Keskustelujen arkisto

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Topic: 200108

(256 messages)
Norbert Stippler
This might have been mentioned before (I accidentally deleted some of the mails
before reading), but I think there is one clear case of death in a Barks-comic.

It is "Donald Duck in Ancient Persia". The mad scientist is caught by the vapor
in the end of the story and is turned into dust. His last words are: "I must get
to the open air if I'm going to live to own the world."

Norbert
Michael Rhode
Can someone email me digest 618? Hotmail seems to have lost it on me.

Thanks!

Mike Rhode
mrhode at hotmail.com

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Hans Kiesl
ETA BETA, ARMANDO:

Armando wrote about I TL 466-B:

> Interesting... I TL 466-B has just been reprinted in Italy in
> "Grandi Classici" 176: Clarabelle's uncles die because of the
> explosion of a bomb in their pumpkin field. The scene is drawn by
> Carpi. I've checked an older Italian reprint (CWD 32, from 1969),
> and there's no trace of Perego there, either... maybe Perego
> re-drew the scene for a later reprint (CD 57, or TM 27)? Can
> anybody check?

And Eta Beta answered:

> Just checked the CD 57 reprint against the original, and there's
> no difference, and no trace of Perego's art anywhere. It's the
> bomb explosion (a leftover of military manoeuvres) that does it
> for the uncles... the concept is, however, treated with some...
> "lightness"... the farmer, after the explosion, goes "Oh... the
> Cow brothers just disappeared..."

Interesting! Did I understand correctly: There is no Perego art
neither in the original story nor in any Italian "i classici" reprint?
That means that Perego re-drew the scene for non-Italian
paperbacks only?

If you would like to know what Petri was talking about, have a look
at the German version in "Lustige Taschenb?cher" no. 13:
http://www.geocities.com/kiesl1729/I_TL_466_B_a.jpg
http://www.geocities.com/kiesl1729/I_TL_466_B_b.jpg
http://www.geocities.com/kiesl1729/I_TL_466_B_c.jpg

And while we're at it: could you please check the original version of
the following panel on page 39 of the same story:
http://www.geocities.com/kiesl1729/I_TL_466_B_d.jpg

The Phantom Blot's face looks a bit like Perego art IMO. But
maybe I'm just imagining things...

-Hans-
Petri Kanninen
ARMANDO:

>I'll be more precise tonight (and I'll also provide scans to Petri, for him
>to put them on the net),

I could put it on our pocket book site. It could interest some people
(non-DCML) to see what changes were made.
http://www.perunamaa.net/taskarit/index.html

>but I seem to remember the scene takes just a few panels in the original
>version.
[...]
>The Inducks currently reports that the TM 27 reprint (which came out > in
>1994) is 40 pages long, exactly like the original version - which > seems
>to imply that no addition was made (maybe Marco Barlotti can verify?).

That's funny. The Finnish version is also 40 pages long, so if the original
scene is only few panels they must have cut something out. But I don't
recall any gaps in the plot.
Oh, it would sure be nice to live in a bigger apartment so my collection
could fit in it.

>It seems strange, though, that the Finnish editors had an Italian
>artist perform such a modification... BTW, Petri, could you tell us > in
>which Finnish edition you've read the modified story?

It's in the Finnish pocket book (Aku Ankan taskukirja) number 3 that is the
reprint of Italian CWD 32. Strange, you would think that the change would be
in the Italian edition too. And there is only one year between the two
publications.
How about other reprints? The story is at least reprinted in Lustiges
Taschenbuch 13, Kalle Ankas pocket bok 11 and Mickey Parade 886 (or 12? I
don't get French issue numbers). Is anyone willing to check?

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Botto Armando
HANS
> Interesting! Did I understand correctly: There is no Perego art
> neither in the original story nor in any Italian "i classici"
> reprint?

Correct.

> That means that Perego re-drew the scene for non-Italian
> paperbacks only?

Indeed. "Lustige Taschenb?cher" no. 13 came out in 1970, only one year after
the first Italian reprint ("Classici di Walt Disney" no. 32). Probably the
German editors, while translating the "Classici" book, found something wrong
in the original scene, and they asked Mondadori for a replacement. Perego
has been used many times for such kind of "editing"...

> If you would like to know what Petri was talking about, have a look
> at the German version in "Lustige Taschenb?cher" no. 13:
> http://www.geocities.com/kiesl1729/I_TL_466_B_a.jpg
> http://www.geocities.com/kiesl1729/I_TL_466_B_b.jpg
> http://www.geocities.com/kiesl1729/I_TL_466_B_c.jpg

I'm going to provide Hans with the scans of the original version of the
scene, so that he can put them online for comparison.
Maybe there were too many soldiers and too many bombs in the Carpi version?
Or maybe the scene of the explosion was deemed too explicit? Oh well...

> And while we're at it: could you please check the original version of
> the following panel on page 39 of the same story:
> http://www.geocities.com/kiesl1729/I_TL_466_B_d.jpg
> The Phantom Blot's face looks a bit like Perego art IMO. But
> maybe I'm just imagining things...

I have the same impression. I'll check tonight...

Ciao,
Armando
Botto Armando
PETRI
> >but I seem to remember the scene takes just a few panels in the original
> >version.
> [...]
> >The Inducks currently reports that the TM 27 reprint (which came out in
> >1994) is 40 pages long, exactly like the original version - which seems
> >to imply that no addition was made (maybe Marco Barlotti can verify?).
> That's funny. The Finnish version is also 40 pages long, so if the
original
> scene is only few panels they must have cut something out. But I don't
> recall any gaps in the plot.

My mistake: the "scene" I was thinking about was only the final part of the
sequence redrawn by Perego. After looking at Hans's scans, I can confirm
that 3 pages of Carpi art were exactly replaced by Perego's. It'll all
become very clear as soon as Hans puts the Italian version on-line ;-)

> It's in the Finnish pocket book (Aku Ankan taskukirja) number 3 that is
the
> reprint of Italian CWD 32. Strange, you would think that the change would
be
> in the Italian edition too. And there is only one year between the two
> publications.
> How about other reprints? The story is at least reprinted in Lustiges
> Taschenbuch 13, Kalle Ankas pocket bok 11 and Mickey Parade 886 (or 12? I
> don't get French issue numbers). Is anyone willing to check?

Hans already told us about LT 13, and I'm inclined to think that also the
Swedish version be the Perego one. It would be interesting to know which
North-European editor asked for the modification to be performed...
Instead, Mickey Parade 886 came out in June 1969, exactly like Classici 32 -
so maybe they used the Carpi version... perhaps Francois can check?

Ciao,
Armando
Hans Kiesl
Thanks to Armando Botto, I'm able to provide scans of the original
version of I TL 466-B:

http://www.geocities.com/kiesl1729/TL466B1.jpg
http://www.geocities.com/kiesl1729/TL466B2.jpg
http://www.geocities.com/kiesl1729/TL466B3.jpg

For comparison once again the German version:
http://www.geocities.com/kiesl1729/I_TL_466_B_a.jpg
http://www.geocities.com/kiesl1729/I_TL_466_B_b.jpg
http://www.geocities.com/kiesl1729/I_TL_466_B_c.jpg

I remember a discussion on this list about a similar case: the first
printing of the German pocket book "Lustige Taschenb?cher" no.1
contains Bottaro's I TL 385-A without redrawn panels, whereas all
other printings of that issue contain redrawn panels by Perego. But
I don't remember if those Perego panels show up in the Italian
reprints as well.

-Hans-
Francois Willot
Hi Hans, Armando, Petri

Mickey-Parade # 886 bis has the Carpi original version of the "Phantom Blot
Story".

Francois
Hans Kiesl
Francesco Gerbaldo:

> I'd like tell you that I open a new Disney site about a famous =
> collaborator of Disney Italia. His name is LUCIANO GATTO and he
> was = first collaborator at ink of Romano Scarpa. He came from
> Venice and he draws (and little write) near 400 tales from = 1958.

This is an interesting site, and it will get even more interesting
when you include scans of Gatto's unpublished work, as you
announced.

Maybe you're interested in a sample story of Luciano Gatto's non-
Disney work for the German "Fix und Foxi" comic book. Have a
look at
http://www.geocities.com/kiesl1729/GattoFF1.jpg
(...)
http://www.geocities.com/kiesl1729/GattoFF8.jpg
(eight pages; replace the number in the file names by all numbers
from 1 to 8).
The story was published in Fix und Foxi # 20/1980.

-Hans-
Hans Kiesl
Yesterday I wrote about the changed (censored?) Bottaro panels of
I TL 385-A in the German pocket book "Lustige Taschenb?cher". I
wrote "issue # 1", but meant "issue # 7". Sorry for that.

I don't know why I didn't think of the following immediately: Plenty
of these changes, including the three Perego pages in (non-Italian)
reprints of I TL 466-B, have already been mentioned (and shown) in
Boemund von Hunoltstein's book "Ehapa durchleuchtet". He made
great efforts to list lots of cases of changed artwork (from minor
changes like removing dollar signs or guns to cutting complete
panels or pages). It's a really interesting book!

The only minor flaw in his book might be that he worked under the
hypothesis that most (if not all) of these changes were done by
Ehapa, the German Disney comics publisher. Probably this is not
true; most of the changes seem the have been made by Mondadori
or Egmont Denmark themselves. But while I always guessed that
the Perego panels that show up in "Lustige Taschenb?cher" from
time to time have been made for the Italian reprint series "I classici
di Walt Disney", this seems not always to be true, as I TL 466-B
shows us.

There is another thing that always made me wonder. For many
decades, Italian pocket book stories have been reprinted in
European comic books (I'm thinking of the "Egmont countries").
Pocket book story pages normally consist of six approximately
quadratic panels, comic book story pages normally have eight non-
quadratic panels. Therefore the reprints had to use "cut and paste"
to rearrange the panels. And even more, the quadratic panels had
to be made non-quadratic. There are two ways of doing this: cut
the top of the panel to reduce the height or add some artwork at
the left or the right to increase the width: both of these possibilities
have actually been realized lots of times.

I'm not familiar with the technicalities of comic book producing, but
I'm pretty sure that rearranging panels, cutting or adding artwork
means a lot of work. Why has this been done? Why decided they
to use Italian pocket book stories in comic books, when there were
lots of Italian four-tier comic book stories ready to use? Any
guesses?

-Hans-
Francesco Spreafico
From: "Hans Kiesl" <hans.kiesl at sowi.uni-bamberg.de>

> I'm not familiar with the technicalities of comic book producing, but
> I'm pretty sure that rearranging panels, cutting or adding artwork
> means a lot of work. Why has this been done? Why decided they
> to use Italian pocket book stories in comic books, when there were
> lots of Italian four-tier comic book stories ready to use? Any
> guesses?

I guess that's simply because Italian three-tiers are (were) *way* better,
generally, than Italian four-tiers.

--
Sprea
http://digilander.iol.it/sgrizzo
Fluks, H.W.
Hans:

> I'm pretty sure that rearranging panels, cutting or adding artwork
> means a lot of work.

Not *that* much work. You can put a junior assistant on the cutting and
pasting. No drawing skills needed (as often can be seen in the result).

--Harry.
Vic Pratt
Hi folks

Have you seen the latest issue of "Hogan's Alley"
magazine? It features a previously unpublished
interview with Unca Carl.

It's an excellent magazine generally, I recommend it!
Reminds me of "Nemo" magazine, lots of stuff about the
kind of comics and strips you can't read about
anywhere else.

Best Duck Wishes

Vic

=====
A FINE ELECTRONIC PORTMANTEAU OF COMICS AND CURIOSITIES AT:
http://come.to/thefleacircus

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Francesco
Thank you all person that write me in private (and not).
Than Don Rosa tells, I write 6 page whit some curiosity about Lo$ for special book tell "D.u.c.k." (Dedicated Uncle Carl by Keno) edited in 1997 about Disney Italy.
I counted Stated which U$ stay in his life and I reported it, and friends, and persons which was hostile to Scrooge and lot of many curiosity.
I don't know when but if you want I take on line this pages. (I thing about next weekend, near 10 august).

At http://www.geocities.com/kiesl1729/GattoFF1.jpg there is a history of Gatto in Deutch but there isn't 6th page of it and the story isn't complete. Can you take me page that insn't here, Hans? So thank you for scan.

About English version of this site... after summer... why not. I hope that in december English version is started but I don't know. For now I want do lot of possible in Italian.

About dead in Disney story there is another story where Donald and Gladstone inherit one car and one hotel by Uncle Jasperduck. It was the story I TL 2026 4 (Induck's Code) "Hotel Papeino" written by Francois Corteggiani ad drawn by Silvio Camboni.

Another story, "Paperino e il primo dollaro d'oro" written by Roberto Renzi (it isn't a big artist... he written an history, drawn by Gatto"Eta Beta e il razzo scomparso" (I TL 268), where Eega Beewa has got her legs extendibile than Tiramolla, a famous character of another Italian comics) and drawn by Luciano Gatto is pubblished in Topolino 254 of 9 october 1960. In this story Donald is nomined heir universal of his Uncle Scrooge becouse he died in an incident by plane. In Italy (about Inducks) it's reprint only in "Albo della Rosa" 554.

See you soon...

Francesco

http://digilander.iol.it/lucianogatto
if you want talk me in private write at gerba at libero.it
Eero-Pekka Halinen
Once more about manga:

I see a quite interesting relation between Finland and Japan. In Finland we
love ducks (wich Egmont have tried to draw in manga style), and in Japan
they like the finnish product Muumi (wich was originally a comic, though I
think that their interest goes to the TV-show made about Muumi).

Eero-Pekka

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