Harry:
>Hm.. "the last O in Nuhanena"... Finnish is a mysterious language...
Ooops! Should've been an A there, of course...It's mysterious allright
but not THAT mysterious! I was having a terrible headache when I wrote
that one... :)
Juha
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
Author
Topic: 199811
(166 messages)
Juha Viikki
Disney comics Digest V98 #281
Message 151 -
1998-11-27 at 11:58:54
Bror Hellman
To write names on this list...
Message 152 -
1998-11-27 at 12:44:50
>> No chance as long as the computer world does not agree on using the
same
>> character set everywhere. The umlauts you see correctly on your
computer,
>> can look like total garbage on someone else's computer.
>E.g., they'd (literally) look like Greek to me. Umlaut-A would appear
as a
>delta, and umlaut-O would appear as a phi!
I know.. there are several ways to write these to boot...
Four examples of Umlaut-O:
=D6
Ö
=D6
=B6
.. and how it comes out in the end depends on the recipients computer...
what E-mail-program he/she's using... And what e-mail-program the=20
sender is using... :-(
In another list.. they solved by starting their own special way...
They wrote "O=3D" for Umlaut-O, "U=3D" for Umlaut-U,=20
A#" for A-ring (Swedish character) and "O_" for=20
O-slash (Norwegian and Danish Character)
Maybe you could write them in ISO/WWW-coded... like:=20
Ö, Ü, Å and Ø for the above mentioned=20
characters...
A third way is to constantly write somewhat phonetically...=20
like "OE" for a Swedish O-umlaut. =20
Well.. what do you all say?
It's important in some instances,=20
especially when it comes to names...
In Sweden, Denmark and Norway, the=20
O-umlaut, and O-slash for example=20
are their own completely stand-alone=20
characters with their own place in the
alphabet, not just an "O" with an=20
addition.
They are ordered after "Z" in the Swedish alphabet.
Like this:=20
... S, T, U, V, W, X, Y, Z, A-ring, A-umlaut, O-umlaut.
Yours:
Steamboat Willie
same
>> character set everywhere. The umlauts you see correctly on your
computer,
>> can look like total garbage on someone else's computer.
>E.g., they'd (literally) look like Greek to me. Umlaut-A would appear
as a
>delta, and umlaut-O would appear as a phi!
I know.. there are several ways to write these to boot...
Four examples of Umlaut-O:
=D6
Ö
=D6
=B6
.. and how it comes out in the end depends on the recipients computer...
what E-mail-program he/she's using... And what e-mail-program the=20
sender is using... :-(
In another list.. they solved by starting their own special way...
They wrote "O=3D" for Umlaut-O, "U=3D" for Umlaut-U,=20
A#" for A-ring (Swedish character) and "O_" for=20
O-slash (Norwegian and Danish Character)
Maybe you could write them in ISO/WWW-coded... like:=20
Ö, Ü, Å and Ø for the above mentioned=20
characters...
A third way is to constantly write somewhat phonetically...=20
like "OE" for a Swedish O-umlaut. =20
Well.. what do you all say?
It's important in some instances,=20
especially when it comes to names...
In Sweden, Denmark and Norway, the=20
O-umlaut, and O-slash for example=20
are their own completely stand-alone=20
characters with their own place in the
alphabet, not just an "O" with an=20
addition.
They are ordered after "Z" in the Swedish alphabet.
Like this:=20
... S, T, U, V, W, X, Y, Z, A-ring, A-umlaut, O-umlaut.
Yours:
Steamboat Willie
Alipio D'Oliveira Coelho
Disney comics Digest V98 #281
Message 153 -
1998-11-27 at 13:49:30
> Date: Thu, 26 Nov 1998 01:19:01 +0000
> From: Francois Willot <(Email removed)>
> To: (Email removed)
> Subject: Re: Disney comics Digest V98 #280
>
> Alipio D'Oliveira Coelho a =E9crit:
> > Date: Wed, 25 Nov 1998 01:18:14 +0100
> > ... and in portuguese (Brasil)
> Mestre, Feliz, Zangado, Dengoso, Atchim, Feliz, Dunga
> (Yes, I am alive and lurking a lot!)
> > Alipio.
> Dunga? Like the football player?
Yes! And Dunga is a nickname of the football player.(Most players are known by
nicknames: Pele, Dunga, Zico, etc...)
> From: Francois Willot <(Email removed)>
> To: (Email removed)
> Subject: Re: Disney comics Digest V98 #280
>
> Alipio D'Oliveira Coelho a =E9crit:
> > Date: Wed, 25 Nov 1998 01:18:14 +0100
> > ... and in portuguese (Brasil)
> Mestre, Feliz, Zangado, Dengoso, Atchim, Feliz, Dunga
> (Yes, I am alive and lurking a lot!)
> > Alipio.
> Dunga? Like the football player?
Yes! And Dunga is a nickname of the football player.(Most players are known by
nicknames: Pele, Dunga, Zico, etc...)
Vidar Svendsen
Religion in Duckburg
Message 154 -
1998-11-27 at 22:36:03
I've uploaded the first two pages (in English) about religion in Duckburg:
Introduction and Spirits&ghosts, and the last page in Norwegian
(the Norwegian pages are *not* completed; I get new information
all the time...)
The Norwegian introduction is at:
http://home.sol.no/~vidasven/disney-comics/innledning.htm
The English introduction is at:
http://home.sol.no/~vidasven/disney-comics/intro.htm
----------------------------------------------------------------------------
Vidar Svendsen http://home.sol.no/~vidasven
And he said all those numbers
made him numb,
which (he thinks) is why
they're called numbers
--------------------------------
End of Disney comics Digest V98 Issue #282
******************************************
Introduction and Spirits&ghosts, and the last page in Norwegian
(the Norwegian pages are *not* completed; I get new information
all the time...)
The Norwegian introduction is at:
http://home.sol.no/~vidasven/disney-comics/innledning.htm
The English introduction is at:
http://home.sol.no/~vidasven/disney-comics/intro.htm
----------------------------------------------------------------------------
Vidar Svendsen http://home.sol.no/~vidasven
And he said all those numbers
made him numb,
which (he thinks) is why
they're called numbers
--------------------------------
End of Disney comics Digest V98 Issue #282
******************************************
Oliver
Disney comics Digest V98 #282
Message 155 -
1998-11-28 at 03:53:51
Hello All
i just want to inform Anders and Michael
that the Picsou #292 contains the poster
of the tree.
A real poster, not a simply central page.
Oliv
i just want to inform Anders and Michael
that the Picsou #292 contains the poster
of the tree.
A real poster, not a simply central page.
Oliv
Juha Viikki
How to write the umlauts
Message 156 -
1998-11-28 at 10:05:33
Bror wrote:
>I know.. there are several ways to write these to boot...
>Well.. what do you all say?
Well, as a Finn, I think the best way of writing would be the shortest
one. Finnish words are often terribly long and full of umlauts (such as
"syyttaemaettaejaettaemispaeaetoes"!) and, well, if you try to replace
every single umlaut with something like "Ö" the words will become
almost impossible to understand.
So I'd say the "best" way would be either without any umlauts
("smorgasbord") or with "OE"s and "AE"s ("finnjaeveln")
Juha
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
>I know.. there are several ways to write these to boot...
>Well.. what do you all say?
Well, as a Finn, I think the best way of writing would be the shortest
one. Finnish words are often terribly long and full of umlauts (such as
"syyttaemaettaejaettaemispaeaetoes"!) and, well, if you try to replace
every single umlaut with something like "Ö" the words will become
almost impossible to understand.
So I'd say the "best" way would be either without any umlauts
("smorgasbord") or with "OE"s and "AE"s ("finnjaeveln")
Juha
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
Francois Willot
How to write the umlauts
Message 157 -
1998-11-28 at 18:01:16
Juha Viikki a =E9crit:
=20
> Well, as a Finn, I think the best way of writing would be the shortes=
t
> one. Finnish words are often terribly long and full of umlauts (such
> as "syyttaemaettaejaettaemispaeaetoes"!) and, well, if you try
> to replace every single umlaut with something like "Ö" the
> words will become almost impossible to understand.
>=20
> So I'd say the "best" way would be either without any umlauts
> ("smorgasbord") or with "OE"s and "AE"s ("finnjaeveln")
What about using upper case letters: for instance, A =3D a with umlaut?
And in Danish, O =3D o with "/", in German, B =3D the cursive "b" prono=
uced
as "ss" etc. I admit it may be a bit confusing, though. Perhaps you kno=
w
that, in French, there are three accented e (with accute, grave and
circonflex accents). Would the same thing happen in Finnish?
(Speaking of which, I have some Finnish Disney comics and I like them
very much, because they are like Egmont comics **without** any
advertissment on the cover - just a "classic" cover drawing).
Francois
=20
> Well, as a Finn, I think the best way of writing would be the shortes=
t
> one. Finnish words are often terribly long and full of umlauts (such
> as "syyttaemaettaejaettaemispaeaetoes"!) and, well, if you try
> to replace every single umlaut with something like "Ö" the
> words will become almost impossible to understand.
>=20
> So I'd say the "best" way would be either without any umlauts
> ("smorgasbord") or with "OE"s and "AE"s ("finnjaeveln")
What about using upper case letters: for instance, A =3D a with umlaut?
And in Danish, O =3D o with "/", in German, B =3D the cursive "b" prono=
uced
as "ss" etc. I admit it may be a bit confusing, though. Perhaps you kno=
w
that, in French, there are three accented e (with accute, grave and
circonflex accents). Would the same thing happen in Finnish?
(Speaking of which, I have some Finnish Disney comics and I like them
very much, because they are like Egmont comics **without** any
advertissment on the cover - just a "classic" cover drawing).
Francois
Kriton Kyrimis
Komix #126
Message 158 -
1998-11-29 at 18:54:08
I thought you might be interested in a translation into English of
the greek translation of Don's article, accompanying the printing
of W.H.A.D... (Any similarities to the original are completely
accidental!) Comments in square brackets are mine.
Needless to say, this article is full of ***SPOILERS***.
= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =
=
DON ROSA WRITES TO KOMIX ABOUT W.H.A.D.A.L.O.T.T.A.J.A.R.G.O.N.
We asked the famous artist to comment on his story, in which the Junior
Woodchucks, Huey, Louie, and Dewey obtain their first merit badges. As
in the past, Don Rosa honored us by replying to our request by revealing
some of his ingenious creative secrets.
TO BEGIN WITH, I WOULD LIKE to thank you for the opportunity that you
offer me to communicate again with the greek readers of my stories. My
story is titled W.H.A.D.A.L.O.T.T.A.J.A.R.G.O.N., and I really pity
your translator, who had to render all the titles in my story in your
language! [The "what for, anyway", title was rendered as "why so many
titles", spoiling the gag in page 15, but making the translator's
frustration clearly evident!]
I CREATED THIS ADVENTURE in 1997, for the sixtieth birthday of Donald's
three nephews. The three nephews arrived at their uncle's doorstep on
October 17, 1937, not through a cartoon or a comic book, but through
the newspaper strips drawn by *Al Taliaferro* on a script by *Ted
Osborne*. Wanting to honor these two great creators, I drew them in the
fifth page of my story as founding members of the Junior Woodchucks
organization! Any reader who wants to figure out which one is which,
has only to look at the merit badges on their chests: on Osborne's
merit badge there is a typewriter, while on Taliaferro's there is the
pencil and pen of every good artist! I know, of course, that there is
no reason to ask from you at _Komix_ to watch for something like this,
taking your reliability as a given. However, I would not want you to be
one of the two magazines in the entire world, whose translators changed
the names of Osborne and Taliaferro!
I ALWAYS WANTED TO CREATE a story where Huey, Louie, and Dewey would
look for their parents. However, as such a story, by necessity, could
not have a satisfactory or happy ending, I abandoned the idea and chose
to show how the three nephews ended up becoming Junior Woodchucks. I
believe with all my heart that one day I'll come up with a truly great
scenario for my original idea... I only hope that this happens before
the nephews' 75th anniversary!
BACK TO MY STORY then, whose main plot takes place in the past, a bit
after the day on which the nephews arrive at Donald's home. However,
as I couldn't avoid their already having met uncle Scrooge in the plot,
my story should probably be placed somewhat after the final chapter of
the _Life and Times_!
THOSE OF YOUR READERS who like to spot minute details, may notice that
I have drawn the three nephews slightly younger in those panels where
Donald reminisces about the past, and that, compared to their bodies,
their heads are slightly larger than usual. Also note the difference in
the furnitures and the surroundings of Donald's house: The armchair,
on which he is sitting at the biginning and the end of the story, has
a patch due to having been used for a long time, and that the floor on
the fourth panel of the last page has been covered on the point where the
bowling ball fell that morning. The same thing happened to the bushes in
the garden of the house. It is logical that they have grown in height
after all these years. The passage of time is also the explanation why
Donald is reading a later volume of Tex McSixgun in the first panel of
the story than in the fifth panel.
AS ALWAYS, I MAKE REFERENCES to older stories, for the amusement of
initiated readers! Carl Barks mentioned that Fort Duckburg used to be in
the place where uncle SCrooge built his money bin in *The Money Well*
(_Komix #94) and that Cornelius Coot was the founder of Duckburg. I
have merely shown, in my story _His Majesty McDuck_, how and when
Cornelius moved to the Fort, while in *Raiders of the Lost Library*
(_Komix_ #114), I've shown that the person who founded the Junior
Woodchucks Organization, to which he donated that mysterious book,
which is the source of their entire knowledge, was none other than the
son of Duckburg's founder. Finally, in the story _Last Sled to Dawson_,
I have shown how Scrooge bought the land and the fort, while in the
*10th Chapter* of *The Life and Times of Scrooge McDuck* (_Komix_
#109), I've shown, for the first time, Scrooge arriving in the area
and settling on Kilemule hill. In addition, this is where he meets
the Junior Woodchucks for the first time, who are the, now adults,
Woodchucks in W.H.A.D.A.L.O.T.T.A.J.A.R.G.O.N! As for the puppy in the
story, it is obvious that he is Major Snozzie, the official Woodchuck
Hound, as shown by Barks in his stories. Many facts and references,
don't you think? However, as I happen to love my job, I believe that
these references are extremely amusing and that the readers appreciate
the effort I make to have my stories move in multiple levels.
MORE HIDDEN DETAILS? Note that the tails on the Junior Woodchuck hats
that the nephews wear in the beginning on the story are in the top part,
while, when they had first joined the Organization, they were hanging
at the back of their hats! This is because, according to Barks, they
earned this title (Grand Exhalted Hightails) during their service, and,
of course, my story takes place before this event. However... wak! In
the fifteenth page, in the sixth panel, I drew by mistake their hat
tails higher that I should have! Please forget this!
YOU WANT MORE? I'll finish by revealing that the character getting out
of the McDuck Publishing bookstore [and where, in the Greek edition,
one of the generic "comics" magazines is turned into Komix, and where
Komix have added a growl to Major Snozzie's angry reaction to Mickey
Mouse's picture!] is none other than my editor, Byron Erickson. All
right, I may have put a dog nose on him, but I thought it would be nice
to make a reference to him, as well, as he's been publishing my stories
in America from 1987 till today. Thus, if you like my work, I'd like
you to know that a large part of it is due to him!
(signed) Don Rosa.
= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =
=
Kriton (e-mail: (Email removed))
(WWW: http://dias.cti.gr/~kyrimis
-----
"I find it impossible to support immortality
forced on an individual by the state."
-----
--------------------------------
End of Disney comics Digest V98 Issue #283
******************************************
the greek translation of Don's article, accompanying the printing
of W.H.A.D... (Any similarities to the original are completely
accidental!) Comments in square brackets are mine.
Needless to say, this article is full of ***SPOILERS***.
= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =
=
DON ROSA WRITES TO KOMIX ABOUT W.H.A.D.A.L.O.T.T.A.J.A.R.G.O.N.
We asked the famous artist to comment on his story, in which the Junior
Woodchucks, Huey, Louie, and Dewey obtain their first merit badges. As
in the past, Don Rosa honored us by replying to our request by revealing
some of his ingenious creative secrets.
TO BEGIN WITH, I WOULD LIKE to thank you for the opportunity that you
offer me to communicate again with the greek readers of my stories. My
story is titled W.H.A.D.A.L.O.T.T.A.J.A.R.G.O.N., and I really pity
your translator, who had to render all the titles in my story in your
language! [The "what for, anyway", title was rendered as "why so many
titles", spoiling the gag in page 15, but making the translator's
frustration clearly evident!]
I CREATED THIS ADVENTURE in 1997, for the sixtieth birthday of Donald's
three nephews. The three nephews arrived at their uncle's doorstep on
October 17, 1937, not through a cartoon or a comic book, but through
the newspaper strips drawn by *Al Taliaferro* on a script by *Ted
Osborne*. Wanting to honor these two great creators, I drew them in the
fifth page of my story as founding members of the Junior Woodchucks
organization! Any reader who wants to figure out which one is which,
has only to look at the merit badges on their chests: on Osborne's
merit badge there is a typewriter, while on Taliaferro's there is the
pencil and pen of every good artist! I know, of course, that there is
no reason to ask from you at _Komix_ to watch for something like this,
taking your reliability as a given. However, I would not want you to be
one of the two magazines in the entire world, whose translators changed
the names of Osborne and Taliaferro!
I ALWAYS WANTED TO CREATE a story where Huey, Louie, and Dewey would
look for their parents. However, as such a story, by necessity, could
not have a satisfactory or happy ending, I abandoned the idea and chose
to show how the three nephews ended up becoming Junior Woodchucks. I
believe with all my heart that one day I'll come up with a truly great
scenario for my original idea... I only hope that this happens before
the nephews' 75th anniversary!
BACK TO MY STORY then, whose main plot takes place in the past, a bit
after the day on which the nephews arrive at Donald's home. However,
as I couldn't avoid their already having met uncle Scrooge in the plot,
my story should probably be placed somewhat after the final chapter of
the _Life and Times_!
THOSE OF YOUR READERS who like to spot minute details, may notice that
I have drawn the three nephews slightly younger in those panels where
Donald reminisces about the past, and that, compared to their bodies,
their heads are slightly larger than usual. Also note the difference in
the furnitures and the surroundings of Donald's house: The armchair,
on which he is sitting at the biginning and the end of the story, has
a patch due to having been used for a long time, and that the floor on
the fourth panel of the last page has been covered on the point where the
bowling ball fell that morning. The same thing happened to the bushes in
the garden of the house. It is logical that they have grown in height
after all these years. The passage of time is also the explanation why
Donald is reading a later volume of Tex McSixgun in the first panel of
the story than in the fifth panel.
AS ALWAYS, I MAKE REFERENCES to older stories, for the amusement of
initiated readers! Carl Barks mentioned that Fort Duckburg used to be in
the place where uncle SCrooge built his money bin in *The Money Well*
(_Komix #94) and that Cornelius Coot was the founder of Duckburg. I
have merely shown, in my story _His Majesty McDuck_, how and when
Cornelius moved to the Fort, while in *Raiders of the Lost Library*
(_Komix_ #114), I've shown that the person who founded the Junior
Woodchucks Organization, to which he donated that mysterious book,
which is the source of their entire knowledge, was none other than the
son of Duckburg's founder. Finally, in the story _Last Sled to Dawson_,
I have shown how Scrooge bought the land and the fort, while in the
*10th Chapter* of *The Life and Times of Scrooge McDuck* (_Komix_
#109), I've shown, for the first time, Scrooge arriving in the area
and settling on Kilemule hill. In addition, this is where he meets
the Junior Woodchucks for the first time, who are the, now adults,
Woodchucks in W.H.A.D.A.L.O.T.T.A.J.A.R.G.O.N! As for the puppy in the
story, it is obvious that he is Major Snozzie, the official Woodchuck
Hound, as shown by Barks in his stories. Many facts and references,
don't you think? However, as I happen to love my job, I believe that
these references are extremely amusing and that the readers appreciate
the effort I make to have my stories move in multiple levels.
MORE HIDDEN DETAILS? Note that the tails on the Junior Woodchuck hats
that the nephews wear in the beginning on the story are in the top part,
while, when they had first joined the Organization, they were hanging
at the back of their hats! This is because, according to Barks, they
earned this title (Grand Exhalted Hightails) during their service, and,
of course, my story takes place before this event. However... wak! In
the fifteenth page, in the sixth panel, I drew by mistake their hat
tails higher that I should have! Please forget this!
YOU WANT MORE? I'll finish by revealing that the character getting out
of the McDuck Publishing bookstore [and where, in the Greek edition,
one of the generic "comics" magazines is turned into Komix, and where
Komix have added a growl to Major Snozzie's angry reaction to Mickey
Mouse's picture!] is none other than my editor, Byron Erickson. All
right, I may have put a dog nose on him, but I thought it would be nice
to make a reference to him, as well, as he's been publishing my stories
in America from 1987 till today. Thus, if you like my work, I'd like
you to know that a large part of it is due to him!
(signed) Don Rosa.
= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =
=
Kriton (e-mail: (Email removed))
(WWW: http://dias.cti.gr/~kyrimis
-----
"I find it impossible to support immortality
forced on an individual by the state."
-----
--------------------------------
End of Disney comics Digest V98 Issue #283
******************************************
Bror Hellman
How to write the umlauts
Message 159 -
1998-11-30 at 10:20:10
> What about using upper case letters: for instance, A = a with umlaut?
Then it's hard to distinguish between A-umlaut and A-ring... Both very
common characters in Swedish.
> And in Danish, O = o with "/", in German, B = the cursive "b"
pronouced
> as "ss" etc. I admit it may be a bit confusing, though. Perhaps you
know
> that, in French, there are three accented e (with accute, grave and
> circonflex accents). Would the same thing happen in Finnish?
In Swedish we have the two first ones, even though we seldom use the
grave
accent.
To talk about more "Disney-comic" things...
I was on the annual autumn Donaldist meeting in Stockholm this weekend.
And I learned about a few new things
that will come from Egmont.
First of all I'll look forward to the re-printing of the first years of
Donald Duck in Sweden, Denmark and Norway.
I understand that they already did this in Finland. First out seems to
be the years 1948 and 1949.
(In Sweden five issues in 1948 and in Norway.. eh.. two issues 1948?)
Do anyone with more inside information at Egmont tell us a bit more?
The people in Stockholm had no details (paper, how many issues in each
book, etc.).
Steamboat Willie
Then it's hard to distinguish between A-umlaut and A-ring... Both very
common characters in Swedish.
> And in Danish, O = o with "/", in German, B = the cursive "b"
pronouced
> as "ss" etc. I admit it may be a bit confusing, though. Perhaps you
know
> that, in French, there are three accented e (with accute, grave and
> circonflex accents). Would the same thing happen in Finnish?
In Swedish we have the two first ones, even though we seldom use the
grave
accent.
To talk about more "Disney-comic" things...
I was on the annual autumn Donaldist meeting in Stockholm this weekend.
And I learned about a few new things
that will come from Egmont.
First of all I'll look forward to the re-printing of the first years of
Donald Duck in Sweden, Denmark and Norway.
I understand that they already did this in Finland. First out seems to
be the years 1948 and 1949.
(In Sweden five issues in 1948 and in Norway.. eh.. two issues 1948?)
Do anyone with more inside information at Egmont tell us a bit more?
The people in Stockholm had no details (paper, how many issues in each
book, etc.).
Steamboat Willie
Bror Hellman
Jubilee-books.
Message 160 -
1998-11-30 at 10:57:29
> The first two volumes of these hard-covered books are already out here
in
> Norway. Volume one contains all issues of 1948 and 1949, while volume
two
> contains all 12 issues from 1950. Combining 1948 and 1949 was rather
> necessary I guess, since the first issue of the magazine appeared in
> December 1948.
How large are they. Someone suggested issuing the Swedish edition
in 6 issues per book to get a lower price and a smaller book.
Steamboat Willie
in
> Norway. Volume one contains all issues of 1948 and 1949, while volume
two
> contains all 12 issues from 1950. Combining 1948 and 1949 was rather
> necessary I guess, since the first issue of the magazine appeared in
> December 1948.
How large are they. Someone suggested issuing the Swedish edition
in 6 issues per book to get a lower price and a smaller book.
Steamboat Willie
Halsten Aastebøl
How to write the umlauts
Message 161 -
1998-11-30 at 10:57:56
At 09:20 30.11.98 +0100, Bror Hellman wrote:
>First of all I'll look forward to the re-printing of the first years of
>Donald Duck in Sweden, Denmark and Norway.
>I understand that they already did this in Finland. First out seems to
>be the years 1948 and 1949.
>(In Sweden five issues in 1948 and in Norway.. eh.. two issues 1948?)
>
>Do anyone with more inside information at Egmont tell us a bit more?
>The people in Stockholm had no details (paper, how many issues in each
>book, etc.).
>
>
> Steamboat Willie
>
The first two volumes of these hard-covered books are already out here in
Norway. Volume one contains all issues of 1948 and 1949, while volume two
contains all 12 issues from 1950. Combining 1948 and 1949 was rather
necessary I guess, since the first issue of the magazine appeared in
December 1948.
Halsten
>First of all I'll look forward to the re-printing of the first years of
>Donald Duck in Sweden, Denmark and Norway.
>I understand that they already did this in Finland. First out seems to
>be the years 1948 and 1949.
>(In Sweden five issues in 1948 and in Norway.. eh.. two issues 1948?)
>
>Do anyone with more inside information at Egmont tell us a bit more?
>The people in Stockholm had no details (paper, how many issues in each
>book, etc.).
>
>
> Steamboat Willie
>
The first two volumes of these hard-covered books are already out here in
Norway. Volume one contains all issues of 1948 and 1949, while volume two
contains all 12 issues from 1950. Combining 1948 and 1949 was rather
necessary I guess, since the first issue of the magazine appeared in
December 1948.
Halsten
Halsten Aastebøl
Jubilee-books.
Message 162 -
1998-11-30 at 11:22:54
At 09:57 30.11.98 +0100, Bror Hellman wrote:
>> The first two volumes of these hard-covered books are already out here
>in
>> Norway. Volume one contains all issues of 1948 and 1949, while volume
>two
>> contains all 12 issues from 1950. Combining 1948 and 1949 was rather
>> necessary I guess, since the first issue of the magazine appeared in
>> December 1948.
>
>
>How large are they. Someone suggested issuing the Swedish edition
>in 6 issues per book to get a lower price and a smaller book.
>
>
>
> Steamboat Willie
>
Hm! You are maybe asking more than I can answer here. I bought volume one
some months ago, but I haven't got it right here. It contains 13 issues,
i.e. the one from 1948 and all 12 issues from 1949. Volume two is out in
the stores right now. It contains the 12 issues from 1950. Actually the
series is called "De komplette aargangene" (The complete annual volumes),
so it will be 12 issues pr book up to 1956 or something. But if you are
asking for the number of pages.. well I don't know. There is an article at
the beginning of the book, and of course all front pages are included (a
lot of Walt Kelly in other words).
Halsten
>> The first two volumes of these hard-covered books are already out here
>in
>> Norway. Volume one contains all issues of 1948 and 1949, while volume
>two
>> contains all 12 issues from 1950. Combining 1948 and 1949 was rather
>> necessary I guess, since the first issue of the magazine appeared in
>> December 1948.
>
>
>How large are they. Someone suggested issuing the Swedish edition
>in 6 issues per book to get a lower price and a smaller book.
>
>
>
> Steamboat Willie
>
Hm! You are maybe asking more than I can answer here. I bought volume one
some months ago, but I haven't got it right here. It contains 13 issues,
i.e. the one from 1948 and all 12 issues from 1949. Volume two is out in
the stores right now. It contains the 12 issues from 1950. Actually the
series is called "De komplette aargangene" (The complete annual volumes),
so it will be 12 issues pr book up to 1956 or something. But if you are
asking for the number of pages.. well I don't know. There is an article at
the beginning of the book, and of course all front pages are included (a
lot of Walt Kelly in other words).
Halsten
Dr. Archontis Pantsios
KOMIX #126
Message 163 -
1998-11-30 at 11:38:20
Fellow Quackeroos:
KOMIX #126, December '98, includes the following:
a) On its cover the Don Rosa pin-up art that had originally appeared in
PICSOU #310.
b) "The Case of Dr. Fredrick Wertham", Part II of a report on "Censorship
and Comics".
c) Marco Rota's "Paperino Pendolare", from Almanacco Topolino #245, 1977.
d) A two-page article written by Don Rosa especially for the publication of
W.H.A.D.A.L.O.T.T.A.J.A.R.G.O.N in KOMIX. (For Rosa's *ORIGINAL* article in
English, see below. I know that will make Kriton feel kinda bad for spending
all this time to TRANSLATE the article, but hey, he should have checked
first with ME! :-))))
e) Rosa's W.H.A.D.A.L.O.T.T.A.J.A.R.G.O.N.
f) Barks' "Duckburg's Day of Peril", from U$ #36, 1961.
What follows is Don's original piece:
>Text to accompany "W.H.A.D.A.L.O.T.T.A.J.A.R.G.O.N."
>This story, originally titled "W.H.A.D.A.L.O.T.T.A.J.A.R.G.O.N." in English
>(and I pity the poor translator whose job it is to create all new phrases
>and gag-initials for this story), was created at the request of my publisher
>to commemorate the 60th anniversary of the first appearance of Huey, Dewey
>and Louie! Donald's famous nephews first arrived on his doorstep in a
>newspaper strip (not in a Disney film or comic book) on October 17, 1937.
>The strips were written by Ted Osborne and drawn by Al Taliaferro... and to
>further honor these two famous comic-creators I have them actually appear in
>the story on page 5, panel 2, in the roles of the original two Junior
>Woodchucks. You can tell which is which... writer Osborne has a merit badge
>showing a typewriter, and cartoonist Taliaferro has a badge showing a pen
>and pencil.
>I am sometimes given these assignments to do special stories commemorating
>50th or 60th anniversaries... I've also done Donald's 60th ("The Duck Who
>Never Was"), $crooge's 50th ("A Little Something Special") and Gladstone
>Gander's 50th ("The Sign of the Triple Distlefink"). But these are difficult
>stories to invent plots for. I must write a plot that has some sort of very
>*special* quality about it... something never done before. Yet these sorts
>of comics must *never* have a plot that will change any element of the
>situation. So since I can't change the way anything is, I figure the only
>option for a "special" story is for me to show *how* things got to *be* that
>way... so-called "origin" tales.
>I have always wanted to do a story about the nephews' search for their lost
>parents. I wanted to do this soon after I began working on Duck comics for
>the nephews' 50th anniversary. But there can be no satisfying or happy
>ending for that story, so I chose, instead, to tell of how the kids first
>joined the illustrious ranks of the Junior Woodchucks. But I vow that
>someday I'll figure out a good plot for the kids' search for their
>parents... perhaps I'll have an idea in time for their 75th anniversary!
>The flashback portion of this story takes place early in Donald's life with
>his nephews, not long after they arrived to live with him. But since they
>already seem to have met their Uncle $crooge, this story must take place
>shortly after the 12th chapter of my "Life of $crooge" series in which the
>Ducks all met for the first time. If you are one of those readers who enjoys
>all the tiny details I love putting in my stories for sharp-eyed comics
>buffs, notice how the kids are drawn very slightly younger in that
>flashback... their heads are slightly bigger in proportion to their bodies.
>And notice Donald's house and furnishings -- in the flashbacks the house is
>brightly painted, the bushes are small and his furniture is new; in the
>modern day framing-sequence notice how his house paint has faded, the bushes
>are large and his armchair has patches and tears. Also notice that he's
>advanced in his reading of his "Tex McSixgun" novel series.
>As always, I make reference to many past stories for the amusement of the
>older comic fans in the audience. Carl Barks first told of Fort Duckburg
>being on the site of the McDuck Money Bin in "The Money Well", and he also
>created Cornelius Coot as the founder of Duckburg. I decided how and when
>Cornelius moved into the Fort in my "His Majesty McDuck", and I determined
>that it was Coot's son Clinton who founded the Woodchucks and donated a
>mysterious book of knowledge to the group in my story "The Guardians of the
>Lost Library". Furthermore I showed how $crooge bought the land and Fort in
>my "Last Sled to Dawson", and I showed when he first arrived to take
>ownership in the 10th chapter of my "Life of $crooge" series, where he also
>met those original two Woodchucks that are shown as adults in this new
>story. The puppy in the story is supposed to be the young General Snozzie
>whom Barks used in several stories as the "Official Hound" of the Junior
>Woodchucks. Lotsa facts and details to keep track of, eh? Well, I love my
>job and I think it's fun to do things like this for the amusement of the
>fans who appreciate that I take such efforts to make my stories
>multi-leveled.
>Other hidden details? Notice that the nephews' caps have the tails coming
>out of the tops in the modern framing-sequence, but the tails are attached
>to the backs of their hats in the flashback. This is because Barks told a
>story well over 4 decades ago of how the kids earned the rank of "Grand
>Exhalted Hightails" which gave them the honor of wearing those tails on
>top -- this story naturally takes place before that. (But... uh-oh! On page
>15, panel 6 I goofed and drew the tails on the tops rather than the backs!
>Drat!)
>Want more? There is a reference to another scout group called "The Little
>Booneheads". A Barks story once told that this was the club that Donald
>belonged to when he was a kid.
>And last but not least: the guy walking out of the comic book publisher's
>office on page 11, panel 6 is my own editor Byron Erickson (well, with a
>black dog-snoot). It's nice to have a chance to mention Byron -- the world
>should know that it is HE who has been my story editor since 1987... so if
>you like my work, you can give some of the credit to Byron!
Cheers,
Archontis
KOMIX #126, December '98, includes the following:
a) On its cover the Don Rosa pin-up art that had originally appeared in
PICSOU #310.
b) "The Case of Dr. Fredrick Wertham", Part II of a report on "Censorship
and Comics".
c) Marco Rota's "Paperino Pendolare", from Almanacco Topolino #245, 1977.
d) A two-page article written by Don Rosa especially for the publication of
W.H.A.D.A.L.O.T.T.A.J.A.R.G.O.N in KOMIX. (For Rosa's *ORIGINAL* article in
English, see below. I know that will make Kriton feel kinda bad for spending
all this time to TRANSLATE the article, but hey, he should have checked
first with ME! :-))))
e) Rosa's W.H.A.D.A.L.O.T.T.A.J.A.R.G.O.N.
f) Barks' "Duckburg's Day of Peril", from U$ #36, 1961.
What follows is Don's original piece:
>Text to accompany "W.H.A.D.A.L.O.T.T.A.J.A.R.G.O.N."
>This story, originally titled "W.H.A.D.A.L.O.T.T.A.J.A.R.G.O.N." in English
>(and I pity the poor translator whose job it is to create all new phrases
>and gag-initials for this story), was created at the request of my publisher
>to commemorate the 60th anniversary of the first appearance of Huey, Dewey
>and Louie! Donald's famous nephews first arrived on his doorstep in a
>newspaper strip (not in a Disney film or comic book) on October 17, 1937.
>The strips were written by Ted Osborne and drawn by Al Taliaferro... and to
>further honor these two famous comic-creators I have them actually appear in
>the story on page 5, panel 2, in the roles of the original two Junior
>Woodchucks. You can tell which is which... writer Osborne has a merit badge
>showing a typewriter, and cartoonist Taliaferro has a badge showing a pen
>and pencil.
>I am sometimes given these assignments to do special stories commemorating
>50th or 60th anniversaries... I've also done Donald's 60th ("The Duck Who
>Never Was"), $crooge's 50th ("A Little Something Special") and Gladstone
>Gander's 50th ("The Sign of the Triple Distlefink"). But these are difficult
>stories to invent plots for. I must write a plot that has some sort of very
>*special* quality about it... something never done before. Yet these sorts
>of comics must *never* have a plot that will change any element of the
>situation. So since I can't change the way anything is, I figure the only
>option for a "special" story is for me to show *how* things got to *be* that
>way... so-called "origin" tales.
>I have always wanted to do a story about the nephews' search for their lost
>parents. I wanted to do this soon after I began working on Duck comics for
>the nephews' 50th anniversary. But there can be no satisfying or happy
>ending for that story, so I chose, instead, to tell of how the kids first
>joined the illustrious ranks of the Junior Woodchucks. But I vow that
>someday I'll figure out a good plot for the kids' search for their
>parents... perhaps I'll have an idea in time for their 75th anniversary!
>The flashback portion of this story takes place early in Donald's life with
>his nephews, not long after they arrived to live with him. But since they
>already seem to have met their Uncle $crooge, this story must take place
>shortly after the 12th chapter of my "Life of $crooge" series in which the
>Ducks all met for the first time. If you are one of those readers who enjoys
>all the tiny details I love putting in my stories for sharp-eyed comics
>buffs, notice how the kids are drawn very slightly younger in that
>flashback... their heads are slightly bigger in proportion to their bodies.
>And notice Donald's house and furnishings -- in the flashbacks the house is
>brightly painted, the bushes are small and his furniture is new; in the
>modern day framing-sequence notice how his house paint has faded, the bushes
>are large and his armchair has patches and tears. Also notice that he's
>advanced in his reading of his "Tex McSixgun" novel series.
>As always, I make reference to many past stories for the amusement of the
>older comic fans in the audience. Carl Barks first told of Fort Duckburg
>being on the site of the McDuck Money Bin in "The Money Well", and he also
>created Cornelius Coot as the founder of Duckburg. I decided how and when
>Cornelius moved into the Fort in my "His Majesty McDuck", and I determined
>that it was Coot's son Clinton who founded the Woodchucks and donated a
>mysterious book of knowledge to the group in my story "The Guardians of the
>Lost Library". Furthermore I showed how $crooge bought the land and Fort in
>my "Last Sled to Dawson", and I showed when he first arrived to take
>ownership in the 10th chapter of my "Life of $crooge" series, where he also
>met those original two Woodchucks that are shown as adults in this new
>story. The puppy in the story is supposed to be the young General Snozzie
>whom Barks used in several stories as the "Official Hound" of the Junior
>Woodchucks. Lotsa facts and details to keep track of, eh? Well, I love my
>job and I think it's fun to do things like this for the amusement of the
>fans who appreciate that I take such efforts to make my stories
>multi-leveled.
>Other hidden details? Notice that the nephews' caps have the tails coming
>out of the tops in the modern framing-sequence, but the tails are attached
>to the backs of their hats in the flashback. This is because Barks told a
>story well over 4 decades ago of how the kids earned the rank of "Grand
>Exhalted Hightails" which gave them the honor of wearing those tails on
>top -- this story naturally takes place before that. (But... uh-oh! On page
>15, panel 6 I goofed and drew the tails on the tops rather than the backs!
>Drat!)
>Want more? There is a reference to another scout group called "The Little
>Booneheads". A Barks story once told that this was the club that Donald
>belonged to when he was a kid.
>And last but not least: the guy walking out of the comic book publisher's
>office on page 11, panel 6 is my own editor Byron Erickson (well, with a
>black dog-snoot). It's nice to have a chance to mention Byron -- the world
>should know that it is HE who has been my story editor since 1987... so if
>you like my work, you can give some of the credit to Byron!
Cheers,
Archontis
Don Rosa
Disney comics Digest V98 #283
Message 164 -
1998-11-30 at 15:27:59
Thanks to Kriton for posting that translation of my text in the edition of
KOMIX that prints my "WHADALOTTAJARGON" story. But now that he's done that,
I need to pop in here to mention that what Kriton has done (and I'm sure
done well) is translate a translation, so what he has ended up with is,
naturally, not what I wrote, word for word. But this means that some
meanings or intentions have been slightly changed -- never anything drastic
but... well, I just needed to say that the English text he posted was not my
original text, though it said pretty much the same thing...... *except*:
>Don Rosa honored us by replying to our request by revealing
>some of his ingenious creative secrets.
Whooaa. Back off!
>The armchair,
>on which he is sitting at the biginning and the end of the story, has
>a patch due to having been used for a long time, and that the floor on
>the fourth panel of the last page has been covered on the point where the
>bowling ball fell that morning.
BOING! What? That morning?!?! It was years earlier!!! I guess the
implication of the time frame is not the same in
Greek as it is in English.
And I think I referred to the faded colors of the chair,
not the patch. Did they not color it correctly?
>The same thing happened to the bushes in
>the garden of the house. It is logical that they have grown in height
>after all these years.
Yes, now they seem to understand it correctly.
>story, it is obvious that he is Major Snozzie, the official Woodchuck
>Hound, as shown by Barks in his stories
That should say "GENERAL Snozzie".
>However, as I happen to love my job, I believe that
>these references are extremely amusing and that the readers appreciate
>the effort I make to have my stories move in multiple levels.
This is not how I would have phrased this. I never insist that what I do is
amusing or that readers like it. I'm sure they left out some "I hope"s here.
>[and where
>Komix have added a growl to Major Snozzie's angry reaction to Mickey
>Mouse's picture!]
No, that growl is in my original script. Wouldn't you expect that?
>is none other than my editor, Byron Erickson. All
>right, I may have put a dog nose on him, but I thought it would be nice
>to make a reference to him, as well, as he's been publishing my stories
>in America from 1987 till today.
That's what it says? Implying that Byron is still working for Gladstone?
Poor Byron! Or is it
purposely misleading the readers to make them think these stories are
originating from America rather than from Denmark?
KOMIX that prints my "WHADALOTTAJARGON" story. But now that he's done that,
I need to pop in here to mention that what Kriton has done (and I'm sure
done well) is translate a translation, so what he has ended up with is,
naturally, not what I wrote, word for word. But this means that some
meanings or intentions have been slightly changed -- never anything drastic
but... well, I just needed to say that the English text he posted was not my
original text, though it said pretty much the same thing...... *except*:
>Don Rosa honored us by replying to our request by revealing
>some of his ingenious creative secrets.
Whooaa. Back off!
>The armchair,
>on which he is sitting at the biginning and the end of the story, has
>a patch due to having been used for a long time, and that the floor on
>the fourth panel of the last page has been covered on the point where the
>bowling ball fell that morning.
BOING! What? That morning?!?! It was years earlier!!! I guess the
implication of the time frame is not the same in
Greek as it is in English.
And I think I referred to the faded colors of the chair,
not the patch. Did they not color it correctly?
>The same thing happened to the bushes in
>the garden of the house. It is logical that they have grown in height
>after all these years.
Yes, now they seem to understand it correctly.
>story, it is obvious that he is Major Snozzie, the official Woodchuck
>Hound, as shown by Barks in his stories
That should say "GENERAL Snozzie".
>However, as I happen to love my job, I believe that
>these references are extremely amusing and that the readers appreciate
>the effort I make to have my stories move in multiple levels.
This is not how I would have phrased this. I never insist that what I do is
amusing or that readers like it. I'm sure they left out some "I hope"s here.
>[and where
>Komix have added a growl to Major Snozzie's angry reaction to Mickey
>Mouse's picture!]
No, that growl is in my original script. Wouldn't you expect that?
>is none other than my editor, Byron Erickson. All
>right, I may have put a dog nose on him, but I thought it would be nice
>to make a reference to him, as well, as he's been publishing my stories
>in America from 1987 till today.
That's what it says? Implying that Byron is still working for Gladstone?
Poor Byron! Or is it
purposely misleading the readers to make them think these stories are
originating from America rather than from Denmark?
Nils Lid Hjort
Donald in Norway: December 1st 1948
Message 165 -
1998-11-30 at 19:04:13
Yes, exactly 50 years ago Donald Duck started his official
life in Norway, via the Donald Duck & Co publication.
This was a monthly magazine the first couple of years,
later on supplemented with various "specials", after
which it increased its tempo to a once-every-second-week
and then finally an every-Wednesday-is-Donald-day
schedule (last half of 1958). (When did they change this
formula to Tuesdays? And why?)
This important event has been and will be noted, to some
extent and in different ways, inside the cultural sphere
of Norway. A television programme a couple of days ago
brought us short glimpses of statements by Fred. Olsen
(shipping person, owning half the world), Kristin Clemet
(politician, owning less) and Per Inge Torkelsen (comedian
and author). This was ok, but not any serious attempt at
discussing what DD and so on really had meant and still means
to the Norwegian people.
Then November 30th there was a brief note in various
newspapers, issued by the "Norwegian Telegramme Bureau",
sort of the official writers on everything genereal
on this country. This was a disappointing article, missing
its intended marks and lacking in precision and conviction
(I suspect sloppy translation of bits & pieces found on the
net and sloppily put together).
Then December 1st a radio programme is scheduled,
"Oestlandssendingen", interviewing a couple of persons.
I don't know when this is being broadcast, perhaps at 18:00?
The person responsible sounded serious enough on the
phone. We'll see.
Something is also going to happen at Jan P. Krogh's
"Museum of Comic Book Art", I understand. Who can supply
more information about this?
Finally I take it the jubilant itself, the DD & Co magazine,
is out with a special issue marking the occasion (but I
haven't seen it yet).
Anyway, congratulations on the 50 years; may it live on
in good shape and with good literary and artistic quality!
Nils Lid Hjort
life in Norway, via the Donald Duck & Co publication.
This was a monthly magazine the first couple of years,
later on supplemented with various "specials", after
which it increased its tempo to a once-every-second-week
and then finally an every-Wednesday-is-Donald-day
schedule (last half of 1958). (When did they change this
formula to Tuesdays? And why?)
This important event has been and will be noted, to some
extent and in different ways, inside the cultural sphere
of Norway. A television programme a couple of days ago
brought us short glimpses of statements by Fred. Olsen
(shipping person, owning half the world), Kristin Clemet
(politician, owning less) and Per Inge Torkelsen (comedian
and author). This was ok, but not any serious attempt at
discussing what DD and so on really had meant and still means
to the Norwegian people.
Then November 30th there was a brief note in various
newspapers, issued by the "Norwegian Telegramme Bureau",
sort of the official writers on everything genereal
on this country. This was a disappointing article, missing
its intended marks and lacking in precision and conviction
(I suspect sloppy translation of bits & pieces found on the
net and sloppily put together).
Then December 1st a radio programme is scheduled,
"Oestlandssendingen", interviewing a couple of persons.
I don't know when this is being broadcast, perhaps at 18:00?
The person responsible sounded serious enough on the
phone. We'll see.
Something is also going to happen at Jan P. Krogh's
"Museum of Comic Book Art", I understand. Who can supply
more information about this?
Finally I take it the jubilant itself, the DD & Co magazine,
is out with a special issue marking the occasion (but I
haven't seen it yet).
Anyway, congratulations on the 50 years; may it live on
in good shape and with good literary and artistic quality!
Nils Lid Hjort