Keskustelujen arkisto

Pages: 1 2 3 4 5 6 7 8 9
Author

Topic: 199908

(129 messages)
Fluks, H.W.
While (I understand) lots of mailing list members are gathering in San Diego
at this moment, I spent the weekend visiting some members closer to my
home...

On Saturday, I visited Francois Willot in (a very rainy) Lille. We had some
nice food (Flams and Waterzoï) and comic exchanges, and talks about the
indexing of Disney comics. (Thanks again, Francois!)

Sunday, Daniël van Eijmeren and I visited Arthur de Wolf in Rotterdam. There
I could have a look at the most recent Picsou Magazine, the one that I was
*not* able to find in France the day before...
We also had a look at a video tape that contained several documentaries and
amateur films about Barks, and about his visit to Europe in 1994.
Interesting stuff! In a Norwegian documentary, it was especially nice to see
some actually moving pictures of people I only knew by name. Like Geir
Hasnes, Boemund von Hunoltstein, Malcolm Willits, Geoffrey Blum, William Van
Horn, Johnny Grote, Erika Fuchs, Jukka Murtosaari, Markku Kivekäs, etc.
etc...
After that, Daniël and I had discussions about the indexing of Disney
comics...

(It seems I *have* to talk about indexing whenever I meet a Disney comics
fan. 8-)

--Harry.
http://here.is/inducks

--------------------------------
End of Disney comics Digest V99 Issue #140
******************************************
Bmartin
>Date: Sat, 14 Aug 1999 13:41:50 -0400
>From: "Rodney w bowcock jr." <(Email removed)>
>To: (Email removed)
>Subject: Re: Disney comics Digest V99 #138
>
>I guess now it's time for speculation to start about the exciting new
>things that Gladstone will *hopefully* have in store for us. And I think
>we all hope that means new titles, and new formats.

Personally, I would like a title: Walt Diseny Presents Ducks by Don Rosa.
Or someting similar. I am sure you know what I mean.

B. Martin
Dannyjhorn
I disagree about the overpublicaton of Barks stories. Of course, the great
Barks stories *have* been printed and reprinted over and over, but I don't
think it's a problem. I think there are good, solid reasons for continuing to
reprint Barks, and in fact, I think those reprints are the key to continuing
to print Disney comics in America.

I'm a new-ish fan -- I'm 28, and I discovered Disney comics through
Gladstone reprints about ten years ago. When I started reading the
Gladstones, I knew nothing about the history of Disney comics, who Barks was,
or the difference between old American comics and new Italian comics. All I
knew was that I liked the Donald comics. As I look back now, I can see that
the ones that I really enjoyed -- the ones that got me to start reading, and
keep reading -- were Barks, Rosa and Van Horn comics. "Micro-Ducks from Outer
Space" may have been in its fortieth reprinting, but it was new to me, and I
got hooked on it -- just like the kids in the 50's and 60's got hooked on it
when they saw it for the first time.

As I kept reading them and became more of a fan, I started looking
specifically for my favorite writers and artists. I collected all the Barks
and Rosa albums, and now I have complete collections. And I have to admit --
my taste hasn't really changed much. I haven't developed a taste for the
Italian writers at all -- right up to the last Gladstone comic, I was still
hunting for Rosa and Van Horn, and not enjoying a lot of the other stuff.

The reason why Gladstone kept reprinting the Barks stuff is because it's
some of the best Disney comics there is. The international stuff may be new
and exciting for you, but I think a lot of it isn't very good, and I don't
think it's gonna hook people on these comics. I think it's a good idea to
keep including a healthy selection of Barks in the (hopefully) upcoming
Gladstone issues -- I've already got all those stories in the albums, but I
recognize that there's always a new reader out there who's seeing them and
enjoying them for the first time. If we want Disney comics to sell well and
continue to grow, they've got to keep bringing in new readers with the best
stuff they've got.

I say, keep printing Barks...

-- Danny
www.muppetcentral.com
Don Rosa
From: Even Flood <(Email removed)>
Subject: re: "Escape from Forbidden Valley"
>>>>It is definitely not the way it reads in Norway. Only one tribe name
is mentioned all the way, it is here called the "Mozo" tribe. It
was an irritating inconstistency in the story that neither Donald
nor the kids recognized the name until rather far into the story
although the it has been mentioned several times earlier. I
suspected someone on this side had done a poor job, things
like that is not like you.

Here is an example of what I referred to once as "sabotage" by a translator. Though some literal-minded list-member thought that is too strong a term, it does not seem too strong to me. The original script was changed for no apparent reason (what possible reason could there be? I can think of none), and since *my* name is one it, *I* am the one who seems to have been so careless. Eric Horthe is a script advisor on my stories for Norway, but he tells me that he was not contacted to help on that one.
There were also several references to the movie KING KONG in the script, but these could have been changed and it would have not had any adverse effect on the logic of the story. In fact, I never expected those references would make it into all translations intact, they were just private jokes. But there was obviously no in-joke aspect of my original script having DD willingly go into the jungle in search of one friendly tribe and find out later that he was in danger of meeting a completely different, hostile tribe, both of which he demonstrates he was already familiar with. A translator should be able to see that and not change my intent or logic. As it is now, I am getting puzzled inquiries from Norwegian readers -- but what about the 99.99999999% of the readers who can't contact me and who are confused by the erroneous translation?
How did it play in other translations?
But like I say, the coloring was nice.
Kooi
This is a multi-part message in MIME format.

------=_NextPart_000_000A_01BEE8AE.BEE3B460
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

Hi everybody,

I'm Menno Kooistra and new to the list.
I'm a BIG fan of mr. Don Rosa and planning to make (another) homepage =
dedicated to him and his Uncle $crooge comics. But my page will contain =
all the information on the film references in his comics.

BTW: I'm from Amsterdam, Holland. Age 23 years.

Seeya,

Menno Kooistra
Kooi
This is a multi-part message in MIME format.

------=_NextPart_000_0019_01BEE930.7A1A5280
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

Well then, my second email to the list!

As I said earlier I wonna make a homepage dedicated to Don Rosa's Uncle =
$crooge comics and the filmreferences in them.

As adedicated filmlover and filmstudent (done Filmacademy and at the =
moment filmstudies at the university) I've noticed a lot of film "links" =
in these comics.
Most of them were allready mentioned by Mr. Rosa at the Uncle $crooge =
Homepage, but some aren't.
I wonna put them all together on a new homepage.

So if there is anyone who has found filmreferences in the comics, not =
mentioned before, please let me know. I'll collect them and add them to =
my page.

Thanks,
Menno Kooistra
(Email removed)
Gary Wilson
I've been reading this mailing list for a few months, and I feel obliged to
introduce myself to fellow Disney comics fans at this time. I have been
reading Disney comic books since I could read, and I've had people read them
to me even before then (Ducks and Mice in my family history goes back to
when my father read the stories in their first runs in the fifties, but, to
my dismay, tossed them out many years ago.) Since the age of eight I have
collected the comics, when I decided to categorize the stack of comics I'd
been saving for reading purposes. I bought my first Dell comic book at age
nine, and now (at age 15) I have a sizeable collection of Dell comics,
dating back to Mickey Mouse Magazine and even a few from before (my oldest
is a French book "Cercher D'or" from 1931). To give you an idea of my
collection, I have almost all the Four-Color Donalds starting with "Frozen
Gold" and a good deal of the later regular series Dell Donalds going up
until the early sixties, ditto on the Mickey Mouse dell issues. I have four
Mickey Mouse Magazines (the predecessor of Walt Disney Comics and Stories)
and have a nice percentage of Walt Disney Comics and Stories starting with
issue 23 until around issue 210. As for my favorite series, Uncle Scrooge, I
own the first forty issues, as well as most of the early 12 cent Gold Keys
that still had original Barks stories. I also have a good deal of the
shorter lived publications like Gyro Gearloose, Goofy etc. I have a limited
amount of Gold Key and Whitman, due to the poor quality of the comics, but I
own almost every issue of Gladstone Comics (series I and II) and the Disney
Company's run as well. Besides American comics, I own many Italian comics
(dating back to the 40s) as well as (mostly recent) comics from France,
Mexico, Germany, England, Russia, Holland and Slovenia. My room, as you
might have guessed, is filled with comics. In fact, I have well over 8
full-sized boxes of Disney comics. Impressive, no? I don't want to sound
like a snooty collector, though: I love reading the stories perhaps more
than collecting. The reason I started collecting is because of the inspiring
and brilliant stories of Barks, who is by far my favorite (I even had the
pleasure to meet him, on his 95th birthday at Diamond Galleries!) Floyd
Godfferson and, of course, the new Duckman, Mr. Rosa who's stories I
thoroughly enjoy. The more modern European comics I've never been as big a
fan of, but respect in their own regard. Anyway, can anyone else on the list
describe their collection as well? I like to hear about other's collections
and to know what I'm up against (: Thanks for listening,
Gary
Ole Reichstein Nielsen
DON asked how his story has been treated in other countries than Norway:

First a little *spoiler*, but not too much: Don's story takes
it's elements from the obvious "Forbidden Valley" story (DD #54)
but also "A Spicy Tale" (U$ 39). Hence the names of the two native
Amazon indian tribes encountered in these stories: Stickaree and
Cura de Coco. It's quite easy to tell them apart BTW, as Stickaree
are humanoids and Cura de Coco anatoids(?). Well, ducks.

I don't quite understand why or how the Norwegian translation would
get away with only one name for the tribes: already on page four
Scrooge realizes that the friendly Cura de Cocos he was hoping to
do business with are instead the savage Stickarees. Donald instantly
recalls his 'recent' trouble with the tribe. (Though he doesn't
recognize the town of Qualma Vista(?) on the splash panel: the palm
trees haven't even grown since his last visit. Eh, Don?)

Would the Norwegian translations of the original Barks stories be
using the same name for both tribes, thus forcing the translator into
what would appear an unnecessarily cumbersome "sabotage" action?

I'm also wondering why the accompanying two page article introducing
the story only mentions the "Forbidden Valley" story (and "Adventure
Down Under"!) but not "A Spicy Tale" as inspiration for the story -
or even the 'first' version of "Forbidden Valley", "Darkest Africa"?
This may be for ERIK HOERTHE to explain, as I understand he writes
these texts.

About the movie references: I did catch one reference to "King Kong",
that being the wooden palisade, but another one(?) about not taking
a shortcut over a fallen tree bridge mystifyed me. And what was the
lastest movie Scrooge was presumed to have seen, Don?
(I don't believe I ever saw the original 1933 "King Kong" movie, so
how obvious the textual references are, I can't really say.)

--

Great idea for a homepage, MENNO! Work fast, please! :-)

oLe
_U
Anders Chr. Sivebaek
Danny
I agree a bit with you Danny. I have all WDC-stories, in danish that is,
but I'm still very pleased when they turn up again in the weekly... about
the Scrooge-stories I'll have to wait a bit, cause the ones I have always
miss a panel or two, due to the way Gutenberghus parted their stories...

To: Don Rosa
> How did it play in other translations?
I'm glad to tell you, Don, that in Denmark they used the thickaroo, and
cura-de-cucu-indians. (The way we spell them, at least, and that is okay
with me)
I agree with the guy who said the last panel was great. The whole story i=
s
great IMHO, with the references we fans like, and a look-in to some
thoughts about who's the happiest duck, Scrooge or Unca Donald.
Nevertheless there seems to be a problem with that last panel, as I didn'=
t
get the dialogue at once in that one... it seemed to be that Donald said
something Scrooge was supoosed to have said... maybe the translators have
to make a mistake once in a while??

> But like I say, the coloring was nice.
It sometimes is. But it's "fun" to have three versions of a story, in a
dk-weekly, the dk-scrooge-book and a ZP from Marco, they are all coloured
different...

Kooi
Welcome to this nice list, Kooi - I guess the dutch mag's makes some fans=
?
Well the dutch extra, at least (if we talk about Don)

> This is a multi-part message in MIME format.
That's the first thing: please don't write in that format... see if you c=
an
get hold of some other e-mail-sender-thing, cause that MIME puts some
strange letters in the end of your letter, and they make the mailing-list
here take =BD second more to download! (a bit itronic, I am being that...
shows it doesn't matter much, but if you can change, please do so)

> Hi everybody,
Hi
=20
> I'm Menno Kooistra and new to the list.
> I'm a BIG fan of mr. Don Rosa and planning to make (another) homepage =3D
> dedicated to him and his Uncle $crooge comics. But my page will contain=
=3D
> all the information on the film references in his comics.
Sounds very great! Then you'll of course have to find the comics you can =
in
american.=20
I have a suggestion: go on, make your own page, and then ask Mike
Schneiderath (as i did, together with tristan) if you can become a member
of duckhunt. It makes your page be more visitted I should think.=20
people know the duckhunt-pages, as they are mostly the ones who pops up i=
n
a search-mahine. On my PC I made them the start-pages, in stead of those
damned Microsoft-start-pages that's been there for 3/4 a year now..

I have been thinking of a page myself, about details, but maybe people
should find them themselves??

> BTW: I'm from Amsterdam, Holland. Age 23 years.
Great city I'm sure. about the age: someone here did an age-survey on
disney-fans once... Are we holidng the average-age with these new members=
??
=20
Now back to sorting my own stack of comics... maybe I should call my
internet-seller first... time for payment of a new year, i should think (=
If
that means I get a new address I'll come here again, with the new)
Bhc
Rich Bellacera wrote:

>Barks stuff
>is available in almost any concievable format and reprinted to the nth
>degree.

"Barks stuff" is presently not being published in any format in the USA.
Serious fans and collectors can locate much of the reprinting we have done
in the past (including up to 12/98), but the general comics reader has no
ready access. The constriction of the Gladstone line through 12/98 does not
mean we've lost interest in reaching these readers.

>I might assume that that is because of fan influence on profit,
>but I have my doubts... I think it may have more to do with laziness or
>cheap way to make a pretty penny... reuse stuff that doesn't cost any
>extra and requires no effort on the publisher's part.

Rich, call us lazy if you like, if things work out we'll resume sweating to
make things happen. Imagine us making money hand over fist, we'll be
crossing our fingers that the next orders cover expenses. Think whatever
you want, reality will go along its merry way.
Rodney W Bowcock Jr.
it's a good idea to keep including a healthy selection of Barks in the
(hopefully) upcoming Gladstone issues.

I cannot agree more. For the seasoned reader it does seem pointless.
But here's an example as to why it is good to keep reprinting the books.
About 10 years ago when I first started reading the books, one of the
first books I bought was DDA 12 with "Return to Plain Awful". I had
never read "Lost in the Andes" and quite frankly had no clue what was
going on. I searched and searched and was only able to find a copy of
the original DDOS 223 with that story for $55, which as you can imagine
is a lot of money for a 10-11 year old to spend on a comic book. After
searching a little harder though, I found a Gladstone reprint of the
story and enjoyed the Barks story, and the Rosa story MUCH more than if I
had just read one or the other.

Now I'm watching my 12 year old brother go through much the same hassle
trying to find certain stories. So needless to say I think it is
important to reprint Barks stories. I also enjoy seeing newer works by
the Italian artists, not so much because they are high quality, very few
of them are. (Amundson's Talisman, and the Money Ocean are exceptions)
But I feel it's important to print these stories too because it means
continued life for the ducks. Relying on reprints alone would mean an
eventual death to the books.

Rodney Bowcock

___________________________________________________________________
Get the Internet just the way you want it.
Free software, free e-mail, and free Internet access for a month!
Try Juno Web: http://dl.www.juno.com/dynoget/tagj.
Fluks, H.W.
Menno:

> I'm Menno Kooistra and new to the list.

Welkom!
I know a person called Kooijman, who has a web site about Disney comics.
I know a person called Feenstra, who is a big Don Rosa fan.

You seem to be the combination of these two! (Kooijman + Feenstra = Kooistra
8-)

> I'm a BIG fan of mr. Don Rosa

How did you become a Rosa fan? From the DD Extra? From the OOM DAGOBERT
albums? Or from the American comics?
Or did you get his name from the Stripschrift article?

I think it's interesting to know how a Dutch person becomes a Rosa fan. (I
myself became a fan 2 seconds after I saw his story "Last Sled to Dawson" in
one of the first Gladstone comics I bought.)

--Harry.

Harry Fluks, Leidschendam, Nederland
http://home.wxs.nl/~fluks4/
http://here.is/inducks
http://members.tripod.lycos.nl/bolderbast/

--------------------------------
End of Disney comics Digest V99 Issue #142
******************************************
Kooi
This is a multi-part message in MIME format.

------=_NextPart_000_001B_01BEEA49.89CD5500
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

HJarry Fluks

Hello,

I'm really glad with all the positive reactions to my idea to make a =
homepage about Don Rosa and the filmreferences.
I allready mailed with the DUCKhunt-"owner" Mike to add the page to the =
Duckhunt webring. He agreed.
Mr. Harry Fluks from the Netherlands, Don Rosa caught my attention when =
I saw his comics in the Donald Duck Extra. His style wwas great! I also =
draw comics, and his style I thought finally was different. Later I =
heard of his underground "past", and that is excactly what I draw. I'm =
sure Don Rosa's example was Robert Crumb.=20
I havent read the article in STRIPSCHRIFT. Can you give me more info on =
that?

For all the people looking forward to my new page: I hope to get it =
finished in two weeks. I first have to buy a scanner (FINALLY!!!!). I =
hope more of you guys (and girls) can give me more info on the =
movie-references in his comics.
Ole, thanks for the KING KONG reference. Maybe you can mail the comic =
title you saw it in.=20

Mail you people later!
Menno.
Don Rosa
From: "Ole Reichstein Nielsen"
>>>I don't quite understand why or how the Norwegian translation would
get away with only one name for the tribes: (In the Danish version) Donald instantly
recalls his 'recent' trouble with the tribe. (Though he doesn't
recognize the town of Qualma Vista(?)

Who says he doesn't? Maybe he did, but the Stickaree lived far from Qualmy Vista.

>>>on the splash panel: the palm
trees haven't even grown since his last visit. Eh, Don?)

Well, how long ago was he last there? Only a few years. Maybe only a few months.

>>>>Would the Norwegian translations of the original Barks stories be
using the same name for both tribes, thus forcing the translator into
what would appear an unnecessarily cumbersome "sabotage" action?

That would explain it, but that seems absurdly unlikely. It's so hard to find a translator who is familiar with Duck history that the publishers always need to hire special advisors or translators especially for my stories. For the normal translator to use an accurate Barks name in the appropriate story is unlikely enough, but why would he ever pull a Barks name from a totally different story and insert it elsewhere? But you're right -- doing it incorrectly made the job cumbersome! The translator went out of his way to make an error that made his own job more difficult. Very odd!

>>>I did catch one reference to "King Kong",
that being the wooden palisade, but another one(?) about not taking
a shortcut over a fallen tree bridge mystifyed me.

That was a panel that I knew I should redo... it was the last panel of the story that I inked, waiting until the last moment to change it. And then I finally decided I needed money faster than I needed clarity, so I just hurried and inked what was there and shipped it off! But yeah, that was a very obscure in-joke..... even though I consider KING KONG to be one of, perhaps, the world's "basic five" movies (along with my oft-alluded-to CITIZEN KANE) that *everyone* on earth should surely have seen several times. (I'm stunned that there is someone who has not seen it even once! Wow!)

>>>>And what was the lastest movie Scrooge was presumed to have seen, Don?

Uh.... did your translator change something else? The dialogue you refer to originally only said something like "The last movie Unca $crooge saw was at the 1904 St.Louis Fair!" Is that not what the Danish translation says, at least in essence? They make an incomplete reference to some other movie? (I hope the translator was not inserting his own reference to JURASSIC PARK! I would never make a reference to a 1990s movie in a 1950s story!)
Oh, are you simply asking what movie it *was* that $crooge saw at the 1904 World's Fair? I guess maybe it was "The Great Train Robbery" (the first movie with a plot).

From: "Anders Chr. Sivebaek"
>>>>I'm glad to tell you, Don, that in Denmark they used the thickaroo, and
cura-de-cucu-indians. (The way we spell them, at least, and that is okay
with me)

(Me, too!)

>>>I agree with the guy who said the last panel was great.
Nevertheless there seems to be a problem with that last panel, as I didn't
get the dialogue at once in that one... it seemed to be that Donald said
something Scrooge was supoosed to have said... maybe the translators have
to make a mistake once in a while??

Are you saying that, even though the Danish translator did not make an error where the Norwegian one did, he made his own error in the more important final gag? What is $crooge saying in the second-to-last panel where he's blowing on his tea??? He is *supposed* to be asking Donald whether he agrees that the baby dinosaur is silly looking, knowing that Donald will agree with him and look foolish. If this gag was eliminated, then why is the Nephew fussing at $crooge in the last panel in that Danish version??? He is *supposed* to be shaming U$ for playing a mean gag on DD. And then what does the translator have U$ say in the final balloon???
And this is just two panels in one story! I naturally begin to imagine all the alterations and errors made in all my dialogue in all my stories over all the years! And I wonder if many of my original intentions ever get across to the readers at all! But there's nothing I can do about it.... I hope these are just two *very* isolated instances.

> But like I say, the coloring was nice.
>>>It sometimes is. But it's "fun" to have three versions of a story, in a
dk-weekly, the dk-scrooge-book and a ZP from Marco, they are all coloured
different...

No, they aren't! The German Rosa-album series uses the same exact coloring of the weeklies to save $ (as does the Dutch Rosa-album series). But wait... you said "dk"... for Denmark? What "dk-scrooge-book" are you referring to? That Danish "Lo$" book was a one-shot deal, y'know.
But, yes, the Italian coloring is done from scratch, and is the best of all, and they have actual human-artist-drawn (rather than computer-generated-without-proper-software) sound effects and signage like a comic book should! The Italian ZIO PAPERONE versions look as good as the Gladstone versions... (and I hope someday Susan "the colorist" Daigle-Leach and letterers John Clark or Todd Klein get their hands on this story!)

From: "Gary Wilson"
>>>can anyone else on the list
describe their collection as well? I like to hear about other's collections
and to know what I'm up against (:

What, is this a competition??? It shouldn't be... both because that isn't the point... and because you will only become frustrated hearing what we have. There are some of us who have full sets of every Disney comic ever printed in the USA (or whatever country we're in)... and have near full sets of all other comics of the past 50 years. Why worry about what other people have? You can't compete with those of us who started before you were born when old, used comics cost half-cover-price (like they still should!).
Per-Erik Malmström
DON:
> But yeah, that was a very obscure in-joke..... even though I consider
KING KONG to be one of, perhaps, the world's "basic five" movies (along
with my oft-alluded-to CITIZEN KANE) that *everyone* on earth should
surely have seen several times. (I'm stunned that there is someone who
has not seen it even once! Wow!)

It's not that strange if you think about it. Where do you get old movies if
you don't have all the good channels? I've been to every videostore in town
searching for the old goodies, but they aren't available these days. Even
movies from as late as 1937 are impossible to find. The normal reaction
when you ask for such gems is "Your kiddin'!" or--if they haven't already
called the loony bin--"Get outa' here!".
Anyway, which are the other three movies you're thinking about? (Sure hope
one of 'em is the 1942 masterpiece by Lubitsch!)

To those who seem to think that new stories=bad stories:
There are good Disney stories being produced nowadays, and I'm not only
thinking of those that are mentioned on this list. We talked about this on
the Swedish list awhile ago, and the general opinion seem to be that the
Egmont-produced stories are better now than they were a few years back. And
believe me, they are! If I had the chance to pick out stories for a
Gladstone-issue, I'm sure it would knock you off your feet!:o)

Quack
Per-Erik

Bernstein: There's a lot of statues in Europe you haven't bought yet.
Kane: You can't blame me. They've been making statues for some two thousand
years, and I've only been collecting for five.
Pages: 1 2 3 4 5 6 7 8 9