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Hi everyone,
=20
I am Arthur Bowman from North Carolina, USA and I am relatively new =
to this Digest (about four weeks). I have enjoyed reading your posts =
and envy those of you that will be attending the San Diego Comicon. Say =
"Hi!" to Don Rosa for me. My question to all of you devoted Duck Fans =
out there, and also anyone at Gladstone, is, where can I find some of =
the Disney Comics Digests that were printed by Gladstone in their first =
run of Disney Comics; ie. "Walt Disney Comics and Stories Digest". They =
were small books about the size of an Archie Digest. Please let me know =
if you know where I can find these, preferably by mail order or e-mail =
order. It seems as though I started collecting comics shortly after =
they stopped pinting these. Thank you again and have fun in S.F..
A devoted Disney Comics fan,
Arthur S Bowman
PO BOX 133
Webster, NC 28788
=20
(Email removed)
=20
=20
Author
Topic: 199907
(140 messages)
Arthur S Bowman
Gladstone Comics Digests
Message 76 -
1999-07-20 at 18:50:06
Frank Stajano
Disney comics Digest V99 #123
Message 77 -
1999-07-20 at 18:52:08
Hey! I opened this digest (the first in a long while) just to see what the
admin address was for switching from digest to normal, in the hope that at
least having the HEADERS visible will make me read some of this once in a
while and.... imagine my surprise at finding myself mentioned here!
At 19/07/99 18:12 +0200, Harry wrote:
>I've had a closer look to (Kriton's collection of) the Greek KOMIX
>magazines. It appears that they print a lot of articles straight from the
>internet, without credits (and presumably without premission of the writer).
>I was especially surprised to see Frank Stajano's articles about Romano
>Scarpa and Giorgio Cavazzano. I consider this a theft: Disney may own any
>picture with Disney characters, but they do not own articles written ABOUT
>Disney comics!
Well, indeed, I share your feeling: at least they could have sent me a copy
or two of the comic! ;-) But even just ASKING, or for heaven's sake TELLING
me about it, would have been better than nothing...
At any rate, when you write something like a book, in order to be able to
put Disney pictures in it you have to sign a disclaimer meaning basically
that they can do whatever they like with the rest of the book (including
for example reprinting bits of it, in a Greek magazine or in an Italian one
for that matter as has already happened, without crediting the original
author) and if you don't agree to this they don't give you permission to
use the pictures over which they own (c).
Since I didn't sign any such disclaimer for the web site, in theory they're
in breach of my (c) there, so in theory I could sue them; however in theory
they could also sue me for putting up Disney pics on said web site, despite
the fact that I credited and acknowledged all my sources (unlike them) so
we're sort of even ;-)
Still, it would be nicer if people recognised each other's work fairly. It
makes everybody happier when it happens, especially in a "gift economy"
such as this of comics fans where money rarely changes hands, even when one
writes entire books, and "warm feelings" and the esteem of your peers are
the primary currency (I'm talking about "fan information", not about the
comics themselves, of course: I am well aware that, there, a lot of money
does change hands!)
Frank (http://i.am/filologo.disneyano/) http://www.uk.research.att.com/~fms/
admin address was for switching from digest to normal, in the hope that at
least having the HEADERS visible will make me read some of this once in a
while and.... imagine my surprise at finding myself mentioned here!
At 19/07/99 18:12 +0200, Harry wrote:
>I've had a closer look to (Kriton's collection of) the Greek KOMIX
>magazines. It appears that they print a lot of articles straight from the
>internet, without credits (and presumably without premission of the writer).
>I was especially surprised to see Frank Stajano's articles about Romano
>Scarpa and Giorgio Cavazzano. I consider this a theft: Disney may own any
>picture with Disney characters, but they do not own articles written ABOUT
>Disney comics!
Well, indeed, I share your feeling: at least they could have sent me a copy
or two of the comic! ;-) But even just ASKING, or for heaven's sake TELLING
me about it, would have been better than nothing...
At any rate, when you write something like a book, in order to be able to
put Disney pictures in it you have to sign a disclaimer meaning basically
that they can do whatever they like with the rest of the book (including
for example reprinting bits of it, in a Greek magazine or in an Italian one
for that matter as has already happened, without crediting the original
author) and if you don't agree to this they don't give you permission to
use the pictures over which they own (c).
Since I didn't sign any such disclaimer for the web site, in theory they're
in breach of my (c) there, so in theory I could sue them; however in theory
they could also sue me for putting up Disney pics on said web site, despite
the fact that I credited and acknowledged all my sources (unlike them) so
we're sort of even ;-)
Still, it would be nicer if people recognised each other's work fairly. It
makes everybody happier when it happens, especially in a "gift economy"
such as this of comics fans where money rarely changes hands, even when one
writes entire books, and "warm feelings" and the esteem of your peers are
the primary currency (I'm talking about "fan information", not about the
comics themselves, of course: I am well aware that, there, a lot of money
does change hands!)
Frank (http://i.am/filologo.disneyano/) http://www.uk.research.att.com/~fms/
Luca Boschi
Gregory and Kinney.
Message 78 -
1999-07-21 at 03:16:48
What Joakim Gunnarsson wrote is very interesting for me (and at least
for Dave Gerstain, I assume):
> > Subject: My favourite "Tony Strobl" stories
>
> > W DD 65-01 18 One For The Whammy
> >(my most favourite, written by Bob Gregory)
> > W DD 68-01 21 The Fabulous Fiddlesticks (Gregory again)
> > W DD 73-01 16 Riverboat Shuffle (Gregory)
> > W DD 74-01 14 Dive To Danger (Gregory)
> Bob Gregory was soooooo much better as a writer than beeing an artist.
YES. For this reason he deserves some credit. And he shall be one of
the creators "celebrated" with an article (by Alberto, I say) on the
next year's "Zio Paperones".
> The team up of above mentioned writer Dick Kinney and Al Hubbard resulted
> in some of the most hilarious and funniest stories written in the mid-late
> sixties for the Studio-program.
OK. Check this very ZP issue for three of 'em. If you (or frends of
yours), experts, readers, creators make some requests in this
direction, shall not be so difficult to get some more from the US
Burbank's Archives. It's a long procedure, but stories come again in
circulation, and share a new life. And since they deserve to be readen
also in the countries where they never appeared...
> I guess that some of them
> wasn't published *anywhere*(?). Most of them was printed in Australia, many
> in Italy and some in Scandinavia.
Well, using the codes, someone can do it, just now!
Indeed, what is the story which has been published in a US comic book?
A Goofy story with a wrong credit, in the early 90es? Mickey and the
Sleuth (but it'snot by Kinney...)?
A Fethry story?
Bye!
Luca
for Dave Gerstain, I assume):
> > Subject: My favourite "Tony Strobl" stories
>
> > W DD 65-01 18 One For The Whammy
> >(my most favourite, written by Bob Gregory)
> > W DD 68-01 21 The Fabulous Fiddlesticks (Gregory again)
> > W DD 73-01 16 Riverboat Shuffle (Gregory)
> > W DD 74-01 14 Dive To Danger (Gregory)
> Bob Gregory was soooooo much better as a writer than beeing an artist.
YES. For this reason he deserves some credit. And he shall be one of
the creators "celebrated" with an article (by Alberto, I say) on the
next year's "Zio Paperones".
> The team up of above mentioned writer Dick Kinney and Al Hubbard resulted
> in some of the most hilarious and funniest stories written in the mid-late
> sixties for the Studio-program.
OK. Check this very ZP issue for three of 'em. If you (or frends of
yours), experts, readers, creators make some requests in this
direction, shall not be so difficult to get some more from the US
Burbank's Archives. It's a long procedure, but stories come again in
circulation, and share a new life. And since they deserve to be readen
also in the countries where they never appeared...
> I guess that some of them
> wasn't published *anywhere*(?). Most of them was printed in Australia, many
> in Italy and some in Scandinavia.
Well, using the codes, someone can do it, just now!
Indeed, what is the story which has been published in a US comic book?
A Goofy story with a wrong credit, in the early 90es? Mickey and the
Sleuth (but it'snot by Kinney...)?
A Fethry story?
Bye!
Luca
Bror.Hellman
Disney comics Digest V99 #123
Message 79 -
1999-07-21 at 12:02:51
> At any rate, when you write something like a book, in order
> to be able to put Disney pictures in it you have to sign a
> disclaimer meaning basically that they can do whatever they
> like with the rest of the book (including for example
> reprinting bits of it, in a Greek magazine or in an Italian one
> for that matter as has already happened, without crediting
> the original author) and if you don't agree to this they don't
> give you permission to use the pictures over which they own (c).
Well. it's no solution for most writers, but if you feel uneasy about
letting Disney have all the rights for your book only because you had a few
illustrations in it, then you could try publishing it in Sweden.
If you write a book about Disney comics and use pictures according
to rather clear regulations, you don't need permission to use even
Disney pictures, and you don't have to transfer any rights to the
rest of your work either...
You see, the swedish laws permits you to quote even pictures for articles,
essays or other literary works.. So.. in a work about Disney Comics you
could use pictures to illustrate your point, without permission. Of course..
it's always polite and better to ask first anyway... ;-) And pictures
should always be used in moderation.
I'm sure other countries have similar laws...
> Since I didn't sign any such disclaimer for the web site, in
> theory they're in breach of my (c) there, so in theory I could sue them;
> however in theory they could also sue me for putting up Disney pics on
said web
> site, despite the fact that I credited and acknowledged all my sources
> (unlike them) so we're sort of even ;-)
Well.. it depends a bit... it depends where your site is located
(physically) and where you (the author) live... ;-)
Of course.. You'd had to get a good lawyer with experience in international
(C)opyright laws to really get an answer to this... It's a jungle out
there.. ;-)
Well.. it's not much to fuzz about, and if you really wanted to sue Disney,
Mondadori, Egmont or whatever, they could always emply a more expensive
lawyer than you could... ;-)
What I really *think* you SHOULD do is write the publishers and tell them in
a polite way that you love Disney comics, but ask them to ask you first
before printing your articles again, and that you would be happy if they
gave you your credits.. ;-)
Steamboat Willie
> to be able to put Disney pictures in it you have to sign a
> disclaimer meaning basically that they can do whatever they
> like with the rest of the book (including for example
> reprinting bits of it, in a Greek magazine or in an Italian one
> for that matter as has already happened, without crediting
> the original author) and if you don't agree to this they don't
> give you permission to use the pictures over which they own (c).
Well. it's no solution for most writers, but if you feel uneasy about
letting Disney have all the rights for your book only because you had a few
illustrations in it, then you could try publishing it in Sweden.
If you write a book about Disney comics and use pictures according
to rather clear regulations, you don't need permission to use even
Disney pictures, and you don't have to transfer any rights to the
rest of your work either...
You see, the swedish laws permits you to quote even pictures for articles,
essays or other literary works.. So.. in a work about Disney Comics you
could use pictures to illustrate your point, without permission. Of course..
it's always polite and better to ask first anyway... ;-) And pictures
should always be used in moderation.
I'm sure other countries have similar laws...
> Since I didn't sign any such disclaimer for the web site, in
> theory they're in breach of my (c) there, so in theory I could sue them;
> however in theory they could also sue me for putting up Disney pics on
said web
> site, despite the fact that I credited and acknowledged all my sources
> (unlike them) so we're sort of even ;-)
Well.. it depends a bit... it depends where your site is located
(physically) and where you (the author) live... ;-)
Of course.. You'd had to get a good lawyer with experience in international
(C)opyright laws to really get an answer to this... It's a jungle out
there.. ;-)
Well.. it's not much to fuzz about, and if you really wanted to sue Disney,
Mondadori, Egmont or whatever, they could always emply a more expensive
lawyer than you could... ;-)
What I really *think* you SHOULD do is write the publishers and tell them in
a polite way that you love Disney comics, but ask them to ask you first
before printing your articles again, and that you would be happy if they
gave you your credits.. ;-)
Steamboat Willie
Anders Engwall
Strobl, Gregory and Kinney
Message 80 -
1999-07-21 at 12:12:18
Joakim Gunnarsson wrote:
> The team up of above mentioned writer Dick Kinney and Al Hubbard resulted
> in some of the most hilarious and funniest stories written in the mid-late
> sixties for the Studio-program.
Indeed. Of course, Kinney also wrote a few stories in the same
vein that were drawn by Strobl, and others that were drawn by
lesser lights like Phil de Lara and Pete Alvarado. Kinney was
indeed a funny writer.
As for Strobl, several of his tenpagers for WDC are really
good, too; "The People Collector" (WDC 314), "The Pride Of
Duckburg" (WDC 323), "The Fastest Pest in the West" (WDC
327) and "The Reluctant Tycoon" (WDC 332) are my favourites.
"The Haunted House Caper" (WDC 326) is a curiosity. It
*might* be interpreted as Donald tripping out on hallucino-
genics (hey, it *was* published in 1967...), but it *might*
also be read as a parody of "Repulsion", the Polanski movie.
After all, walls seem to move around in both cases... Then
again, I could be talking a load of nonsense...
/ Anders
> The team up of above mentioned writer Dick Kinney and Al Hubbard resulted
> in some of the most hilarious and funniest stories written in the mid-late
> sixties for the Studio-program.
Indeed. Of course, Kinney also wrote a few stories in the same
vein that were drawn by Strobl, and others that were drawn by
lesser lights like Phil de Lara and Pete Alvarado. Kinney was
indeed a funny writer.
As for Strobl, several of his tenpagers for WDC are really
good, too; "The People Collector" (WDC 314), "The Pride Of
Duckburg" (WDC 323), "The Fastest Pest in the West" (WDC
327) and "The Reluctant Tycoon" (WDC 332) are my favourites.
"The Haunted House Caper" (WDC 326) is a curiosity. It
*might* be interpreted as Donald tripping out on hallucino-
genics (hey, it *was* published in 1967...), but it *might*
also be read as a parody of "Repulsion", the Polanski movie.
After all, walls seem to move around in both cases... Then
again, I could be talking a load of nonsense...
/ Anders
Fethry.Duck
Fethry Duck - first apperance
Message 81 -
1999-07-21 at 13:33:31
I wondered when Fethry Duck had his first apperance.
Any info appreciated.
Was he first created by Kinney/Hubbard in S64008, but first appeared in
Topolino #453 (according to Bellacera's HooZoo page)? Btw I couldn't find
this story in the INDUCKS.
Trygve
_______________________________________________________
Get your free, private email at http://mail.excite.com/
Any info appreciated.
Was he first created by Kinney/Hubbard in S64008, but first appeared in
Topolino #453 (according to Bellacera's HooZoo page)? Btw I couldn't find
this story in the INDUCKS.
Trygve
_______________________________________________________
Get your free, private email at http://mail.excite.com/
Fluks, H.W.
Greetings from Greece
Message 82 -
1999-07-21 at 13:46:48
People who want to see some pictures from my holiday in Greece, can have a
look at
http://members.tripod.lycos.nl/bolderbast/griek.html
I guess mostly the photos of Kriton and the "Super Goofy" shop may be of
interest.
--Harry.
BTW, Arthur, Don, Mattias(?): how was Luxemburg?
look at
http://members.tripod.lycos.nl/bolderbast/griek.html
I guess mostly the photos of Kriton and the "Super Goofy" shop may be of
interest.
--Harry.
BTW, Arthur, Don, Mattias(?): how was Luxemburg?
Nitra Jain
HI
Message 83 -
1999-07-21 at 14:36:25
HI,
I'M A 'DISNEY COMIC' FAN FROM INDIA.
MY MAIN RESON TO JOIN THIS RING WAS TO FIND SOME GOOD FRIENDS ON THE NET.
I'M A BIG BSB (BACKSTREET BOYS) FAN AND HAVE STARTED A SMALL E-MAIL RING
WELL ITS A GREAT FUN ACTIVITY ALL YOU HAVE TO DO IS:
MAKE FIVE COPIES OF THIS E-MAIL AND MAIL IT TO FIVE DIFFERENT FRIENDS OF YOUR.
TELL THEM TO DO THE SAME THEN ADD YOUR NAME IN THE FOLLOWING E-MAIL LIST:
1. (Email removed)
2.(WILL BE YOUR E-MAIL ADDY AND THIRD THAT OF YOU FRIENDS)
WHEN YOU RECIEVE THISSEND AN E-MAIL TO ME SO THAT I CAN KNOW
HOW MANY PEOPLE HAVE ENTERED MY LIST.
IF YOU DON'T WANT TO JOIN TO JOIN THIS RING THEN PLEASE SEND THIS E-MAIL BACK
TO ME WITHIN FIVE DAYS.
IF YOU DO NOT UNDERSTAND ANYTHING IN THIS PLEASE BE FREE TO WRITE TO ME.
BYE
I'M A 'DISNEY COMIC' FAN FROM INDIA.
MY MAIN RESON TO JOIN THIS RING WAS TO FIND SOME GOOD FRIENDS ON THE NET.
I'M A BIG BSB (BACKSTREET BOYS) FAN AND HAVE STARTED A SMALL E-MAIL RING
WELL ITS A GREAT FUN ACTIVITY ALL YOU HAVE TO DO IS:
MAKE FIVE COPIES OF THIS E-MAIL AND MAIL IT TO FIVE DIFFERENT FRIENDS OF YOUR.
TELL THEM TO DO THE SAME THEN ADD YOUR NAME IN THE FOLLOWING E-MAIL LIST:
1. (Email removed)
2.(WILL BE YOUR E-MAIL ADDY AND THIRD THAT OF YOU FRIENDS)
WHEN YOU RECIEVE THISSEND AN E-MAIL TO ME SO THAT I CAN KNOW
HOW MANY PEOPLE HAVE ENTERED MY LIST.
IF YOU DON'T WANT TO JOIN TO JOIN THIS RING THEN PLEASE SEND THIS E-MAIL BACK
TO ME WITHIN FIVE DAYS.
IF YOU DO NOT UNDERSTAND ANYTHING IN THIS PLEASE BE FREE TO WRITE TO ME.
BYE
Fluks, H.W.
HI
Message 84 -
1999-07-21 at 15:39:28
> From: Nitra Jain [mailto:(Email removed)]
> MAKE FIVE COPIES OF THIS E-MAIL AND MAIL IT TO FIVE DIFFERENT
> FRIENDS OF YOUR.
> TELL THEM TO DO THE SAME
You are trying to start a chain letter here. This is considered bad practice
on the internet (or anywhere, actually). I advise everyone NOT to do the
above.
Also, I hope your next mail will be about *Disney comics*.
--Harry.
> MAKE FIVE COPIES OF THIS E-MAIL AND MAIL IT TO FIVE DIFFERENT
> FRIENDS OF YOUR.
> TELL THEM TO DO THE SAME
You are trying to start a chain letter here. This is considered bad practice
on the internet (or anywhere, actually). I advise everyone NOT to do the
above.
Also, I hope your next mail will be about *Disney comics*.
--Harry.
Paolo Castagno
Kriton and Harry (and anyone else interested...)
Message 85 -
1999-07-21 at 22:32:48
Hello,
> Kriton wrote:
> We also talked about Harry's favorite subject, indexing. I
> was almost convinced to contribute information about Komix,
> and we discussed the possibility of my doing some kind of
> data entry program in Java, for the use of people like me,
> who are completely dumbfounded by the complexity of the
> database's format. (Nothing is definite yet, but it sounds
> like a neat project.)
For you and for anyone else interested in indexing issue of his
country, I can offer my help in providing an excel sheet where to
enter the data, without worrying for the correct I.N.D.U.C.K.S.
format.
This standard sheet is already used by some Italian indexers, and
is auto-converted in a format compatible for my DB, and then for
I.N.D.U.C.K.S.
Using it you won't have to worry for the data layout, except some
obvious things such as inserting e.g. the number of pages of a
story under the column intitled "pages"....
Since we (=Italians) are using it to index our issues our work
speed up a lot, so...
You can find it at
http://www.confor.it:2222/disney/downl.htm
and feel free to ask me for any explanation.
- Paolo
http://i.am/castagno
> Kriton wrote:
> We also talked about Harry's favorite subject, indexing. I
> was almost convinced to contribute information about Komix,
> and we discussed the possibility of my doing some kind of
> data entry program in Java, for the use of people like me,
> who are completely dumbfounded by the complexity of the
> database's format. (Nothing is definite yet, but it sounds
> like a neat project.)
For you and for anyone else interested in indexing issue of his
country, I can offer my help in providing an excel sheet where to
enter the data, without worrying for the correct I.N.D.U.C.K.S.
format.
This standard sheet is already used by some Italian indexers, and
is auto-converted in a format compatible for my DB, and then for
I.N.D.U.C.K.S.
Using it you won't have to worry for the data layout, except some
obvious things such as inserting e.g. the number of pages of a
story under the column intitled "pages"....
Since we (=Italians) are using it to index our issues our work
speed up a lot, so...
You can find it at
http://www.confor.it:2222/disney/downl.htm
and feel free to ask me for any explanation.
- Paolo
http://i.am/castagno
Barry Branvold
New e-mail address
Message 86 -
1999-07-22 at 05:46:51
Beginning August 5th, 1999 my new e-mail address will be:
(Email removed)
Barry.
--------------------------------
End of Disney comics Digest V99 Issue #125
******************************************
(Email removed)
Barry.
--------------------------------
End of Disney comics Digest V99 Issue #125
******************************************
Don Rosa
Digest #125
Message 87 -
1999-07-22 at 08:49:41
From: (Email removed)
>>>If you write a book about Disney comics and use pictures according
to rather clear regulations, you don't need permission to use even
Disney pictures, and you don't have to transfer any rights to the
rest of your work either...
You don't seem to be aware that the Disney corporation chooses not to believe in these rather clear regulations, and has all the lawyers and money needed to make certain that everyone in an American court of law will see it their way. And they also say they automatically fully own anything that contains an image of thier properties, without paying for it. This is not quite easilly enforced outside of America where the law is on the side of the party with the $, but I suspect that Disney could still make it quite uncomfortable for anyone who does not agree with their views regardless of the country.
Still, the KOMIX editors do such superb work in the presentation of their Disney comics that I'll mention to them that it would still be polite if they asked permission to use fan-writing, and that it is not Disney property free to their usage as are stuff like my texts which have already been previously printed in other Disney-licensed books.
Aside from that, I just returned from Luxembourg and leave again on another trip tomorrow! That leaves me little time to give any sort of report on the "BD Contern" in Luxembourg. I will say that Contern is the small village near Luxembourg City which hosts this annual convention, fashioned after the much (!) larger French Angouleme convention. Comic dealers set up booths throughout the streets of the village (and the weather was good)(not a humid 95 F / 35 C like it is here right now!), and there were many stands selling good eats (probably run by the villagers?). The artists and more dealers set up tables in the community sports arena / exposition hall. Me, myself, I sat for two days drawing Duck faces for Duckfans, 7 hours non-stop each day. Lotsa Duck fans there! And lots of nice folks who run the convention, whom I thank for the invitation and the hospitality (even though none of them are on this ML).
Most folks in Luxembourg read the German Disney comics, with the rest reading the French ones. Therefore, that new German Rosa album with the wrong cover was quite evident during the show, so I saw it for myself. And it's not just the wrong cover -- the wrong inside-covers were also used, showing all Barks art -- certainly nothing wrong with the art, but those inner-covers belong on the Barks Library editions. Also, the cover art was rather altered by computer technicians -- the line work was pixelated and blurred (at least if you knew what the original looked like) and the colorist decided to "correct" all the art by adding lines to make it easier to color... you know, closing gaps and bridging spaces, to take shortcuts in filling areas with color. The fluffy feather on the Knight's helmet was all closed up and "hardened"... and since that's where the hidden "D.U.C.K." happened to be, it was all run together with the surrounding linework. Anyway, please know that what you s!
ee!
on that cover is not what I drew but a computer's opinion of what I drew. Sorry. This issue, they say, was late -- perhaps they had to switch printers and ran into a whole new load of problems or confusions?
But when I returned home I found the new Egmont issues with the first part of my "Escape from Forbidden Valley" story, and the coloring looks very nice! I especially liked the coloring on the flashback scenes. And they colored the dinosaurs brightly, as I suggested. I wish I could read what the various translators did with the contents of $crooge's trinket-bag which contained the worthless stuff he was going to trade to natives. I had it as 1950's American kitsch, like Hula Hoops, Davy Crockett caps, yoyos, and used Super Snooper comics.
To you Finns -- you won't see this story until I visit you in November, at which time it will appear in AKU ANKKA with the usual special for-Finland-only cover that the Finnish publisher asks me to do for each of my stories.
Okay -- I'm off on another trip. ZOOOOOOM-------------->
>>>If you write a book about Disney comics and use pictures according
to rather clear regulations, you don't need permission to use even
Disney pictures, and you don't have to transfer any rights to the
rest of your work either...
You don't seem to be aware that the Disney corporation chooses not to believe in these rather clear regulations, and has all the lawyers and money needed to make certain that everyone in an American court of law will see it their way. And they also say they automatically fully own anything that contains an image of thier properties, without paying for it. This is not quite easilly enforced outside of America where the law is on the side of the party with the $, but I suspect that Disney could still make it quite uncomfortable for anyone who does not agree with their views regardless of the country.
Still, the KOMIX editors do such superb work in the presentation of their Disney comics that I'll mention to them that it would still be polite if they asked permission to use fan-writing, and that it is not Disney property free to their usage as are stuff like my texts which have already been previously printed in other Disney-licensed books.
Aside from that, I just returned from Luxembourg and leave again on another trip tomorrow! That leaves me little time to give any sort of report on the "BD Contern" in Luxembourg. I will say that Contern is the small village near Luxembourg City which hosts this annual convention, fashioned after the much (!) larger French Angouleme convention. Comic dealers set up booths throughout the streets of the village (and the weather was good)(not a humid 95 F / 35 C like it is here right now!), and there were many stands selling good eats (probably run by the villagers?). The artists and more dealers set up tables in the community sports arena / exposition hall. Me, myself, I sat for two days drawing Duck faces for Duckfans, 7 hours non-stop each day. Lotsa Duck fans there! And lots of nice folks who run the convention, whom I thank for the invitation and the hospitality (even though none of them are on this ML).
Most folks in Luxembourg read the German Disney comics, with the rest reading the French ones. Therefore, that new German Rosa album with the wrong cover was quite evident during the show, so I saw it for myself. And it's not just the wrong cover -- the wrong inside-covers were also used, showing all Barks art -- certainly nothing wrong with the art, but those inner-covers belong on the Barks Library editions. Also, the cover art was rather altered by computer technicians -- the line work was pixelated and blurred (at least if you knew what the original looked like) and the colorist decided to "correct" all the art by adding lines to make it easier to color... you know, closing gaps and bridging spaces, to take shortcuts in filling areas with color. The fluffy feather on the Knight's helmet was all closed up and "hardened"... and since that's where the hidden "D.U.C.K." happened to be, it was all run together with the surrounding linework. Anyway, please know that what you s!
ee!
on that cover is not what I drew but a computer's opinion of what I drew. Sorry. This issue, they say, was late -- perhaps they had to switch printers and ran into a whole new load of problems or confusions?
But when I returned home I found the new Egmont issues with the first part of my "Escape from Forbidden Valley" story, and the coloring looks very nice! I especially liked the coloring on the flashback scenes. And they colored the dinosaurs brightly, as I suggested. I wish I could read what the various translators did with the contents of $crooge's trinket-bag which contained the worthless stuff he was going to trade to natives. I had it as 1950's American kitsch, like Hula Hoops, Davy Crockett caps, yoyos, and used Super Snooper comics.
To you Finns -- you won't see this story until I visit you in November, at which time it will appear in AKU ANKKA with the usual special for-Finland-only cover that the Finnish publisher asks me to do for each of my stories.
Okay -- I'm off on another trip. ZOOOOOOM-------------->
Bror.Hellman
Digest #125
Message 88 -
1999-07-22 at 10:55:48
>>If you write a book about Disney comics and use pictures according
>> to rather clear regulations, you don't need permission to use even
>> Disney pictures, and you don't have to transfer any rights to the
>> rest of your work either...
> You don't seem to be aware that the Disney corporation
> chooses not to believe in these rather clear regulations, and
> has all the lawyers and money needed to make certain that
> everyone in an American court of law will see it their way.
I _am_ aware of that...
Which doesn't matter if the book is published in *SWEDEN* since american
lawyers, even Disney-ones, don't stand a chance of changing the swedish
constitution a bit. And if they trie to go against it, they will fail.
It's almost as hard as trying to go against the second amendment in the U.S.
AND Disney have tried - and failed - to change international Copyright (as
for example, Dorffman & Mattelaart - How to read Disney Comics or whatever
the title would be in the U.S. Disney couldn't stop it, and couldn't say
that the complete works was theirs to use.)
> This is not quite easilly enforced outside of America where
> the law is on the side of the party with the $, but I suspect
> that Disney could still make it quite uncomfortable for
> anyone who does not agree with their views regardless of the country.
Well... Disney in Sweden have stop even TRYING to enforce such rigid
views since they are the only one who could loose.. ;-)
In the 70'ies they tried to have works of satire banned and stopped
(similar to Air Pirate Funnies I believe) and they won some, where
the publisher did go too far, lost most cases that got to court,
and suffered a big dose of bad will!
Incidentally... They tried to sue a publisher who used $crooge McDuck
as an illustration of GREED in an article about the terrible american
imperialism. (!) and lost... It was, according to papers of the time,
known as the most expensive civil suite of the 70'ies.
Completely forgotten nowadaysm though...
Steamboat Willie
>> to rather clear regulations, you don't need permission to use even
>> Disney pictures, and you don't have to transfer any rights to the
>> rest of your work either...
> You don't seem to be aware that the Disney corporation
> chooses not to believe in these rather clear regulations, and
> has all the lawyers and money needed to make certain that
> everyone in an American court of law will see it their way.
I _am_ aware of that...
Which doesn't matter if the book is published in *SWEDEN* since american
lawyers, even Disney-ones, don't stand a chance of changing the swedish
constitution a bit. And if they trie to go against it, they will fail.
It's almost as hard as trying to go against the second amendment in the U.S.
AND Disney have tried - and failed - to change international Copyright (as
for example, Dorffman & Mattelaart - How to read Disney Comics or whatever
the title would be in the U.S. Disney couldn't stop it, and couldn't say
that the complete works was theirs to use.)
> This is not quite easilly enforced outside of America where
> the law is on the side of the party with the $, but I suspect
> that Disney could still make it quite uncomfortable for
> anyone who does not agree with their views regardless of the country.
Well... Disney in Sweden have stop even TRYING to enforce such rigid
views since they are the only one who could loose.. ;-)
In the 70'ies they tried to have works of satire banned and stopped
(similar to Air Pirate Funnies I believe) and they won some, where
the publisher did go too far, lost most cases that got to court,
and suffered a big dose of bad will!
Incidentally... They tried to sue a publisher who used $crooge McDuck
as an illustration of GREED in an article about the terrible american
imperialism. (!) and lost... It was, according to papers of the time,
known as the most expensive civil suite of the 70'ies.
Completely forgotten nowadaysm though...
Steamboat Willie
Kriton Kyrimis
Disney comics Digest V99 #125
Message 89 -
1999-07-22 at 13:21:54
PAOLO:
> For you and for anyone else interested in indexing issue of his
> country, I can offer my help in providing an excel sheet where to
> enter the data, without worrying for the correct I.N.D.U.C.K.S.
> format.
I've already downloaded it, and will probably use it for indexing KOMIX.
(I'll send you my questions in private.)
The reason I suggested using Java is that it's freely available and
runs everywhere, unlike other solutions, so that everybody can use it,
not only users of a particular platform.
On the other hand, having a spreadsheet template sounds like a good
idea, as there are various formats that can be loaded by all sorts of
spreadsheets, and not just excel. I suspect that the Disney comics
database format is one of these formats!
Kriton (e-mail: (Email removed))
(WWW: http://dias.cti.gr/~kyrimis
-----
"Things are only impossible until they're not."
-----
> For you and for anyone else interested in indexing issue of his
> country, I can offer my help in providing an excel sheet where to
> enter the data, without worrying for the correct I.N.D.U.C.K.S.
> format.
I've already downloaded it, and will probably use it for indexing KOMIX.
(I'll send you my questions in private.)
The reason I suggested using Java is that it's freely available and
runs everywhere, unlike other solutions, so that everybody can use it,
not only users of a particular platform.
On the other hand, having a spreadsheet template sounds like a good
idea, as there are various formats that can be loaded by all sorts of
spreadsheets, and not just excel. I suspect that the Disney comics
database format is one of these formats!
Kriton (e-mail: (Email removed))
(WWW: http://dias.cti.gr/~kyrimis
-----
"Things are only impossible until they're not."
-----
SRoweCanoe
Disney comics Digest V99 #124
Message 90 -
1999-07-22 at 13:49:32
well just a couple of quick comments:
Barry reports that he will be working for Nostalgia Zone.
Barry, say "hi" to Joel from us old timers here...
Arthur Bowman states that he is looking for the Gladstone Disney Digest...
Well, they are hard to find... have you tried to see if Gladstone is still
selling them? Most comic shops do not sell digest comics, so if
Gladstone is sold out, you are most likely to find them in the used
bookstores that sell used archie digests! When I lived in North Carolina
myself, I allways had good luck at the used bookstores around the army or
marine bases - Fayetteville, etc. Good luck in your search!
Steven Rowe, now in South Carolina
Barry reports that he will be working for Nostalgia Zone.
Barry, say "hi" to Joel from us old timers here...
Arthur Bowman states that he is looking for the Gladstone Disney Digest...
Well, they are hard to find... have you tried to see if Gladstone is still
selling them? Most comic shops do not sell digest comics, so if
Gladstone is sold out, you are most likely to find them in the used
bookstores that sell used archie digests! When I lived in North Carolina
myself, I allways had good luck at the used bookstores around the army or
marine bases - Fayetteville, etc. Good luck in your search!
Steven Rowe, now in South Carolina