On Jan 12, 11:47am, David A Gerstein wrote:
> DDA 37 ... John told me that, as he remembered it, one of your
> translations (will be in) it, Dwight. I'll look forward to it.
>
Thanks for the notification. I just hope (a) The letterer didn't
make any typos, and (b) The scripter didn't make any boneheaded
boners of his own.
--Dwight Decker
Author
Topic: 199601
(219 messages)
Deckerd
Disney comics Digest V96 #9
Message 76 -
1996-01-12 at 23:22:05
Don Rosa
Disney comics Digest V96 #11
Message 77 -
1996-01-13 at 00:55:00
Somebody stop Matt Cox before he does that again!!!
Don Rosa
Disney comics Digest V96 #9
Message 78 -
1996-01-13 at 00:55:00
JAKOB:
No, I don't call them "Fleece Markets" because of finding something
as valuable as the Golden Fleece -- quite the opposite. One way to sum it up
is that 20 years ago (pre "collectibles" price guides), an old comic book
(for instance) that a comic dealer would charge $5 for, you might find at a
flea market for 50 cents. Nowadays (post price guides), an old comic book
that a comic dealer would charge $5 for, you might find at a Fleece Market
for no less than $20 and in not better than "fair" condition. Seldom if ever
can one find something reasonably priced at Fleece Markets -- they seem to
prey on people who are not aware that there are specialty dealers in such
old merchandise who know how to grade and are otherwise knowledgeable in
their wares. So, you go there to be Fleeced, unless you know your stuff.
DAVE R.:
Welcome back -- where have you been?
Go to ProCon? But isn't that where they discuss negotiating
contracts and royalties and so forth?!
No, I don't call them "Fleece Markets" because of finding something
as valuable as the Golden Fleece -- quite the opposite. One way to sum it up
is that 20 years ago (pre "collectibles" price guides), an old comic book
(for instance) that a comic dealer would charge $5 for, you might find at a
flea market for 50 cents. Nowadays (post price guides), an old comic book
that a comic dealer would charge $5 for, you might find at a Fleece Market
for no less than $20 and in not better than "fair" condition. Seldom if ever
can one find something reasonably priced at Fleece Markets -- they seem to
prey on people who are not aware that there are specialty dealers in such
old merchandise who know how to grade and are otherwise knowledgeable in
their wares. So, you go there to be Fleeced, unless you know your stuff.
DAVE R.:
Welcome back -- where have you been?
Go to ProCon? But isn't that where they discuss negotiating
contracts and royalties and so forth?!
Torsten Wesley Adair
Random Thoughts
Message 79 -
1996-01-13 at 08:06:11
* Congratulations to Heidi MacDonald, comics editor of Disney Adventures
Magazine, for being selected as one of the twenty most influential people
in the American comics industry by Combo Magazine. Her knowledge of the
industry and her position on the Board of Directors of the Friends of Lulu
were determining factors.
Friends of Lulu is a national non-profit organization working to promote
and encourage female readership and participation in the comic book
industry. For more information, write to Friends of Lulu, 4657 Cajon Way,
San Diego, CA 92115; or stop by the FoL booths at Wondercon, Chicago
ComiCon, San Diego, and the Dallas Fantasy Fair.
* Scrooge Collecticles (yes, a bit off topic for this group, so please
skip to the next paragraph if necessary)
Toys : antique and collectible by David Longest Collector Books c1990
p. 128-129
Uncle Scrooge (US) Bank, ceramic, 1961, Scrooge in bed reclining. $10-20
US Doll manufactured by Lars of Italy, recent but rare. $150-300
Stern's Guide to Disney Collectibles : Third Series
by Michael Stern Collector Books c1995
p.113 plate 216
Coca-Cola 15 Year Walt Disney World Commemerative Set
Good $50 Excellent/Mint $55
[set of twelve pins; includes Donald; Daisy; Huey, Dewey, Louie; Scrooge]
Stern's Guide to Disney Collectibles : Second Series
Michael Stern Collector Books c1991, 1993
plate 191 Item C
Scrooge McDuck Treasure Chest Bank
[US sitting on treasure chest]
* Recently, I mentioned a drawing style I noticed in European Disney
comics. Here are some references:
Super Picsou G'eant #66
D92399 Carton 'a Sakart^on p. 35-50
D88096 Le Tr'esor de Raymond Tanlair p. 61-74
I-MG441 Un CZoeur 'A Prendre p.118-133
[This is probably the best example of the style I'm refering to. I
also like the story, which I think is about Mickey and Minnie trying
to set Goofy up with a date.]
J.PM139 Le Championnat de la Malchance p.134-173
* Picsou Magazine #283 Aout 1995 p.23
Le Myst'ere Keno Don Rosa [one page interview]
Don, I didn't know you could speak French so fluently! (But what do I
know; I only understand German and English!) Pictured is the bearded KDR,
a reproduction of Donald Duck Adventures #12 (Plain Awful) and a panel
from Captain Kentucky.
Also in this issue is the ninth episode of the Life and Times of Scrooge
McDuck (D93121). Is Brodard-Graphique (is that the French Disney
publisher?) using Gladstone's colors? IX.5.7 (that's part nine, page 5,
panel 7, as read from left to right, top to bottom) has a nice sunset
behind the castle. Would there be another reason for France to print
LaToSM so late?
Torsten Adair (Email removed) Washington, DC, USA
--------------------------------
End of dcomics Digest V96 Issue #12
***********************************
Magazine, for being selected as one of the twenty most influential people
in the American comics industry by Combo Magazine. Her knowledge of the
industry and her position on the Board of Directors of the Friends of Lulu
were determining factors.
Friends of Lulu is a national non-profit organization working to promote
and encourage female readership and participation in the comic book
industry. For more information, write to Friends of Lulu, 4657 Cajon Way,
San Diego, CA 92115; or stop by the FoL booths at Wondercon, Chicago
ComiCon, San Diego, and the Dallas Fantasy Fair.
* Scrooge Collecticles (yes, a bit off topic for this group, so please
skip to the next paragraph if necessary)
Toys : antique and collectible by David Longest Collector Books c1990
p. 128-129
Uncle Scrooge (US) Bank, ceramic, 1961, Scrooge in bed reclining. $10-20
US Doll manufactured by Lars of Italy, recent but rare. $150-300
Stern's Guide to Disney Collectibles : Third Series
by Michael Stern Collector Books c1995
p.113 plate 216
Coca-Cola 15 Year Walt Disney World Commemerative Set
Good $50 Excellent/Mint $55
[set of twelve pins; includes Donald; Daisy; Huey, Dewey, Louie; Scrooge]
Stern's Guide to Disney Collectibles : Second Series
Michael Stern Collector Books c1991, 1993
plate 191 Item C
Scrooge McDuck Treasure Chest Bank
[US sitting on treasure chest]
* Recently, I mentioned a drawing style I noticed in European Disney
comics. Here are some references:
Super Picsou G'eant #66
D92399 Carton 'a Sakart^on p. 35-50
D88096 Le Tr'esor de Raymond Tanlair p. 61-74
I-MG441 Un CZoeur 'A Prendre p.118-133
[This is probably the best example of the style I'm refering to. I
also like the story, which I think is about Mickey and Minnie trying
to set Goofy up with a date.]
J.PM139 Le Championnat de la Malchance p.134-173
* Picsou Magazine #283 Aout 1995 p.23
Le Myst'ere Keno Don Rosa [one page interview]
Don, I didn't know you could speak French so fluently! (But what do I
know; I only understand German and English!) Pictured is the bearded KDR,
a reproduction of Donald Duck Adventures #12 (Plain Awful) and a panel
from Captain Kentucky.
Also in this issue is the ninth episode of the Life and Times of Scrooge
McDuck (D93121). Is Brodard-Graphique (is that the French Disney
publisher?) using Gladstone's colors? IX.5.7 (that's part nine, page 5,
panel 7, as read from left to right, top to bottom) has a nice sunset
behind the castle. Would there be another reason for France to print
LaToSM so late?
Torsten Adair (Email removed) Washington, DC, USA
--------------------------------
End of dcomics Digest V96 Issue #12
***********************************
MASSENGALE MELANIE O
Zorro
Message 80 -
1996-01-13 at 23:23:31
Hello Kathy,
Sorry to be so very late in responding to your message. I just spent two
weeks in Miami--am glad to be back, since it is much warmer and pleasanter
in Colorado!
On Fri, 22 Dec 1995, kathy fitzpatrick wrote:
> I am a longtime Zorro fan. There were some new Zorro comics out about 5-7
> years ago. Are those the ones you refer to. It didn't last long
> unfortunately, but I have the issues. Do you remember the episode that
> Annette appeared in?
The Marvel ZORRO Comics I have aren't that old, I think. There were
twelve of them total, and they were based on the Ted Turner (or was it
Family Channel) tv series. Frankly, I didn't like the show and the comics
were even worse. The recent Topps run of nine comics was much better in
both art and writing, but rather risque. That series has been ended and
replaced by the execrable "Lady Rawhide" which I will leave to your
imagination.
The old Dells and Gold Key reprints were from the Disney tv show. Yes, I
recall the eps in which Annette appeared, and the comics based on her
appearance there are worth slightly more than the others. Did I mention
that Eclipse Comics reprinted all of the Disney ZORRO Comics which were
penned by Alex Toth?
> Two of my sisters and I were about 5, 7, and 9 the first year Zorro came
> out. That Halloween we were invited to a Halloween Party. The only problem
> was that we all three wanted to go as Zorro that year. My Mother sighed a
> great sigh after realizing she was not going to convince us it would be
> silly for all three of us to go as Zorro, she helped us all put together our
> Zorro costumes. It was great fun and in total there were probably about 8
> or 9 other Zorro's at the party.
The show was a big hit. I remember envying my brothers, who both had the
Aladdin ZORRO metal lunchboxes with thermos. A good one now would be
worth over $50.00. Dressing up as Zorro was a fun thing in our
neighborhood, too, and all of us participated at one time or another.
The parents must have had a good laugh.
> Watching the Zorro show was a family thing. We LOVED Guy Williams then.
> Actually Sergeant Garcia was our other favorite. He tried to be so tought
> but was actually afraid of Zorro and bumbled around him. Yet one wonders if
> he didn't, in fact, have some sympathy for the cause Zorro represented as he
> had no real respect for his superior and often corrupt officers.
I think it's pretty clear that Garcia has much sympathy for Zorro and his
cause. He was a weak person though and of course was duty-bound to obey his
officers. Zorro uses Garcia to obtain needed information, but does not
cruelly exploit him as do the officers.
I taped most of the eps a few years back before Disney (unwisely, IMHO)
colorized the series. In replaying them, I noticed an editing gaffe in
one ep. Zorro familiarly leaps from a balcony onto Tornado (ouch!)
Suddenly, a hand holding the horse's bridle disappears behind the wall :-)
Kind regards,
Melanie
Sorry to be so very late in responding to your message. I just spent two
weeks in Miami--am glad to be back, since it is much warmer and pleasanter
in Colorado!
On Fri, 22 Dec 1995, kathy fitzpatrick wrote:
> I am a longtime Zorro fan. There were some new Zorro comics out about 5-7
> years ago. Are those the ones you refer to. It didn't last long
> unfortunately, but I have the issues. Do you remember the episode that
> Annette appeared in?
The Marvel ZORRO Comics I have aren't that old, I think. There were
twelve of them total, and they were based on the Ted Turner (or was it
Family Channel) tv series. Frankly, I didn't like the show and the comics
were even worse. The recent Topps run of nine comics was much better in
both art and writing, but rather risque. That series has been ended and
replaced by the execrable "Lady Rawhide" which I will leave to your
imagination.
The old Dells and Gold Key reprints were from the Disney tv show. Yes, I
recall the eps in which Annette appeared, and the comics based on her
appearance there are worth slightly more than the others. Did I mention
that Eclipse Comics reprinted all of the Disney ZORRO Comics which were
penned by Alex Toth?
> Two of my sisters and I were about 5, 7, and 9 the first year Zorro came
> out. That Halloween we were invited to a Halloween Party. The only problem
> was that we all three wanted to go as Zorro that year. My Mother sighed a
> great sigh after realizing she was not going to convince us it would be
> silly for all three of us to go as Zorro, she helped us all put together our
> Zorro costumes. It was great fun and in total there were probably about 8
> or 9 other Zorro's at the party.
The show was a big hit. I remember envying my brothers, who both had the
Aladdin ZORRO metal lunchboxes with thermos. A good one now would be
worth over $50.00. Dressing up as Zorro was a fun thing in our
neighborhood, too, and all of us participated at one time or another.
The parents must have had a good laugh.
> Watching the Zorro show was a family thing. We LOVED Guy Williams then.
> Actually Sergeant Garcia was our other favorite. He tried to be so tought
> but was actually afraid of Zorro and bumbled around him. Yet one wonders if
> he didn't, in fact, have some sympathy for the cause Zorro represented as he
> had no real respect for his superior and often corrupt officers.
I think it's pretty clear that Garcia has much sympathy for Zorro and his
cause. He was a weak person though and of course was duty-bound to obey his
officers. Zorro uses Garcia to obtain needed information, but does not
cruelly exploit him as do the officers.
I taped most of the eps a few years back before Disney (unwisely, IMHO)
colorized the series. In replaying them, I noticed an editing gaffe in
one ep. Zorro familiarly leaps from a balcony onto Tornado (ouch!)
Suddenly, a hand holding the horse's bridle disappears behind the wall :-)
Kind regards,
Melanie
Torsten Wesley Adair
Reviews and Comments
Message 81 -
1996-01-14 at 07:43:29
Well, my comics shop was closed last week due to the "Blizzard" that
paralyzed D.C. I was all set to trek through the white stuff to get my
comics, but instead I had to wait until Friday to get them. Yes, it was
hard having to wait two weeks for comics, but this week I have two weeks
worth of comics to read.
Uncle Scrooge Adventures #37
Colossus of the Nile (Topolino 292-293)
This is the first part of a two-part story. I liked it so far, especially
the facial expressions. The Beagle Boys try to steal the statue of Ramses
II which used to sit on the Nile. (When the Aswan Dam was built, the
temple and statue were moved with help from the United Nations. An
incredible engineering feat.) I wonder if the fake stones will actually
create a visible image? Somehow, I don't think the Beagles are that creative.
The translation is clever in places, although I groaned at the "egg" pun.
Also, Mr. Gerstein, how did you discover the postal code for Duckburg?
(page eleven, panel five)
The two page framing sequence from Duck Album (Four Color 586) struck me
as a historical curiousity. Yes, the pages are taken out of context, but
the punchlines are not very good. Why would the Duck Family Album have a
lock on it? And why do Huey, Dewey and Louie have such big foreheads and
widely spaced eyes?
Donald Duck and Mickey Mouse #4
Old Froggie Catapult (WDC&S 216)
A fun ten-pager about a frog who actually doesn't cause trouble for
Donald.
The Treasure of Shark Reef (D91420)
Mickey and Goofy help an old sea dog find sunken treasure.
I actually enjoyed this story. Normally, I ignore most Mickey stories,
especially if they are more than one-part. The art was well drawn, and
the panel variations were a welcome change. The color by Scott Rockwell
was done well in parts, but I found the yellow interior of the Museum to
be a bit bland, and the crowded scene at the end of the story was much too
busy. Some gray filters on the flare scenes and at the restaurant would
have improved the artwork.
Donald Duck #295
Untitled (DD 34)
A one page gag about winter driving. Art by Dick Moores. Now I know why
Carl Barks is considered the "Good Duck Artist".
Donald Duck: Volunteer Fireman (WDC&S 225)
Wow. Donald Duck as a competent fireman. I really liked the sight of
Donald staggering out of the cigar factory!
The rest of the issue is filled with Taliaferro newspaper strips.
(Missing dates: 02/26 (friday?) 02/28 03/05 03/12 03/19 03/26 (sunday?))
Torsten Adair (Email removed) Washington, DC, USA
paralyzed D.C. I was all set to trek through the white stuff to get my
comics, but instead I had to wait until Friday to get them. Yes, it was
hard having to wait two weeks for comics, but this week I have two weeks
worth of comics to read.
Uncle Scrooge Adventures #37
Colossus of the Nile (Topolino 292-293)
This is the first part of a two-part story. I liked it so far, especially
the facial expressions. The Beagle Boys try to steal the statue of Ramses
II which used to sit on the Nile. (When the Aswan Dam was built, the
temple and statue were moved with help from the United Nations. An
incredible engineering feat.) I wonder if the fake stones will actually
create a visible image? Somehow, I don't think the Beagles are that creative.
The translation is clever in places, although I groaned at the "egg" pun.
Also, Mr. Gerstein, how did you discover the postal code for Duckburg?
(page eleven, panel five)
The two page framing sequence from Duck Album (Four Color 586) struck me
as a historical curiousity. Yes, the pages are taken out of context, but
the punchlines are not very good. Why would the Duck Family Album have a
lock on it? And why do Huey, Dewey and Louie have such big foreheads and
widely spaced eyes?
Donald Duck and Mickey Mouse #4
Old Froggie Catapult (WDC&S 216)
A fun ten-pager about a frog who actually doesn't cause trouble for
Donald.
The Treasure of Shark Reef (D91420)
Mickey and Goofy help an old sea dog find sunken treasure.
I actually enjoyed this story. Normally, I ignore most Mickey stories,
especially if they are more than one-part. The art was well drawn, and
the panel variations were a welcome change. The color by Scott Rockwell
was done well in parts, but I found the yellow interior of the Museum to
be a bit bland, and the crowded scene at the end of the story was much too
busy. Some gray filters on the flare scenes and at the restaurant would
have improved the artwork.
Donald Duck #295
Untitled (DD 34)
A one page gag about winter driving. Art by Dick Moores. Now I know why
Carl Barks is considered the "Good Duck Artist".
Donald Duck: Volunteer Fireman (WDC&S 225)
Wow. Donald Duck as a competent fireman. I really liked the sight of
Donald staggering out of the cigar factory!
The rest of the issue is filled with Taliaferro newspaper strips.
(Missing dates: 02/26 (friday?) 02/28 03/05 03/12 03/19 03/26 (sunday?))
Torsten Adair (Email removed) Washington, DC, USA
James E. Smith III
Disney comics Digest V96 #12
Message 82 -
1996-01-14 at 17:34:36
Dear DON:
I know this is a Disney newsgroup and we, more or less, focus on Disney
comics, but can I ask you a few other questions concerning your work as a
consultant on DC's Greatest Stories Ever Told series.
1) Did you consult on any other books besides the Superman one?
2) What stories what you have liked included in the volumes that weren't?
For the Superman one, I really wish they could have included Alan Moore's
final two-part Superman story that he wrote in 86. Now, that was a
sendoff that was handled with respect and love (especially, as regards to
continuity). I really wish DC would continue those anthologies of
pre-Crisis stories. Somehow, their stories were more uplifting and fun as
opposed to todays which either totally change continuity at a moment's
notice or are getting more and more negative.
I think that's why I'm mostly reading Disney these days.
James
I know this is a Disney newsgroup and we, more or less, focus on Disney
comics, but can I ask you a few other questions concerning your work as a
consultant on DC's Greatest Stories Ever Told series.
1) Did you consult on any other books besides the Superman one?
2) What stories what you have liked included in the volumes that weren't?
For the Superman one, I really wish they could have included Alan Moore's
final two-part Superman story that he wrote in 86. Now, that was a
sendoff that was handled with respect and love (especially, as regards to
continuity). I really wish DC would continue those anthologies of
pre-Crisis stories. Somehow, their stories were more uplifting and fun as
opposed to todays which either totally change continuity at a moment's
notice or are getting more and more negative.
I think that's why I'm mostly reading Disney these days.
James
Dave Rawson
Disney comics Digest V96 #12
Message 83 -
1996-01-15 at 00:10:12
DON: I never left. There's little for me to contribute to the erudite
coversations here without revealing my vast ignorance. I just lurk and soak
up all the knowledge.
ProCon is more a gathering of professionals than any specific topic of
discussion. Actually, I've dubbed it BarCon since most of the interesting
information is gleaned there. Certainly comics outside of North America would
be conversation of interest to most creators and publishers and you have a
wealth of experience to share.
The contract and royalty discussions may not affect you, but going the other
way, you are an industry resource, though you may have never thought of
yourself that way. The shibboleths are crumbling and new ways are going to
emerge. Things should be interesting at BarCon this year, I'll wager.
... Comics never were JUST for kids...
* Evaluation copy of Silver Xpress. Day # 31
--- via Silver Xpress V4.01 [NR]
--------------------------------
End of dcomics Digest V96 Issue #19
***********************************
coversations here without revealing my vast ignorance. I just lurk and soak
up all the knowledge.
ProCon is more a gathering of professionals than any specific topic of
discussion. Actually, I've dubbed it BarCon since most of the interesting
information is gleaned there. Certainly comics outside of North America would
be conversation of interest to most creators and publishers and you have a
wealth of experience to share.
The contract and royalty discussions may not affect you, but going the other
way, you are an industry resource, though you may have never thought of
yourself that way. The shibboleths are crumbling and new ways are going to
emerge. Things should be interesting at BarCon this year, I'll wager.
... Comics never were JUST for kids...
* Evaluation copy of Silver Xpress. Day # 31
--- via Silver Xpress V4.01 [NR]
--------------------------------
End of dcomics Digest V96 Issue #19
***********************************
Lasse Reichstein Nielsen
From RoC
Message 84 -
1996-01-15 at 05:13:24
Marco Rota has a new story in Scandinavian weeklies #3/1996.
D 94240, DD in "A Sheepy Story", is all of 14 pages long and takes
Donald and Scrooge to Hostokbagy in Hungary to acquire some sheep.
Donald has a few clashes with rams, and to my surprise comes out losing.
In the end however Donald's skills as a fisherman paves way for a bargain,
and Donald pulls out a contract, which Scrooge signs without even
looking at it!? A feeble excuse about being in a hurry doesn't fit
in with the general pace of the story, and Rota's eagerness to have
Donald fill the role as 'hero' of the story is though a rare sight
also - IMHO - quite out of character.
I'd have fewer problems with reading this story, if Donald's part had
been played by Gladstone.
Nice art as usual, but please somebody write him a STORY!
Swedish monthly, which consisted of a bi-monthly double issue, has
gone monthly and is now probably identical to the Norwegian and Danish isues.
The monthly Danish Scrooge pocket, now almost exclusively consisting of
Topolino reprints, has gone bi-weekly again as in 1980-85. Thus Denmark
publishes 450+ pages of Topolino reprints a month, and the production
only being about 250 pages, there's a chance that older stories, previously
unpublished in Denmark, may appear.
DAVID about the Italian/Brazilian/Danish newspaper article:
> Also, Rosa has never used Mad Madam Mim in his stories. The
>only Duck stories to use Madam Mim were drawn by Tony Strobl; I'm not
>sure who wrote them.
Actually Mad Madam Mim is fairly popular in Denmark. She is used
as a eco-conscient and anti-authoritarian role-model to children I
take it. Usually she helps children, and sometimes even J.Woodchucks.
A single story from popped from my index: AA #12/1991 (D 89136).
There are fairy many witches around Duckburg, even counting Hazel
and her Italian counterpart, Nocciola, as one. And they are BTW
human like Moe, i.e. with 'real' noses. Scary.
DON about the same article:
> I wonder if that Danish writer ever had the wild thought of calling up
> the Danish comics office to check a few facts?
I'm sure he didn't. He probably was in pains of reporting anything
significant, and an hour before headline he jotted something down
from a paper in his hotel room and phoned it in.
A month later, the promised revelatory sequel hasn't appeared.
Recently Jyllands-Posten became Denmark's top daily newspaper,
and a lot of the readers probably read Anders And & Co. too.
I believe it's still comic book #1 around here.
> Where exactly do such wild bits of misinformation enter into this trail of
> reporting? A few mistakes in Italy, a few more in Brazil, a few more in
> Denmark -- mistakes in reporting already mistaken facts? Wow -- what a
> snowball!
You are not incinerating *I* didn't translate correctedly I hope!
I was at least *looking* at the article while reporting it, and didn't make
parts of it up, like I suspect did poor Jakob in Rio.
But information sure decays in funny ways.
> I think I said that I'd be getting to my next story around the first
> week of February. And I didn't say it would definitely be that "Pizen Bluff"
> chapter. I do what my bosses tell me. We'll see...
"Of Ducks...&c." isn't part of Lo$ but the upcoming Pizen Bluff
story is; I assume "Hearts of the Yukon" goes without saying.
It will appear in issues 4-7/1996 in the DK/NO/SW/FI/IS area, and
probably around there too in Germany and UK.
But I don't remember you ever taking anything but requests from
your publishers/editors? Do they really tell you: "We want you to
do a 24 page follow up to "Goldiducks & the 3 Bears". And don't forget
Mad Madam Mim!" I imagined you'd call them up and say "...oh, and I
was thinking of maybe, like doing a story with the little guy from
"Volcano Valley" or someone." "That's GREAT. Very popular story,
everybody loves it. When do we get it? Would you like an extra issue?"
Don, I hope you did get the English issue of Carl Barks & Co. that I sent
you shortly before Christmas. I enclosed a copy of Marco Rota's viking story
(the long version) because you apparently was surprised to know there *was*
a longer version than the one in DDAdv.
TORSTEN about a WWW icon:
> I think the Junior Woodchucks of the World logo would be very appropriate.
Perfect! I was considering the MM front silhouet (famous from Harry's ()()
signatures!), for it's obvious graphical merits, but it would be a bit ()
of an irony for this list. A unique symbol created by the master himself
for an organization of helpful and knowledgeloving people and their
'holy book' is infinitely better. It even defies discussion.
Can anyone BTW think of other original symbols appearing in Duck/Mice
stories? Now there was the Bat Bandit's sign, and the Blot...
MIKKO "discussing about the dark shadows that ruins the whole industry":
> What do people get for their money when they buy a trading card. Nothing.
Well, they do get a piece of art in durable material at a low cost.
If you bought posters or lithographies, they'd cost you a fortune, and
you'd quickly get storage/display space problems. (Not to mention the
rainforests, but you Fins don't mind the paper prices going up, eh;)
But seriously, I'm not about to start no war (even if you are knocking
my other hobby), and gladly admit there's an awful, shmawful lot of
cool speculation in the industry, but at least it's more honest about
it than the comic book scene. Witness for instance Bruce Hamilton
turning WDC&S into a collectible; a prestige format (whatever that
literally means) investment catalog guaranteed to be an investment in
itself! But I bought one, and I liked it. If Bruce decides that
it will be a limited and numbered edition with holograms from the
tentative 1999 feature "The Old Master's Secret", I trust he'll
have an unlimited version alongside for cheapskates like me.
If that's what it takes to publish mice in the USA, I can live with it.
In Swedish Kalle Anka two recent issues had a card from the Skybox(TM)'s
collectors cards of Pocahontas, with the legend "What card will YOU get?"
The trick being, that the 150+ different cards are randomly inserted
into the issues, so each kid gets his or her very own and special card.
A collector is born. Some say every second.
Then there are trading card GAMES...
[Error 2703/Obsession detected: truncation engaged]
...and then I spin-warped him at +4 with BOTH my blixed fnords! Har-har!
--Ole 'RoC' Reichstein Nielsen
c/o (Email removed)
-- Message #001 of RoC's 1996 Limited Edition Mail. ---
-- Subscribe now. Read them all. Subscribe now. ---
D 94240, DD in "A Sheepy Story", is all of 14 pages long and takes
Donald and Scrooge to Hostokbagy in Hungary to acquire some sheep.
Donald has a few clashes with rams, and to my surprise comes out losing.
In the end however Donald's skills as a fisherman paves way for a bargain,
and Donald pulls out a contract, which Scrooge signs without even
looking at it!? A feeble excuse about being in a hurry doesn't fit
in with the general pace of the story, and Rota's eagerness to have
Donald fill the role as 'hero' of the story is though a rare sight
also - IMHO - quite out of character.
I'd have fewer problems with reading this story, if Donald's part had
been played by Gladstone.
Nice art as usual, but please somebody write him a STORY!
Swedish monthly, which consisted of a bi-monthly double issue, has
gone monthly and is now probably identical to the Norwegian and Danish isues.
The monthly Danish Scrooge pocket, now almost exclusively consisting of
Topolino reprints, has gone bi-weekly again as in 1980-85. Thus Denmark
publishes 450+ pages of Topolino reprints a month, and the production
only being about 250 pages, there's a chance that older stories, previously
unpublished in Denmark, may appear.
DAVID about the Italian/Brazilian/Danish newspaper article:
> Also, Rosa has never used Mad Madam Mim in his stories. The
>only Duck stories to use Madam Mim were drawn by Tony Strobl; I'm not
>sure who wrote them.
Actually Mad Madam Mim is fairly popular in Denmark. She is used
as a eco-conscient and anti-authoritarian role-model to children I
take it. Usually she helps children, and sometimes even J.Woodchucks.
A single story from popped from my index: AA #12/1991 (D 89136).
There are fairy many witches around Duckburg, even counting Hazel
and her Italian counterpart, Nocciola, as one. And they are BTW
human like Moe, i.e. with 'real' noses. Scary.
DON about the same article:
> I wonder if that Danish writer ever had the wild thought of calling up
> the Danish comics office to check a few facts?
I'm sure he didn't. He probably was in pains of reporting anything
significant, and an hour before headline he jotted something down
from a paper in his hotel room and phoned it in.
A month later, the promised revelatory sequel hasn't appeared.
Recently Jyllands-Posten became Denmark's top daily newspaper,
and a lot of the readers probably read Anders And & Co. too.
I believe it's still comic book #1 around here.
> Where exactly do such wild bits of misinformation enter into this trail of
> reporting? A few mistakes in Italy, a few more in Brazil, a few more in
> Denmark -- mistakes in reporting already mistaken facts? Wow -- what a
> snowball!
You are not incinerating *I* didn't translate correctedly I hope!
I was at least *looking* at the article while reporting it, and didn't make
parts of it up, like I suspect did poor Jakob in Rio.
But information sure decays in funny ways.
> I think I said that I'd be getting to my next story around the first
> week of February. And I didn't say it would definitely be that "Pizen Bluff"
> chapter. I do what my bosses tell me. We'll see...
"Of Ducks...&c." isn't part of Lo$ but the upcoming Pizen Bluff
story is; I assume "Hearts of the Yukon" goes without saying.
It will appear in issues 4-7/1996 in the DK/NO/SW/FI/IS area, and
probably around there too in Germany and UK.
But I don't remember you ever taking anything but requests from
your publishers/editors? Do they really tell you: "We want you to
do a 24 page follow up to "Goldiducks & the 3 Bears". And don't forget
Mad Madam Mim!" I imagined you'd call them up and say "...oh, and I
was thinking of maybe, like doing a story with the little guy from
"Volcano Valley" or someone." "That's GREAT. Very popular story,
everybody loves it. When do we get it? Would you like an extra issue?"
Don, I hope you did get the English issue of Carl Barks & Co. that I sent
you shortly before Christmas. I enclosed a copy of Marco Rota's viking story
(the long version) because you apparently was surprised to know there *was*
a longer version than the one in DDAdv.
TORSTEN about a WWW icon:
> I think the Junior Woodchucks of the World logo would be very appropriate.
Perfect! I was considering the MM front silhouet (famous from Harry's ()()
signatures!), for it's obvious graphical merits, but it would be a bit ()
of an irony for this list. A unique symbol created by the master himself
for an organization of helpful and knowledgeloving people and their
'holy book' is infinitely better. It even defies discussion.
Can anyone BTW think of other original symbols appearing in Duck/Mice
stories? Now there was the Bat Bandit's sign, and the Blot...
MIKKO "discussing about the dark shadows that ruins the whole industry":
> What do people get for their money when they buy a trading card. Nothing.
Well, they do get a piece of art in durable material at a low cost.
If you bought posters or lithographies, they'd cost you a fortune, and
you'd quickly get storage/display space problems. (Not to mention the
rainforests, but you Fins don't mind the paper prices going up, eh;)
But seriously, I'm not about to start no war (even if you are knocking
my other hobby), and gladly admit there's an awful, shmawful lot of
cool speculation in the industry, but at least it's more honest about
it than the comic book scene. Witness for instance Bruce Hamilton
turning WDC&S into a collectible; a prestige format (whatever that
literally means) investment catalog guaranteed to be an investment in
itself! But I bought one, and I liked it. If Bruce decides that
it will be a limited and numbered edition with holograms from the
tentative 1999 feature "The Old Master's Secret", I trust he'll
have an unlimited version alongside for cheapskates like me.
If that's what it takes to publish mice in the USA, I can live with it.
In Swedish Kalle Anka two recent issues had a card from the Skybox(TM)'s
collectors cards of Pocahontas, with the legend "What card will YOU get?"
The trick being, that the 150+ different cards are randomly inserted
into the issues, so each kid gets his or her very own and special card.
A collector is born. Some say every second.
Then there are trading card GAMES...
[Error 2703/Obsession detected: truncation engaged]
...and then I spin-warped him at +4 with BOTH my blixed fnords! Har-har!
--Ole 'RoC' Reichstein Nielsen
c/o (Email removed)
-- Message #001 of RoC's 1996 Limited Edition Mail. ---
-- Subscribe now. Read them all. Subscribe now. ---
Torsten Wesley Adair
A Friendly Warning
Message 85 -
1996-01-15 at 08:00:11
I will be sending circulation figures from Donald Duck, Uncle Scrooge
Adventures, and Donald Duck and Mickey Mouse to the list. These reports
are long, and I'd just like to appologize in advance if this creates any
inconvenience.
I'm posting them here so that members can see how well (or badly)
Gladstone's titles are doing, and so that these figures can be added to
the archives for future use.
Torsten Adair (Email removed) Washington, DC, USA
Adventures, and Donald Duck and Mickey Mouse to the list. These reports
are long, and I'd just like to appologize in advance if this creates any
inconvenience.
I'm posting them here so that members can see how well (or badly)
Gladstone's titles are doing, and so that these figures can be added to
the archives for future use.
Torsten Adair (Email removed) Washington, DC, USA
Torsten Wesley Adair
Circulation Figures Donald Duck 1995
Message 86 -
1996-01-15 at 08:11:17
Statement of Ownership, Management and Circulation
(Required by 39 USC 3685)
1. Publication Title: Walt Disney's Donald Duck
2. Publication Number: 0012-124
3. Filing Date: October 13, 1995
4. Issue Frequency: Bimonthly
5. No. of issues published annually: 6
6. Annual subscription price: $9.00
7. Complete mailing address of known office of publication: Gladstone
Publishing, 212 S. Montezuma, Prescott, Yavapai County, AZ 86303
8. Complete mailing address of headquarters or general business offices
of publisher: Gladstone Publishing, 212 S. Montezuma, Prescott, Yavapai
County, AZ 86303
9. Full names and complete mailing addresses of publisher, editor, and
managing editor: Publisher: Bruce Hamilton, 212 S. Montezuma, Prescott, AZ
86303; Editor, Leonard Clark, 212 S. Montezuma, Prescott, AZ 86303;
Managing Editor, none.
10. Owner: The Bruce Hamilton Company, 212 S. Montezuma, Prescott, AZ
86303; Bruce Hamilton, 212 S. Montezuma, Prescott, AZ 86303; Helen
Hamilton, 212 S. Montezuma, Prescott, AZ 86303.
11. Known bondholders, mortgagees, and other security holders owning or
holding 1 percent or more of total amount of bonds, mortgages or other
securities (if there are none, so state): None.
12. For completion by non-profit organizations authorized to mail at
special rates.
13. Publication name: Walt Disney's Donald Duck.
14. Issue date for circulation data below: #292, November.
15. Extent and nature of circulation:
Average no. of copies each issue during preceding twelve months:
[column one]
Actual no. copies of single issue published nearest to filing date:
[column two]
A. Total no. copies (net press run):
89,830 91,040
B. Paid and/or requested circulation:
1. Sales through dealers and carriers, street vendors and counter
sales (not mailed):
69,538 82,695
2. Paid or requested mail subscriptions (include advertisers
proof copies/exchange copies):
2,199 2,227
C. Total paid and/or requested circulation (sum of 15b(1) AND 15b(2)):
71,737 84,922
D. Free distribution by mail (samples, complimentary and other free):
15 15
E. Free distribution outside the mail (carriers and other means):
224 224
F. Total free distribution (sum of 15d and 15e):
239 239
G. Total distribution (sum of 15c and 15f)
71,976 85,161
H. Copies not distibuted:
1. Office use, leftovers, spoiled:
1,304 2,597
2. Return from news agents:
16,550 3,282
I. Total (sum of 15g, 15h(1), and 15h(2)):
89,830 91,040
Percent paid and/or requested circulation (15c/15g x 100):
99.7% 99.7%
16. This statement of ownership will appear in the 295th issue of this
publication.
17. I certify that the statements made by me above are correct and complete.
Signed: Steven C. Calrow, Business Manager
Torsten Adair (Email removed) Washington, DC, USA
(Required by 39 USC 3685)
1. Publication Title: Walt Disney's Donald Duck
2. Publication Number: 0012-124
3. Filing Date: October 13, 1995
4. Issue Frequency: Bimonthly
5. No. of issues published annually: 6
6. Annual subscription price: $9.00
7. Complete mailing address of known office of publication: Gladstone
Publishing, 212 S. Montezuma, Prescott, Yavapai County, AZ 86303
8. Complete mailing address of headquarters or general business offices
of publisher: Gladstone Publishing, 212 S. Montezuma, Prescott, Yavapai
County, AZ 86303
9. Full names and complete mailing addresses of publisher, editor, and
managing editor: Publisher: Bruce Hamilton, 212 S. Montezuma, Prescott, AZ
86303; Editor, Leonard Clark, 212 S. Montezuma, Prescott, AZ 86303;
Managing Editor, none.
10. Owner: The Bruce Hamilton Company, 212 S. Montezuma, Prescott, AZ
86303; Bruce Hamilton, 212 S. Montezuma, Prescott, AZ 86303; Helen
Hamilton, 212 S. Montezuma, Prescott, AZ 86303.
11. Known bondholders, mortgagees, and other security holders owning or
holding 1 percent or more of total amount of bonds, mortgages or other
securities (if there are none, so state): None.
12. For completion by non-profit organizations authorized to mail at
special rates.
13. Publication name: Walt Disney's Donald Duck.
14. Issue date for circulation data below: #292, November.
15. Extent and nature of circulation:
Average no. of copies each issue during preceding twelve months:
[column one]
Actual no. copies of single issue published nearest to filing date:
[column two]
A. Total no. copies (net press run):
89,830 91,040
B. Paid and/or requested circulation:
1. Sales through dealers and carriers, street vendors and counter
sales (not mailed):
69,538 82,695
2. Paid or requested mail subscriptions (include advertisers
proof copies/exchange copies):
2,199 2,227
C. Total paid and/or requested circulation (sum of 15b(1) AND 15b(2)):
71,737 84,922
D. Free distribution by mail (samples, complimentary and other free):
15 15
E. Free distribution outside the mail (carriers and other means):
224 224
F. Total free distribution (sum of 15d and 15e):
239 239
G. Total distribution (sum of 15c and 15f)
71,976 85,161
H. Copies not distibuted:
1. Office use, leftovers, spoiled:
1,304 2,597
2. Return from news agents:
16,550 3,282
I. Total (sum of 15g, 15h(1), and 15h(2)):
89,830 91,040
Percent paid and/or requested circulation (15c/15g x 100):
99.7% 99.7%
16. This statement of ownership will appear in the 295th issue of this
publication.
17. I certify that the statements made by me above are correct and complete.
Signed: Steven C. Calrow, Business Manager
Torsten Adair (Email removed) Washington, DC, USA
Torsten Wesley Adair
Circulation Figures Uncle Scrooge Adventures 1995
Message 87 -
1996-01-15 at 08:15:42
Statement of Ownership, Management and Circulation
(Required by 39 USC 3685)
1. Publication Title: Walt Disney's Uncle Scrooge Adventures
2. Publication Number: 0012-126
3. Filing Date: October 13, 1995
4. Issue Frequency: Bimonthly
5. No. of issues published annually: 6
6. Annual subscription price: $9.00
7. Complete mailing address of known office of publication: Gladstone
Publishing, 212 S. Montezuma, Prescott, Yavapai County, AZ 86303
8. Complete mailing address of headquarters or general business offices
of publisher: Gladstone Publishing, 212 S. Montezuma, Prescott, Yavapai
County, AZ 86303
9. Full names and complete mailing addresses of publisher, editor, and
managing editor: Publisher: Bruce Hamilton, 212 S. Montezuma, Prescott, AZ
86303; Editor, Leonard Clark, 212 S. Montezuma, Prescott, AZ 86303;
Managing Editor, none.
10. Owner: The Bruce Hamilton Company, 212 S. Montezuma, Prescott, AZ
86303; Bruce Hamilton, 212 S. Montezuma, Prescott, AZ 86303; Helen
Hamilton, 212 S. Montezuma, Prescott, AZ 86303.
11. Known bondholders, mortgagees, and other security holders owning or
holding 1 percent or more of total amount of bonds, mortgages or other
securities (if there are none, so state): None.
12. For completion by non-profit organizations authorized to mail at
special rates.
13. Publication name: Walt Disney's Uncle Scrooge Adventures.
14. Issue date for circulation data below: #35, November.
15. Extent and nature of circulation:
Average no. of copies each issue during preceding twelve months:
[column one]
Actual no. copies of single issue published nearest to filing date:
[column two]
A. Total no. copies (net press run):
88,745 82,292
B. Paid and/or requested circulation:
1. Sales through dealers and carriers, street vendors and counter
sales (not mailed):
68,977 77,779
2. Paid or requested mail subscriptions (include advertisers
proof copies/exchange copies):
2,907 2,999
C. Total paid and/or requested circulation (sum of 15b(1) AND 15b(2)):
71,884 80,778
D. Free distribution by mail (samples, complimentary and other free):
15 15
E. Free distribution outside the mail (carriers and other means):
224 224
F. Total free distribution (sum of 15d and 15e):
239 239
G. Total distribution (sum of 15c and 15f)
72,123 81,017
H. Copies not distibuted:
1. Office use, leftovers, spoiled:
1,876 1,275
2. Return from news agents:
14,746 0
I. Total (sum of 15g, 15h(1), and 15h(2)):
88,745 82,292
Percent paid and/or requested circulation (15c/15g x 100):
99.7% 99.7%
16. This statement of ownership will appear in the 37th issue of this
publication.
17. I certify that the statements made by me above are correct and complete.
Signed: Steven C. Calrow, Business Manager
Torsten Adair (Email removed) Washington, DC, USA
(Required by 39 USC 3685)
1. Publication Title: Walt Disney's Uncle Scrooge Adventures
2. Publication Number: 0012-126
3. Filing Date: October 13, 1995
4. Issue Frequency: Bimonthly
5. No. of issues published annually: 6
6. Annual subscription price: $9.00
7. Complete mailing address of known office of publication: Gladstone
Publishing, 212 S. Montezuma, Prescott, Yavapai County, AZ 86303
8. Complete mailing address of headquarters or general business offices
of publisher: Gladstone Publishing, 212 S. Montezuma, Prescott, Yavapai
County, AZ 86303
9. Full names and complete mailing addresses of publisher, editor, and
managing editor: Publisher: Bruce Hamilton, 212 S. Montezuma, Prescott, AZ
86303; Editor, Leonard Clark, 212 S. Montezuma, Prescott, AZ 86303;
Managing Editor, none.
10. Owner: The Bruce Hamilton Company, 212 S. Montezuma, Prescott, AZ
86303; Bruce Hamilton, 212 S. Montezuma, Prescott, AZ 86303; Helen
Hamilton, 212 S. Montezuma, Prescott, AZ 86303.
11. Known bondholders, mortgagees, and other security holders owning or
holding 1 percent or more of total amount of bonds, mortgages or other
securities (if there are none, so state): None.
12. For completion by non-profit organizations authorized to mail at
special rates.
13. Publication name: Walt Disney's Uncle Scrooge Adventures.
14. Issue date for circulation data below: #35, November.
15. Extent and nature of circulation:
Average no. of copies each issue during preceding twelve months:
[column one]
Actual no. copies of single issue published nearest to filing date:
[column two]
A. Total no. copies (net press run):
88,745 82,292
B. Paid and/or requested circulation:
1. Sales through dealers and carriers, street vendors and counter
sales (not mailed):
68,977 77,779
2. Paid or requested mail subscriptions (include advertisers
proof copies/exchange copies):
2,907 2,999
C. Total paid and/or requested circulation (sum of 15b(1) AND 15b(2)):
71,884 80,778
D. Free distribution by mail (samples, complimentary and other free):
15 15
E. Free distribution outside the mail (carriers and other means):
224 224
F. Total free distribution (sum of 15d and 15e):
239 239
G. Total distribution (sum of 15c and 15f)
72,123 81,017
H. Copies not distibuted:
1. Office use, leftovers, spoiled:
1,876 1,275
2. Return from news agents:
14,746 0
I. Total (sum of 15g, 15h(1), and 15h(2)):
88,745 82,292
Percent paid and/or requested circulation (15c/15g x 100):
99.7% 99.7%
16. This statement of ownership will appear in the 37th issue of this
publication.
17. I certify that the statements made by me above are correct and complete.
Signed: Steven C. Calrow, Business Manager
Torsten Adair (Email removed) Washington, DC, USA
Torsten Wesley Adair
Circulation Figures Donald Duck and Mickey Mouse 1995
Message 88 -
1996-01-15 at 08:24:24
Statement of Ownership, Management and Circulation
(Required by 39 USC 3685)
1. Publication Title: Walt Disney's Donald Duck & Mickey Mouse
2. Publication Number: 0012-125
3. Filing Date: October 13, 1995
4. Issue Frequency: Bimonthly
5. No. of issues published annually: 6
6. Annual subscription price: $9.00
7. Complete mailing address of known office of publication: Gladstone
Publishing, 212 S. Montezuma, Prescott, Yavapai County, AZ 86303
8. Complete mailing address of headquarters or general business offices
of publisher: Gladstone Publishing, 212 S. Montezuma, Prescott, Yavapai
County, AZ 86303
9. Full names and complete mailing addresses of publisher, editor, and
managing editor: Publisher: Bruce Hamilton, 212 S. Montezuma, Prescott, AZ
86303; Editor, Leonard Clark, 212 S. Montezuma, Prescott, AZ 86303;
Managing Editor, none.
10. Owner: The Bruce Hamilton Company, 212 S. Montezuma, Prescott, AZ
86303; Bruce Hamilton, 212 S. Montezuma, Prescott, AZ 86303; Helen
Hamilton, 212 S. Montezuma, Prescott, AZ 86303.
11. Known bondholders, mortgagees, and other security holders owning or
holding 1 percent or more of total amount of bonds, mortgages or other
securities (if there are none, so state): None.
12. For completion by non-profit organizations authorized to mail at
special rates.
13. Publication name: Walt Disney's Donald Duck & Mickey Mouse.
14. Issue date for circulation data below: #2, November.
15. Extent and nature of circulation:
Average no. of copies each issue during preceding twelve months:
[column one]
Actual no. copies of single issue published nearest to filing date:
[column two]
A. Total no. copies (net press run):
89,440 84,850
B. Paid and/or requested circulation:
1. Sales through dealers and carriers, street vendors and counter
sales (not mailed):
70,258 81,684
2. Paid or requested mail subscriptions (include advertisers
proof copies/exchange copies):
1,511 1,531
C. Total paid and/or requested circulation (sum of 15b(1) AND 15b(2)):
71,769 83,215
D. Free distribution by mail (samples, complimentary and other free):
15 15
E. Free distribution outside the mail (carriers and other means):
224 224
F. Total free distribution (sum of 15d and 15e):
239 239
G. Total distribution (sum of 15c and 15f)
72,008 83,454
H. Copies not distibuted:
1. Office use, leftovers, spoiled:
1,213 1,122
2. Return from news agents:
16,219 274
I. Total (sum of 15g, 15h(1), and 15h(2)):
89,440 84,850
Percent paid and/or requested circulation (15c/15g x 100):
99.7% 99.7%
16. This statement of ownership will appear in the 295th issue of this
publication.
17. I certify that the statements made by me above are correct and complete.
Signed: Steven C. Calrow, Business Manager
Torsten Adair (Email removed) Washington, DC, USA
(Required by 39 USC 3685)
1. Publication Title: Walt Disney's Donald Duck & Mickey Mouse
2. Publication Number: 0012-125
3. Filing Date: October 13, 1995
4. Issue Frequency: Bimonthly
5. No. of issues published annually: 6
6. Annual subscription price: $9.00
7. Complete mailing address of known office of publication: Gladstone
Publishing, 212 S. Montezuma, Prescott, Yavapai County, AZ 86303
8. Complete mailing address of headquarters or general business offices
of publisher: Gladstone Publishing, 212 S. Montezuma, Prescott, Yavapai
County, AZ 86303
9. Full names and complete mailing addresses of publisher, editor, and
managing editor: Publisher: Bruce Hamilton, 212 S. Montezuma, Prescott, AZ
86303; Editor, Leonard Clark, 212 S. Montezuma, Prescott, AZ 86303;
Managing Editor, none.
10. Owner: The Bruce Hamilton Company, 212 S. Montezuma, Prescott, AZ
86303; Bruce Hamilton, 212 S. Montezuma, Prescott, AZ 86303; Helen
Hamilton, 212 S. Montezuma, Prescott, AZ 86303.
11. Known bondholders, mortgagees, and other security holders owning or
holding 1 percent or more of total amount of bonds, mortgages or other
securities (if there are none, so state): None.
12. For completion by non-profit organizations authorized to mail at
special rates.
13. Publication name: Walt Disney's Donald Duck & Mickey Mouse.
14. Issue date for circulation data below: #2, November.
15. Extent and nature of circulation:
Average no. of copies each issue during preceding twelve months:
[column one]
Actual no. copies of single issue published nearest to filing date:
[column two]
A. Total no. copies (net press run):
89,440 84,850
B. Paid and/or requested circulation:
1. Sales through dealers and carriers, street vendors and counter
sales (not mailed):
70,258 81,684
2. Paid or requested mail subscriptions (include advertisers
proof copies/exchange copies):
1,511 1,531
C. Total paid and/or requested circulation (sum of 15b(1) AND 15b(2)):
71,769 83,215
D. Free distribution by mail (samples, complimentary and other free):
15 15
E. Free distribution outside the mail (carriers and other means):
224 224
F. Total free distribution (sum of 15d and 15e):
239 239
G. Total distribution (sum of 15c and 15f)
72,008 83,454
H. Copies not distibuted:
1. Office use, leftovers, spoiled:
1,213 1,122
2. Return from news agents:
16,219 274
I. Total (sum of 15g, 15h(1), and 15h(2)):
89,440 84,850
Percent paid and/or requested circulation (15c/15g x 100):
99.7% 99.7%
16. This statement of ownership will appear in the 295th issue of this
publication.
17. I certify that the statements made by me above are correct and complete.
Signed: Steven C. Calrow, Business Manager
Torsten Adair (Email removed) Washington, DC, USA
Don Rosa
Disney comics Digest V96 #12
Message 89 -
1996-01-15 at 17:02:00
TORSTEN:
Yes, they are reprinting the "Lo$" there in France, and doing it
rather nicely. I don't think they could be "using" the Gladstone coloring,
other than possibly copying it by eye. Is it very similar? I don't have the
issues over here for comparison. If there is the slightest difference, no
matter how tiny, then it's all new coloring.
In one issue (that one) they reprinted all the oval-cover-portraits
off the Gladstone issues, and reprinted the time-line that I wrote for one
of my "Making of..." texts. That showed some special interest or effort on
the editors' part, I guess. But... what did you mean to ask, "would there be
another reason for France to print the "Lo$" so late?" Another reason other
than what? They are printing it late simply because they are not Egmont and
don't know about the stories until they see them in Egmont issues, then must
order copies, prepare them (color, text), then schedule the stories for
appearance in their monthly issues. That might be as fast as they could get
them in.
As I recall, that article must have been put together by someone at
EuroDisneyland (or whatever it's called now) who interviewed me once, and
also is a correspondent for the comics there.
--------------------------------
End of dcomics Digest V96 Issue #13
***********************************
Yes, they are reprinting the "Lo$" there in France, and doing it
rather nicely. I don't think they could be "using" the Gladstone coloring,
other than possibly copying it by eye. Is it very similar? I don't have the
issues over here for comparison. If there is the slightest difference, no
matter how tiny, then it's all new coloring.
In one issue (that one) they reprinted all the oval-cover-portraits
off the Gladstone issues, and reprinted the time-line that I wrote for one
of my "Making of..." texts. That showed some special interest or effort on
the editors' part, I guess. But... what did you mean to ask, "would there be
another reason for France to print the "Lo$" so late?" Another reason other
than what? They are printing it late simply because they are not Egmont and
don't know about the stories until they see them in Egmont issues, then must
order copies, prepare them (color, text), then schedule the stories for
appearance in their monthly issues. That might be as fast as they could get
them in.
As I recall, that article must have been put together by someone at
EuroDisneyland (or whatever it's called now) who interviewed me once, and
also is a correspondent for the comics there.
--------------------------------
End of dcomics Digest V96 Issue #13
***********************************
Sigurdur Hrafn Gislason
Italian pocketbook stories.
Message 90 -
1996-01-15 at 19:01:26
Since I was a kid I always read the danish Jumbo books for sheer entertainment.
The stories were longer and the plots somewhat weird. Recently a
icelandic publishing firm started printing these books in icelandic and
doing a pretty good job too.
Anyway I started browsing through them again, expecting to find them
somewhat silly and childish but the books really surprised me. The
stories are varied in style and quality but two things stood out. The
main story is often very good with a good portion of (somewhat) adult
humor in between.
The second feature is, in nearly every book, a Disney version of some
fameous literary work. It seems that the more famous citizens of
Duckburg have enrolled in the local theater and are constantly putting
up a new show every month. The artwork is beautiful and the story
is genuinly funny.
It seems that the italians are really putting more into their stories.
Sigurdur Hrafn
--
B.C. Dictionary: cheap
- The entire vocabulary of a low priced parrot.
The stories were longer and the plots somewhat weird. Recently a
icelandic publishing firm started printing these books in icelandic and
doing a pretty good job too.
Anyway I started browsing through them again, expecting to find them
somewhat silly and childish but the books really surprised me. The
stories are varied in style and quality but two things stood out. The
main story is often very good with a good portion of (somewhat) adult
humor in between.
The second feature is, in nearly every book, a Disney version of some
fameous literary work. It seems that the more famous citizens of
Duckburg have enrolled in the local theater and are constantly putting
up a new show every month. The artwork is beautiful and the story
is genuinly funny.
It seems that the italians are really putting more into their stories.
Sigurdur Hrafn
--
B.C. Dictionary: cheap
- The entire vocabulary of a low priced parrot.