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Topic: 200010

(203 messages)
Agridiotis
Dear DCML member i would like to read a picsu magazine because it is one of
the best comics in Europe. If anyone send me one i can to send him an
example of greek komix
Best wishes
Joakim Gunnarsson
Anders Christian Sivebaek wrote:
> Also we scanned this year the story Attaaaaaack, and
> put it online.

That story will be published in Scandinavia in one of the last issues of the weeklies this year.
Having full stories on-line prior its publication is nothing Disney or the publishers like... *and* it's a violation of copyright laws of course.

I can *understand* why people put "banned" stories, rare artwork and sketches etc.on-line (Even if it's a copyright crime) because they are really hard to find even for the hardcore collector/fan... but with new stories???

I see no point in it!
You just have to wait for it (Like in the old pre-internet days) or go hunt for a foreign copy of the book.

/Joakim Gunnarsson,
Malmo, Sweden
John Garvin
I agree with almost everything Mr. Markstein said. Disney does have a lot of
lawyers. But you know what? It doesn't have enough lawyers to go after
everybody who violates their copyright on the internet, not by a longshot..

Copyright law, in my opinion, will become obsolete in the next ten years. Years
ago there was a guy who published an x-rated paradoy of Mickey Mouse (I'm sure
someone on this list has the name...Dan something-or-other). Disney sued him
and the guy had to stop. But he was pretty easy to find and it was pretty easy
to shut him down. He had to go through established printing, distribution, and
retail channels. If I scan that same story now and post it to usenet, there
isn't a thing Disney can do.

The internet represents instant access, with full color and sound, to millions
and millions of people. As more people go online and begin to share
information, much of it copyrighted I'm sure, there will be an initial attempt
to stop the flood, but it's not going to work. All laws, and I mean ALL laws,
rely on one simple tenant: enforceability. Sure Disney has a lot of lawyers,
but do they have time to after hundreds, even thousands, of internet copyright
viloations here in the States? To complicate matters, the internet is truly
global and almost all copyright law is enforced on a country by country basis,
depending on which countries subscribe to international copyright law. US
Disney lawyers can't do anything to internet pages created and maintained
outside this country. Imagine the jurisdictional mess they would have if they
tried to shut down pages originating in Brazil, Latvia, or North Korea.

Do I think this is a good thing? Frankly, yes. I too am an owner of
intelectual property. (And, by the way, know first hand what it is like to lose
money because of the internet. I make video games (Syphonfilter 1 and 2 were my
last hits) and one of the first things the internet was used for was pirating
software!) I think that creators should be able to profit from their work, up
to a point. US copyright law sets that point to be around 60 years, give or
take. Disney, and other major copyright holders, are trying to change current
copyright law so that they hold the copyright forever. Here's my question:
what if Bram Stoker's family had been able to form a corporation and copyright
Dracula and all the familiar things in the formulaic vampire story? And what if
they enforced their copyright so that no other vampire story had ever been
written? No Dracula films, comics, books. Would horror literature be richer or
poorer without Anne Rice's take on the material? Stephen King's?

This is actually an ironic question, because the Disney machine spent most of
its creative life (at least in the feature films) plundering the public domain.
Whether or not you agree with Disney's take on Lewis Carrol, I think the world
would be the poorer if Disney had been prohibited by copyright to make its
version of Alice In Wonderland. Imagine a world where these characters and
fictional worlds belong to everyone and if Disney want's to make money on Uncle
Scrooge it has to compete in a free marketplace with anyone who wants to write
an Uncle Scrooge story. Don Rosa may be willing to sell his work to Egmont,
giving it to the Disney Corporation for use all over the world for free, but I
can tell that not many other creators are as generous. Imagine a world where
you go online, seek out your favorite writer and artist, go to their site, and
pay to download a new story directly from them. A Don Rosa story unhampered by
editors who tell him that readers "don't want this kind of story." Imagine if
Steve Gerber could write Howard the Duck stories? The possiblities are
endless. So is the internet. An information revolution is coming, don't let
anyone tell you otherwise.
Per-Erik Malmström
John Garvin:
> Sure Disney has a lot of lawyers,
> but do they have time to after hundreds, even thousands, of internet copyright
> viloations here in the States?

The answer is most likely "No", but does that justify breaking the law? The copyright laws were created for a good reason, and I believe that reason is just as valid today as it was ten years ago. Why shouldn't it be?
I wholeheartedly share Joakim Gunnarsson's opinion that only rare material belong on the Internet. New stories can be bought over desk.

>Years ago there was a guy who published an x-rated paradoy of Mickey Mouse (I'm sure
> someone on this list has the name...Dan something-or-other).

The guy who did the "obscene" MM-story (Air Pirate Funnies) is named Dan O'Neill. Don't know anything about him except he showed me Mickey & Minnie in the nude, and I still haven't recovered!

Quacks from Sweden,
/Per-Erik
Pekka Timonen
John Garvin wrote:
> Imagine a world where
> you go online, seek out your favorite writer and artist, go to their site,
and
> pay to download a new story directly from them. A Don Rosa story
unhampered by
> editors who tell him that readers "don't want this kind of story."
Imagine if
> Steve Gerber could write Howard the Duck stories? The possiblities are
> endless. So is the internet. An information revolution is coming, don't
let
> anyone tell you otherwise.
>
I see a world where you don't have to go to the site of your favorite
writer and artist, and pay to download a new story directly from them,
because a fan site meaning well, but not really thinking, has already that
story, and you can download it for free from there.

Having no copyright law would mean no income for people who earn it.

--
Pekka Timonen (pati at iki.fi)
Marco Barlotti
Gianfranco Goria sent me some scans from the Hong Kong edition of the
Mickey Mouse comic.
I think he won't mind if I share them with all of you:

http://marcobar.cce.unifi.it/DCML/HK1.jpg

is the cover, while two pages are

http://marcobar.cce.unifi.it/DCML/HK2.jpg
http://marcobar.cce.unifi.it/DCML/HK3.jpg

Note (in the last one) the "Fantastic Four" style of Mickey's attitude...
we Italians would think maybe of "Tiramolla" ;-)

Marco

http://marcobar.cce.unifi.it/Comics
Marco Barlotti
Thanks to Ugo Dell'Arciprete, a member of this list, who did most of the
work, to myself and to Eta Beta, a *complete* index of the Italian stories
(one-page gags) that appeared in "Disney MEGAzine" is now on-line at

http://marcobar.cce.unifi.it/DisneyIndex/MEGAzine.html

We hope to have soon also an ISSUE index to be included in INDUCKS.

Marco

http://marcobar.cce.unifi.it/DisneyIndex
Marco Barlotti
The index of the Italian reprints of Barks' stories has been updated on
http://marcobar.cce.unifi.it/fumetti/IndiceBarks.html

There is also an English page for this, but it points to the same index
(which is in Italian!):
http://marcobar.cce.unifi.it/comics/BarksIndex.html

Marco

http://marcobar.cce.unifi.it
Santiago Garcia Banhos
Donald Markstein, Rodney Bowcock, Kriton Kyrimis, etc:

You have talked about USA Copyright Laws, but what about International
copyright laws? I realise American stuff is protected by American laws, but
in which way EXACTLY is concerned (for instance) Don Rosa's stories by USA
laws, for he produces for a swedish publisher?

Someone to answer, please?

Santiago.
Kari Olavi Lepola
There has been so much talk about copyrightlaws etc and
now I think I have to tell my opinion.

Copyrightlaw will not become obsolete nor will it be removed.
Think how really basic thing it is that you have the right to
own your intellectual work. It is in some sort of relation even
with patents and such. Creating anything takes finacial investment,
even time you spend as a hobby can be considered worth something.
You absolytely must be able to protect your property and get the
money yourself from your work. I wouldn't work and then let somebody
else take all the money away from me,
even if they didn't keep any of the money themselves. It would
still be away from me and my dinner table. (I don't mean charity and
voluntary work and such. I mean working professionally)
So if intellectual work isn't protected people will stop doing it.

Companies (even big ones) must be treated equally to humans.
If I work and create as an individual human beeing, everybody probably
say that I have right to "fruits of my work", then if I start a small
oneman company and do the same work and then the company grows to three,
ten, hundred, thousand workers company, when would my right to my property
end? If I buy shares of huge company I own a part of all it's property,
when would it seize to be my property and become general property?

Somebody gave the idea that Disney shouldn't have MORAL right to
its stories, because they dont' print them in the US or pay
artists only once etc. What has that to do with this? Would
there be different rights according to how nice and good you were and
how many people liked you or not? Law in the end really isn't about
moral it is about facts, why? Because there is no king Solomon,
you cannot draw lines based on character and feelings. You have to
stick to the book and treat everybody the same, even if it in
some conditions seems wrong, because in the other way the ground
in a real swamp and you will sink into it really, really fast.

About the possibility to legislate and enforce laws over the Internet.
Yes, at the moment you can use servers in other countries and work
around laws that way. But I do believe that things like copyright
and such will be legislated at least between western countries, when
the need to do so really arrises. And all the "other" countries will
probably be inclined to join these sort of agreements, baucause it
will probably be in their interest to do so. It's nice be close friends
with other countries and to do serious business with them, it is
at least more profitable. And the really wague third world contries?
If they don't allow their own people to get everywhere to the net,
why would they risk westeners to get into their contry to freely
post all sorts of stuff there? And even still we do live in our
own countries. Maybe they make it illegal for citizens to brake the
law in their own country by doing it from abroad. For example
I would live in US and send something to France to be posted back
to the US.

And even now (at least between most contries) copyright law works.
So for example Disney could probably sue somebody in Brazil.
They just have to start the court process there. And moving the pages to
another country wouldn't help because the question would be of a copyright
violation already done in Brazil. Most countries do already have
copyright laws that are similar. And once you have copyright somewhere
then you have it in the other countries with the laws also.

Then the amount thing. You can't catch all if there is enought people
to catch? Well it is basically right, but what if I catch say ten
and sue them with as much as I can and make sure that there is enough
publicity. The others might become woried that I might do the same to some
of them also. How is it, do they feel lucky? They might consider stopping
what ever they are doing that is illegal.

About public domain. When Bram Stoker wrote his story, he used the old
stories, and legend and the idea of vampires, He didn't create vampires,
he didnt' even create Dracula, but used the story of Vlad Tepes (I'm
not sure how is should be spelled) the monarc who actually lived. But
still he had/(has) the right to his text, the words in the order which
he used them, but not rights to vampires. Like the story of Pocahontas,
Disney made a film about that. They have rights to that film, so that
nobody can make a copy of it and show it for money for other people.
But anyboydy can make their own film about Pocahontas and Disney can't
say anything about that. That's the point, the idea is public domain,
but not the work itself. I wouldn't call using the public domain
plundering, but using something which is copyrighted by somebody else
(like a character etc) is.

Information revolution is indeed coming, and things like buying a story
directly from it's creator is a good thing. But there we aren't braking
copyright law, we are just doing normal business.
And if Don Rosa or any other artist sell his stories to Disney and
get paid once for all rights the matter is between them and nobody else.
Hopefully he gets the amount he thinks the story is worth, considering
that he sell all rights, also the right to print it as many times and
in as many contries as Disney likes. After that it's legally Disneys
property and I think that their rights should be honoured.
We should remember that copyright isn't just about ducks, and comics
and this one company, it's a lot bigger issue.

Anyway I think that that is defenedly enough rambling from me :)

Kari.Lepola at hut.fi
Henri Kunne
Per Erik Malmstr?m,
(hope I got that one right; my email program made a mess of it!)
at 12:00 17-10-00 +0200, you wrote:

>John Garvin:
> > Sure Disney has a lot of lawyers,
> > but do they have time to after hundreds, even thousands, of internet
> copyright
> > viloations here in the States?
>
>The answer is most likely "No", but does that justify breaking the law?
>The copyright laws
>were created for a good reason, and I believe that reason is just as valid
>today as it was ten
>years ago. Why shouldn't it be?
> I wholeheartedly share Joakim Gunnarsson's opinion that only rare
> material belong on the
>Internet. New stories can be bought over desk.

Per, you may be talking about laws and moral idealism, but John is talking
about facts and human nature.
I, too, am convinced that Disney and all the others of his kind are
fighting a lost battle - even if I'm not as
'optimstic' about time as he is; I'm afraid the struggle is going to take
many decades.

>The guy who did the "obscene" MM-story (Air Pirate Funnies) is named Dan
>O'Neill. Don't know anything
>about him, except he showed me Mickey & Minnie in the nude, and I still
>haven't recovered!

Oh, you haven't....? Now, please don't make a fool out of yourself!
Nobody's ever going to complain
about Donald, or one of his gang, in the nude, or Pluto, or even Goofy in
the very old days. So what's
wrong with Mickey? I strongly dissuade you to read one of the oldest issues
of the Italian Topolino; in
those days, Italia allowed naked Mickeys. (I know of issues 145-146; a
Scarpa story, btw.)
What about the bootleg story, this is the first time I see it
mentioned on this list. Years ago, I
read about it on a site containing the Usenet archive. (Something like
www.deja.com or www.dejavu.com,
I don't remember it exactly, even couldn't say if it's still online.) Only
one posting is about the story,
so either is has never been answered at all, or somebody sent an answer by
private mail. Anybody
on this list got more information?
Greetings, Henri
Rodney W Bowcock Jr.
I'm not certain, but I think that because Don Rosa's stories are done
using Disney characters, no matter where they are published they are
bound by copyright laws that affect Disney property in whatever country
that may happen to be.

Regardless of the situation on copyright issues, it's something I
wouldn't want my name attatched to. I don't think I'm being paranoid
when I question whether or not there may be Disney lawyers lurking on
this list. There are many lurkers you know, and many other people who
don't use their full names on this list. It's possible.

Rodney Bowcock (who is desperatly searching for a copy of The Golden Age
of Comedy film.)

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Pietro Reynaud-Bersanino
At Tue, 17 Oct 2000 16:57:13 +0300 (EET DST), Kari Olavi Lepola wrote:

>Copyrightlaw will not become obsolete nor will it be removed.
>Think how really basic thing it is that you have the right to
>own your intellectual work.

>So if intellectual work isn't protected people will stop doing it.
>
>Companies (even big ones) must be treated equally to humans.

>Like the story of Pocahontas,Disney made a film about that. They have
rights to >that film, so that
>nobody can make a copy of it and show it for money for other people.
>But anyboydy can make their own film about Pocahontas and Disney can't
>say anything about that.

I do not understand who pays the American Native (who invented the story
and the character) intellectual work ... the same for SnowWhite, did Disney
payed to all the descend of people who invented the fairy-tale. Did have
Fedro the copyright on Talking Animals? ... Maybe you know that Tony Twist,
an american ice-hokey player asked Todd McFarlane $24.5 million because he
use in his comics a villain called Antony Twistelli in his comic Spawn ...
not a charachter with the same face, just a similar name (and he won the
issue) ... what should European Granny ask to Disney to use Snowhite, what
should Grece government ask Disney to use Talking Animals, a biggest
invention that a crippled name!!??

>That's the point, the idea is public domain,
>but not the work itself.

Who decide that an idea is pubblic domain. Take the Chemist Corporation who
go in the Rain Forest asking ancient medicine men about plants and do not
pay nothing for the idea af a medicine man who decided to use that plant to
cure an illness and and then put a copyright to protect "their own larceny".
Having and idea is not an intellectual work? Intellectual work is just
manipolating some one else ideas?

The most part of human beeing do not know what a copyright law is but they
continue to have ideas, and to produce intellectual work!

Then as Thomas Jefferson said, "one man's knowledge does never diminish
another's" - [and all intellectual property], "violates the efficiency rule
[of economics]: that price should equal marginal cost of reproduction, wich
for knowledge is nearly zero"

In fact Disney respect the efficiency rule and do not publish any disney
comics in USA.

IMH, we can discuss about the opportunity or the ethicity to put copyrigted
disney comics on the web but we cannot considering copyright law as a
divine law, a Tabu. Copyright is a law, with no more then 200 years, IMH,
it helped market society (capitalism in other words) to grow up, but now
the marketplace is mature a can defend himself in differents and more
efficient ways. Slavery decade almost all over the world, dead penalty
decaded all over Europe, VAT is decading in e-commerce, and copyright law
is going to decade in short time ...

Ciao da Pietro
Per-Erik Malmström
Henri Kunne wrote
> Per, you may be talking about laws and moral idealism, but John is talking
> about facts and human nature.

Huh? I don't see what you mean. I asked if it's ok to break the law just because it's possible. Are you saying it's in the human nature to do so? Are you saying that I'm inhuman?:-)
Oh, er, the naked-mice part... I don't remember writing that.
You must have quoted someone else. (You almost got my name right though, except for a silly little hyphen.)

Pietro Reynaud-Bersanino wrote:
> Slavery decade almost all over the world, dead penalty
> decaded all over Europe, VAT is decading in e-commerce, and copyright law
> is going to decade in short time ...

I don't think that's a good comparison - especially since its contradictory. The only thing slavery, death penalty and copyright laws have in common, as far as I can see, is theft. And in one case you are against it, in another you encourage it, even want to see it lagalized?

Best Wishes
/Per-Erik

"The wireless telegraph is not difficult to understand.
The ordinary telegraph is like a very long cat. You pull
the tail in New York, and it meows in Los Angeles. The
wireless is the same, only without the cat."
-Albert Einstein
Antonio Svevi
In all European comics I know of, authors get paid
every time one of their stories is reprinted, in any
country. Dargaud, Casterman and other comic editors always
had such policy.
I don't know about US laws, but in France there are
different kinds of "copyrigths"
- droit d'auteur (author-rigths)
When original artwork is sold
in an auction, for instance, a 3 % fee should be
given to the author
This law was made to give fees to authors
and not only people speculating on paintings etc.
- droit de reproduction (copy-rigths)
- droit d'emission & others

Some of these rigths are incessible, like the author rigth,
meaning that only the authors or the family of the author
own them. They can not be sold to any party.

I am sorry but in Europe (at least France) when an author
make an original piece of work, even with Disney character,
this comic can not be the sole and only property of Disney
(even if Disney claims so. But they do not make the laws
- there's a parliament for that!). No company or person can
legally buy "incessible" rigths.

I will not add anything on this, but I guess you know what I
think.
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