Keskustelujen arkisto

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Author

Topic: 200107

(186 messages)
Fernando Ventura
Francesco:

> On this story, Donald and Gladstone rent the same chalet on the hills
> without knowing that and divide literally the chalet in half.

Lemme guess ;-)
"At? que a sorte os separe"? (in Brasil already published in PD 1730)

Yes! That's it! As you can imagine, I don't have this "Pato Donald"
issue...!
The art of indexing is really difficult sometimes! :)

Fernando!
Becca Ridout
I did not really see what made the comic a manga style....I am a very big fan of manga, but the drawing style looked more Italian than Japanese to me. I did not like the scans very much, but that does not mean it is a bad idea. I think maybe a different artist should try it. Perhaps someone with a drawing style more like Rumiko Takahashi? That would be very different. I am persuing this mainly because I would find it very amusing if donald became SD/chibi every time he had a temper tanterum...
rebecca
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Carey Furlong
> From: "timo ronkainen" <timoro at hotmail.com>
> Subject: San Diego Souvenir Book
> Date: Sun, 15 Jul 2001 14:11:55 +0300
>
> Hi!
>
> Could someone, who is attending to San Diego Comicon, check out if my
> Barks-tribute drawing is possibly published in Souvenir Book? And it sure
> would nice to get one then. Anyway, I'm not sure if they accept European
> comic artists in their Souv. Book(?), but I did sent my picture there...
>
> Thanks!
>
> Timo

Hi,

I just got back from the 2001 San Diego Comicon, and yes, your Carl Barks
art submission was included in the souvenir book. Other art submissions
done in memoriam to Carl included those from Scott Shaw!, Marc Nadel, Errol
McCarthy, Ken Kramer, Michael A.S. Smith, Don Rosa (the money bid
blueprints!!!) Roman Arambula, Joshua Quagmire, and yourself, Timo
Ronkainen. I thought yours was one of the better ones. A number of text
articles commemorating Barks' achievements were also in the souvenir book.

This will be the first San Diego Comicon souvenir book I don't throw away.

Carey Furlong, Huntington Beach, California 92647 USA
Fabio Blanco
(hi becca)
Sorry, I like the manga style, but any time I did see some occidental
comic transformed to manga style, I did feel like a fail. I am thinking in
Spiderman, but not the japanese version of the character but the comercial
move make Marvel some years ago.

I don't like much the italian style, (agree with becca this is not manga
but italian style) I see very childish. If this have something of japanese
style are because some close up, some reaction.

I think in Donald, Scrooge and the rest of ducks like "Barks characters".
They are not for me "Anything make money Diznee characters". I only can have
faith in they if they have something of the Bark's spirit in them (like the
Don Rosa's).

Maybe with that bit of spirit in them, any style can be able. If you go to
http://perso.wanadoo.fr/prad
you'll find a lot of inspiring drawing of pastiches versions of Herge's
Tintin... the best in realistic, or watercolor images...

I respect the deep in other styles but I think that BARKS is yet the true
way... :)

Cheers evr'body
Fabio Blanco

****************
longtom at oeste.com.ar

I did not really see what made the comic a manga style....I am a very big
fan of manga, but the drawing style looked more Italian than Japanese to me.
I did not like the scans very much, but that does not mean it is a bad idea.
I think maybe a different artist should try it. Perhaps someone with a
drawing style more like Rumiko Takahashi? That would be very different. I am
persuing this mainly because I would find it very amusing if donald became
SD/chibi every time he had a temper tanterum...

rebecca

See you Space Cowboy....

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Kriton Kyrimis
OLIVIER:

> just like the extreme facial expressions we discussed a while ago
> regarding an Italian artist whose name I can't remember:

That was probably our discussion about Intini. Speaking about facial
expressions, I noticed that Scrooge's face in these three scans is
drawn exactly the same way in almost every panel. I found this extremely
annoying.

Kriton (e-mail: kyrimis at cti.gr)
(WWW: http://dias.cti.gr/~kyrimis)
-----
"Who am I to argue with me?"
-----
Jason Bohr
Hi

Can anyone here tell me where I can find recent Disney
comics? (I don't want any cheap, bad quality paper
European comics, I want the high quality we have in
America).

Jason

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Fabio Blanco
HEY! WHAT DISNEY COMICS YOU HAVE IN USA? I buy Picsou and is excellent. I
wanna can buy KOMIX and AKU ANKKA any week! If we have NO AMERICAN DISNEY
COMICS is because Uncle Walt make only BIG BUSINESS... That his name Walt
Biznee... HAH!

Fabio

-----Mensaje original-----
De: dcml-admin at stp.ling.uu.se [mailto:dcml-admin at stp.ling.uu.se]En
nombre de Jason Bohr
Enviado el: Lunes, 23 de Julio de 2001 10:49 a.m.
Para: dcml at stp.ling.uu.se
Asunto: Disney comics in the US

Hi

Can anyone here tell me where I can find recent Disney
comics? (I don't want any cheap, bad quality paper
European comics, I want the high quality we have in
America).

Jason

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Olivier
>>Don Rosa (the money bin blueprints!!!)

IwantitIwantitIwantit ! ! !
Is there any way to order this souvenir book?
Any way to contact the editors?
Thanks for any information you may have.

Olivier
Arttu Salminen
Does anyone have the English scans of Don Rosa's stories "Cash Flow"
and/or "The Lost Charts of Columbus"?

Arttu Salminen
arttu4 at hotmail.com
http://www.angelfire.com/comics/donrosa/

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Kriton Kyrimis
JASON:

> (I don't want any cheap, bad quality paper
> European comics, I want the high quality we have in
> America).

Literally speaking, all Disney comics published in the US today are
printed on paper of the highest quality, the likes of which we are not
likely to see in Europe. Thus, I do not find your statement offensive
at all.

Kriton (e-mail: kyrimis at cti.gr)
(WWW: http://dias.cti.gr/~kyrimis)
-----
"The Malus is pure evil. Given enough energy it will not only destroy him,
but everything else... Cheer up!"
-----
Petri Kanninen
OLIVIER:
>The first page (finding the newspaper) is weird: first, IMO, there
>are to many wordless panels; then, oddly enough, the dialogue
>looks weird. I think it's a matter of striking the exact balance,

I think it's nice to have a sequence of wordless panels. Gives me a funny,
silent feeling in the head. It's like having a little break in the middle of
a story.

>I like the widening panels too, though there's too much blank
>int he background; maybe they could put a heap of fish or
>something; it looks unfinished.

And again, I think it's nice and relaxing to have a blank background
(although I wouldn't change a Rosa story for million billion of these
stories).

>The clock panel is too large: there ought to be some background.

And yet again, I like the feeling of no-hurry it brings to the comic.

>Finally, why this remake? Is it the first story of that kind? Has he
>done others, and are they remakes as well?

The original Barks story was printed in the same issue, so it was nice to
compare the two stories. There was also an article explaning why and how
this story was made. I can't be totally sure but I think first a Japanese
artist made the Barks story manga-like and then some Egmont-artist inked it.
Alas, I will see the article next time in two weeks, so I can't translate
it. But there has been more of these stories, dozens if remember correctly,
drawn when Egmont thought about going into Japanese market.

KRITON:
>expressions, I noticed that Scrooge's face in these three scans is
>drawn exactly the same way in almost every panel. I found this >extremely
>annoying.

Hah, I didn't even notice that first. But now that you mention it: yes ,
it's very annoying.

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Francesco Spreafico
From: "Kriton Kyrimis" <kyrimis at cti.gr>

> Literally speaking, all Disney comics published in the US today are
> printed on paper of the highest quality, the likes of which we are not
> likely to see in Europe. Thus, I do not find your statement offensive
> at all.

Uhm.... WHAT Disney comics do they print in the US today? ;-)

Actually I can think only of one ("Atlantis") and its paper really sucks :-)

--
Sprea
["I go online sometimes, but... everyone's spelling is ]
[ really bad, and it's... depressing" ~ Tara, IWMTLY ]
Kriton Kyrimis
SPREA:

> Uhm.... WHAT Disney comics do they print in the US today? ;-)

EXACTLY!!! ;-)

Kriton (e-mail: kyrimis at cti.gr)
(WWW: http://dias.cti.gr/~kyrimis)
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-----
Martin Olsen
>From: "Francesco Spreafico" <frspreaf at tin.it>
>From: "Kriton Kyrimis" <kyrimis at cti.gr>
>
>> Literally speaking, all Disney comics published in the US today are
>> printed on paper of the highest quality, the likes of which we are not
>> likely to see in Europe. Thus, I do not find your statement offensive
>> at all.
>
>Uhm.... WHAT Disney comics do they print in the US today? ;-)
>

Well, there *is* a thing called Disney Adventures. The comics section of
this digest sized magazine occasionally has a Disney comic, e.g. two pages
of Buzz Lightyear and two pages of 102 Dalmatians in the April 2001 issue.
Most of the comics published in Disney Adventures have non-Disney
copyrights, though.

Martin.
Francesco Spreafico
From: "Kriton Kyrimis" <kyrimis at cti.gr>

> * Cover by Marco Rota. I've put a scan in
> http://dias.cti.gr/~kyrimis/pics/komix157.jpg
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