Does anyone of the Italian members of the list know if the story "Somewhere
in Nowhere "(Barks plot / Pat Block drawing) is going to be published in
Italy (if yes,when and where)?
Georgios Balanikas
Author
Topic: 199909
(149 messages)
Georgios Balanikas
Barks/Block story
Message 106 -
1999-09-24 at 11:47:20
Per-Erik Malmström
Barks/Block story
Message 107 -
1999-09-24 at 12:22:22
GEORGIOS:
> Does anyone of the Italian members of the list know if the story
"Somewhere
> in Nowhere "(Barks plot / Pat Block drawing) is going to be published in
> Italy (if yes,when and where)?
"Somewhere in Nowhere" has not been published anywhere yet because GP and
Egmont -- the only publishers that were offered the story, I think --
weren't willing to pay the high amount that the CBStudio asked for it.
(John Lustig and Patrick Block were payed by the studio.) I haven't heard
anything new on this subject for a very long time, but it would be fun to
see the story in print before the end of this year. Then again, I said that
last year too.
Quack,
Per-Erik
--------------------------------
End of Disney comics Digest V99 Issue #166
******************************************
> Does anyone of the Italian members of the list know if the story
"Somewhere
> in Nowhere "(Barks plot / Pat Block drawing) is going to be published in
> Italy (if yes,when and where)?
"Somewhere in Nowhere" has not been published anywhere yet because GP and
Egmont -- the only publishers that were offered the story, I think --
weren't willing to pay the high amount that the CBStudio asked for it.
(John Lustig and Patrick Block were payed by the studio.) I haven't heard
anything new on this subject for a very long time, but it would be fun to
see the story in print before the end of this year. Then again, I said that
last year too.
Quack,
Per-Erik
--------------------------------
End of Disney comics Digest V99 Issue #166
******************************************
Fluks, H.W.
Barcelona, Spain
Message 108 -
1999-09-24 at 13:34:19
Hi everyone.
I just returned from a short holiday to Barcelona (Spain), where I went to
see the city with my sister. I could bore you with stories about our
sight-seeings (Sagrada Familia, Rambla, Barri Gotic, the Columbus column,
the Cornelius Coot park) and sports-events (the Spanish cyclist tour,
Barcelona-Fiorentina 4-2... that was fun, right, Marco? 8-), but that would
be too off-topic.
Two interesting (well, maybe) things concerning Disney comics:
1. There are very few Disney comics in Spain. They seem to have had a direct
translation of the Italian "Topolino", called "Don Miki". I have seen some
2nd-hand copies of those. But nowadays, there only are the album series of
"Ole Disney". To my surprise, Don Rosa's Life of Scrooge was reprinted in 6
albums (I bought all of them, of course). Uncle Scrooge is called Tio
Gilito, while in older comics he was Tio Rico ("Uncle Rich" - this would
indeed have been a silly name for him in the Life of Scrooge stories!).
Also, one earlier album contained some interesting stories: David Gerstein's
"Pork-Barrel Politics" (with a cover composed from artwork of the story), a
few very good Mau Heymans stories and a French one. This album appears to be
translated from French, so there must be a similar album in France, too.
(Did you know that, David?)
2. We visited the Comicup studio. This studio produces a lot of artwork for
various European Disney producers. The quality of the art varies, but some
of it is very good.
Mr. Canovas, the owner of the studio, received us (me and my sister), and we
talked for a few hours about artists, inkers, and internet. It seems that it
is very difficult to determine who inked a story, even for mr. Canovas
himself. Sometimes, an inker only worked very shortly for the studio, and
inked only very few stories or parts of stories. In other cases, a story was
inked by 4 or 5 people (when the studio was in a hurry). They even split up
a story into strips (1/4 pages) and have every strip inked by a different
inker...
It would be very hard for us to put information about this in our Inducks
database. Besides, if the studio owner does not know or care about who did
what, how could we?
Anyway, I got some interesting information for Inducks, and a very brief
meeting with Marga Querol (she had to go to the dentist...). Other artists
were not at the studio at the moment (Bernado was there the day before...).
Most artists work at home, and only the inkers are at the studio.
And now, back to 175 unread e-mail messages...
--Harry.
I just returned from a short holiday to Barcelona (Spain), where I went to
see the city with my sister. I could bore you with stories about our
sight-seeings (Sagrada Familia, Rambla, Barri Gotic, the Columbus column,
the Cornelius Coot park) and sports-events (the Spanish cyclist tour,
Barcelona-Fiorentina 4-2... that was fun, right, Marco? 8-), but that would
be too off-topic.
Two interesting (well, maybe) things concerning Disney comics:
1. There are very few Disney comics in Spain. They seem to have had a direct
translation of the Italian "Topolino", called "Don Miki". I have seen some
2nd-hand copies of those. But nowadays, there only are the album series of
"Ole Disney". To my surprise, Don Rosa's Life of Scrooge was reprinted in 6
albums (I bought all of them, of course). Uncle Scrooge is called Tio
Gilito, while in older comics he was Tio Rico ("Uncle Rich" - this would
indeed have been a silly name for him in the Life of Scrooge stories!).
Also, one earlier album contained some interesting stories: David Gerstein's
"Pork-Barrel Politics" (with a cover composed from artwork of the story), a
few very good Mau Heymans stories and a French one. This album appears to be
translated from French, so there must be a similar album in France, too.
(Did you know that, David?)
2. We visited the Comicup studio. This studio produces a lot of artwork for
various European Disney producers. The quality of the art varies, but some
of it is very good.
Mr. Canovas, the owner of the studio, received us (me and my sister), and we
talked for a few hours about artists, inkers, and internet. It seems that it
is very difficult to determine who inked a story, even for mr. Canovas
himself. Sometimes, an inker only worked very shortly for the studio, and
inked only very few stories or parts of stories. In other cases, a story was
inked by 4 or 5 people (when the studio was in a hurry). They even split up
a story into strips (1/4 pages) and have every strip inked by a different
inker...
It would be very hard for us to put information about this in our Inducks
database. Besides, if the studio owner does not know or care about who did
what, how could we?
Anyway, I got some interesting information for Inducks, and a very brief
meeting with Marga Querol (she had to go to the dentist...). Other artists
were not at the studio at the moment (Bernado was there the day before...).
Most artists work at home, and only the inkers are at the studio.
And now, back to 175 unread e-mail messages...
--Harry.
Per-Erik Malmström
Somewhere in Nowhere (was: On Italian Disney subscriptions)
Message 109 -
1999-09-24 at 14:37:19
ARCHONTIS:
> I believe that about a year ago, John Lustig reported in this very List
that
> a European publisher had bought the story, but that he didn't wish to
report
> anything more on the matter.
You are right on the date Archontis, but not the contents:
"[...]I certainly don't want anyone bugging these publishers because they
think they're being too cheap. The story was commissioned by the Barks
Studio. The studio paid me and artist Pat Block to create the story. As a
result, the studio owns the story. It's selling price was considerably more
than the going rate at Egmont and this was a concern. But there were
definitely other reasons besides just money that story was not
purchased.[...]"
Quack,
Per-Erik
> I believe that about a year ago, John Lustig reported in this very List
that
> a European publisher had bought the story, but that he didn't wish to
report
> anything more on the matter.
You are right on the date Archontis, but not the contents:
"[...]I certainly don't want anyone bugging these publishers because they
think they're being too cheap. The story was commissioned by the Barks
Studio. The studio paid me and artist Pat Block to create the story. As a
result, the studio owns the story. It's selling price was considerably more
than the going rate at Egmont and this was a concern. But there were
definitely other reasons besides just money that story was not
purchased.[...]"
Quack,
Per-Erik
Dr. Archontis Pantsios
On Italian Disney subscriptions
Message 110 -
1999-09-24 at 14:47:10
OLE:
>As am I. I even faxed my visa data, but either my English wasn't
>understood, or they just don't handle out-of-Italy subscriptions?
This is strange...I know for a fact that I don't live in Italy, and I have
been subscribing to ZP for ~2 years now. In addition, I'm a subscriber to
IMD for more than a year now, and to three more titles within 1999.
Actually, my "Topolino" subscription started only two months ago.
MARCO:
>I e-mailed very recently Lidia Cannatella of the "Zio Paperone" staff,
>asking her (on behalf of a friend) how to subscribe to Italian Disney
>comics from outside Italy.
>She promptly answered that she was told (by the people in charge of
>subscriptions) that no foreign subscriptions are accepted for the moment.
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
This then means that the people responsible for subscriptions must believe
that Thessaloniki must be somewhere in Italy! :-)) Even more so, that GRECIA
is a Italian protectorate! :-))
Hey, I hope noboby will tip them off about me not living in Italy and they
stop my subscriptions! :-)) I don't know what I'd do without my steady fix
of Italian comics!
Still, after reading all this, I feel kinda special! :-) (And I swear that I
don't have any special connections within Disney Italia! :-))
PER-ERIK:
>"Somewhere in Nowhere" has not been published anywhere yet because GP and
>Egmont -- the only publishers that were offered the story, I think --
>weren't willing to pay the high amount that the CBStudio asked for it.
>(John Lustig and Patrick Block were payed by the studio.) I haven't heard
>anything new on this subject for a very long time, but it would be fun to
>see the story in print before the end of this year. Then again, I said that
>last year too.
I believe that about a year ago, John Lustig reported in this very List that
a European publisher had bought the story, but that he didn't wish to report
anything more on the matter. Does he have any updated info on that one?
Cheers,
Archontis
>As am I. I even faxed my visa data, but either my English wasn't
>understood, or they just don't handle out-of-Italy subscriptions?
This is strange...I know for a fact that I don't live in Italy, and I have
been subscribing to ZP for ~2 years now. In addition, I'm a subscriber to
IMD for more than a year now, and to three more titles within 1999.
Actually, my "Topolino" subscription started only two months ago.
MARCO:
>I e-mailed very recently Lidia Cannatella of the "Zio Paperone" staff,
>asking her (on behalf of a friend) how to subscribe to Italian Disney
>comics from outside Italy.
>She promptly answered that she was told (by the people in charge of
>subscriptions) that no foreign subscriptions are accepted for the moment.
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
This then means that the people responsible for subscriptions must believe
that Thessaloniki must be somewhere in Italy! :-)) Even more so, that GRECIA
is a Italian protectorate! :-))
Hey, I hope noboby will tip them off about me not living in Italy and they
stop my subscriptions! :-)) I don't know what I'd do without my steady fix
of Italian comics!
Still, after reading all this, I feel kinda special! :-) (And I swear that I
don't have any special connections within Disney Italia! :-))
PER-ERIK:
>"Somewhere in Nowhere" has not been published anywhere yet because GP and
>Egmont -- the only publishers that were offered the story, I think --
>weren't willing to pay the high amount that the CBStudio asked for it.
>(John Lustig and Patrick Block were payed by the studio.) I haven't heard
>anything new on this subject for a very long time, but it would be fun to
>see the story in print before the end of this year. Then again, I said that
>last year too.
I believe that about a year ago, John Lustig reported in this very List that
a European publisher had bought the story, but that he didn't wish to report
anything more on the matter. Does he have any updated info on that one?
Cheers,
Archontis
Santiago Garcia Banhos
Yet Italian Disney Subscriptions
Message 111 -
1999-09-24 at 15:05:04
To Ole Reichstein Nielsen, Dr. Archontis Pantsios, Marco Barlotti,
Gianfranco Goria and Willi:
Thanks a lot for your info. I'm afraid I got very disappointed just to
read Marco's message:
>She promptly answered that she was told (by the people in charge of
>subscriptions) that no foreign subscriptions are accepted for the moment.
>Of course they should AT LEAST send you a letter explaining this,
>IMHO...
Arrrrgggggggggggghhhhhhhhhh! Dammn! Dammn!
I was waiting such a response too. But I also received a message from
Willi [(Email removed)]:
>Disney Italia
>servizio abbonamenti
>C. P. 340
>20101 Milano
>
>tel. +39 02 2020350
>fax +39 02 29085190
wich address differs ONE number from Dr. Archontis' one. I think I'll try
this new one (maybe I'll get the same NO-response, but I haven't nothing =
to
lose...)
Thanks again to all.
HARRY AND DIDIER:
Hey! It seems Spain has been in fashion this week. I hope you have
enjoyed your visits. I'm very sorry not to have been able to meet you,
maybe another time...
>Uncle Scrooge is called
>Gilito, while in older comics he was Tio Rico ("Uncle Rich"
As far as I know (the oldest comics I got are from 60's, as stated before=
)
U$ has always been translated in Spain as "T=EDo Gilito", nickname of "Gi=
l
Pato" ("Gil Duck"), which I suppose it must be someone's actual name, BTW.
"Tio Rico" is the translation in most south-american editions I've seen.
South-americans have their own translated names for Disney characters,
mostly differnt from Spanish ones.
>1. There are very few Disney comics in Spain. They seem to have had a
IN FACT SO IT IS! :-(
The oldest Disney comics I own are form the 60's, translated form
Gladstone (I guess): old stories mainly by Barks, Murry or Strobol.
Later, in the 70's and 80's there was the DON MIKI collection, which
was - you're right, Harry - from Topolino. Unfortunately, in the late
80's this collection seeemed to be falling down. I stopped buying
because the quality was so awful... (the 10 last issues I bought was
re-reprintings of recent stories!). And I have the idea that lastly it
was published by Portuguese 'Abril' or 'Morumbi' company, but it dind't
take too longer. Nowadays there are no periodic publications of Disney
Comics here (as far as I know, of course).
>"Ole Disney". To my surprise, Don Rosa's Life of Scrooge was reprinted
>in 6 albums (I bought all of them, of course). Uncle Scrooge is called
This "Ole Disney" is a collection of several kind of comics, mainly from
Spanish authors and characters (like "Mortadelo y Filem=F3n"). Knowing
the publisher company, my surprise when I first saw it, was even greater
than yours, Harry! I have even seen a compilation of the 6 albums in one
single book.
So, after telling you this, I hope you don't be surprised if I want
more-than-anything to get suscribed to some European Disney publication!
(Sigh!)
Greetings,
Santiago.
Gianfranco Goria and Willi:
Thanks a lot for your info. I'm afraid I got very disappointed just to
read Marco's message:
>She promptly answered that she was told (by the people in charge of
>subscriptions) that no foreign subscriptions are accepted for the moment.
>Of course they should AT LEAST send you a letter explaining this,
>IMHO...
Arrrrgggggggggggghhhhhhhhhh! Dammn! Dammn!
I was waiting such a response too. But I also received a message from
Willi [(Email removed)]:
>Disney Italia
>servizio abbonamenti
>C. P. 340
>20101 Milano
>
>tel. +39 02 2020350
>fax +39 02 29085190
wich address differs ONE number from Dr. Archontis' one. I think I'll try
this new one (maybe I'll get the same NO-response, but I haven't nothing =
to
lose...)
Thanks again to all.
HARRY AND DIDIER:
Hey! It seems Spain has been in fashion this week. I hope you have
enjoyed your visits. I'm very sorry not to have been able to meet you,
maybe another time...
>Uncle Scrooge is called
>Gilito, while in older comics he was Tio Rico ("Uncle Rich"
As far as I know (the oldest comics I got are from 60's, as stated before=
)
U$ has always been translated in Spain as "T=EDo Gilito", nickname of "Gi=
l
Pato" ("Gil Duck"), which I suppose it must be someone's actual name, BTW.
"Tio Rico" is the translation in most south-american editions I've seen.
South-americans have their own translated names for Disney characters,
mostly differnt from Spanish ones.
>1. There are very few Disney comics in Spain. They seem to have had a
IN FACT SO IT IS! :-(
The oldest Disney comics I own are form the 60's, translated form
Gladstone (I guess): old stories mainly by Barks, Murry or Strobol.
Later, in the 70's and 80's there was the DON MIKI collection, which
was - you're right, Harry - from Topolino. Unfortunately, in the late
80's this collection seeemed to be falling down. I stopped buying
because the quality was so awful... (the 10 last issues I bought was
re-reprintings of recent stories!). And I have the idea that lastly it
was published by Portuguese 'Abril' or 'Morumbi' company, but it dind't
take too longer. Nowadays there are no periodic publications of Disney
Comics here (as far as I know, of course).
>"Ole Disney". To my surprise, Don Rosa's Life of Scrooge was reprinted
>in 6 albums (I bought all of them, of course). Uncle Scrooge is called
This "Ole Disney" is a collection of several kind of comics, mainly from
Spanish authors and characters (like "Mortadelo y Filem=F3n"). Knowing
the publisher company, my surprise when I first saw it, was even greater
than yours, Harry! I have even seen a compilation of the 6 albums in one
single book.
So, after telling you this, I hope you don't be surprised if I want
more-than-anything to get suscribed to some European Disney publication!
(Sigh!)
Greetings,
Santiago.
Fluks, H.W.
Read my lips
Message 112 -
1999-09-24 at 16:24:33
Vidar, Frank:
> >Do you know any other story involving deafness/hearing problems
> >or reading the lips of somebody?
> Well, I remember a story drawn by that Brazilian artist who used to =
do
> those typical "fat baddies" -- what's his name, Carlos=20
> Herrero?
Correct.
> it didn't take long to find a reference to S 72035=20
> published in TL
> 933 (1973-10-14) as "Zio Paperone e la citt=E0 perduta"=20
> There is an "identification uncertain" comment,
> which may refer to the "S 72035" code.
I can confirm that this is the right code for that story (it was =
printed in
the Dutch reprint).
I used to have a scan of the first page on one of my webpages, but I =
removed
it recently...
In the Dutch version, Rockerduck *does* look at Scrooge through =
binoculars,
but he does not seem to be able to read anyone's lips. He says "Now I'm =
sure
the old fox is up to something... and I'll find out soon enough what it
is!". But that's only the first page, so maybe the lipreading is on the
second page?
--Harry.
> >Do you know any other story involving deafness/hearing problems
> >or reading the lips of somebody?
> Well, I remember a story drawn by that Brazilian artist who used to =
do
> those typical "fat baddies" -- what's his name, Carlos=20
> Herrero?
Correct.
> it didn't take long to find a reference to S 72035=20
> published in TL
> 933 (1973-10-14) as "Zio Paperone e la citt=E0 perduta"=20
> There is an "identification uncertain" comment,
> which may refer to the "S 72035" code.
I can confirm that this is the right code for that story (it was =
printed in
the Dutch reprint).
I used to have a scan of the first page on one of my webpages, but I =
removed
it recently...
In the Dutch version, Rockerduck *does* look at Scrooge through =
binoculars,
but he does not seem to be able to read anyone's lips. He says "Now I'm =
sure
the old fox is up to something... and I'll find out soon enough what it
is!". But that's only the first page, so maybe the lipreading is on the
second page?
--Harry.
Anders Chr. Sivebaek
Rota and a US-book
Message 113 -
1999-09-24 at 22:06:16
Hi
Two things today.
I have little by little got my eyes up for the
genuine Marco Rota. He's a great cartoonist, with a recognizible
style (which I like by an artist too, that it's possible to recognize
the stories). A few of his stories are about planes btw. I sat
today with a german weekly from 1996 and a never danish one,
a story I first thought was the same, showed to not be, but it has
the same theme though. Rota is also the guy who made those
stories about Andold Wildduck - which are great too.
Marco made many covers and illustrations for the italian publication
of Rosas Life of $crooge-series (There's a little difference in the names,
a great difference in the styles, which are IMHO both great :-))
There's especially one illustration I loved, on the backcover of the Zio
Paperone issue that publishes The King of Klondike... US is sitting with
his beens, I loved that drawing ever since I saw it the first time.
Thanks to two Marco's! Rota for the stories and Barlotti for swapping the
comics
I ordered a book at the library sometime ago... I think it was even
before Rob Klein visited me... today It was there for me... In a worse
condition than it was in last I saw it, but oh Goof did I enjoy seeing it
again... It's a book from 1975 publishing a bunch of Barks's long $crooge
classics. It's in that 6-tier format that someone here might know
(Ich Dagobert, Jag, Farbror Joakim). (The tier-format might also be
known by the french, it made several barks and at least one Rosa-
story look slightly strange). But well, back then esepcially it was real
gold,
if you know what I mean.
(and it was 9 years before Gutenberghus actually started publishing the
goldbooks, with the Barks stoies in their original format)
I'm looking foward to browsing it again... last time I saw it I think I
lived in my
old room, and I didn't have the last story in it at the time...
All the missing panels, that were gone in the first-publication because of
those
accursaned (damned?) summaries they always had to put in, they are there...
but in another format of course...
Yours AC
Two things today.
I have little by little got my eyes up for the
genuine Marco Rota. He's a great cartoonist, with a recognizible
style (which I like by an artist too, that it's possible to recognize
the stories). A few of his stories are about planes btw. I sat
today with a german weekly from 1996 and a never danish one,
a story I first thought was the same, showed to not be, but it has
the same theme though. Rota is also the guy who made those
stories about Andold Wildduck - which are great too.
Marco made many covers and illustrations for the italian publication
of Rosas Life of $crooge-series (There's a little difference in the names,
a great difference in the styles, which are IMHO both great :-))
There's especially one illustration I loved, on the backcover of the Zio
Paperone issue that publishes The King of Klondike... US is sitting with
his beens, I loved that drawing ever since I saw it the first time.
Thanks to two Marco's! Rota for the stories and Barlotti for swapping the
comics
I ordered a book at the library sometime ago... I think it was even
before Rob Klein visited me... today It was there for me... In a worse
condition than it was in last I saw it, but oh Goof did I enjoy seeing it
again... It's a book from 1975 publishing a bunch of Barks's long $crooge
classics. It's in that 6-tier format that someone here might know
(Ich Dagobert, Jag, Farbror Joakim). (The tier-format might also be
known by the french, it made several barks and at least one Rosa-
story look slightly strange). But well, back then esepcially it was real
gold,
if you know what I mean.
(and it was 9 years before Gutenberghus actually started publishing the
goldbooks, with the Barks stoies in their original format)
I'm looking foward to browsing it again... last time I saw it I think I
lived in my
old room, and I didn't have the last story in it at the time...
All the missing panels, that were gone in the first-publication because of
those
accursaned (damned?) summaries they always had to put in, they are there...
but in another format of course...
Yours AC
Søren Krarup Olesen
Internames
Message 114 -
1999-09-24 at 22:58:17
AC + Italians:
> the same theme though. Rota is also the guy who made those
> stories about Andold Wildduck - which are great too.
Perhaps we(I) should add that a name like "Andold" is grapped from "And"
which means "duck" in Danish. Luckily many names begin with "And..." in
Danish, so as an example we have "Anders" (Donald) and "Andersine"
(Donaldine=3DDaisy). The Italians do something likewise Paperino ->
Paperina. The interesting thing is that the Europeans has defined new
"words" for the characters, but that doesn't seem to be the case for the
Americans?!
If I walk down the street and someone says "F=E6tter Vims!" (cousin
Fethry) to me I would react somehow instantly, but in Italy it's
Paperoga, and somehow they're all the same in Italy; Paperino, Paperina,
Paperinika, Paperego...etc... so my quesion is, are they all well
recognised by the "man" on the street?
In other words; if I ask my 65 years old father who "F=E6tter Vims"
(Fethry) is he would surely know, but is Pape...xxx recognised by any
Italian??? I guess that's for Marco... :-)
S=F8ren
> the same theme though. Rota is also the guy who made those
> stories about Andold Wildduck - which are great too.
Perhaps we(I) should add that a name like "Andold" is grapped from "And"
which means "duck" in Danish. Luckily many names begin with "And..." in
Danish, so as an example we have "Anders" (Donald) and "Andersine"
(Donaldine=3DDaisy). The Italians do something likewise Paperino ->
Paperina. The interesting thing is that the Europeans has defined new
"words" for the characters, but that doesn't seem to be the case for the
Americans?!
If I walk down the street and someone says "F=E6tter Vims!" (cousin
Fethry) to me I would react somehow instantly, but in Italy it's
Paperoga, and somehow they're all the same in Italy; Paperino, Paperina,
Paperinika, Paperego...etc... so my quesion is, are they all well
recognised by the "man" on the street?
In other words; if I ask my 65 years old father who "F=E6tter Vims"
(Fethry) is he would surely know, but is Pape...xxx recognised by any
Italian??? I guess that's for Marco... :-)
S=F8ren
Rodney W Bowcock Jr.
Disney comics Digest V99 #166
Message 115 -
1999-09-25 at 00:06:58
What is this "Somewhere in Nowhere" story? I *love* John Lustig and Pat
Block's work and to see them do a story plotted by Barks would be great!!
When did Barks plot the story? What is it about? If anyone from
Gladstone is reading this *please* try to get this story for us when
things are up and running again!!!!
Rodney Bowcock
___________________________________________________________________
Get the Internet just the way you want it.
Free software, free e-mail, and free Internet access for a month!
Try Juno Web: http://dl.www.juno.com/dynoget/tagj.
Block's work and to see them do a story plotted by Barks would be great!!
When did Barks plot the story? What is it about? If anyone from
Gladstone is reading this *please* try to get this story for us when
things are up and running again!!!!
Rodney Bowcock
___________________________________________________________________
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Francois Willot
On Italian Disney subscriptions
Message 116 -
1999-09-25 at 00:25:51
SANTIAGO GARCIA BANHOS:
Subscriptions to Italian Disney Comics are very likely possible outside
Italy.
Right now I'm a subscriber of "Zio Paperone" and "I Maestri Disney" (I
hope "Mega 2000" too, soon). I've used the "Casella Postale" address
Archontis quoted.
They recently sent me an ad for subscriptions to Paperinik, PK,
Topolino, I Classici, I Grandi Classici, Winnie, Amici di Zampa and
maybe more. You can probably subscribe to any of these titles (too bad I
haven't the rate here).
They accept international cards, and if I understand well, international
mail order. Banks in France (maybe also in Spain?) can pay for you.
ARCHONTIS to MARCO:
>!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
>
>This then means that the people responsible for subscriptions
>must believe that Thessaloniki must be somewhere in Italy! :-))
>Even more so, that GRECIA is a Italian protectorate! :-))
And France as well! :-)
Subscriptions to Italian Disney Comics are very likely possible outside
Italy.
Right now I'm a subscriber of "Zio Paperone" and "I Maestri Disney" (I
hope "Mega 2000" too, soon). I've used the "Casella Postale" address
Archontis quoted.
They recently sent me an ad for subscriptions to Paperinik, PK,
Topolino, I Classici, I Grandi Classici, Winnie, Amici di Zampa and
maybe more. You can probably subscribe to any of these titles (too bad I
haven't the rate here).
They accept international cards, and if I understand well, international
mail order. Banks in France (maybe also in Spain?) can pay for you.
ARCHONTIS to MARCO:
>!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
>
>This then means that the people responsible for subscriptions
>must believe that Thessaloniki must be somewhere in Italy! :-))
>Even more so, that GRECIA is a Italian protectorate! :-))
And France as well! :-)
Stefan Persson
Disney comics Digest V99 #166
Message 117 -
1999-09-25 at 20:25:46
This is a multi-part message in MIME format.
------=_NextPart_000_47fba240_22c14f17$693fcc23
Content-Type: text/plain; format=flowed
>What is this "Somewhere in Nowhere" story? I *love* John Lustig and Pat
>Block's work and to see them do a story plotted by Barks would be great!!
> When did Barks plot the story? What is it about? If anyone from
>Gladstone is reading this *please* try to get this story for us when
>things are up and running again!!!!
I found this info in the I.N.D.U.C.K.S. database:
Disney comics story CS WDC '97
Donald Duck: Somewhere in Nowhere
Story code
CS WDC '97
Number of pages
28
Plotted by
Carl Barks
Written by
John Lustig
Art by
Pat Block
Hero
Donald Duck
Date
1997
Publications
None known
[still waiting to be published]
--------------------------------------------------------------------------------
[The Inducks] [The DCML pages]
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
------=_NextPart_000_47fba240_22c14f17$693fcc23
Content-Type: text/plain; format=flowed
>What is this "Somewhere in Nowhere" story? I *love* John Lustig and Pat
>Block's work and to see them do a story plotted by Barks would be great!!
> When did Barks plot the story? What is it about? If anyone from
>Gladstone is reading this *please* try to get this story for us when
>things are up and running again!!!!
I found this info in the I.N.D.U.C.K.S. database:
Disney comics story CS WDC '97
Donald Duck: Somewhere in Nowhere
Story code
CS WDC '97
Number of pages
28
Plotted by
Carl Barks
Written by
John Lustig
Art by
Pat Block
Hero
Donald Duck
Date
1997
Publications
None known
[still waiting to be published]
--------------------------------------------------------------------------------
[The Inducks] [The DCML pages]
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
Anders Chr. Sivebaek
Disney comics Digest V99 #167
Message 118 -
1999-09-26 at 00:17:30
SOEREN
> AC + Italians:
> > the same theme though. Rota is also the guy who made those
> > stories about Andold Wildduck - which are great too.
> Perhaps we(I) should add that a name like "Andold" is grapped from "And"
> which means "duck" in Danish.
One minute there I thought I made a mistake... it is andold in english
right??
Intersting question btw. I thought of it myself... Uncle Scrooge is pap XX-
first time I heard that I thought: isn't that some sausage... excuse me...
> If I walk down the street and someone says "F=E6tter Vims
This is pronuced almost the same way as german vetter meaning male
cousin...
I never experienced someone calling me Vims... rather anders and...
I remember reading here about Harrys trip to Greece, where that shopowner
just said:
we sell nuts, when he asked why they called the store souper gkoufu
(supergoof
spelled with almost greek letters... (make the g a gamma and you got it:-))
AC
> AC + Italians:
> > the same theme though. Rota is also the guy who made those
> > stories about Andold Wildduck - which are great too.
> Perhaps we(I) should add that a name like "Andold" is grapped from "And"
> which means "duck" in Danish.
One minute there I thought I made a mistake... it is andold in english
right??
Intersting question btw. I thought of it myself... Uncle Scrooge is pap XX-
first time I heard that I thought: isn't that some sausage... excuse me...
> If I walk down the street and someone says "F=E6tter Vims
This is pronuced almost the same way as german vetter meaning male
cousin...
I never experienced someone calling me Vims... rather anders and...
I remember reading here about Harrys trip to Greece, where that shopowner
just said:
we sell nuts, when he asked why they called the store souper gkoufu
(supergoof
spelled with almost greek letters... (make the g a gamma and you got it:-))
AC
Oliv
Giorgio Cavazzano is a gentleman
Message 119 -
1999-09-26 at 00:36:51
Today in Paris,there was a meeting with
Cortegianni, Tranchant , Jean-Luc Cochet
and Giorgio Cavazzano.
Cavazzano told us that he spent three months
to build "Casablanca". It is a "lavis" story...
(ink mixed with water used to colorize)
He seemed to be very proud of this work
(I think he can fairly feel it with this masterpieces:-))
He evokes "La strada" too.
Cortegianni was sorry that these works aren't
available in France (me too !)
After the questions, there was a dedication session.
Then... that was the hell for Giorgio...
He drawn about ten arts during questions but we were
about fourty maybe much more.
So this man has drawn about thirty arts for dedications
during the following hour and half.
I have never seen a "fans fly" before today. It looks like
a group of vultures rushing on dead gazelle.
He was very attentive with children and everybody has
his own dedication - your servant too :-))
(Am I looking like a vulture now ? Who knows ?)
Let me say again : he's a gentleman.
Oliv
PS : Giorgio Cavazzano speaks French but he was
too shy to continue.
Cortegianni, Tranchant , Jean-Luc Cochet
and Giorgio Cavazzano.
Cavazzano told us that he spent three months
to build "Casablanca". It is a "lavis" story...
(ink mixed with water used to colorize)
He seemed to be very proud of this work
(I think he can fairly feel it with this masterpieces:-))
He evokes "La strada" too.
Cortegianni was sorry that these works aren't
available in France (me too !)
After the questions, there was a dedication session.
Then... that was the hell for Giorgio...
He drawn about ten arts during questions but we were
about fourty maybe much more.
So this man has drawn about thirty arts for dedications
during the following hour and half.
I have never seen a "fans fly" before today. It looks like
a group of vultures rushing on dead gazelle.
He was very attentive with children and everybody has
his own dedication - your servant too :-))
(Am I looking like a vulture now ? Who knows ?)
Let me say again : he's a gentleman.
Oliv
PS : Giorgio Cavazzano speaks French but he was
too shy to continue.
Paolo Castagno
Manga Mickey Mouse
Message 120 -
1999-09-26 at 16:14:04
Hello,
Arthur de Wolf wrote:
> Egmont Japan launched a new monthly Mickey Mouse Comic magazine earlier this
> year in which Mickey appears in Japanese Manga style, drawn by Japanese
> Manga artists.
I'm very curious to take a look at this kind of magazine, so is
there someone who wants to trade a copy of this with some stuff
from Italy (hey, we have very good stuff here!!).
Or is there someone who can provide scans from some panels?
Thank you,
- Paolo
http://www.confor.it:2222/disney
I am very interested in this new title and am wondering if
> anyone on this mailing list is able to get me some issues of this. Do we
> have any members from Japan here? I have many Disney comics to trade. In
> addition I'd like to trade for Disney comics from Asian, African and South
> American countries for my collection. If anyone (from those regions) can
> help me please email me privately.
>
> Thanks,
>
> Arthur
Arthur de Wolf wrote:
> Egmont Japan launched a new monthly Mickey Mouse Comic magazine earlier this
> year in which Mickey appears in Japanese Manga style, drawn by Japanese
> Manga artists.
I'm very curious to take a look at this kind of magazine, so is
there someone who wants to trade a copy of this with some stuff
from Italy (hey, we have very good stuff here!!).
Or is there someone who can provide scans from some panels?
Thank you,
- Paolo
http://www.confor.it:2222/disney
I am very interested in this new title and am wondering if
> anyone on this mailing list is able to get me some issues of this. Do we
> have any members from Japan here? I have many Disney comics to trade. In
> addition I'd like to trade for Disney comics from Asian, African and South
> American countries for my collection. If anyone (from those regions) can
> help me please email me privately.
>
> Thanks,
>
> Arthur