Keskustelujen arkisto

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Author

Topic: 199903

(153 messages)
Mikko Kotisaari
Generally speaking I don't like Mickey Mouse stories so much but I've
found less known drawer Manuel Gonzales's stories pretty funny!
They have started to come up as one-page-comics in AKU ANKKA in Finland.
So, has this Manuel drawed longer stories than just one page stories?

Mikko

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Juha Viikki
Hi all!

I hope some other Finn on this list can help me with this.

In 1995-96 there was a short period when I didn't subscribe to Aku
Ankka. During that time, I received three "special offer" letters from
Helsinki Media. Enclosed in each of these letters there
was a "special" issue of Aku Ankka.

I don't know what to do with these three issues. I find them a bit
difficult to place in my bookshelf with the other AA issues. They look
just like normal AAs, but they don't belong to the series.

Under the "Aku Ankka" title on each of these issues, it says
"erillispainos" ("separate edition"). My "separate editions" are
numbered 7/95, 10/95 and 1/96. The stories in them seem to be collected
from several other issues of AA. Erillispainos 10/95, for example,
includes a story (D93172) that was published a year earlier in AA 15/94.

I was hoping that I might be able to collect all of these "separate
editions" if somebody could tell me a bit more about them. What's the
story behind them? How many such issues are there? Are they still being
printed and sent to those ill-fated souls who don't subscribe to AA? Do
these issues form an unbroken series of their own (in other words, will
the Paul Murry story whose first part I saw in special edition #7
continue in #8?

If there's someone among our Finnish list members who knows more about
these odd issues or has other ones than the three I mentioned, please
let me know. Although I guess it might be difficult to find a Finnish
duckfan on this list who didn't subscribe to AA three years ago...
Perhaps some of the Aku Ankka editors that are lurking on the list could
help me? (Paula Antila, are you still out there?)

Thanks

Juha

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Michael Naiman
Thanks to the many, many Scandanavian participants in the Carl Barks
Birthday Greeting Card project.

What's the matter with the rest of the Euros?
Anyone in Germany appreciate The Master??

Come on now...show your national colors and send a
birthday greeting to Unca Carl!
SSchridde
Hi all!

Just wanted to share a nice coincident that happened to me a
minute ago.

As you digest.readers know, Rosa's Cutty Sark-Story was
poublished in Germany's Micky Maus during the last two weeks.

Today then, I hacked in some MMs I bought in oktober in my
personal database.
Guess what I find in Micky Maus #5 of 1964 in the interior pages
(Micky Maus Klub), a kind of all around the worl-magazine in the
magazine?

You guessed it, a report titled (all roughly translated):

Cutty Sark - museum of luck

it says that the Cutty Sark, a famous, fast sailing ship is now (i.e.
then, 1964) in retirement: in a dry dock (?) in Greenwich.

In it are shown to the public hundreds of galeon's statues (those at
the front of every old ship).
Included are colour photos of the ship (1) and several statues.

Funny thing, eh?
Does anyone know whether the Cutty Sark still is homing a
museum and still is in Greenwich???

Soeren

Soeren Schridde

--- keine Regierung ist gewillt, ueber den Tellerrand
hinauszublicken, weil der Teller allein ihren Machterhalt
garantiert. Rudolf Augstein, 1998 ---
--- no government is willing to look over the edge of the
plate, as it's the plate alone that ensures its power---

Martinistr. 52, 49078 Osnabrueck, Germany, Earth
eMail: (Email removed)
(2nd: (Email removed))
Tel./Fax: Acc.Code+ (0)541/150764

at my parents':
Luisenweg 33, 38302 Wolfenbuettel, Germany, Earth
Tel.: Acc.Code+ (0)5331/978268
Tristan Havelick
Everyone,

Anders Christian Savebaek and I are proud to present, "The Two Worlds of Don
Rosa" our webpage we've been working on for the past few months. Don Rosa
fans should all check it out. It resides at:

http://ouray.cudenver.edu/~tdhaveli/index.htm

(note: http://ouray.cudenver.edu/~tdhaveli/ will NOT work yet.. something I
need to fix)

Thanks.. Don't forget to tell us what you think,

=-<Tristan Havelick
Arthur Faria Jr.
Hi!

I'm de-lurking just because this:

Rich Bellacera wrote about Hercules' stories published in Europe:

> Disney's HERCULES: Rock of Ages (Storycode: JZ372)
> http://www.geocities.com/Wellesley/5455/comic1.jpg
> http://www.geocities.com/Wellesley/5455/comic2.jpg
> http://www.geocities.com/Wellesley/5455/comic3.jpg

>This comic was unusual because formerly all the Hercules tales took
>place AFTER the end of the theatrical film maintaining Hercules as an
>adult and in a relationship with the film's heroine, Megara. However,
>the above comic is an example of a tale presenting Hercules as a
>teenager in High School, and sharing an adventure with his school
>friends (who were not a part of the original film). This tale also
>has a storycode which I believe is French in origin so I was curious
>if there were OTHER stories presented in France or elsewhere focusing
>on Hercules' Teen Years like this one?

The above story was made indeed by Brazilian artists (pencil, ink and
color)
as we can see in the credits. Several art-only stories have
been made in the middle of 1997, just before Abril Jovem stop its local
production.
I have no further information about these stories, though. I think there
are up to ten Hercules' short-stories like that, written by European writers
(BTW, there are some Humpback's made entirely by Brazilian artists with
the same quality. Some of them can be found in Inducks' Brazilian indexes).

-- Arthur Faria (from a very rainy Brazil).
Per Starback
Mikko Kotisaari writes:

> So, has this Manuel [Gonzales] drawed longer stories than just one
> page stories?

Follow the index link from
<http://stp.ling.uu.se/~starback/dcml/creators/manuel-gonzales.html>,
and you will find mostly newspaper comics, but a few S-coded longer
stories as well.

--
Per Starback <(Email removed)> <http://stp.ling.uu.se/~starback/me.html>
"Life is but a gamble! Let flipism chart your ramble!"

P.S. It's the birthday of Manuel Gonzales today, by the way!
Marco Barlotti
Franco Fossati's index of Carl Barks Disney stories and their reprints in
Italy is on-line at

http://www.fumetti.org/mvbarks.htm

but this version takes a lot to download, has lots of bugs in the HTML code,
does not carry the I.N.D.U.C.K.S. code of the stories and is not updated
with recent Italian reprints of Barks' stories.

I have produced an updated version in RTF format. This was for my personal
use, but the Franco Fossati Foundation (via Furio Fossati, Luigi Bono and
Gianfranco Goria) kindly granted me permission to put it on-line.
So you can download it (hopefully quickly, being only 100 Kb after zipping) from

http://marcobar.cce.unifi.it/Fumetti/IndiceBarks.html

and freely use it under the conditions of the I.N.D.U.C.K.S. licence:
http://marcobar.cce.unifi.it/DisneyIndex/Licence.html

**BEWARE** The index is in ITALIAN!

Marco

http://marcobar.cce.unifi.it/Comics

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End of Disney comics Digest V99 Issue #42
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Don Rosa
From: "Tristan Havelick"
>>>Subject: Two Worlds of Don Rosa webpage up
Everyone,
Anders Christian Savebaek and I are proud to present, "The Two Worlds of Don
Rosa" our webpage we've been working on for the past few months. Don Rosa
fans should all check it out. It resides at:
http://ouray.cudenver.edu/~tdhaveli/index.htm

I doubt if anyone will find that website as fascinating as *I* do! It's very
nice to know that everyone will be able to see *all* the work I do on the
stories, thanks to you fellas.

I glanced through your scans and had fun doing comparisons myself..... until
I got to the scans for "The Once and Future Duck". This I need to know: WHAT
FOREIGN TRANSLATION DID YOU GET THAT DIALOGUE FROM?!?!?!? This brings back
all my nightmares that we were discussing here in past times. The dialogue
you have in those balloons is either only vaguely similar to the original,
or has *nothing* to do with my original dialogue whatsoever! I'm even
wondering how readers could follow the story if the entire thing was
translated so carelessly. I mean, there's the scene where Donald is supposed
to be shouting incantations and making "magic". My incantations were all
1950s stuff like "STEREOPHONIC SOUND!" and "ALUMINUM FOIL!" and such. The
translator has changed
those to 1990s stuff like "INTERNET!"... that sort of change is.... well,
okay, I know
it's unavoidable. But in other balloons, instead of shouting incantations,
Donald is saying idiotic things like "Me, I'm sparkling." (????) Just
because the art shows electric charge around him? And the dialogue in the
other alternate part -- it reads as if the translator didn't even have my
original script -- he was just creating dialogue that he thought fit the
art. Is *this* the sort of translation my stories usually get?
ZOINK! Now, having typed all that, an explanation occurs to me! Perhaps the
publisher was sent the correct art by Egmont, but Egmont did not bother to
supply the translator with the *script* that went with the art!!! That must
be it! And that's why the dialogue reads as if the translator is making up
*anything* he could think of to fit the art... that's just what he *was*
doing. Well, that's a little different. But these translators all know by
now that I am always right here at the end of a fax or e-mail, and I will
answer any and all questions about my script on a moment's notice -- replies
within minutes. (Why not? I don't want my stories to be made to look foolish
or confusing -- I'll be happy to take time to help prevent that.)
Berglund
SOEREN:

> it says that the Cutty Sark, a famous, fast sailing ship is now (i.e.
> then, 1964) in retirement: in a dry dock (?) in Greenwich.
>
<snip>
> Does anyone know whether the Cutty Sark still is homing a
> museum and still is in Greenwich???
> 

It sure is, and probably one of the most popular tourist atractions of
the area.
(My parents brought me there back in the early 80s, but I can't remember
a thing
of it as I was too young...)

Here's an interesting site about it:
http://www.cuttysark.org.uk/index.html

/Martin Berglund
Malmo, Sweden
Jyrki Vainio
When I was visiting the Aku Ankka offices last spring Paula showed me some
of these different editions. I think there were even three different
editions of some books. I remember in particular the issue 1/95 (2000th
Aku Ankka issue) - some had in the corner the text "52 pages!" while
the other said in the same spot "10 mk!".
I think the newsstand and subscriber editions differ a bit similarily than
the American books do - others have a price code, others don't.
But all these differences were VERY minor - only small bits of the cover
were altered. I certainly hadn't noticed this until I was shown where to
look. And if I'm not mistaken I was told that this was something they did
a while ago but not anymore.

---Jyrki Vainio, Finland
Bhc
Christian:

>...but I think that, for standards to be raised, one first needs to agree
>that they
>need be raised.

I, for one, do not agree. Quality standards for free convention sketches
cannot be raised for the simple reason that they do not exist. And they
never can exist. They are not commissions, they are not assignments, they
are not anything for which anyone can expect, much less demand, a certain
level of quality.

What I do agree with is this: If an artist is doing sketches for free, the
artist, for the sake of goodwill and positive representation of his or her
work, should be motivated to see that fans go away at least somewhat
satisfied. Hacking out any old scribble is not very likely to do this.

Kriton:

Who is Matt Groening? He's the creator of the long-running comic strip
"Life In Hell", of course! (Oh, and he had something to do with a TV show
that's been around a while, too.)

Gary

****************************
"Who Knows Whose Nose Sniffs the Rose I Chose" - old sourdough song title
----------------------------------------------------------------------
Gladstone on the Web: http://www.brucehamilton.com
Fluks, H.W.
Gary:

> Kriton:
> Who is Matt Groening? He's [...]

I think Kriton was only giving an example of the reactions you can get.
Another example:

"I have a Don Rosa original drawing."

Reaction 1: "Wow!"
Reaction 2: "Yeah, sure."
Reaction 3: "Who is Don Rosa?"

And I might add another one:

Reaction 4: "So have I!"

8-)
--Harry.
Geir J. Netland
-------------MAJOR SPOILER WARNING!!!!!!!!!!---------------------
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-S P O I L E R ! S P O I L E R !
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Don:
I've just read your new "Lost Mine" story.
I think this one is really something! At last $crooge finally manage to
keep some of the treasure...well, at least a finders reward.
You've said numerous times that you don't want $crooge to keep the
treasures, so I guess this is as close as it gets..??
Ayway,. thank you for another great story, Don!

Greetings from/Vennlig hilsen:
Geir J. Netland
http://www.misjonshs.no/~geinet/
-----------------------------------
-So you're *scared*, eh? Well, these
*roosters* aren't chicken! Er..um..
Sure, they're chickens, but not
chicken chickens!-
-Don Rosa in "Return to Xanadu"-

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End of Disney comics Digest V99 Issue #43
*****************************************
Tristan Havelick
Everyone,

First off, I want to appologize for not testing this page on every thinkable
web browser before I anounced it. Second, I'd like to announce that I have
tested it in the following browsers and it looks pretty good in each one,
but it looks best in MS-IE 4

MS-IE 4
MS-IE 3
Netscape 4.5
Lynx (The Unix text based browser)

so, if the page looked screwed up before, it probably looks ok now. sorry
for the confusion.

=-<Tristan Havelick
The Two Worlds of Don Rosa http://ouray.cudenver.edu/~tdhaveli

PS: if you have a diffrent browser than these, please e-mail me so I can at
least ask if everything looks good in it
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