Keskustelujen arkisto

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Author

Topic: 200408

(213 messages)
Stefan Persson
Fernando Ventura wrote:
> Is it REALLY drew by Jos? Maria Millet Lopez, as we see in Inducks
> (http://coa.inducks.org/coa/c1/story.php/0/D+2003-121)?
>
> To me it looks as a Vicar story!

According to the Inducks dump file (dump.udm):

/ D 2003-121 12 PHl JMl ? DD
de/MM2003-53b D 2003-121 12 PHe VR DD
dk/AA2003-51c D 2003-121 12 4b DD
fi/AA2003-52c D 2003-121 12 4b PHe VR DD
no/DD2003-51c D 2003-121 12 DD
se/-> D 2003-121 12 4b PHe VR ? DD

(some irrelevant information removed to make the lines shorter)

So the story file credits Millet while the German, Finnish and Swedish
files credit Vicar. The writer credits also differ.

Stefan
Henri Mathurin
Since 2000, the French Disney publications are falling
and falling and it seems this is unstopable.

I think France will become like America where video
games will take over most comics (especially Disney
ones). Here are the recent figures:

http://www.diffusion-controle.com/fr/adhchif/chif_fiche.php?adhid=504

Droped from 200,000 to 150,000 in 4 years. I think
this is also due to the horrible editorial concept,
which is to avoid comics for articles about music or
cinema or stars that you find in teen magazines.

Recent French issues don't show Disney characters on
their covers, and almost as much non-Disney comics
than Disney comics.

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Olivier
Henri:

>>>> Droped from 200,000 to 150,000 in 4 years. I think
>>>> this is also due to the horrible editorial concept,
>>>> which is to avoid comics for articles about music or
>>>> cinema or stars that you find in teen magazines.

Exactly, with this addition: the so-called "articles" consist in a few
paragraphs made of the simplest sentences possible. You'll find as much
prose on a box of corn flakes, maybe even more. Oh, and said prose is
naturally of the "hip" kind.

>>>> Recent French issues don't show Disney characters on
>>>> their covers, and almost as much non-Disney comics
>>>> than Disney comics.

Absolutely. it's hard ot tell they're Disney comics, starting with the
cover.
There were non-Disney comics in my youth as well ('74-'80's), but they were
quality strips: Flash Gordon, Mandrake, the Katzenjammer Kids (well,
whatever incranation of them; I know there was a split and the name
changed; I'm not sure which run it was, but that's of little concern here),
...
And what few Disney comics remain are of pretty poor quality and little
interest.

The worst example I know of: the issue of Le Journal de Mickey released on
Donald's birthday was a terrible shame. A short "paragraph" in the inside
cover and 4 pages of pictures of Interduck's paintings (with silly
commentaries). The real main event the issue celebrated was the soccer
championship! The Donald story featured Donald playing soccer.
I did not buy that thing. It was an utter disgrace to years and years of
Disney comics.
By trying to appeal to kids that are not interested in reading, let alone
Disney comics, they have surely lost a good part of their readership. I am
sure many parents who had fond memories of LJdM bought it for their own
children, read a few issues, and stoped buying it.

I must say I was disappointed to find soccer stories in Gemstone's comics as
well. I find it all the stranger as it is not even an American sport.

French Disney magazines are indeed doomed if they maintain such editorial
policy. A huge nostalgia wave has been developing for a few years, with
people rediscovering the cartoons they loved when they were children, buying
the DVD's and even CD's of children's TV programs themes. I ahve bought
such DVD's as well, and have been moved to tears visiting websites and
watching the opening titles of shows I haven't seen in ages, that I grew up
with.
The same people that buy those DVD's and CD's and make those sites are now
old enough to have children, and would most certainly love to buy them
Disney magazines and find the same kind of comics, of real articles, of
overall quality, that they enjoyed in their childhood and have even faint
but fond memories of.

There's no big secret, just an age-old principle: the most successful
children's stories, comics, TV shows and movies have always been those that
respect their target audience, that don't talk down to them, that don't dumb
down everything to please they silliest that won't ever be interested anyway
(those that prefer to follow the dumb crowd and like what they're told to
like).
Incidentally, Don wrote it again recently; "I don't write for children, but
what I find interesting & amusing stories" (please forgive my paraphrasing).
That what makes Disney's 30-40 year old movies classics, or the success of
Pixar's movies, or of La Fontaine's tales: the form is deceptively simple
and aimed at children, but there's more to it, so that children can learn
something as they read, keep discovering things as they grow up and return
to those stories, and "grown-ups" cna ejoy them.

Sadly, French Disney editors have been doing exactly the opposite. The
so-called articles deal with the most trivial subjects imaginable, and are
poorly written. Three-elementary-sentence paragraphs don't make a text, just
barely a caption.

Of course, now that they have gone this far, turning 180 degrees and
offering *shudder* quality and *gasp* real articles, with-- the horror!--
well-constructed complex sentences consisting of richer vocabulary than
street & TV lingo would probably be a risk, now that an entire generation
has been endoctrinated with a distate for culture, be it through TV, movies,
or the one thing that could have best shown them that culture & learning are
alright and can be fun: Disney magazines.

Olivier
Marvinw
It was the unique combination of Walt Disney the storyteller, and Ub Iwerks the artist, that started it all. This was true for the cartoons "Plane Crazy" and "Steamboat Willie" in 1928 and and also for comics that began in 1930 with their story "Lost on a Desert Island". Of course it may be justifiably be argued that Floyd Gottfredson, the brilliant storyteller and artist, that shortly after took over on the comics actually improved upon them.
Marvin Winitz
Gary Leach
Olivier:

> I must say I was disappointed to find soccer stories in Gemstone's
> comics as
> well. I find it all the stranger as it is not even an American sport.

You may find it strange, but it ain't so strange from where we sit. An
awful lot of kids are playing soccer here in the States these days, so
a few stories with the soccer theme actually are quite applicable to
our target market.

Gary
Gary Leach
Mark:

> I refuse to accept personal
> responsibility for making a choice not to buy every issue just to make
> sure that the company can stay afloat, however.

And don't let anyone persuade you otherwise. Buy what you want, enjoy
what you want, support what you want, and never look back. Believe me,
everyone at Gemstone understands.

I just hope you're giving the other stories in the issues that have Don
Rosa a chance.

Gary
Mnaiman1
I always purchase two copies of UNCLE SCROOGE.
...diminish the readership tally by one.

Anyone else buy multiple issues?

Michael Naiman
Miha
Keno, may I ask you a favor. I'm looking for a script of your latest episode The Magnificent seven, that will be as I heard published soon. I'd prefer an english version but Swedish would do too. If it's not asking too much, thanks in advance.

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Ordi_sas
Hi Michael, from Italy...
I purchase two copy from USA and one from Italy of all Disney Gemstone
production.
Paolo Bontempi

> Da: <mnaiman1 at cox.net>
> Data: Tue, 24 Aug 2004 13:09:34 -0400
> A: <dcml at stp.ling.uu.se>
> Oggetto: U$ circulation
>
> I always purchase two copies of UNCLE SCROOGE.
> ...diminish the readership tally by one.
>
> Anyone else buy multiple issues?
>
> Michael Naiman
>
>
> _______________________________________________
> http://stp.ling.uu.se/mailman/listinfo/dcml
>
Olivier
Gary:

>>> You may find it strange, but it ain't so strange from where we sit. An
>>> awful lot of kids are playing soccer here in the States these days, so
>>> a few stories with the soccer theme actually are quite applicable to
>>> our target market.

It still seems odd to me-- and I am naturally biased by my very poor opinion
of what the sport has become.

I haven't commented on the contents of the comics yet for lack of time and
because I am well behind. I have been buying all the Gemston issues and
seen/red some very good non-Barks/Rosa/Van Horn stories. I love Jippes'
style for the Barks Woodchuck stories, and I also love Verhagen's & Rota's,
for instance. More when I can.

I have been just as starved for Disney-comics-in-English as Americans, even
though I could at least read Ron's stories in PM-- the only reason I bought
a copy once in a while.
As many others, I hope there will be vintage Scarpa or even Cavazzano
stories-- I like their earlier styles. Some da Vita stories would be great
too. Oh, and Murry and Moores and Bradbury too, even though, like Barks'
stories, they were well represented in Gladstone / Disney comics.

Would a Taliaferro Library finally be a possibility?
I think we should use the link to Leonard Maltin's site to write and ask him
his help in convincing Disney to lift the ban on Gottfredson's classics, now
they have lifted that on the cartoons. Unfortunately, I have mistakenly
erased the message with the link, so I can't copy it here.

Olivier
Rich
Olivier (mouse-ducks at wanadoo.fr) said:

> I must say I was disappointed to find soccer stories in Gemstone's comics as
> well. I find it all the stranger as it is not even an American sport.

I assume from your e-mail address you are from France. Perhaps it is not as
common for folks outside of the USA to see televised Soccer events from the USA,
as I would certainly admit that the sport is MUCH BIGGER in other countries
(Brazil, Italy, etc.).

That said, Soccer is FAR from NOT being an American sport. I grew up playing
soccer (not rugby, not football)... the same sport with the white ball with black
geometric shapes on it. Soccer is probably much more popular among kids in the
USA (and by extension, their parents.... ....LOL! Heck, it is such a phenomenon
here in the USA that we have even coined a term for the mother's who take their
kids to practice/games: "Soccer Moms"... though, that has become a somewhat
derogatory term... but that's another story... Y'know, Morty & Ferdie's mother,
Felicity Feildmouse, is indeed a "Soccer Mom!" She attends their games and
supports their athletic endeavors).

In other words, Olivier, Soccer is very much an American sport... it is, however,
very much overshadowed by Football and Baseball, though.

Thanks,

Rich
(Email removed)

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Mickey
Rich:
> Morty & Ferdie's mother, Felicity Feildmouse
Felicity? Not Amelia? Where does this name come from?
Mickey
Don Rosa
> From: miha <miha11 at yahoo.com>
> Subject: The Magnificent seven
> Keno, may I ask you a favor. I'm looking for a script of your
> latest episode The Magnificent seven, that will be as I heard
> published soon. I'd prefer an english version but Swedish would
> do too. If it's not asking too much, thanks in advance.

First of all, the actual title is "The Magnificent Seven (Minus Four)
Caballeros!". It will be published in the first international issues of
2005, not so soon.
And yeah, sorry, actually it would be asking too much. I can only provide
the English script to a comic translator working on the story for a licensed
publisher, and then I would first need to know why he can't get it from the
usual source. The script is just like the art... it's material that is not
to be in the hands of anyone but a licensed publisher, certainly not prior
to publication. Besides, what good is it without seeing the comic art? And
when you do see the story published, there's the script right where it
belongs. The English script you'll see when Gemstone prints it.
Sorry! (But I'm curious as to why you want to see a comic-less script.)
H.W.Fluks
Jano Rohleder wrote:

> The German translator Michael Nagula is permanently mistaken
> with the artist Michel Nadorp. Probably because you have both
> of them shortened to MNa...

You're right. There is also some technical problem involved. We'll try
to solve that.
Thanks for noticing.

--Harry.
http://bolderbast.inducks.org/xcredits.html
Rich
Mickey (mickey at iol.it) asked:
> Felicity? Not Amelia? Where does this name come from?

A friend of mine who works for Egmont advised me of the correction a while back.
Apparently her name was never "Amelia Feildmouse," bur rather "Amalia? Feildmouse"
in Italy (*Amelia* is Magica DeSpell's name in Italy). Felicity is Egmont's
English name for Mickey's sister, the mother of Morty & Ferdie. It has a
more 'aliterative' form, too. :-) I don't know if it has ever appeared in print
though.

Thanks,

Rich
(Email removed)

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