Hello,
Since I'm going to leave for Budapest for 5 days, I'd like to
know if there is any kind of Disney publication in Hungary, or
also used comic books stores...
Any Hungarian on this list?
- Paolo
--
http://members.xoom.it/inducks mailto:p.castagno at libero.it
'Ho finito proprio adesso di contare il mio denaro! Ho impiegato
tredici anni, ed ora non mi ricordo il totale!'
(Zio paperone in W OS 456-02)
Author
Topic: 200010
(203 messages)
Paolo Castagno
Hungarian Disney comics?
Message 91 -
2000-10-12 at 20:12:52
Rodney W Bowcock Jr.
Copyright issues
Message 92 -
2000-10-13 at 01:10:05
in many ways i do agree with Harry's comments regarding copyrights. it
*does* keep people from buying the original product in many cases, but
(do i see shades of Napster here?) something that Harry, and many others
might not realize, is that comics are a dying field in the USA. Kids
simply don't read them anymore. At my local comic shop kids come in,
stand at the counter to buy their Pokemon cards and run out, without
noticing the big white boxes throughout the store. They simply don't
realize what they're missing.
Just like how many music groups don't mind their stuff being on Napster
because it turns people onto music that they may not hear if they had to
pay for it, I view downloading of Barks and Rosa stories the same way.
If 1 person, who has never read Barks or Rosa before gets the chance to
do so because of a story on the internet, it was for a good cause.
Yes it is a copyright violation but there is no way that Disney could
ever keep track of all of the downloaded stories on the web. We need to
keep in mind that we are *not* stealing from Barks or Rosa, or even
Gladstone for that matter, (because backissues sold in comic shops have
already been bought by the comic shop). So who are we stealing from?
certainly not Disney. they have obviously no plans to do anything with
these stories in this country. not the comic shops. if anything i'd
think they'd be grateful that now there might be some kids who would buy
up those stacks of Uncle Scrooge comics that have been filling up space
for 10 years. I have the original stories and would much rather read them
on paper than on my monitor screen, but if I didn't have them, I would
read them and then run out and buy them.
So what's my point? Doing this hurts no one, and has the potential to
help millions. While I question whether this should be encouraged, I
also question whether we should be discouraging this...........
Rodney Bowcock
________________________________________________________________
YOU'RE PAYING TOO MUCH FOR THE INTERNET!
Juno now offers FREE Internet Access!
Try it today - there's no risk! For your FREE software, visit:
http://dl.www.juno.com/get/tagj.
*does* keep people from buying the original product in many cases, but
(do i see shades of Napster here?) something that Harry, and many others
might not realize, is that comics are a dying field in the USA. Kids
simply don't read them anymore. At my local comic shop kids come in,
stand at the counter to buy their Pokemon cards and run out, without
noticing the big white boxes throughout the store. They simply don't
realize what they're missing.
Just like how many music groups don't mind their stuff being on Napster
because it turns people onto music that they may not hear if they had to
pay for it, I view downloading of Barks and Rosa stories the same way.
If 1 person, who has never read Barks or Rosa before gets the chance to
do so because of a story on the internet, it was for a good cause.
Yes it is a copyright violation but there is no way that Disney could
ever keep track of all of the downloaded stories on the web. We need to
keep in mind that we are *not* stealing from Barks or Rosa, or even
Gladstone for that matter, (because backissues sold in comic shops have
already been bought by the comic shop). So who are we stealing from?
certainly not Disney. they have obviously no plans to do anything with
these stories in this country. not the comic shops. if anything i'd
think they'd be grateful that now there might be some kids who would buy
up those stacks of Uncle Scrooge comics that have been filling up space
for 10 years. I have the original stories and would much rather read them
on paper than on my monitor screen, but if I didn't have them, I would
read them and then run out and buy them.
So what's my point? Doing this hurts no one, and has the potential to
help millions. While I question whether this should be encouraged, I
also question whether we should be discouraging this...........
Rodney Bowcock
________________________________________________________________
YOU'RE PAYING TOO MUCH FOR THE INTERNET!
Juno now offers FREE Internet Access!
Try it today - there's no risk! For your FREE software, visit:
http://dl.www.juno.com/get/tagj.
Pietro Reynaud-Bersanino
DCML digest, Vol 1 #286 - 12 msgs
Message 93 -
2000-10-13 at 08:07:19
At 12.00 12/10/00 +0200, Harry wrote:
> the copyright law is not stupid. It's common sense to protect the
>creativity of individuals.
> the copyright law is not stupid. It's common sense to protect the
>creativity of individuals.
Kriton Kyrimis
New scanned stories: DO we have permission to do that?
Message 94 -
2000-10-13 at 10:23:28
APOSTOLIS, HARRY:
> > Do you
> > want for all us to shut down our pages because of a stupid
> > law which saying that only the company have the copyrights?
>
> And the copyright law is not stupid. It's common sense to protect the
> creativity of individuals.
I'll have to agree with Harry here. How would you feel, Apostolis,
if you spent a great deal of effort in writing a story, then selling
0 copies of it, just because an enthusiastic young man like yourself
had posted it to the web, and people didn't need to go out and buy the
actual book to read your story? Or how would you feel if Egmont's sales
dropped significantly, because people would read new stories on the web,
scanned from a copy hot off the press, and they decided that they couldn't
afford to pay people like Don to produce new stories?
Disney may be stretching the interpretation of Copyright laws in their
favor, but fighting this cannot be done by trying to break exactly those
things that these laws intend to protect; you are only giving Disney
extra ammunition to enforce their views.
Kriton (e-mail: kyrimis at cti.gr)
(WWW: http://dias.cti.gr/~kyrimis)
-----
"Nobody would have the gumption to tell the captain of the U.S.S. Enterprise
he couldn't have his doctor, his dentist, his favorite carpenter, or his dog
groomer at his side if he wanted to, security clearance or not."
-----
> > Do you
> > want for all us to shut down our pages because of a stupid
> > law which saying that only the company have the copyrights?
>
> And the copyright law is not stupid. It's common sense to protect the
> creativity of individuals.
I'll have to agree with Harry here. How would you feel, Apostolis,
if you spent a great deal of effort in writing a story, then selling
0 copies of it, just because an enthusiastic young man like yourself
had posted it to the web, and people didn't need to go out and buy the
actual book to read your story? Or how would you feel if Egmont's sales
dropped significantly, because people would read new stories on the web,
scanned from a copy hot off the press, and they decided that they couldn't
afford to pay people like Don to produce new stories?
Disney may be stretching the interpretation of Copyright laws in their
favor, but fighting this cannot be done by trying to break exactly those
things that these laws intend to protect; you are only giving Disney
extra ammunition to enforce their views.
Kriton (e-mail: kyrimis at cti.gr)
(WWW: http://dias.cti.gr/~kyrimis)
-----
"Nobody would have the gumption to tell the captain of the U.S.S. Enterprise
he couldn't have his doctor, his dentist, his favorite carpenter, or his dog
groomer at his side if he wanted to, security clearance or not."
-----
Fluks, H.W.
Copyrights
Message 95 -
2000-10-13 at 11:51:36
Pietro Reynaud-Bersanino:
> Thomas Jefferson, in a very different time - true - but
> correctly, noted -
> that "one man's knowledge does never diminish another's"
There is a difference between knowledge and art. I agree that knowledge
should not be kept from anyone (but still the origin of the knowledge should
be credited). This is continuously happening in the scientific world.
This is also the intention with our Inducks database, for instance.
But *art* is a different matter. It was made with a different purpose. And
it is not more than fair to protect the creative process with a copyright
law.
Rodney:
> something that Harry, and many others
> might not realize, is that comics are a dying field in the USA.
I do realise that. I have been experiencing it several times. 8-)
> Yes it is a copyright violation but there is no way that Disney could
> ever keep track of all of the downloaded stories on the web.
I'm not sure about that. Disney might threaten the mostly-used providers
with lawsuits, and then *noone* will be allowed to have *any* website
related to Disney. I'm not sure this will happen, but with Disney you can
expect anything.
> We need to
> keep in mind that we are *not* stealing from Barks or Rosa, or even
> Gladstone for that matter, (because backissues sold in comic
> shops have already been bought by the comic shop).
Back issues can still be ordered from Gladstone (or the Bruce Hamilton
Company), if I'm not mistaken. (And Gladstone's "Library in Color" is still
for sale in many European book shops.)
--Harry.
> Thomas Jefferson, in a very different time - true - but
> correctly, noted -
> that "one man's knowledge does never diminish another's"
There is a difference between knowledge and art. I agree that knowledge
should not be kept from anyone (but still the origin of the knowledge should
be credited). This is continuously happening in the scientific world.
This is also the intention with our Inducks database, for instance.
But *art* is a different matter. It was made with a different purpose. And
it is not more than fair to protect the creative process with a copyright
law.
Rodney:
> something that Harry, and many others
> might not realize, is that comics are a dying field in the USA.
I do realise that. I have been experiencing it several times. 8-)
> Yes it is a copyright violation but there is no way that Disney could
> ever keep track of all of the downloaded stories on the web.
I'm not sure about that. Disney might threaten the mostly-used providers
with lawsuits, and then *noone* will be allowed to have *any* website
related to Disney. I'm not sure this will happen, but with Disney you can
expect anything.
> We need to
> keep in mind that we are *not* stealing from Barks or Rosa, or even
> Gladstone for that matter, (because backissues sold in comic
> shops have already been bought by the comic shop).
Back issues can still be ordered from Gladstone (or the Bruce Hamilton
Company), if I'm not mistaken. (And Gladstone's "Library in Color" is still
for sale in many European book shops.)
--Harry.
Apostolis Trikourakis
Copyrights
Message 96 -
2000-10-13 at 12:20:26
Kriton wrote:
>I'll have to agree with Harry here. How would you feel, Apostolis,
>if you spent a great deal of effort in writing a story, then selling
>0 copies of it, just because an enthusiastic young man like yourself
>had posted it to the web, and people didn't need to go out and buy the
>actual book to read your story?
I agree with you. But the stories that I'm scanning (and not only mine
scans) is already published in Europe (or the most of them). So, I think
that any European disney fan have already a copy of these stories. In U.S.A.
there are not disney comics. Where the fans will find their favourite story?
Well, they can order issues from Europe, or they can read the stories from
the web. Finally, a good fan is not the fan who is collecting scanning
stories. I have a lot of Don Rosa's stories from KOMIX and I'll keep buying
it even if Komix publish a story that I already have in scans. The sense of
a story in the paper, the coloring, the quality is much better than the
scanned stories. Apart from quality, all (or the most) the scanned stories
are in English. Someone who can't read english in a right way, he must wait
until his country's disney magazine will publish it. So, not all the scanned
stories are familiar with their readers. All of us want the original copies
from the disney magazines (Komix, Picsou, Zio Paperone, Anders And, Anku
Ankka and many-many other good magazines) we like, not only the scans.
With the scanned stories we're giving a chance to all the Don Rosa's fans to
read some stories that are unpublished in the U.S.A. And think about: we
don't want money for doing that. We only doing that because we want it to
do. Internet is a free world, arts must be free in both real and Internet
worlds. And comics IS an art.
Best Wishes
Apostolis Trikourakis, Athens
E-mail: komix43 at hotmail.com
Web Site: http://www.geocities.com/komixgreekpage
DCML member
>I'll have to agree with Harry here. How would you feel, Apostolis,
>if you spent a great deal of effort in writing a story, then selling
>0 copies of it, just because an enthusiastic young man like yourself
>had posted it to the web, and people didn't need to go out and buy the
>actual book to read your story?
I agree with you. But the stories that I'm scanning (and not only mine
scans) is already published in Europe (or the most of them). So, I think
that any European disney fan have already a copy of these stories. In U.S.A.
there are not disney comics. Where the fans will find their favourite story?
Well, they can order issues from Europe, or they can read the stories from
the web. Finally, a good fan is not the fan who is collecting scanning
stories. I have a lot of Don Rosa's stories from KOMIX and I'll keep buying
it even if Komix publish a story that I already have in scans. The sense of
a story in the paper, the coloring, the quality is much better than the
scanned stories. Apart from quality, all (or the most) the scanned stories
are in English. Someone who can't read english in a right way, he must wait
until his country's disney magazine will publish it. So, not all the scanned
stories are familiar with their readers. All of us want the original copies
from the disney magazines (Komix, Picsou, Zio Paperone, Anders And, Anku
Ankka and many-many other good magazines) we like, not only the scans.
With the scanned stories we're giving a chance to all the Don Rosa's fans to
read some stories that are unpublished in the U.S.A. And think about: we
don't want money for doing that. We only doing that because we want it to
do. Internet is a free world, arts must be free in both real and Internet
worlds. And comics IS an art.
Best Wishes
Apostolis Trikourakis, Athens
E-mail: komix43 at hotmail.com
Web Site: http://www.geocities.com/komixgreekpage
DCML member
Fabio Rossi
R: About I TL 2341-1: did crime win?
Message 97 -
2000-10-13 at 13:35:39
> -----Messaggio originale-----
> Da: Fluks, H.W. [mailto:H.W.Fluks at kpn.com]
> Inviato: mercoled? 11 ottobre 2000 21.14
> A: dcml at stp.ling.uu.se
> Oggetto: RE: About I TL 2341-1: did crime win?
>
> I just read a Giorgio story, and he is not bad either! 8-)
>
> --Harry.
> (Balm? Gladstone? Reeves? Wiegman? - no: Fluks.)
uh?
oh! yes!
the Cavazzano/Mezzavilla story appeared in Italy is a good story, strange, but good.
Excuse me for a bad explanation, but I referred my disappoint to new Mickey Mouse italian pubblication (MM);
in this case Mickey live in Anderville and the story is "noir" and more realistic,
bah! this pubblication (MM) is poor and the crime WIN.
> Da: Fluks, H.W. [mailto:H.W.Fluks at kpn.com]
> Inviato: mercoled? 11 ottobre 2000 21.14
> A: dcml at stp.ling.uu.se
> Oggetto: RE: About I TL 2341-1: did crime win?
>
> I just read a Giorgio story, and he is not bad either! 8-)
>
> --Harry.
> (Balm? Gladstone? Reeves? Wiegman? - no: Fluks.)
uh?
oh! yes!
the Cavazzano/Mezzavilla story appeared in Italy is a good story, strange, but good.
Excuse me for a bad explanation, but I referred my disappoint to new Mickey Mouse italian pubblication (MM);
in this case Mickey live in Anderville and the story is "noir" and more realistic,
bah! this pubblication (MM) is poor and the crime WIN.
Kriton Kyrimis
DCML digest, Vol 1 #287 - 10 msgs
Message 98 -
2000-10-13 at 14:19:49
APOSTOLIS:
> Apart from quality, all (or the most) the scanned stories
> are in English. Someone who can't read english in a right way, he must wait
> until his country's disney magazine will publish it.
This argument would have been more valid if you were talking about scanned
pages of KOMIX, which few people, apart from Greeks, would be able to
read them. The majority of people on the Internet (and certainly this
list) can read English, which is the de facto language on the Internet.
Kriton (e-mail: kyrimis at cti.gr)
(WWW: http://dias.cti.gr/~kyrimis)
-----
"Nobody would have the gumption to tell the captain of the U.S.S. Enterprise
he couldn't have his doctor, his dentist, his favorite carpenter, or his dog
groomer at his side if he wanted to, security clearance or not."
-----
> Apart from quality, all (or the most) the scanned stories
> are in English. Someone who can't read english in a right way, he must wait
> until his country's disney magazine will publish it.
This argument would have been more valid if you were talking about scanned
pages of KOMIX, which few people, apart from Greeks, would be able to
read them. The majority of people on the Internet (and certainly this
list) can read English, which is the de facto language on the Internet.
Kriton (e-mail: kyrimis at cti.gr)
(WWW: http://dias.cti.gr/~kyrimis)
-----
"Nobody would have the gumption to tell the captain of the U.S.S. Enterprise
he couldn't have his doctor, his dentist, his favorite carpenter, or his dog
groomer at his side if he wanted to, security clearance or not."
-----
Hans Kiesl
Swedish Disney writers
Message 99 -
2000-10-13 at 14:58:44
A question to the Swedish list members:
In an old issue of a German fanzine (Nov. 1977) I found the
translation of an article from "Aftonbladet" which deals with Disney
comics from Sweden.
Several writers of Disney stories are mentioned: Ulf Nilsson,
a librarian from Ronneby (only one story published); Erling Frick,
a teacher from Avesta (only a few stories published); Margareta
Wilson, a teacher from Helsingborg (more than 70 stories published).
They all wrote for Gutenberghus (Denmark).
There is no information about these persons in Inducks or on the DCML
site. Does anyone know more about them?
-Hans-
In an old issue of a German fanzine (Nov. 1977) I found the
translation of an article from "Aftonbladet" which deals with Disney
comics from Sweden.
Several writers of Disney stories are mentioned: Ulf Nilsson,
a librarian from Ronneby (only one story published); Erling Frick,
a teacher from Avesta (only a few stories published); Margareta
Wilson, a teacher from Helsingborg (more than 70 stories published).
They all wrote for Gutenberghus (Denmark).
There is no information about these persons in Inducks or on the DCML
site. Does anyone know more about them?
-Hans-
Stefan Persson
Swedish Disney writers
Message 100 -
2000-10-13 at 18:40:05
----- Original Message -----
From: "Hans Kiesl" <hans.kiesl at sowi.uni-bamberg.de>
To: <dcml at stp.ling.uu.se>
Sent: Friday, October 13, 2000 1:58 PM
Subject: Swedish Disney writers
> In an old issue of a German fanzine (Nov. 1977) I found the
> translation of an article from "Aftonbladet" which deals with Disney
> comics from Sweden.
Aftonbladet published Donald Duck dailies 38/7/4 to 96/31/12, if anyone's
interested.
From: "Hans Kiesl" <hans.kiesl at sowi.uni-bamberg.de>
To: <dcml at stp.ling.uu.se>
Sent: Friday, October 13, 2000 1:58 PM
Subject: Swedish Disney writers
> In an old issue of a German fanzine (Nov. 1977) I found the
> translation of an article from "Aftonbladet" which deals with Disney
> comics from Sweden.
Aftonbladet published Donald Duck dailies 38/7/4 to 96/31/12, if anyone's
interested.
Alessandro Iovino
Hungarian disney comics
Message 101 -
2000-10-14 at 17:51:34
Hi Paolo,
I was in Budapest two years ago, and I got a Disney comic
magazine called Donald Kacsa.
I asked for it at a newspaper kiosk.
Have a god trip!
Alex
I was in Budapest two years ago, and I got a Disney comic
magazine called Donald Kacsa.
I asked for it at a newspaper kiosk.
Have a god trip!
Alex
Shelley Hanson/KlezmerAllThatJazz
Copyright
Message 102 -
2000-10-14 at 18:58:57
There is one additional factor you have all failed to consider in your very
interesting debate on copyright.
In the United States, and I'm sure in most countries, there is the "Fair Use
Doctrine." Material which is OUT OF PRINT may be duplicated and used for
study. Therefore, a person, say a professor at a university, legally may
xerox an article from a journal and use it for research, or send it to
someone somewhere else (somewhere in nowhere?) who needs it but doesn't have
access to the original.
This means that it is okay to upload a story, AFTER IT IS NOT AVAILABLE IN
STORES. If you wait one month, until the next issue is out, it is legal. But
you CAN NOT do this if someone could still buy it. Remember this is for
study purposes -- you can't be making any money on this. Where Disney could
sue you is if they say they are re-printing this -- this is a little tricky.
Another part of the law says that you can quote short excerpts from
something as part of a scholarly study. So if someone wants to upload, for
instance, some of the censored art which Barks (and others) later changed
when it was reprinted, it is absolutely legal to upload the original panels
and then the changed ones. So to be safer, you might not want to upload a
whole story all at the same time.
However, if something is still available for purchase and you upload it, you
are violating the law (and hurting the publisher, who may stop publishing
the stories, thus hurting all of us). In the United States, everything is
out of print (this is why there is not a next generation of readers of duck
comics). So I don't think anyone is violating U.S. copyright law doing this,
especially issues from European countries which we can't buy in the U.S., as
long as they wait until the next issue is in the stores. But whether you are
violating your own countries' laws, you will have to check.
Does anyone know when "Somewhere in Nowhere" will be published? Thanks.
interesting debate on copyright.
In the United States, and I'm sure in most countries, there is the "Fair Use
Doctrine." Material which is OUT OF PRINT may be duplicated and used for
study. Therefore, a person, say a professor at a university, legally may
xerox an article from a journal and use it for research, or send it to
someone somewhere else (somewhere in nowhere?) who needs it but doesn't have
access to the original.
This means that it is okay to upload a story, AFTER IT IS NOT AVAILABLE IN
STORES. If you wait one month, until the next issue is out, it is legal. But
you CAN NOT do this if someone could still buy it. Remember this is for
study purposes -- you can't be making any money on this. Where Disney could
sue you is if they say they are re-printing this -- this is a little tricky.
Another part of the law says that you can quote short excerpts from
something as part of a scholarly study. So if someone wants to upload, for
instance, some of the censored art which Barks (and others) later changed
when it was reprinted, it is absolutely legal to upload the original panels
and then the changed ones. So to be safer, you might not want to upload a
whole story all at the same time.
However, if something is still available for purchase and you upload it, you
are violating the law (and hurting the publisher, who may stop publishing
the stories, thus hurting all of us). In the United States, everything is
out of print (this is why there is not a next generation of readers of duck
comics). So I don't think anyone is violating U.S. copyright law doing this,
especially issues from European countries which we can't buy in the U.S., as
long as they wait until the next issue is in the stores. But whether you are
violating your own countries' laws, you will have to check.
Does anyone know when "Somewhere in Nowhere" will be published? Thanks.
Andrae
Comics Journal Tribute to Carl Barks
Message 103 -
2000-10-14 at 19:13:52
Thanks for mentioning The Barks tribute in the Comics Journal and the
transcription of the Barks video that is reprinted there. Unfortunately my
name was left off the interview. Don Ault and I did the interview together
in 1975. It has never been fully reprinted before.
I produced the video tape version called "The Duck Man: An interview with
Carl Barks." It took me and a professional editor about six to eight
months of work to put it together. I wanted to make certin that the clip
of Carl drawing Uncle Scrooge got preserved. The entire tape was
disintegrating because of its age and we had to send out this one section
to a technician to make a special print of it to preserve it. The rest of
the tape had to be fed through an old video player a little at a time
because the tape wouldn't play well on contemporary machines. I feel very
fortunate that we were able to preserve this rare tape and present it to
fans even in its imperfect state. I think it offers a glimpse of Carl that
heighlights his great charm and humor. I hope that those of you that have
it you have enjoyed watching it.
Sincerely,
Tom Andrae
Robin Andrae
Tom Andrae
andrae at global.california.com
transcription of the Barks video that is reprinted there. Unfortunately my
name was left off the interview. Don Ault and I did the interview together
in 1975. It has never been fully reprinted before.
I produced the video tape version called "The Duck Man: An interview with
Carl Barks." It took me and a professional editor about six to eight
months of work to put it together. I wanted to make certin that the clip
of Carl drawing Uncle Scrooge got preserved. The entire tape was
disintegrating because of its age and we had to send out this one section
to a technician to make a special print of it to preserve it. The rest of
the tape had to be fed through an old video player a little at a time
because the tape wouldn't play well on contemporary machines. I feel very
fortunate that we were able to preserve this rare tape and present it to
fans even in its imperfect state. I think it offers a glimpse of Carl that
heighlights his great charm and humor. I hope that those of you that have
it you have enjoyed watching it.
Sincerely,
Tom Andrae
Robin Andrae
Tom Andrae
andrae at global.california.com
UNDBKB
Scotland
Message 104 -
2000-10-14 at 19:19:58
I will be traveling to Scotland on the 19th of October, and staying near
Edinburgh. Does any member know of nearby shops selling Disney material.
Thanks in advance!
Barry.
Edinburgh. Does any member know of nearby shops selling Disney material.
Thanks in advance!
Barry.
Joakim Gunnarsson
Erling Frick
Message 105 -
2000-10-14 at 19:44:41
Hans wrote:
> A question to the Swedish list members:[...]
> Several writers of Disney stories are mentioned: [...]; Erling Frick,
> a teacher from Avesta (only a few stories published[...]
>Does anyone know more about them?
I was in touch with Erling only two days ago via e-mail about
non-Disney related stuff.
But if you want I can ask him for whatever info you want.
Please send your questions to me off-list and I'll then forward them to Erling.
/Joakim Gunnarsson,
Malmo, Sweden
> A question to the Swedish list members:[...]
> Several writers of Disney stories are mentioned: [...]; Erling Frick,
> a teacher from Avesta (only a few stories published[...]
>Does anyone know more about them?
I was in touch with Erling only two days ago via e-mail about
non-Disney related stuff.
But if you want I can ask him for whatever info you want.
Please send your questions to me off-list and I'll then forward them to Erling.
/Joakim Gunnarsson,
Malmo, Sweden