else. No art itself is changed.

* Trick or Treat: In page one a caption is shortened due
to restoration of the original art. (A lot of pages were cut
before the first publication).

* <lost dollar-bill> (WDC 63): The "rings" shown above the
heads of the ducks (last panel) are deleted in CBL. They
were added by the editor before first publication. Did
the CBL have an evidence for that?

* Captain Blights Mystery Ship: Uncensored in CBL?

* Medaling Around (WDC): Splash-panel is bigger in height.

* Voodoo Hoodoo: Faces of natives changed. Zombie's nose is
changed and his ring is gone. It's possible that the dialogue
referring to the ring (quiz-master) is changed. (In the Dutch
version something about the ring is said.)

* Bongo on the Congo: Panels 7.7, 8.1, 8.2 and 8.3 are censored.
Hair of natives is changed and/or removed. The bones through
their "noses" are gone.

* Darkest Africa: Redrawn. Natives changed, a panel removed.

* Atom Bomb: Last panel is censored, bottles instead of a cash and
combs instead of money. The art is redrawn, but it's pasted in
the original lay-out of the story.

* DD and the Boys (WH 845): Restored, see those thick lines.

* Race to the South seas: Redrawn. You can see the Dutch name
"Kwaak" on the boat in one panel.

This is my list of changes I've noticed, either by myself or by
comments of someone. I don't know if it's complete. Maybe we can make
a definitive list together?

I still wonder why "Darkest Africa", "Race to the South Seas" and
"Donald Duck's Atom Bomb" use the original balloons, but not the
original art. The balloons don't look that bad. But it is clear that
the CBL preferred clear lines above original vague lines. :-(

Greetings,

--- Daniel
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