Keskustelujen arkisto

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Author

Topic: 199512

(361 messages)
Daniel Van Eijmeren
DON (& MIKE):

> The "Lo$" episode 6B would be based on that Barks story about "Pizen
> Bluff" the wind-blown western town. I'd hafta check, but I'm not
> sure if that included the idea of haunted mines. Maybe that was in
> the "Lost Pegleg Mine" story? Or both? Or neither?

I've looked it up, here are the descriptions of both stories:

The "Pizen Bluff"-story (US 26) is about that wind-blown town. At
first Scrooge thinks the mine is haunted by ghosts because a wall of
bricks appears and then disappears.

In the "Lost Peg Leg Mine" (DD 56, was intended for WDC 203) Scrooge
remembers that an old prospector told him where he had hidden two
saddlebags full of gold nuggets which were found in the Peg Leg mine.
The Ducks go after the saddlebags and then have to trade with pack rats
to get the original contents of those bags back, because the rats
changed the gold nuggets for desert rocks. (For a short moment in the
story they think of Peg Leg ghosts, before they discover it has to do
with rats.)

Greetings,

--- Daniel
Daniel Van Eijmeren
L.GORI:

> The Barks' scketch that inspired Romano Scarpa for his story "Zio
> Paperone e il casco d'oro" is lost.

Are you sure about that? Harry once showed me a French comic in which
the sketch was shown (at least a different version of the one published
in Gladstone). Maybe that's the original sketch by Barks?

HARRY:

Isn't there a French explanation published with the sketch which might
tell about it's source? Maybe you can write the French text here, so
that someone can translate it?

Greetings,

--- Daniel
L.Gori
Hi all!

MARCO AND ALL:
I'm de-lurking to make a specification. The Barks' scketch that inspired

Romano Scarpa for his story "Zio Paperone e il casco d'oro" is lost.
Romano is not able to find him in his archive. For our book on his work,
Romano redrew it faithfully from memory. For the non-italian readers, the
same sketch was published in "Uncle $crooge" no.242 (April 1990)

MELANIE:
You were in Florence, 21 years ago, with Prof. John Reich of the Florida
State University? You did "excavations in Chianti"? Perhaps we met...

If I sent this message twice, please excuse me, but I have some problems
with my mail reader.

--- MMMR v4.50reg * "Mental rating! Ability! Experience! FOOEY!" (F.
Gottfredson, Mickey Mouse and The Pirate Submarine",
1935)
MASSENGALE MELANIE O
On Wed, 20 Dec 1995 (Email removed) wrote:

> Date: Tue, 19 Dec 95 22:38:9 GMT
> From: (Email removed)
> To: (Email removed)
> Subject: Did we meet in Florence?
> Message-Id: <(Email removed)>

Hello...

> You were in Florence, 21 years ago, with Prof. John Reich of the Florida
> State University? You did "excavations in Chianti"? Perhaps we met...

What a small world! Yes, I was with that group between late Dec 1973 -
Jun 1974. I believe that FSU still runs that study program and the
archeological dig for Etruscan artifacts at Cetamura. I accompanied Prof.
Reich and a wayward group of Classics majors to Athens and Crete as well.
It was a most interesting and fun time, which I recall with great fondness!

Regards,

Melanie
FSU, '76
...now haunting the University of Colorado in Boulder and reading Disney
Comics
MASSENGALE MELANIE O
Greetings all,

I'd like to apologize for my usage of quoted material in this distribution
list. I'm accustomed to posting directly on NetNews, where extensive (and
sometimes annoying) quoting is the norm. I understand that the culture
is different here and in the future, will post accordingly.

If there are other stylistic or netiquette problems with my posts, I would
very much appreciate your bringing it to my attention directly via private
email rather than nonspecifically on the group.

Thanks very much!

Best regards,

Melanie
MASSENGALE MELANIE O
Hello Mike,

> What's the difference between a villain and a protagonist? After all,
> in real life, no person, whether male or female, is all bad or all good. So I
> think there's no real difference. And besides, Magica IS a protagonist in her
> own way. And I really like her character. (in fact, every (all three) duck
> story I've thought of doing, has Magica in it)

It's true that, as you say, no person is all good or all bad. But the
story, especially a comic story, usually is very clear who is good and who
is evil. Somebody else here stated awhile back, in a different context,
that comics don't follow "real life." This is true: our heroes are the
guys in the white hats, and they are heroes if they kill the bad guys in
the black hats. Nobody asks if they drunks, or cowards, or beat their
kids when they get home. That is a different story with a different kind
of hero and a different mission.

In any case, I've used protagonist to mean "hero" to differentiate that
character from the antagonist or villainess, Magica. Barks and other
writers clearly intend her to be the evil character in those stories.

Hope this clarifies matters.

Regards,

Melanie
MASSENGALE MELANIE O
Greetings all,

Sorry! My reply to Mike P. had a quote left in, and right after I took
the Pledge against quoting.

Am now enrolling in a 12-Step Quit Quoting Quickly program :-)

Regards,

Melanie
KERSTIN S.DERBAUM
--- Inkommet från VD.POL2 031-667632 95-12-20 16:28
-> IN=dcomics(a)strindberg.ling.uu.se
Hiya, everyone!
Yes, I'm still here...

DON:

| about the WDCiC album #8 and you saying "So you STILL won't have a Rosa
MM. (Nyaah!) |

What about those other WDCiC albums? And what about that Mickey and Donald t
comicbook with a cover showing DD guiding MM through Duckburg? Wasn't .
that Mickey's *you* made? If so, we DO have Rosa-Mice in our collections,
don't we?
Henri Sivonen
DON,
Unfortunately I have to wait, because Gladstone ships the comics at bulk
rate :-(. It takes a very l-o-n-g time to get them. U$ #295 arrived some
time ago.

--
Henri Sivonen
(Email removed) WWW:
Fax: +358-0-479387 http://www.clinet.fi/~henris/html/english.html
Night Shade
Merry Christmas and Happy New Year to all Disney Comics Fan all over the world

NightShade
--
:) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :)
:) Mariarosa Sartorelli at Milan's Statale University :)
:) e-mail : (Email removed) :)
:) home e-mail : (Email removed) :)
:) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ :)
:) Home page WWW :)
:) http://www.geopages.com/Colosseum/1710 (english one) :)
:) The Italian One :)
:) http://www.dsi.unimi.it/Users/Students/sartorm/index.html :)
:) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :) :)
Harry Fluks
Leonardo:
> The Barks' sketch that inspired Romano Scarpa for his story "Zio
> Paperone e il casco d'oro" is lost.

Daniel:
> Are you sure about that? Harry once showed me a French comic in which
> the sketch was shown

In the French jubileum issue of Picsou Magazine from 1994 (60 years
Donald Duck) there was a perfume-sketch that was different from the one
published in the Gladstone comic. The style looks like Barks, but I'm
not 100 per cent sure about that. The accompanying French text:
Depuis son apparition dans une B.D. italienne en 1960,
Brigitte cherche a epouser Picsou! En 1975, son createur, Romano
Scarpa, a rencontre Barks qui lui a donne des idees de scenario
avec Brigitte, justement!
Roughly translated (correct my errors, please!):
After her first appearance in an Italian comic in 1960,
Brigitte is having an eye on Scrooge. In 1975, her creator, Romano
Scarpa, met Barks who gave him ideas for a scenario with Brigitte,
like this one.

--Harry.
(Best wishes to all!)

--------------------------------
End of dcomics-d Digest V95 Issue #24
*************************************
RHODE
Hello all,

Some time ago, Pat Block signed Donald Duck Adventures #27 (hmmm, must be
almost a year) at a local store here. I think it's his first story. I've
noticed that the owner has some on the racks at cover price. If anyone is
interested, I'm willing to pick some up and trade (the equivalent value is
about $2 American including postage I guess.)

I'd especially like Don's Wendingo story & English script.

I'll be off-line for about a week for the holidays, but email me directly
and I'll get back to you in early January. If you're really interested,
catch me tomorrow before noon which is when I have to go back.
(Snow-delayed shipments. :-( )

Happy holidays to all!

Mike Rhode
Per Starback
Several people suggested earlier that I'd make digest subscription the
default for new subscribers, and I realize now that that probably is a
good idea and plan do so in a couple of days. Especially I think this
will be for the benefit of those new subscribers who aren't very used
to email, as they tend to have a problem with getting lots of email.

As part of that I've been contemplating if I should move those who now
get the list "undigested" over to the digests, as there may be some
people there who really are overwhelmed like that without me knowing
it, and then letting those who really want the list undigested
actively switch subscriptions themselves.

If you get the list undigested and want to keep it that way, please
send *me* a note about that and I'll exclude you from this move.
(And please send that note to me and not to the list. If not for
other reasons because I'm a bit behind with my reading of the list.)
-- "
Per Starback, Uppsala, Sweden. email: (Email removed)
"Life is but a gamble! Let flipism chart your ramble!"
L.Gori
Hi All!

DANIEL:
The sketch printed on "Picsou Magazine - 60ø anniversaire de Donald" has a

strange and nearly unbelieavable story... It was the *first* drawing made
by *Romano* for our book, in his modern style, to show us the thing. We
asked him to *find* the original Barks' drawing, to publish it in the book,
but he was not able to get it. So, we decided to publish Scarpa's drawing,
with a caption in wich we said: "Birth of a Brigitta's story, from a Barks'
idea". Romano tried hard to find the original drawing, while the book was
in making, but uselessly. When the book was ready to print, he drew a
*second* sketch, trying to reply exactly the Barks' sketch, with the
original dedication:
"Dear Romano, if you like this idea, you're welcome! C.B.". Romano drew the
*second* sketch in the Barks' style of the mid-sixties. We decided to
publish also this second drawing, very little, with this caption: "The
Barks' IDEA for 'Zio Paperone e il casco d'oro'". This second drawing was
published in the Gladstone comic, with a more explicative caption.

All the best

Leonardo

--- MMMR v4.50reg * "Mental rating! Ability! Experience! FOOEY!" (F.
Gottfredson, Mickey Mouse and The Pirate Submarine",
1935)
TKlein28
Don -- you're right, I WASN'T working on your art at the size you drew it.
The copies I got were reduced to fit on an 11 by 17 inch copy paper, so the
art was about 10 inches wide by 15 inches high. I assumed that was your
working size because it is pretty standard throughout the rest of US comics,
but one should never assume! Actually, you are working closer to the size of
US comics art from the 1960's and earlier, when the common reduction to
printed size was 50%. The reduction size now is more like 65%. Todd
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