Keskustelujen arkisto

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Author

Topic: 200204

(212 messages)
Stefan Persson
>From: Kari Lepola <Kari.Lepola at hut.fi>
>To: dcml at stp.ling.uu.se
>Subject: HTML versus plain text
>Date: Tue, 09 Apr 2002 14:55:42 +0300

>I most politely ask if those readers who send multi-part messages in
>MIME format
>could please stop doing that and only send plain text messages. I (and
>many others)
>get this mailinglist in the digest format and the html part of the
>messages is frankly
>irritating. All email programs can send text only messages. Please study
>your program.
>By changing your settings for this mailinglist you would make my day
>that litle bit nicer.
>Thank you very much.

You can also decide to receive the messages in a MIME digest, where all
these HTML and non-Latin-1 settings will be displayed properly.

Stefan

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Olivier
I almost sent a message without changing it to "plain text" last time. I hope I didn't send the
previous ones as MIME. I had got into the habit of systematically checking but recently I didn't
have time to reply (the interesting discussion on sequels for instance ), so I may have forgotten:
my apologies if I did.

Olivier
Morten Lied Johansen
On Tue, 9 Apr 2002, Olivier wrote:

> I almost sent a message without changing it to "plain text" last time. I hope I didn't send the
> previous ones as MIME. I had got into the habit of systematically checking but recently I didn't
> have time to reply (the interesting discussion on sequels for instance ), so I may have forgotten:
> my apologies if I did.

The easiest thing is to always send plain text, as that is guaranteed to
work in all email clients.

There is little to be gained from sending HTML anyway, and it makes life
so much easier for everyone involved if you just send plain text. If you
have need for things like different fonts and headlines etc. and are
unable to get what you want using plain text, you're writing something
that doesn't belong in email anyway...

Remember that, unlike what M$ (and others) would like you to believe,
it's the *information* that counts... not how it looks (and that's out
of your control anyway, since HTML can be rendered in about as many ways
as there are breadcrumbs in a loaf of bread).

--
Morten
The Generation Of Random Numbers Is Too Important To Be Left To Chance.
Francois Willot
Available on my new site
http://viedartisteawd.free.fr/
with some new texts on the authors of these covers,
the weekly, and more!
Enjoy!

Gilles: you may want to link to that site, at least I
have a link to yours.

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Fluks, H.W.
Don Rosa to Goofy313g at aol.com:

> Should you send these kinda questions to the DCML or to me privately?

I think they are interesting enough for us DCMLers. Or were you embarrassed
that Gilles pointed to a possible inking mistake?

--Harry.
Oyvind J. Karstad
Harry Fluks:
> Hooray! I got my own digest! (And 888 is a nice number too. And 08-04-02 is
> a nice binary date.)
>
> This hasn't happened to me in years - or maybe never, in the 10 years this
> list exists.

Wait a minute!
Where did the careful statistician Harry Fluks go?
:-)

Browsing through some 1000 digests (3 years, I've accidently deleted my older mail),
I actually find *3* "Harry Fluks-only" digests (#201, #632 and #888).
That puts you in the lead, together with Don Rosa (#638, #809 and #875).

The third place is shared by Steven Rowe, Gary Leach,
Olaf Solstrand and Daniel van Eijmeren, all with two "private" digests each.
About twenty persons (including myself) each have one digest they can claim as their own.

You are also one of the few who have your own digest with two messages.
I don't think any of the "private" digests have three messages or more,
although you come pretty close in #277 with three out of four messages.

Most of these small digests appear in the summer.
Specially July 2000 was a heavy "private digest"-period...

Statistics are fun!
:-)

Oyvind J. Karstad
Fluks, H.W.
Oyvind:
> Where did the careful statistician Harry Fluks go?
Seems I got a careful successor! 8-)
--Harry.
Fluks, H.W.
Alexander Schaaf:

> at http://www.egmont.de/ is a link
> "Wie entsteht ein Disney-Comic?" (How Disney comics are made...)
>
> It leads to a satiric-funny comic story showing Donald in
> several processes of a stories life-span.
>
> I don't know legal stuff about copyright; would somebody get
> hurt if one
> made an english translation to post in this board?

I think I saw the English version somewhere. Was it on the Web? Or was it a
printed leaflet? I don't remember...

--Harry.
Fluks, H.W.
Giuseppe Zironi:

>> TL 1951-B "Gambadilegno e il progetto mai visto"
> My first one!

I just read that story, by coincidence (a reprint in Dutch). Very special
story indeed...

>> is him Ub Iwerks or just an anonymous one?
> Ub!

I would never have guessed, since Walt is a "realistic" human, while the
other artist is a dog-nose... But maybe the artist didn't get your original
intention...

--Harry.
Fluks, H.W.
I wrote:

> But maybe the artist didn't get your original intention...

But now I see Paolo writing in an older mail:

> it isn't common to
> have an artist who also writes his own stories!

Oooops... sorry!

--Harry.
Timo Ronkainen
> > "Wie entsteht ein Disney-Comic?" (How Disney comics are made...)
>I think I saw the English version somewhere. Was it on the Web?

I think it was in Egmont Comic Creation's web page, ecn.dk. Which doesn't
exist at the moment. Pages've been coming back "soon" for years now.

Timo

^^''*''^^
Cartoonist - writer - donaldist -
Timo Ronkainen ---------------- -
YO-kylä 52 A 26 --------------- -
20540 Turku ------------------- -
Finland ----------------------- -
timoro at hotmail.com
timoro at sunpoint.net
¨¨ Personal:
http://www.geocities.com/timoro2/
¨¨ Ankkalinnan Pamaus:
http://welcome.to/ankistit
.................................
"Rumble on, buxom bumble bee!
Go sit on cowslip - far from me!"

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SRoweCanoe
Ovyvind K wrote

<<I actually find *3* "Harry Fluks-only" digests (#201, #632 and #888).
That puts you in the lead, together with Don Rosa (#638, #809 and #875).

The third place is shared by Steven Rowe, Gary Leach,
Olaf Solstrand and Daniel van Eijmeren, all with two "private" digests each.>>

Really??? I have two "private" digests??

Gee, the things I miss by not being on the digest........
--
Steven Rowe
SRoweCanoe at aol.com
Francois Willot
Another page I just added:
http://viedartisteawd.free.fr/bh.html

The first and only "real" comic books we had here,
similar to Micky Maus in Germany and the weeklies in
nordic countries. Theses issues are very rare. The
paper of the comic-books is so bad that it's a miracle
that an issue survives after 50 years.

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Halsten Aastebol
At 00:59 08.04.02 +0200, Stefan Persson wrote:

>>1)In year 1991 Egmont Poland published two issues of Donald Duck
>>Time Travel: "The Viking Voyage" and "The Cave Bear Caper". Were
>>next parts published in other countries? What happened then with
>>DD & HDL?
>
>6 parts were published in Sweden.
>
>Part 3 takes place in 17th century France.
>In part 4 the ducks visit king Arthur.
>Part 5 takes place in Novgorod.
>Part 6 takes place in ancient Greece.
>
>They do not return to Duckburg. Does this mean that there are more,
>unpublished, parts of this series?

Does anybody know the answer to this question? I too always wondered what
happened to this series.

Halsten
Don Rosa
From: "Fluks, H.W." <H.W.Fluks at kpn.com>
>>>I think they are interesting enough for us DCMLers. Or were you
embarrassed
that Gilles pointed to a possible inking mistake?

Gilles asks me these questions in a public forum, therefore I must answer
them in that public forum otherwise I would seem rude. But answering them
also tends to make it seem like I automatically think everyone else should
be interested in all this "Rosa trivia" he asks me about, which I doubt. So
the only choice that I have is to answer them in public, but suggest that he
might consider asking me such questions in the private messages I also
regularly receive from him. However, if he chooses to continue to ask me
about such matters on the DCML, this is where I will gladly answer.
I am *never* embarrassed by mistakes I make because I make plenty, more
often than not I point them out myself, and I *like* readers to point them
out to enable me to correct mistakes in the reprints. I make a sport of my
errors. When I used to write information columns in fanzines 25 years ago, I
had an opening feature, complete with logo, called "DRASTIC FUBARS",
spotlighting all the errors I made in the previous column. That doesn't seem
like a way to try to hide my errors, eh?
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