Keskustelujen arkisto

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Topic: 199704

(187 messages)
Harry Fluks
MARCO:

>> seem that Flintheart was showing the coin instead of hiding it.
> Thinking about it again, couldn't it be also a little mistake on your side?
> When "something" (e. g. a hand, a coin) zips quickly, shouldn't the "trail"
> be drawn ON THE SIDE OPPOSITE TO THE TARGET ?

In fact, Don tried to suggest TWO actions in one panel. Glomgold first
shows the coin, and then puts it back in his purse. The "trail" is from the
second action (where the coin is in the purse, hence invisible). You can
get confused because the visible coin is from the first action.

The Italian translator (the Tattooed Lady?) is not the only one who got
confused. The Germans also failed to translate the "never mind", making it
"that's probably not enough" (I'm paraphrasing the German from my mind,
here).

--Harry.
"He sez to me: 'My red flanels was stolen from under my bed'.
An' I sez: 'Under WEAR?' Get it? Haw! Haw! Haw!"
(Dippy Dawg in 1933)
Danny Coenen
Hi, all you who remember me and all those who've recently joined the list!

I am sorry that this is my first contribution to the list this year. All
that =F5$%$ school stress... Anyways, I don't want to bore you anymore but=
ask
some questions:

DANIEL V.A.:=20

A long, long time ago (probably 1995) you said that you might get a copy of
the cartoon "Der Fuehrer's Face". Did you ever get it? If so, is there any
way you can send me a copy (or maybe I could come get it, since I live
pretty close to the Dutch border, and you live somewhere over there, don't
ya?).=20
Do you, or does anybody else know if there's a comic version of it?

DON:=20

I've been re-reading all of your stories that I have recently, after I read
the comments on your LO$ of yours and Dan Shane's homepage and all kinds of
other stuff that has been published on you on the net. Ever since I have=
been
trying to get all of those Yukon stories you and Carl Barks created into a
logical order, but I didn't quite manage to do so. If it isn't too much of
an effort for you, would you mind sending me a sort of a timeline? I think
that might be of interest for the other members of the list as well.=20
Do you have any plans to come on a visit to Germany again any time soon? In
case you have another meeting with the Donaldists, I would really like to
participate. I am one of them after all, but unfortunately they hardly ever=
=20
let their members know about meetings with artists and things alike.=20

Well, that's all for today, Have a great day, everybody.=20

Danny Coenen =09
Guestenerstr. 51
D-52428 Juelich-Welldorf =
=20
Germany EU
Tel: (02463)905492
e-mail: (Email removed)
Nils Lid Hjort
Don Rosa informed us, 23rd of April:
>I see I am nominated (again) for BEST
>SERIALIZED STORY for "The Universal Solvent", which is swell, but I didn't
>think that story was a fraction as good as "Hearts of the Yukon" which
>received no nomination in 95, but it's always hard to figure how these
>committees make these decisions, I guess. And I'm nominated for BEST
>WRITER/ARTIST FOR HUMOR, and it's good to see that they have that separate
>from DRAMA (even though I'd almost like to be in some third category for
>"COMEDY-DRAMA" that I dodn't really ever expect to see)... and also Jeff
>Smith isn't nominated this year so I may actually have a chance to win! And
>that would be nice... I'd accept that'n with a smile! (If I won for
>"Universal Solvent", I'd accept that with a "puzzled grin".)

Could you educate the ignoramuses amongst us, in a couple of sentences:
who is Jeff Smith, and what does he produce?

Nils Lid Hjort
Louise Gauthier
unsubscribe
Augie De Blieck Jr.
Hi all,

Sorry to say that Mania isn't listing Gladstone this month. =(

However, I will dutifully transcribe the information when it comes out in
printed form (via PREVIEWS magalog) on Wednesday.

-Augie
----------------------------------------------------------------------
Augie De Blieck Jr. * (Email removed) * (Email removed)
VR.5 FAQkeeper - Watch VR.5 on The Sci-Fi Channel Tuesday Nights,
10 p.m. EST! Read the FAQ: http://www.nic.com/~augie/vr5/index.htm

--------------------------------
End of Disney comics Digest V97 Issue #85
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James E. Smith III
Looking for Barry

Hi! If anyone heard from Barry Branvold (who shows up sometime on this
list), please let me know.

James Smith III
(Email removed)
Shaun M. Knowler
ALL: here's a sweet little story my fellow North Americans might like to
hear, just for the fun of it.

I went into my local comic store to chat with the manager as I often do,
when she tells me about a little 10 year old boy. This boy was usually
known to come into the store, and buy comic books about some Hedgehog
named Sonic. Well, Sonic had not been showing up at our little comic
books store for quite some time. This seemed to leave the little boy
distraught and desperate. After a while, he was tired of waiting for
Sonic to come, so he decided to look at the rack of comic books beside the
rack which would normally hold the latest adventure of Sonic the Hedgehog.
On this particular rack, he found some odd books about the adventures of
some real old duck who likes to swim in money. He bought one of the
books. And, as my manager tells me, this little boy has been coming back
about every other day, picking up a new comic book full of ducks,
seemingly impressed with what he found inside.

Now, my friends, isn't that just a heartwarming story? For even one
little boy can make a difference.

-Shaun
BuzzMark
One of the nice parts of going from France to Greece is buying Zio
Paperone. This time I stumbled on Carl Bark's bottle cap story in
Shan-grilla. The little blurb on the history of the story states that
Don Rosa's return to Xanadu is some kind of rendition of Barks's. How
far is this true ? Does "Return..." imply the there was a first Xanadu
story ? or was it Barks's ? Thank you.
SRoweCanoe
In a message dated 97-04-25 22:21:48 EDT, Niles wrote:

<< Could you educate the ignoramuses amongst us, in a couple of sentences:
who is Jeff Smith, and what does he produce? >>

You'll feel even more of an ignormauses, when I mention that we've done a few
brief mentions of him on this list. DISNEY ADVENTURES has been reprinting
his "Bone"
comics. And that is what he is known for: Bone.

Steven Rowe
P.S. Hey I don't believe that everyone should know everybody. I don't think
that you're an ignormases - heck I can even spell the singular form of that
word. ;)
Jakob Soederbaum
Hi there!
Some while ago my entire mailsystem crashed. Not much saved, and most of my
during-the-year-so-far made-up answers for the list was also gone. :(
But I found a file I had saved sometime with my so-far answers. I don't know
if anyone care the least about those matters anymore, but since it's all I
have left I feel I must send it anyway. Otherwise *everything* would be
entirely in vain, and I can't accept that. You can skip the rest of this
message, if you want. It's just me. :|

DON wrote:

>> Disney has refused to allow "The Incredible Shrinking Tightwad" to appear in
>> the United States without several dozen panels being deleted, totalling 2 to
>> 3 pages of the story. [...] The new politically
>> incorrect concept that readers will no longer be allowed to see referred to
>> in a Disney comic book is:
>> *personal hygiene*.

Mikko answered:

[...]
> Does anybody know whether Bill Grandey has any friends
> at the "Rosa-Cencorship-Apartment-Of-The-Evil-Empire",
> because it sure seems that all these obscure "rules"
> are just made because some people doesn't want to see
> Don getting as much attention as he is getting now
> from Gladstone- and other readers.

I thought there were a law saying that noone can be judged for something
he's done wrong *before* the law/rule has been made up (?). Meaning they
can make up thousands of rules against stuff in Don's (and others) stories,
but this can't affect the story the least, since the rule came *after* the
"crime" already had been committed. Isn't that so?

> (Bill Grandey is the person who spent Barks' European
> visit giving away "background material" about
> Don Rosa for the European press.

Who proved it was him giving information for "War in Duckburg"? I thought
people could only speculate in whether he did it or not...

> Some people
> also call him Unca Carl's manager.)

Some other people just call him: 'The Rat'...

SHAUN wrote:

> GLADSTONE:
> Just a suggestion...put the Barks paintings on the cover, and
> use the not-so-great Noonan/Kelly stuff on the title
> page...the book might get more respect that way.

I'd like to see Rota-aquarells on the back-cover like they have in Italy.
That would make WDC just great!!

DANIEL KENNY:

[$crooge's accent]
> Maybe he could have a low pitched, slight brogue like Sean Connerry...

By awl meansch! ;-)

GOLDEN FLEECING:

So someone has found 2 rejected panels for this story, and put it back, right?
And Gladstone printed this version? In which issue, may I ask? My subscriptions
are *extremely* late (I didn't even get to read "Universal Solvent" in WDC
yet!).

Maybe I should just quit out and subscribe to Gladstone directly instead?

DANIEL v.E. says something about 2 entire rejected pages (!) in the story,
are those among the 'forever lost art' - or did someone find those too but
not print them? Sorry, it all seemed a bit unclear...

DANIEL KENNY:

> $HAUN
> Actually, I DO remember Gyro's helper in "Ducktales", which is kind of a
> miracle since I haven't seen the show in years.

And I'm certain I've seen a couple of DuckTales episodes that had *Donald*
in it! Can someone explain why? Before I had seen those episodes I thought
DuckTales was made up to show that there were other Ducks than Donald in
Duckburg (or something like that).

OLE

wrote about Der Donaldist #98, is it still possible to get a copy?

GERONIMO

He was by all means out during the period of Don's story! (Why would he
otherwise be so secretive about himself? ;-) )

FINNS:

Could anyone of you tell me the coverdate for the bound Rosa-book (KKV)?
I only know it's from 1995, but I need to know which month it was launched
too...

SARA:

> Hi I was just wondering where you get all of the magazines and
> comics from.

Ayia! So *this* is how it is nowadays in the US?! You can't even get comics
without searching around for it?? Gees... (that's *heavy*!!)

> I have only seen a few but they were in a kids magazine.

So they also call our beloved Duck comics... :-/

> The ones I saw were really good.

Of course!

> The comic being discussed now sounds
> pretty good. The one with Donald, Daisy and the three nephews.

That description fits for... *lots* of Duck comics, but I can tell you, most
comics being discussed here *are* good. Not that I read all, but they're not
being discussed fer nuthin', ya know! ;-)

FREDRIK:

> I just checked Four11 and there are two hits on "Dick Reich", seven on
> "Richard Reich" (Dick is a nickname for Richard, isn't it?) and none on
> "(Dick or Richard) Reiche". If anyone wants to sit down and politely write
> to all nine, by all means. The address to Four11 is www.four11.com.

I would, if noone else checked yet (?).

HARRY:

> JAKOB:
>>> There is a Taliaferro-Sunday-page collection in German.
>> There's also one in Sweden. Or *was* some years ago. There were three
>> albums/pockets published of the years 1938-40 (or something). Nothing too
>> special though, IMO. But I'd *love* to see it in English...
>
> There used to be a series of albums with Taliaferro *dailies* in Holland. But that
> wasn't a big commercial success. These albums were also published in other countries.
> In fact, they still are! The "DD day by day" albums in Norway are actually produced
> in Holland!

I think I mixed things up (like always)! I believe this is what I mean. Now
that you mention it I recall they were called "Kalle Anka - Dag foer Dag",
meaning exactly what you've written...

[Harry to Gary]
> What about the "Atom Bomb" story, for
> instance? You already discussed having to change the last panel, but
> what about the merge of the Jippes redrawings with a few "original" (?)
> Barks panels?

I never noticed any " original" panels in the Jippes version. Btw, did I
send you xeroxes of Barks' original yet?? The version I have is the clearest
*I* ever saw...

DON:

> JAKOB: (everyone else skip this looooong story)

Ha! A special Don Rosa story -- just for *me*!! ;-)

> That toy museum with those old KALLE ANKA & CO.s -- yeah, sounds like they
> got me mixed up with two other guys. Are you sure they didn't mean to say I
> create STORIES of the Disney characters?

No, my translation is correct.

> Still, I'm about 40 years away from
> being "legendary".

In the Disney comics world, *maybe*. But as a comiccreator since the mid
50s (hee hee!), you're by all means "legendary"! For example, the PP
stories are almost considered as *cult* nowadays...

[... finding the old KAs]
> but since they were 43 years old and in PERFECT unopened
> condition, he put prices of $20 on each one.

???!?!??!?!?!????!?!?!!!!!!!!!!!! #2 1948 is worth at least a thousand bucks
in the condition I saw it in! And the others from 1948 are almost as worthy.

> He hadn't sold any except the
> #1 which was bought by a kid purely because he thought it was an oddity.

[Reading from here to the end really made me sick!]

> What about the #1? I know the name of the kid who bought it and that he
> lives in New Mexico. But I've tried locating him to no avail.

If you could only share his name...

> Somewhere out
> there is a kid with a KALLE ANKA #1 in perfect mint condition, and he
> probably has it under his bed in the dustballs with his Wolverine and Spawn
> comics. Or worse.

I can tell you, since he doesn't know what a valuable collectible he possesses,
he's probably read it out of the MINT condition mark long time ago. There's
only a few samples of #1 known in MINT condition, each worth at least
$16.000. Somewhere out there is a *kid* who bought it for $20, and not
saving this piece of *history* in a ultramylarsleeve (where it belongs,
whether you want it or not, Don!!)! :(

I... feel URPY... I think I'm gonna'... OOOLLP!

BYRON:

> I'm very proud that I was part of putting together the CBL; proud
> because we went to a lot of trouble to preserve Barks' life's work as
> faithfully as possible. Naturally, it could not be an exact duplication
> of exactly what Barks drew, given Disney censorship ("Donald Duck's Atom
> Bomb", for example) and lousy or missing proofs in some cases.

I'm trying to restore "Darkest Africa" and "Atom Bomb" the way you discribes
since a couple of years. It's hard, but the result is lovely!

Btw, I sent you a private message about this a long time ago. Why didn't
you reply to it??

> When everything important (like the
> story, the layout, the position of the character, the facial
> expressions, etc. etc.) is original, and the only change is the exact
> thickness of a line a fraction of a millimeter long, what's the problem?

I'm talking about the *major* alterations, like "Atom Bomb", "Darkest Africa",
"Race to the South Seas". Of course, you didn't have the original proofs,
but you could at least try to restore xeroxes of original publications (the
way I do)...

> But for those of you who think it *is* a problem, all I can say is that
> you really should step back and look at the forest. It's a much more
> pleasant view than that knothole on the the third tree to the left that
> you've got your nose buried in.

The problem is that we suddenly got to know that the entire forest is
infected with termites! ;-)

[...]
> But I'm certainly flattered that you went all that way to see li'l ol'
> me! And I don't believe it for one second!

That's up to you, of course. In fact there was *one* other reason, and that
guy didn't show up either...

And why wouldn't I want to see you again? Last time was on the same convention
two years earlier, and that was *quite* a short meeting...

NILS wrote:

> Staying with Sweden and Don Rosa: delightful story about the Swedish Kalla
> Ankas #2-10 that you are lending out to the Lekmuseet! I'm two bits
> surprised that this dealer-of-the-old-school you describe didn't sense
> in his bones that pristine mint KAs #1-10 were indeed more valuable than
> 20 dollars.

It's high time someone mentions that there were only 4 issues of KA published
in 1948 (starting in September). The others are from 1949.

> The most famous example would be the ending panel
> of the Atom Bomb story (where the 1947 panel is _very different_,
> also in character, from what is in CBL/CBLinC). Is this the only
> _drastic_ example?

What do you mean? I have the original right here, and the last panel of
"Atom Bomb" in the redrawn version in CBL is similar, except for "Clang
Clang" which has been "removed". The panel/cicle before has had the dialogue
changed, of course. From:

DD: I've got my way picked out to make MONEY - and LOTS of it!

To:

DD: No thanks, professor! I've got more than money in mind!

But no art-changes has been done...

> (a) What is the (current) list of such "banned Barks" stories/parts of
> stories? I say "current" since some stories _have been_ banned but has
> later been published widely (Darkest Africa).

Yeah, but with the art entirely redrawn, and with some drastic changes in
the script. It's not Barks' "Darkest Africa" anylonger, it's Made in the
Netherlands.

> (b) Who has the executing power to say "ban this" & "deban that"
> (except the Pope)?

Most certainly someone who never read the story, nor heard of Carl Barks...

> (c) Who had the actual power to destroy proofs?

"::Coff!:: I vas merrely obeying orrders!"

DAVID:

> The three "controversial" stories to which proofs were missing were
> "Darkest Africa", "Race to the South Seas" (both of which actually exist in
> the original form in Italy),

They do?? Have they been published there yet, or does Disney Italy only sit
on proofs, waiting for someone to un-bann them?

I'm very curious to any news on those two stories (since I'm myself working
on restoring them from bad xeroxes), so PLEASE LET ME KNOW!!!!

DON (in answer to Eric):

[Cineramas]
> Nay, nay... 360 or 180 degree or even IMAX theaters or films are totally
> different from Cinerama.

I have a vague memory that the panorama-cinema on Euro Disney (or Disneyland
Paris or whatever it's called now) *was* called Cinerama when I were there
sometime in 1994. I understand there's a difference between what you describe,
but I still understand why Eric thought it to be the same.

DIDIER:

[Lunching with Uderzo, speakings of Asterix]
> But the most surprising is that he said that one of his dreams most dear to
> his heart would be to see Disney make an adaptation of his character. That
> will probably never happen, though, as Asterix is not that popular in the
> US and as Uderzo wanted to keep the licensing rights on his cahracter.

Wouldn't Rota's Andold Wildduck be considered as some sort of adaption??

Well folks, that's about all that was left. :| 'The rest is history...'

---
/Jakob
Shaun M. Knowler
GLADSTONE!

Why the heck aren't "The Tenth Avatar" and "The Vigilante of Pizen Bluff"
being printed as solicited!? Dear god, don't tell me it's more
censorship...I can't take any more of it...I've been waiting since January
for these morsels of Rosa...

[nervous twitch]
-Shaun

--------------------------------
End of Disney comics Digest V97 Issue #86
*****************************************
BuzzMark
SHAUN :
Censorship ?! What about that Barks story which features Donald Duck
as a snake charmer ? well, it made it through to publication but I
remember Gladstone having strict rule aboutthe creatures...
Pedersen, Bent
Hi!

This month gave us issue #1 of GP - Grønspætte-patruljen (Junior
Woodchucks).

Stats:
======

Price: DKK 24.50
Size: A bit bigger than digest size
Pages: 98

This issues starts with a two-page presentation of the JW's: HDL, General
Snif (the JW dog), The General, Theo, Chips, Basse, Alvin and Lille Edison.
At this point, the warning signs should be flashing as Lille Edison has
been used previously - indicating that Egmont has skipped the first real
issues of this comics book, just as they did with Stålanden! Bad habit. And
the first story begins with the words: "After an exciting adventure on the
North Pole...", and then a two-page "picture-resume" of the "exciting
adventure". This is especially bad because this story continues in the next
issue.

So, major thumbs up to Egmont for giving us the new monthlys Stålanden (I
like that one) and Grønspætte-patruljen. Major thumbs down for skipping the
first issues of each book.

Did I mention the colours are real eye-pleasing? Can't wait to see if the
stories are any good.

/Bent Pedersen

-- It's a Bentriloquist thing...

-- Aarhus, Denmark
-- http://home4.inet.tele.dk/bp
Juergen Gebhardt
JAKOB SOEDERBAUM:

> OLE wrote about Der Donaldist #98, is it still possible to get a copy?

You can order #98 and other back issues of Der Donaldist from the financial
manager of D.O.N.A.L.D. and Der Donaldist

Johnny A. Grote
Belvederestrasse 24
D-50933 Koeln
Germany
(Email removed)
Daniel Van Eijmeren
MARCO BARLOTTI to DON ROSA, 24-04-1997:

[Wrong perspective in panel 17.5 of "Lost in the Andes"]

> I'm no artist, that's for sure, but I compared the two perspectives
> (Barks' and yours) and could find no meaningful difference. Er, not any
> difference meaningful TO ME, that's it! So could you be more detailed in
> explaining how your scene differs from the "original" (I should say:
> could you explain where Barks' perspective was wrong, but we don't dare
> say that, do we?)

This is what Barks said about it in a 1983-interview, taken from set 1
(page 656) of the Carl Barks Library:

"I notice that I botched up my perspective a little in drawing that.
I should have laid out all these squares down there," he said, poking
the panel with his finger for emphasis, "by measuring points instead
of from the vanishing point. See how they become diamond shaped toward
the bottom of the panel?"

"When I was drawing it, some neighbour friend dropped in and sat there
persistently talking to me, all the time that I was trying to make that
big, complicated layout. And I would have to look up and answer, with
my thoughts interrupted. There I was, hell-driven to draw that scene!
It was just in my system. I *wanted* to draw it; and there I had this
talking neighbor: talk, talk, talk. It's been a problem my whole life:
whenever I was up against something on which I had to use my head and
do some really deep thinking, somebody would always come along and have
to talk about something. Even a stranger will buttonhole me and start
talking. I was trying to work out all those complicated perspectives.
He just looked at it and kept right on talking."

(Editor's note: the perspective problem Barks was referring to can be
optically "corrected" if one lays the book flat and views the panel
from the bottom of the page at about 15 degree angle.)

BUZZMARK, 26-04-1997:

> One of the nice parts of going from France to Greece is buying Zio
> Paperone. This time I stumbled on Carl Bark's bottle cap story in
> Shan-grilla. The little blurb on the history of the story states that
> Don Rosa's return to Xanadu is some kind of rendition of Barks's. How
> far is this true ? Does "Return..." imply the there was a first Xanadu
> story ? or was it Barks's ? Thank you.

*SPOILER*

Don's "Return to Xanada" is a sequel to Barks' <valley of Tralla-la>, but
that is meant as a surprise.

*END OF SPOILER*

JAKOB SODERBAUM, 26-04-1997:

> DANIEL v.E. says something about 2 entire rejected pages (!) in the
> story, are those among the 'forever lost art' - or did someone find
> those too but not print them? Sorry, it all seemed a bit unclear...

I wrote about it on 12 January this year. To be exactly:

An article by Kim Weston (published in Funnyworld, 1975) mentions that
Barks had said that in addition to changing the names he had to redraw
a page or two.

No further information is given. As we know, original panel 16.1 and 16.3
were replaced by new art, but maybe more art was replaced on page 16 and
17? Panel 16.5, to name an example? I think this panel has more in common
with the redrawn panels than with the originals (which shows wild Harpies,
to which the editors objected). Maybe there was also an original panel
16.5 with lots of wild Harpies? (The same could count for panel 17.5,
to name another example.)

To make it more complicated: It could also be that parts of original
panels were whitened out with new art drawn into it. In the Dutch version,
panel 17.5 has the lines of the fog discontinued in the background (at
the left of the Harpy in the foreground). This is not the case in the
CBL, but maybe that's because it's retouched by the CBL-editors? However,
the discontinued lines could mean that originally there wasn't a Harpy
in the foreground (at least not this tame), but that there were one or
more wild Harpies in the background. If this is the case, it could mean
that no original panel 17.5 has survived because this *is* the original
(in an altered form).

Well, I'm afraid this kind of theories will remain speculations. But maybe
there's someone close to Barks here who can ask him about it? He's the
only one who knows the answer.

BTW. Remember that "a page or two" could also mean that the *total* of
replaced art is about two pages (instead of two pages as pages itself).

>> [Harry to Gary] What about the "Atom Bomb" story, for instance? You
>> already discussed having to change the last panel, but what about the
>> merge of the Jippes redrawings with a few "original" (?) Barks panels?

> I never noticed any " original" panels in the Jippes version.

Daan Jippes redrew the story directly into 4-tier format. When the CBL-
editors used his version, they pasted the art into the original 1-tier
format. Gaps were filled in with redrawings from the original Barks-art.

Some of the Jippes-panels differed some much from the original, that they
decided to redraw those panels entirely. (These panels are: 7.1, 14.3,
25.2 and 25.3.)

So, the Jippes-version itself is all-Jippes, but the CBL-version is
*mostly* Jippes.

>> [Nils] The most famous example would be the ending panel of the Atom
>> Bomb story (where the 1947 panel is _very different_, also in
>> character, from what is in CBL/CBLinC). Is this the only _drastic_
>> example?

> What do you mean? I have the original right here, and the last panel of
> "Atom Bomb" in the redrawn version in CBL is similar, except for "Clang
> Clang" which has been "removed". The panel/cicle before has had the
> dialogue changed, of course. [...] But no art-changes has been done...

No art-changes? In the last panel, the banknotes are replaced with combs,
the cash-register is replaced for a pyramid of bottles, the "atomic
hairgrower" is changed into a normal "hairgrower", and the other board
which originally had "$100 a bottle" is changed into "free samples -
growth guaranteed".

And *you* talk about having clear xeroxes? ;-)

BUZZMARK to SHAUN, 27-04-1997:

> Censorship ?! What about that Barks story which features Donald Duck
> as a snake charmer ? well, it made it through to publication but I
> remember Gladstone having strict rule aboutthe creatures...

You mean "No Such Varmint"? Why should that one be censored?

DANNY COENEN, 27-04-1997:

> DANIEL V.A.:

I guess you mean me?

> A long, long time ago (probably 1995) you said that you might get a copy
> of the cartoon "Der Fuehrer's Face". Did you ever get it?

No, but maybe in the near future? (I know someone in the USA who has a
NTSC-copy of the film.)

> If so, is there any way you can send me a copy

Even if I do get it, then I'll have the problem that my videorecorder
can't translate the American NTSC-system into PAL. It's only possible
to view it. But maybe more recent video-recorders are able to translate
as well?

> (or maybe I could come get it, since I live pretty close to the Dutch
> border, and you live somewhere over there, don't ya?).

I live in Maassluis, near Rotterdam. Tape or no tape: You're welcome.

> Do you, or does anybody else know if there's a comic version of it?

There are three pictures of the cartoon in a book by Marcia Blitz of
which I only have the Dutch version. I don't know the original title,
but translated from Dutch it is "The Lifestory of a Worldfamous Duck".

The book also shows the cover of the score of the cartoon's music.

Greetings,

--- Daniel
"Hooray! I'm cured! My mind doesn't hurt anymore!"
The Mad Musician, OG 11 --- Carl Barks
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