It was only a matter of time, it had to happen once: I replied a mail
to Don Rosa instead of forwarding it to the list.
Here it is:
----- Begin message to: 72260.2635 at COMPUSERVE.COM 24-May-93
From: athena.research.ptt.::harry 24-MAY-1993 12:30
To: 72260.2635 at compuserve.com
Subj: Reply on Rosa's Re: Digest #24
Don Rosa:
> Yes, that's right, "War of the Wendigo", my long Peeweegah sequel, will
> NEVER be used in America simply because it involves Indians.
But you also said in that interview that you hoped Gladstone would be less
narrow-minded. Does this mean you are sure even Gladstone won't print the
story?
> Harry: I think I have the Dutch comic that used "On a Silver Platter",
> but I'd better check since you should know such stuff better
> than me.
I have never seen a non-American version of the story. According to our
Don Rosa Index, it hasn't been printed in Scandinavia, either.
> But why would they NOT use that story, particularly since I did it
> for THEM?
I didn't say they wouldn't use it, only that it will be printed in Scandinavia
*first*. It's a matter of cost: Holland lets Egmont do the colouring, and
then they buy the story back *with* colours. It's cheaper than colouring
the story themselves... (I got this information from Dutch editor Thom Roep)
(BTW: the Dutch publisher is not "Oberon" anymore. Oberon was part of the
largest Dutch publisher VNU. VNU got rid of their comic publishing parts, and
Disney comics got to "De Geillustreerde Pers".
Does anyone know why Gutenberghus is now called Egmont?)
> They've used some that were far worse,
> including those that they had written FOR me (which were REAL stinkers).
I don't think they were written specially for you. They just let some people
write scripts (like Jan Kruse), and decide later which artist should do
the drawings. In your case, one of the scripts is from 1985 (looking at the
code), while you drew the story a few years later, I guess.
> That "On a Silver Platter" was (in my opinion) my very
> best 10-page gag story!
It is! No question about that! (the story is "stranger than fiction"... 8-)
--Harry.
Harry Fluks ()_() Dutch Disney comics freak
PTT Research, Leidschendam (NL) (_) H.W.Fluks at research.ptt.nl
"Yeah... I've _heard_ of coral barques!"
----- End forwarded message
Author
Topic: 199305
(145 messages)
Harry Fluks
Reply on Rosa's Digest #24
Message 121 -
1993-05-24 at 13:31:16
Harry Fluks
Darkest Africa etc. (Rosa's Digest #25)
Message 122 -
1993-05-24 at 13:48:52
Don Rosa wrote:
> I can only DOUBT that Disney has unretouched proofs of those MOC stories
> "Darkest Africa" or "Race to the South Seas". As far as I know, those just
> don't exist anymore. Any fool who looks at the recent uses of "Darkest
> Africa" can see that it's all poorly done tracings off of old comic pages
> (or off heavilly damaged proofs?) -- whatever the case, it's quite clearly
> NOT Barks art! As for "South Seas", that bit of forgery is so well done that
> I don't think even Another Rainbow ever bothered to admit it -- but anytime
> you've seen "South Seas" reprinted, it's Dan Jippes art you're looking at,
> not Barks.
Both stories are re-inked from *xerox copies of* old comics. "South Seas"
entirely by Daan Jippes, "Darkest Africa" by Jippes (pages 1 to 4) and
Dick Vlottes (remaining pages). Vlottes finished the work because Jippes
emigrated to the USA at that time (1982). He started working for the
Disney Studios.
I don't know why they let Vlottes do the job: he never did any other Disney
comics story. "Any fool who looks at" the pages can see the difference
between pages 1-4 and the rest of the story.
Daan Jippes had his doubts when they asked him to re-ink Barks stories. He
thought it would be forgery, too. But at the time (1974-1982) that was the
*only* way to get those rare stories to a great audience. The re-inked
versions are a bit different, but "Barks himself would have made different
versions even if he would have inked the same story again directly after
finishing it." (Jippes, paraphrased, in a 1976 interview.)
I think Jippes is about the only person that should be *allowed* to re-ink
Barks's stories from the 40s.
Jippes also inked some giveaway stories of which better (Barks) versions
are now available. Even when I compare some of these stories, it is hard
to tell which is Barks and which is Jippes.
But Jippes always made his "forgeries" recognizable by putting a page number
in a circle at the right bottom of each page. When some of his re-inks were
reprinted in the USA, they removed those page numbers...
--Harry.
Harry Fluks ()_() Dutch Disney comics freak
PTT Research, Leidschendam (NL) (_) H.W.Fluks at research.ptt.nl
"Yeah... I've _heard_ of coral barques!"
> I can only DOUBT that Disney has unretouched proofs of those MOC stories
> "Darkest Africa" or "Race to the South Seas". As far as I know, those just
> don't exist anymore. Any fool who looks at the recent uses of "Darkest
> Africa" can see that it's all poorly done tracings off of old comic pages
> (or off heavilly damaged proofs?) -- whatever the case, it's quite clearly
> NOT Barks art! As for "South Seas", that bit of forgery is so well done that
> I don't think even Another Rainbow ever bothered to admit it -- but anytime
> you've seen "South Seas" reprinted, it's Dan Jippes art you're looking at,
> not Barks.
Both stories are re-inked from *xerox copies of* old comics. "South Seas"
entirely by Daan Jippes, "Darkest Africa" by Jippes (pages 1 to 4) and
Dick Vlottes (remaining pages). Vlottes finished the work because Jippes
emigrated to the USA at that time (1982). He started working for the
Disney Studios.
I don't know why they let Vlottes do the job: he never did any other Disney
comics story. "Any fool who looks at" the pages can see the difference
between pages 1-4 and the rest of the story.
Daan Jippes had his doubts when they asked him to re-ink Barks stories. He
thought it would be forgery, too. But at the time (1974-1982) that was the
*only* way to get those rare stories to a great audience. The re-inked
versions are a bit different, but "Barks himself would have made different
versions even if he would have inked the same story again directly after
finishing it." (Jippes, paraphrased, in a 1976 interview.)
I think Jippes is about the only person that should be *allowed* to re-ink
Barks's stories from the 40s.
Jippes also inked some giveaway stories of which better (Barks) versions
are now available. Even when I compare some of these stories, it is hard
to tell which is Barks and which is Jippes.
But Jippes always made his "forgeries" recognizable by putting a page number
in a circle at the right bottom of each page. When some of his re-inks were
reprinted in the USA, they removed those page numbers...
--Harry.
Harry Fluks ()_() Dutch Disney comics freak
PTT Research, Leidschendam (NL) (_) H.W.Fluks at research.ptt.nl
"Yeah... I've _heard_ of coral barques!"
Harry Fluks
French "Darkest Africa"
Message 123 -
1993-05-24 at 14:02:06
Per:
> (I'm sending Harry a copy of this.)
Well, since I am a member of the list, I get a copy anyway... 8-)
I wrote some months ago, about the Dutch 'complete Barks' books:
> They also included a French copy of the page the panel was on,
> so the story must have been published in France sometime.
David:
> Most important is that GLADSTONE will want to know where the
> French version appeared. They are apparently (according to some Comic
> Buyers' Guide issue) going to put all the MOCS in one album soon, and
> I'm sure they'd rather restore the dialog (and, presumably, redo
> Disney's required changes) to the original Barks art rather than
> Jippes' and Vlottes' version.
The books don't say where the French publication was from. But the page
was re-formatted (the French always reformat their comics: they have a standard
of 5 rows of panels per page in "Le Journal de Mickey") and the copies
were very bad. I know Per has photocopies of the story that look much
better...
Maybe Gladstone can re-edit the story like they did with the "Atom bomb"
story (also published in one of the Disney Comics comics): they took
Jippes's version and put some original Barks panels back. In that way,
they could replace the worst Vlottes panels by Barks ones...
(of course it would be better if they published an 'all Barks' version,
but I don't think the available copies are all acceptable for a colour
reprint).
BTW: if a CBGuide is already announcing the album, it may be too late
to change the contents of it...
--Harry.
Harry Fluks ()_() Dutch Disney comics freak
PTT Research, Leidschendam (NL) (_) H.W.Fluks at research.ptt.nl
"Yeah... I've _heard_ of coral barques!"
> (I'm sending Harry a copy of this.)
Well, since I am a member of the list, I get a copy anyway... 8-)
I wrote some months ago, about the Dutch 'complete Barks' books:
> They also included a French copy of the page the panel was on,
> so the story must have been published in France sometime.
David:
> Most important is that GLADSTONE will want to know where the
> French version appeared. They are apparently (according to some Comic
> Buyers' Guide issue) going to put all the MOCS in one album soon, and
> I'm sure they'd rather restore the dialog (and, presumably, redo
> Disney's required changes) to the original Barks art rather than
> Jippes' and Vlottes' version.
The books don't say where the French publication was from. But the page
was re-formatted (the French always reformat their comics: they have a standard
of 5 rows of panels per page in "Le Journal de Mickey") and the copies
were very bad. I know Per has photocopies of the story that look much
better...
Maybe Gladstone can re-edit the story like they did with the "Atom bomb"
story (also published in one of the Disney Comics comics): they took
Jippes's version and put some original Barks panels back. In that way,
they could replace the worst Vlottes panels by Barks ones...
(of course it would be better if they published an 'all Barks' version,
but I don't think the available copies are all acceptable for a colour
reprint).
BTW: if a CBGuide is already announcing the album, it may be too late
to change the contents of it...
--Harry.
Harry Fluks ()_() Dutch Disney comics freak
PTT Research, Leidschendam (NL) (_) H.W.Fluks at research.ptt.nl
"Yeah... I've _heard_ of coral barques!"
Harry Fluks
The Gottfredson Quote Quiz
Message 124 -
1993-05-24 at 14:38:03
David:
> I mentioned that the stories I was using
> had all been printed in this country since 1986 (with the exception of
> one, from Abbeville). This one was in WDC&S 585, just last month. I
> assumed it would be fresh in people's minds. I didn't think of
> INTERNATIONAL MAIL slowing down Harry's and Per's receipt of the
> issue, however.
It didn't slow down: the USA comics are available in Amsterdam 4 days
after they are issued.
But since I have almost all Gottfredson stories in a Dutch version, I
don't buy the USA versions. That's why I didn't read WDC&S 585.
(And, as I told you, it's an extra handicap in answering these quizzes:
I have to find a Dutch text that matches the English most...)
In fact, I do have some USA versions, because I bought the Gladstone book
"Mickey Mouse in Color".
> (...) I guess most hardcore Disney fans
> bought Gladstone's MM 244, the sixtieth anniversary edition (...)
No, I missed that one! I only got to buying Gladstone comics in 1989 or so,
so I missed a lot of 'early' Gladstones. I'm still looking for that MM one,
and some other comics with Rosa stories in them...
> 8. "I'll turn on this gas and end it once and for all! ...Goodbye,
> Minnie! Goodbye, cruel world!"
> Both of you got this one, the story quoted being "MM vs. Mr.
> Slicker and the Egg Robbers" (1930). This story has never been
> reprinted in full in America, but Gladstone printed a sample strip in
> MM in Color, which seems to be where both of you saw it.
Correct (though it's published in Holland, too).
> However, if the quotes got you reading Gottfredson again, my
> dirty plot is revealed. :-) To quote Magica de Spell: "Hee, hee,
> hee!"
Well, in fact, I never *stopped* reading Gottfredson in the first place...
--Harry.
Harry Fluks ()_() Dutch Disney comics freak
PTT Research, Leidschendam (NL) (_) H.W.Fluks at research.ptt.nl
"Yeah... I've _heard_ of coral barques!"
> I mentioned that the stories I was using
> had all been printed in this country since 1986 (with the exception of
> one, from Abbeville). This one was in WDC&S 585, just last month. I
> assumed it would be fresh in people's minds. I didn't think of
> INTERNATIONAL MAIL slowing down Harry's and Per's receipt of the
> issue, however.
It didn't slow down: the USA comics are available in Amsterdam 4 days
after they are issued.
But since I have almost all Gottfredson stories in a Dutch version, I
don't buy the USA versions. That's why I didn't read WDC&S 585.
(And, as I told you, it's an extra handicap in answering these quizzes:
I have to find a Dutch text that matches the English most...)
In fact, I do have some USA versions, because I bought the Gladstone book
"Mickey Mouse in Color".
> (...) I guess most hardcore Disney fans
> bought Gladstone's MM 244, the sixtieth anniversary edition (...)
No, I missed that one! I only got to buying Gladstone comics in 1989 or so,
so I missed a lot of 'early' Gladstones. I'm still looking for that MM one,
and some other comics with Rosa stories in them...
> 8. "I'll turn on this gas and end it once and for all! ...Goodbye,
> Minnie! Goodbye, cruel world!"
> Both of you got this one, the story quoted being "MM vs. Mr.
> Slicker and the Egg Robbers" (1930). This story has never been
> reprinted in full in America, but Gladstone printed a sample strip in
> MM in Color, which seems to be where both of you saw it.
Correct (though it's published in Holland, too).
> However, if the quotes got you reading Gottfredson again, my
> dirty plot is revealed. :-) To quote Magica de Spell: "Hee, hee,
> hee!"
Well, in fact, I never *stopped* reading Gottfredson in the first place...
--Harry.
Harry Fluks ()_() Dutch Disney comics freak
PTT Research, Leidschendam (NL) (_) H.W.Fluks at research.ptt.nl
"Yeah... I've _heard_ of coral barques!"
Fredrik Ekman
Egmont's name
Message 125 -
1993-05-25 at 13:54:13
Harry Fluks wrote:
>Does anyone know why Gutenberghus is now called Egmont?)
According to the version I have heard, Gutenberghus was too difficult
for a lot of foregners to pronounce, and that was the reason for the
change. Egmont was apparently the name of the person who founded
Gutenberghus.
On a completely different matter: The next version of the international
names list is due to appear soon! Would you rather have it appear here
on the list, or should I just send it to Per so he can put it on the
ftp archieve and then inform you that it's there? I guess Don Rosa, at
least, would prefer the latter method.
/Fredrik Ekman
___________________________
______| |______
\ | In Donaldismo Veritas | /
> |___________________________| <
/______\| |/______\"
>Does anyone know why Gutenberghus is now called Egmont?)
According to the version I have heard, Gutenberghus was too difficult
for a lot of foregners to pronounce, and that was the reason for the
change. Egmont was apparently the name of the person who founded
Gutenberghus.
On a completely different matter: The next version of the international
names list is due to appear soon! Would you rather have it appear here
on the list, or should I just send it to Per so he can put it on the
ftp archieve and then inform you that it's there? I guess Don Rosa, at
least, would prefer the latter method.
/Fredrik Ekman
___________________________
______| |______
\ | In Donaldismo Veritas | /
> |___________________________| <
/______\| |/______\"
Don Rosa
Digest #28
Message 126 -
1993-05-25 at 16:42:42
COMMENTS ON DIGEST #whatsit:
Harry: Now that you posted your private message to me, shouldn't you also post my private answer to your private message? I'm not
implying that I think wouldn't want you to, but no one sees my answers to your comments.
I'm still confused by your description of how this first-Egmont-then-Oberon story printing system works. Maybe I haven't really
seen an Oberon version of "Silver Platter", but there WAS an Oberon version of "Pied Piper of Duckburg", another tale I did FOR
Oberon... and there has only recently been an Egmont version. More confusing, when Egmont requested the photostats of "Piper"
Roep, he sent the art but not the SCRIPT because he said Oberon had never used the story and he'd mislaid the script (yet they
HAD used it). And what's slightly irritating is that when they DID use "Piper", Oberon failed to put even one line of text to
explain the unique story behind that tale.
Oh, and of course I know those other Oberon stories were not written JUST for ME -- but you know what I meant.
And again.... what are we supposed to call Oberon now?
UPDATE on this business about what sorta photostat files Disney Studios has of the Disney comics from Dell and Gold Key and around
the world. I knew what I was told by Gladstone several years ago, so when Byron Erickson called me from Copenhagen today, I
asked him about it again. And I was right (if this is what I'd said and I think it was): until Gladstone was in business, Disney
had NO files pertaining to comic books. Whenever some publisher somewhere would order a story through Disney (rather than direct
from Western or Egmont), Disney would simply forward the stats and not give a tinker's dam about the stuff. But in 1986 they
began a policy of, when they passed along a photostat order, they would KEEP the stat that Western or whoever sent them and send
copies of IT to whoever ordered the story. The only photostat stories in Disney's files are there as a result of other publisher's
efforts in archiving and preserving. As is one of their company policies, Disney finds a way to exploit the @#$&% daylights out
other people's work, after which the world assumes it's DISNEY'S work all along.
Harry: Now that you posted your private message to me, shouldn't you also post my private answer to your private message? I'm not
implying that I think wouldn't want you to, but no one sees my answers to your comments.
I'm still confused by your description of how this first-Egmont-then-Oberon story printing system works. Maybe I haven't really
seen an Oberon version of "Silver Platter", but there WAS an Oberon version of "Pied Piper of Duckburg", another tale I did FOR
Oberon... and there has only recently been an Egmont version. More confusing, when Egmont requested the photostats of "Piper"
Roep, he sent the art but not the SCRIPT because he said Oberon had never used the story and he'd mislaid the script (yet they
HAD used it). And what's slightly irritating is that when they DID use "Piper", Oberon failed to put even one line of text to
explain the unique story behind that tale.
Oh, and of course I know those other Oberon stories were not written JUST for ME -- but you know what I meant.
And again.... what are we supposed to call Oberon now?
UPDATE on this business about what sorta photostat files Disney Studios has of the Disney comics from Dell and Gold Key and around
the world. I knew what I was told by Gladstone several years ago, so when Byron Erickson called me from Copenhagen today, I
asked him about it again. And I was right (if this is what I'd said and I think it was): until Gladstone was in business, Disney
had NO files pertaining to comic books. Whenever some publisher somewhere would order a story through Disney (rather than direct
from Western or Egmont), Disney would simply forward the stats and not give a tinker's dam about the stuff. But in 1986 they
began a policy of, when they passed along a photostat order, they would KEEP the stat that Western or whoever sent them and send
copies of IT to whoever ordered the story. The only photostat stories in Disney's files are there as a result of other publisher's
efforts in archiving and preserving. As is one of their company policies, Disney finds a way to exploit the @#$&% daylights out
other people's work, after which the world assumes it's DISNEY'S work all along.
Harry Fluks
Reply on Rosa's Digest #24
Message 127 -
1993-05-25 at 18:38:46
I really messed things up yesterday, sending public mail privately, and
private mail to the list.
I sent a mail to Don privately, then directly after that I found out my
mistake and sent it to the list as well.
Then I got a private answer from Don to that mail. There were two
possibilities:
1. Don sent the message to me, because he didn't mean the list to read it;
2. Don just "replied" to my message, but actually meant it to be for the list.
Though possibility 2 seemed most likely, I just waited for Don's next mail
to see what he wanted. I could have asked him by private mail, but that would
co$t 2 extra mails, and I want to avoid that.
So, after all this (boring) explanation, here is Don Rosa's reply.
--Harry.
----- Begin message from 72260.2635 at compuserve.com 24-May-93
Date: 24 May 1993 10:19:07 -0400 (EDT)
From: Don Rosa <72260.2635 at compuserve.com>
Subject: Re: Reply on Rosa's Re: Digest #24
Harry...
I used poor wording if I said somewhere that I hoped Gladstone would be less narrow-minded than Disney. I knew Gladstone would never
be such. But I was hoping that Disney would allow Gladstone to do something that they were afraid to do themselves. However, no
such luck. Gladstone has begged for permission to use my Peeweegah tale, and Disney has flatly refused. Unless they start firing and
hiring people inside Disney (which does happen constantly) there is NO chance that the Peeweegah tale will be printed in America.
Why did Gutenberghus change its name to Egmont after 125+ years of
business? I'm not sure. I think that the founder, Egmont Peterson, was such a humble altuist that he named his company after the
inventor of the printing press rather than himself. Gutenberhus ("House of Gutenberg") finally must have gotten tired of that sort
of name and decided to honor its illustrious founder. However, (and I'm sure they conducted a long, expensive investigation before
deciding this) they determined that "Peterson" was difficult to pronounce in certain languages (this being a global company), but
"Egmont" did not present that problem. I would assume that "Egmont" is only a funny sounding name in ENGLISH, which shouldn't
bother Egmont a bit, America being such a poor market for reading material.
----- End forwarded message
private mail to the list.
I sent a mail to Don privately, then directly after that I found out my
mistake and sent it to the list as well.
Then I got a private answer from Don to that mail. There were two
possibilities:
1. Don sent the message to me, because he didn't mean the list to read it;
2. Don just "replied" to my message, but actually meant it to be for the list.
Though possibility 2 seemed most likely, I just waited for Don's next mail
to see what he wanted. I could have asked him by private mail, but that would
co$t 2 extra mails, and I want to avoid that.
So, after all this (boring) explanation, here is Don Rosa's reply.
--Harry.
----- Begin message from 72260.2635 at compuserve.com 24-May-93
Date: 24 May 1993 10:19:07 -0400 (EDT)
From: Don Rosa <72260.2635 at compuserve.com>
Subject: Re: Reply on Rosa's Re: Digest #24
Harry...
I used poor wording if I said somewhere that I hoped Gladstone would be less narrow-minded than Disney. I knew Gladstone would never
be such. But I was hoping that Disney would allow Gladstone to do something that they were afraid to do themselves. However, no
such luck. Gladstone has begged for permission to use my Peeweegah tale, and Disney has flatly refused. Unless they start firing and
hiring people inside Disney (which does happen constantly) there is NO chance that the Peeweegah tale will be printed in America.
Why did Gutenberghus change its name to Egmont after 125+ years of
business? I'm not sure. I think that the founder, Egmont Peterson, was such a humble altuist that he named his company after the
inventor of the printing press rather than himself. Gutenberhus ("House of Gutenberg") finally must have gotten tired of that sort
of name and decided to honor its illustrious founder. However, (and I'm sure they conducted a long, expensive investigation before
deciding this) they determined that "Peterson" was difficult to pronounce in certain languages (this being a global company), but
"Egmont" did not present that problem. I would assume that "Egmont" is only a funny sounding name in ENGLISH, which shouldn't
bother Egmont a bit, America being such a poor market for reading material.
----- End forwarded message
Harry Fluks
Peeweegas, Egmont (Don Rosa)
Message 128 -
1993-05-25 at 18:47:00
Don Rosa wrote about Gladstone not publishing the Peeweegah story:
> I used poor wording if I said somewhere that I hoped Gladstone would
> be less narrow-minded than Disney.
I quoted you from my memory, almost certainly you used other words.
> Gladstone has begged for permission to use my Peeweegah tale, and Disney has
> flatly refused. Unless they start firing and
> hiring people inside Disney (which does happen constantly) there is NO
> chance that the Peeweegah tale will be printed in America.
That's a shame. Is there no way to publish the story in English? What about
Canadian or Australian publishers? They're not so close to Disney's
censorers...
> I would assume that "Egmont" is only a funny sounding name in ENGLISH, which
> shouldn't
> bother Egmont a bit, America being such a poor market for reading material.
Did you know there are other English-speaking countries in the world, too?
8-)
(BTW: I hope you know what 8-), :-), BTW etc. mean)
--Harry.
Harry Fluks ()_() Dutch Disney comics freak
PTT Research, Leidschendam (NL) (_) H.W.Fluks at research.ptt.nl
"Yeah... I've _heard_ of coral barques!"
> I used poor wording if I said somewhere that I hoped Gladstone would
> be less narrow-minded than Disney.
I quoted you from my memory, almost certainly you used other words.
> Gladstone has begged for permission to use my Peeweegah tale, and Disney has
> flatly refused. Unless they start firing and
> hiring people inside Disney (which does happen constantly) there is NO
> chance that the Peeweegah tale will be printed in America.
That's a shame. Is there no way to publish the story in English? What about
Canadian or Australian publishers? They're not so close to Disney's
censorers...
> I would assume that "Egmont" is only a funny sounding name in ENGLISH, which
> shouldn't
> bother Egmont a bit, America being such a poor market for reading material.
Did you know there are other English-speaking countries in the world, too?
8-)
(BTW: I hope you know what 8-), :-), BTW etc. mean)
--Harry.
Harry Fluks ()_() Dutch Disney comics freak
PTT Research, Leidschendam (NL) (_) H.W.Fluks at research.ptt.nl
"Yeah... I've _heard_ of coral barques!"
Harry Fluks
Rosa's Digest #28
Message 129 -
1993-05-25 at 19:14:23
Don Rosa's COMMENTS ON DIGEST #whatsit:
> I'm still confused by your description of how this
> first-Egmont-then-Oberon story printing system works.
Holland (I'll just call it Holland) has two ways of using stories of other
countries:
1. they buy the black-and-white comic art, and colour it themselves. This
is what they *always* do in the regular Donald Duck Weekly.
2. they buy the comic art *plus* the colouring. Most colours in other
countries are of less quality than their own colouring. They use
these coloured stories in the monthly Donald Duck Extra, and in holiday
specials. It's cheaper.
Almost all your stories are published in DD Extra. They bought the coloured
stories from the USA or Egmont. Some other stories are published in
black-and-white (!) in a holiday special. Only a few stories, like "The Pied
Piper", were coloured in Holland, and published in DD Weekly.
For reasons mentioned in earlier mails 8-), Thom Roep decided not to publish
Rosa stories anymore in the DD Weekly, but only in DD Extra or specials.
But they still had that "Silver Platter" story. So they did the following:
- give the story to Egmont (black&white copies). Egmont would have it
coloured, for their use in Scandinavian comics.
- buy the story back from Egmont, *plus colours*. Just as if it were a
regular D-coded Egmont story.
This way, Holland can publish the story cheaper, because buying a coloured
story is cheaper than colour it yourself.
> Maybe I haven't really
> seen an Oberon version of "Silver Platter", but there WAS an Oberon version
> of "Pied Piper of Duckburg", another tale I did FOR
> Oberon... and there has only recently been an Egmont version.
This was one of the few stories they did publish in DD Weekly. I guess it's
because it's (partly) Barks.
> More confusing, when Egmont requested the photostats of "Piper"
> Roep, he sent the art but not the SCRIPT because he said Oberon had never
> used the story and he'd mislaid the script (yet they
> HAD used it).
Even in Holland, in 1993, stories are thrown away that are used only once...
And even Thom Roep is not as accurate as he should be...
> And what's slightly irritating is that when they DID use "Piper", Oberon
> failed to put even one line of text to
> explain the unique story behind that tale.
They *never* give any credits or other story background explanations in the
regular DD Weekly. In Holland, they only did that in the Barks Album series,
and in the 17-issue "Complete Barks" books. In one of these books, your
story and its background *is* mentioned (though the story is not published
in that book).
Just look at the Dutch DD Weekly as the old Dell comics: all stories are
made by Walt Disney. It is only recently that they put a few names in it,
like the names of the editors (...Th. Roep). But still no story credits.
> And again.... what are we supposed to call Oberon now?
"De Geillustreerde Pers" (abbrev: GP). This name is impossible for non-Dutch
people. An English translation would be: "The Illustrated Press".
--Harry.
Harry Fluks ()_() Dutch Disney comics freak
PTT Research, Leidschendam (NL) (_) H.W.Fluks at research.ptt.nl
"Yeah... I've _heard_ of coral barques!"
> I'm still confused by your description of how this
> first-Egmont-then-Oberon story printing system works.
Holland (I'll just call it Holland) has two ways of using stories of other
countries:
1. they buy the black-and-white comic art, and colour it themselves. This
is what they *always* do in the regular Donald Duck Weekly.
2. they buy the comic art *plus* the colouring. Most colours in other
countries are of less quality than their own colouring. They use
these coloured stories in the monthly Donald Duck Extra, and in holiday
specials. It's cheaper.
Almost all your stories are published in DD Extra. They bought the coloured
stories from the USA or Egmont. Some other stories are published in
black-and-white (!) in a holiday special. Only a few stories, like "The Pied
Piper", were coloured in Holland, and published in DD Weekly.
For reasons mentioned in earlier mails 8-), Thom Roep decided not to publish
Rosa stories anymore in the DD Weekly, but only in DD Extra or specials.
But they still had that "Silver Platter" story. So they did the following:
- give the story to Egmont (black&white copies). Egmont would have it
coloured, for their use in Scandinavian comics.
- buy the story back from Egmont, *plus colours*. Just as if it were a
regular D-coded Egmont story.
This way, Holland can publish the story cheaper, because buying a coloured
story is cheaper than colour it yourself.
> Maybe I haven't really
> seen an Oberon version of "Silver Platter", but there WAS an Oberon version
> of "Pied Piper of Duckburg", another tale I did FOR
> Oberon... and there has only recently been an Egmont version.
This was one of the few stories they did publish in DD Weekly. I guess it's
because it's (partly) Barks.
> More confusing, when Egmont requested the photostats of "Piper"
> Roep, he sent the art but not the SCRIPT because he said Oberon had never
> used the story and he'd mislaid the script (yet they
> HAD used it).
Even in Holland, in 1993, stories are thrown away that are used only once...
And even Thom Roep is not as accurate as he should be...
> And what's slightly irritating is that when they DID use "Piper", Oberon
> failed to put even one line of text to
> explain the unique story behind that tale.
They *never* give any credits or other story background explanations in the
regular DD Weekly. In Holland, they only did that in the Barks Album series,
and in the 17-issue "Complete Barks" books. In one of these books, your
story and its background *is* mentioned (though the story is not published
in that book).
Just look at the Dutch DD Weekly as the old Dell comics: all stories are
made by Walt Disney. It is only recently that they put a few names in it,
like the names of the editors (...Th. Roep). But still no story credits.
> And again.... what are we supposed to call Oberon now?
"De Geillustreerde Pers" (abbrev: GP). This name is impossible for non-Dutch
people. An English translation would be: "The Illustrated Press".
--Harry.
Harry Fluks ()_() Dutch Disney comics freak
PTT Research, Leidschendam (NL) (_) H.W.Fluks at research.ptt.nl
"Yeah... I've _heard_ of coral barques!"
Don Rosa
Digest #29
Message 130 -
1993-05-26 at 16:44:30
COMMENT ON #29:
Harry:
The only possibility for the Peeweegah story to be in English is if they use it at Fleetway in England (which Egmont now owns).
Publication/distribution rights for the Disney comics in America also INCLUDES Canada and Australia and the South Pacific. I'm sure
about Canada, and I know that Gladstones were/are ligitimately distributed regularly in Australia, New Zealand, etc., so I assume
that would never be allowed unless Gladstone held the license for that area. After all, Gladstone comics cannot be newsstand-sold
in England, nor Fleetway's in America.
It SURE would be nice to see that story in English. If I hadn't already mentioned it, I took great, GREAT pains in writing the
Peeweegah's Longfellowian verse KNOWING that all that effort would be 100% wasted UNLESS the story was used somewhere in English.
But the chances of that now look nil. Even if Fleetway were to use it (which seems unlikely, as it was a 27 pager), I doubt they'll
take much care using my dialogue since Fleetway seems to treat the comics as if they were for 2-year-olds (as I sometimes think the
Swedish editors do).
As for Oberon's new name.... uh... I think I'll keep calling them Oberon. You'll know who I mean.
There was another comment about how I would want to be listed in some list of names or addresses or archives or something. I don't
know what that was about, but if someone was assuming that I wouldn't want my name and address posted publicly, they're assuming
wrong. I have little fear of being swamped by fan mail... particularly when I'm situated in America where anyone who reads Disney
comics is considered a pariah by the average American comic-collector-cretin. Here -- I'll prove it:
Don Rosa; 9711 Dawson Hill Rd.; Louisville, KY; 40299
Phone: (502)2313399.
So there.
Harry:
The only possibility for the Peeweegah story to be in English is if they use it at Fleetway in England (which Egmont now owns).
Publication/distribution rights for the Disney comics in America also INCLUDES Canada and Australia and the South Pacific. I'm sure
about Canada, and I know that Gladstones were/are ligitimately distributed regularly in Australia, New Zealand, etc., so I assume
that would never be allowed unless Gladstone held the license for that area. After all, Gladstone comics cannot be newsstand-sold
in England, nor Fleetway's in America.
It SURE would be nice to see that story in English. If I hadn't already mentioned it, I took great, GREAT pains in writing the
Peeweegah's Longfellowian verse KNOWING that all that effort would be 100% wasted UNLESS the story was used somewhere in English.
But the chances of that now look nil. Even if Fleetway were to use it (which seems unlikely, as it was a 27 pager), I doubt they'll
take much care using my dialogue since Fleetway seems to treat the comics as if they were for 2-year-olds (as I sometimes think the
Swedish editors do).
As for Oberon's new name.... uh... I think I'll keep calling them Oberon. You'll know who I mean.
There was another comment about how I would want to be listed in some list of names or addresses or archives or something. I don't
know what that was about, but if someone was assuming that I wouldn't want my name and address posted publicly, they're assuming
wrong. I have little fear of being swamped by fan mail... particularly when I'm situated in America where anyone who reads Disney
comics is considered a pariah by the average American comic-collector-cretin. Here -- I'll prove it:
Don Rosa; 9711 Dawson Hill Rd.; Louisville, KY; 40299
Phone: (502)2313399.
So there.
Don Rosa
Digest #30
Message 131 -
1993-05-27 at 16:04:26
COMMENTS to digest #XXX:
I don't think Egmont has a company policy of compelling their various publishers to treat the readerships in various countries as
if they were 2 year olds -- that's the decision of each individual publisher/editor. Actually, I can GUARANTEE that Egmont has no
such corporate attitude now that Byron Erickson and Bob Foster are the two top decision makers in the main Disney-Egmont office!
It's my attitude that the way to treat the readers is as a mixed group: some features for the younger readers, and some features
(like MY overly-complex, eye-burning stories) for the older readers. And that is how the Norwegian editor, Svein-Erik Soland,
handles his version of the weekly. Too bad all the Egmont publishers aren't as good as the Norwegian and Finnish ones. The Danish
one doesn't seem too bad, but that Swedish one seems to have no regard for the readers (doing such things as printing my "Life of
$crooge" series beginning with chapter 3 and not caring that the whole shebang will not make much sense to anyone as a result).
Of course, I can't READ any of them, so this is all just based on my impressions of the situation.
Oh, and I don't think anyone needs to worry (if they ARE) any longer about what being connected to this Internet is costing me!
The length of the mail is not such a problem (though I'd personally still rather not see indexes or long contests included since I
just skip those parts). After Internet, my COMPUSERVE bill jumped to $20-$30 per week!!! But when I finally got through to them on
their busy 800 number line, I found there was a different standard membership option that I didn't know about -- I switched to that
and now my connect-charges are back to what they were in the old days. So I'm all fixed up.
I don't think Egmont has a company policy of compelling their various publishers to treat the readerships in various countries as
if they were 2 year olds -- that's the decision of each individual publisher/editor. Actually, I can GUARANTEE that Egmont has no
such corporate attitude now that Byron Erickson and Bob Foster are the two top decision makers in the main Disney-Egmont office!
It's my attitude that the way to treat the readers is as a mixed group: some features for the younger readers, and some features
(like MY overly-complex, eye-burning stories) for the older readers. And that is how the Norwegian editor, Svein-Erik Soland,
handles his version of the weekly. Too bad all the Egmont publishers aren't as good as the Norwegian and Finnish ones. The Danish
one doesn't seem too bad, but that Swedish one seems to have no regard for the readers (doing such things as printing my "Life of
$crooge" series beginning with chapter 3 and not caring that the whole shebang will not make much sense to anyone as a result).
Of course, I can't READ any of them, so this is all just based on my impressions of the situation.
Oh, and I don't think anyone needs to worry (if they ARE) any longer about what being connected to this Internet is costing me!
The length of the mail is not such a problem (though I'd personally still rather not see indexes or long contests included since I
just skip those parts). After Internet, my COMPUSERVE bill jumped to $20-$30 per week!!! But when I finally got through to them on
their busy 800 number line, I found there was a different standard membership option that I didn't know about -- I switched to that
and now my connect-charges are back to what they were in the old days. So I'm all fixed up.
Fredrik Ekman
Fleetway and some other stuff...
Message 132 -
1993-05-27 at 16:06:25
Don Rosa:
>The only possibility for the Peeweegah story to be in English is if they
>use it at Fleetway in England (which Egmont now owns). ... Even if Fleetway
>were to use it (which seems unlikely, as it was a 27 pager), I doubt they'll
>take much care using my dialogue since Fleetway seems to treat the comics as if
>they were for 2-year-olds (as I sometimes think the Swedish editors do).
I actually visited England last weekend, and despite a long and hard search,
I only saw one single Disney title; a weekly Mickey Mouse something. And
also, you're right about the Swedish editors, at least regarding the weekly
Kalle Anka & Co and the monthly Musse Pigg & Co and a few other titles. I
have the impression that editors throughout Scandinavia has the same odd
idea that Disney comics are for kids. Thus, of course, they produce only
Disney comics that actually _are_ for kids. And as Egmont (or companies
owned by Egmont) has the exclusive rights to Disney comics in several
countries around the world, including England, it's probably a safe guess
that they export their views on comics to those countries.
Then still; the Peeweegah story _has_ been seen in Scandinavia, and with
the above reasoning fresh in mind, there should thus certainly be possible
that it is published by Fleetway as well. Especially since, in Scandinavia,
it was published as a three-part continuing story. And judging from the
looks of it, it was originally written as such(?). As for the dialogue, why
would they bother changing it, when that would only mean extra costs?
Fleetway, like Gladstone, is after all one of the few Disney publishers that
doesn't have to bother about any translations.
Is there anyone from England on this list?
>There was another comment about how I would want to be listed in some
>list of names or addresses or archives or something. I don't know what
>that was about ...
I don't know if that refers to my question about people wanting me to send
my International Names list out to you or just put it on the FTP archive.
I simply forgot that you haven't been with us long enough to receive the
first version of that list. It is nothing more than a list of translations
of a lot of Disney character names, and the reason that I asked is that it
is rather long. Remembering that you had previously stated an opinion that
you didn't want long messages included in the digests, and since Per won't
leave anything out of them, I simply assumed that you wouldn't want it in
one of your digests. So it didn't have anything specifically to do with your
own name. :)
/Fredrik Ekman
___________________________
______| |______
\ | In Donaldismo Veritas | /
> |___________________________| <
/______\| |/______\"
>The only possibility for the Peeweegah story to be in English is if they
>use it at Fleetway in England (which Egmont now owns). ... Even if Fleetway
>were to use it (which seems unlikely, as it was a 27 pager), I doubt they'll
>take much care using my dialogue since Fleetway seems to treat the comics as if
>they were for 2-year-olds (as I sometimes think the Swedish editors do).
I actually visited England last weekend, and despite a long and hard search,
I only saw one single Disney title; a weekly Mickey Mouse something. And
also, you're right about the Swedish editors, at least regarding the weekly
Kalle Anka & Co and the monthly Musse Pigg & Co and a few other titles. I
have the impression that editors throughout Scandinavia has the same odd
idea that Disney comics are for kids. Thus, of course, they produce only
Disney comics that actually _are_ for kids. And as Egmont (or companies
owned by Egmont) has the exclusive rights to Disney comics in several
countries around the world, including England, it's probably a safe guess
that they export their views on comics to those countries.
Then still; the Peeweegah story _has_ been seen in Scandinavia, and with
the above reasoning fresh in mind, there should thus certainly be possible
that it is published by Fleetway as well. Especially since, in Scandinavia,
it was published as a three-part continuing story. And judging from the
looks of it, it was originally written as such(?). As for the dialogue, why
would they bother changing it, when that would only mean extra costs?
Fleetway, like Gladstone, is after all one of the few Disney publishers that
doesn't have to bother about any translations.
Is there anyone from England on this list?
>There was another comment about how I would want to be listed in some
>list of names or addresses or archives or something. I don't know what
>that was about ...
I don't know if that refers to my question about people wanting me to send
my International Names list out to you or just put it on the FTP archive.
I simply forgot that you haven't been with us long enough to receive the
first version of that list. It is nothing more than a list of translations
of a lot of Disney character names, and the reason that I asked is that it
is rather long. Remembering that you had previously stated an opinion that
you didn't want long messages included in the digests, and since Per won't
leave anything out of them, I simply assumed that you wouldn't want it in
one of your digests. So it didn't have anything specifically to do with your
own name. :)
/Fredrik Ekman
___________________________
______| |______
\ | In Donaldismo Veritas | /
> |___________________________| <
/______\| |/______\"
George Kesidis
Don's stuff
Message 133 -
1993-05-27 at 16:50:38
Hello all,
Of all the comics that appear on the stands these days,
the only stuff I consistently buy are Don's Duck
stories and the equally excellent "Bone" by Jeff Smith
(Bone is the first comic I've actually subscribed to).
While collecting Bone is simple, collecting Don's stories is
another matter. I'm constantly groping through the credits
section of the recent Disney's looking for a story by Don.
So, my question is: is there a list of Don's work that has
recently appeared or about to appear in English
and a list of Don's (completed) work that has yet to appear in
English? With regard to the latter, I get the impression (after
lurking here for a couple of months) that there is a possibility
that some of Don's recent work will not appear in English anytime
soon.
-George
Of all the comics that appear on the stands these days,
the only stuff I consistently buy are Don's Duck
stories and the equally excellent "Bone" by Jeff Smith
(Bone is the first comic I've actually subscribed to).
While collecting Bone is simple, collecting Don's stories is
another matter. I'm constantly groping through the credits
section of the recent Disney's looking for a story by Don.
So, my question is: is there a list of Don's work that has
recently appeared or about to appear in English
and a list of Don's (completed) work that has yet to appear in
English? With regard to the latter, I get the impression (after
lurking here for a couple of months) that there is a possibility
that some of Don's recent work will not appear in English anytime
soon.
-George
Harry Fluks
Don's stuff
Message 134 -
1993-05-27 at 18:12:21
George Kesidis wrote:
> While collecting Bone is simple, collecting Don's stories is
> another matter. I'm constantly groping through the credits
> section of the recent Disney's looking for a story by Don.
Don't you recognize his drawing style? I can tell a Rosa story from
other stories by one quick look...
> So, my question is: is there a list of Don's work that has
> recently appeared or about to appear in English
> and a list of Don's (completed) work that has yet to appear in
> English?
The Complete Don Rosa Disney comics list is available by anonymous ftp
from ftp.lysator.liu.se (file:/pub/comics/disney/don-rosa.)
[If you have troubles using ftp, I (or Per) can mail a copy to you.]
It's basically the same list I sent you long ago 8-), but this list
is constantly updated. All we (list members) know about Rosa's
stories and where they are reprinted in the USA, Denmark, Norway,
Sweden, and Holland, is on this list.
> With regard to the latter, I get the impression (after
> lurking here for a couple of months) that there is a possibility
> that some of Don's recent work will not appear in English anytime
> soon.
We discussed the Peeweegah story here, but what about other stories?
Don, do you know if there's a ban on some of your stories, so that they
will never be printed or reprinted in the USA?
--Harry.
> While collecting Bone is simple, collecting Don's stories is
> another matter. I'm constantly groping through the credits
> section of the recent Disney's looking for a story by Don.
Don't you recognize his drawing style? I can tell a Rosa story from
other stories by one quick look...
> So, my question is: is there a list of Don's work that has
> recently appeared or about to appear in English
> and a list of Don's (completed) work that has yet to appear in
> English?
The Complete Don Rosa Disney comics list is available by anonymous ftp
from ftp.lysator.liu.se (file:/pub/comics/disney/don-rosa.)
[If you have troubles using ftp, I (or Per) can mail a copy to you.]
It's basically the same list I sent you long ago 8-), but this list
is constantly updated. All we (list members) know about Rosa's
stories and where they are reprinted in the USA, Denmark, Norway,
Sweden, and Holland, is on this list.
> With regard to the latter, I get the impression (after
> lurking here for a couple of months) that there is a possibility
> that some of Don's recent work will not appear in English anytime
> soon.
We discussed the Peeweegah story here, but what about other stories?
Don, do you know if there's a ban on some of your stories, so that they
will never be printed or reprinted in the USA?
--Harry.
Harry Fluks
Comics are for 2 year olds? (Digest #30)
Message 135 -
1993-05-27 at 18:25:24
Don Rosa wrote:
> I don't think Egmont has a company policy of compelling their various
> publishers to treat the readerships in various countries as
> if they were 2 year olds -- that's the decision of each individual
> publisher/editor.
The Dutch have the following policy:
It appears that most parents read the DD comic too, and even that *they*
mostly buy the comics (for their children, so to say).
So the Dutch editor always puts a lead story in the comic that's attractive
to the 'older' reader (age 14, 15 and higher).
Not only the story should be good, but also the artwork (and that's where
Rosa stories don't pass the test...). The rest of the comic is filled
with stories and gags for younger children.
Hm.. sounds a bit like Norway...
> Too bad all the Egmont publishers aren't as good as the Norwegian and
> Finnish ones. The Danish
> one doesn't seem too bad, but that Swedish one seems to have no regard for
> the readers (doing such things as printing my "Life of
> $crooge" series beginning with chapter 3 and not caring that the whole
> shebang will not make much sense to anyone as a result).
Well, Swedish list members: do the Life of Scrooge series make sense to
you when you haven't read parts 1 and 2?
> Oh, and I don't think anyone needs to worry (if they ARE) any longer
> about what being connected to this Internet is costing me!
That's good news!
--Harry.
Harry Fluks ()_() Dutch Disney comics freak
PTT Research, Leidschendam (NL) (_) H.W.Fluks at research.ptt.nl
"Yeah... I've _heard_ of coral barques!"
> I don't think Egmont has a company policy of compelling their various
> publishers to treat the readerships in various countries as
> if they were 2 year olds -- that's the decision of each individual
> publisher/editor.
The Dutch have the following policy:
It appears that most parents read the DD comic too, and even that *they*
mostly buy the comics (for their children, so to say).
So the Dutch editor always puts a lead story in the comic that's attractive
to the 'older' reader (age 14, 15 and higher).
Not only the story should be good, but also the artwork (and that's where
Rosa stories don't pass the test...). The rest of the comic is filled
with stories and gags for younger children.
Hm.. sounds a bit like Norway...
> Too bad all the Egmont publishers aren't as good as the Norwegian and
> Finnish ones. The Danish
> one doesn't seem too bad, but that Swedish one seems to have no regard for
> the readers (doing such things as printing my "Life of
> $crooge" series beginning with chapter 3 and not caring that the whole
> shebang will not make much sense to anyone as a result).
Well, Swedish list members: do the Life of Scrooge series make sense to
you when you haven't read parts 1 and 2?
> Oh, and I don't think anyone needs to worry (if they ARE) any longer
> about what being connected to this Internet is costing me!
That's good news!
--Harry.
Harry Fluks ()_() Dutch Disney comics freak
PTT Research, Leidschendam (NL) (_) H.W.Fluks at research.ptt.nl
"Yeah... I've _heard_ of coral barques!"