Dear all:
There has been some speculation that the data found on the new website
Comicguide (http://www.comicguide.de) contains data copied from the
Inducks database (http://www.inducks.org). This suspicion is completely
unfounded, as I learned recently.
The Comicguide site showcases extensive information on all Disney Comics
ever published in Germany. The info on Disney comics is an extract of
the thoroughly researched database which German comics expert Lothar
Schneider created in years of research. He owns or has access to each of
the actual issues so the data is very reliable. He even wrote summaries
of the stories and his database may be even more complete and
informative than the Inducks'. In fact European publisher Egmont/Ehapa
sometimes asks for specific info from Lothar Schneider's database if
they have questions regarding certain stories.
This also means that the data presented on www.comicguide.de is _NOT_
taken from the Inducks database in any way. If there are parallels
between Inducks and Comicguide this is simply because both describe the
same issues, of course.
For all fans of Disney comics this means that the Comicguide site is a
great new source to find new data and verfify infos.
Best wishes,
Cord
Author
Topic: 200209
(158 messages)
Cord Wiljes
Disney comics data on www.comicguide.de
Message 16 -
2002-09-02 at 23:46:01
Kriton Kyrimis
Don Rosa's Sequels for Gladstone
Message 17 -
2002-09-03 at 09:37:50
LARRY:
> Thanks to Krinton Kyrimis
Um, "Kriton"!
> But Don's first story, "Son of the Sun (AR102)" was first published
> by Gladstone in US219 in 1987; it was a sequel to US26 "Prize of Pizarro"
> and was full of Barks references.
Full of Barks references it certainly was, but I don't think it was
a sequel to "The Prize of Pizarro" just because it took place in the
Andes. For the same reason, it's not even a sequel to "Lost in the Andes",
where there is an even stronger connection to that story, with that old
vicuna herder.
I believe that the same holds for most of the stories you mention, apart
from "Return to plain Awful". There are strong Barks references, but
the plot does not rely on them. E.g., just because uncle Scrooge's zoo
has a unicorn, this does not make "The Crocodile Collector" a sequel to
"Trail of the Unicorn", as the story revolves about something completely
different. A sequel would be, say, about finding a mate for the unicorn,
returning the unicorn home, taking the unicorn along on a treasure hunt
using a map found carved on its horn, or preventing Magica from kidnapping
the unicorn to grind its horn into a potion!
Kriton (e-mail: kyrimis at cti.gr)
(WWW: http://dias.cti.gr/~kyrimis)
-----
"Reason is the last thing you must expect, in this or any other world."
-----
> Thanks to Krinton Kyrimis
Um, "Kriton"!
> But Don's first story, "Son of the Sun (AR102)" was first published
> by Gladstone in US219 in 1987; it was a sequel to US26 "Prize of Pizarro"
> and was full of Barks references.
Full of Barks references it certainly was, but I don't think it was
a sequel to "The Prize of Pizarro" just because it took place in the
Andes. For the same reason, it's not even a sequel to "Lost in the Andes",
where there is an even stronger connection to that story, with that old
vicuna herder.
I believe that the same holds for most of the stories you mention, apart
from "Return to plain Awful". There are strong Barks references, but
the plot does not rely on them. E.g., just because uncle Scrooge's zoo
has a unicorn, this does not make "The Crocodile Collector" a sequel to
"Trail of the Unicorn", as the story revolves about something completely
different. A sequel would be, say, about finding a mate for the unicorn,
returning the unicorn home, taking the unicorn along on a treasure hunt
using a map found carved on its horn, or preventing Magica from kidnapping
the unicorn to grind its horn into a potion!
Kriton (e-mail: kyrimis at cti.gr)
(WWW: http://dias.cti.gr/~kyrimis)
-----
"Reason is the last thing you must expect, in this or any other world."
-----
H.W.Fluks
Disney comics data on www.comicguide.de
Message 18 -
2002-09-03 at 10:48:13
Cord:
> There has been some speculation that the data found on the new website
> Comicguide (http://www.comicguide.de) contains data copied from the
> Inducks database (http://www.inducks.org).
>
> The info on Disney comics is an extract of
> the thoroughly researched database which German comics expert Lothar
> Schneider created in years of research.
If it's only an extract, I wonder which information is not on the website.
> He owns or has access
> to each of the actual issues so the data is very reliable. [..]
> This also means that the data presented on www.comicguide.de is _NOT_
> taken from the Inducks database in any way. If there are parallels
> between Inducks and Comicguide this is simply because both
> describe the same issues, of course.
There *is* data in Lothar's index that can *not* be derived directly from
the comic itself. Especially writer's credits from before they were printed
in the comic. And for these, Lothar *did* copy information from Inducks. We
have found some specific cases where data can *only* be coming from Inducks.
> He even wrote summaries
> of the stories and his database may be even more complete and
> informative than the Inducks'.
The summaries, and the scans, are indeed more extensive than Inducks can
offer. On the other hand, Inducks contains lots of other information that
Lothar doesn't. So cooperation would be the most logical (in stead of trying
to protect own data with scary copyright notices).
> In fact European publisher Egmont/Ehapa
> sometimes asks for specific info from Lothar Schneider's database if
> they have questions regarding certain stories.
Yes, like they also consult Inducks a lot. And maybe other sources.
> For all fans of Disney comics this means that the Comicguide site is a
> great new source to find new data and verfify infos.
Yes, but probably the fans will notice that Inducks is more correct on some
places. For instance because Lothar used an *old* version of Inducks for
some of his data. 8-)
--Harry.
> There has been some speculation that the data found on the new website
> Comicguide (http://www.comicguide.de) contains data copied from the
> Inducks database (http://www.inducks.org).
>
> The info on Disney comics is an extract of
> the thoroughly researched database which German comics expert Lothar
> Schneider created in years of research.
If it's only an extract, I wonder which information is not on the website.
> He owns or has access
> to each of the actual issues so the data is very reliable. [..]
> This also means that the data presented on www.comicguide.de is _NOT_
> taken from the Inducks database in any way. If there are parallels
> between Inducks and Comicguide this is simply because both
> describe the same issues, of course.
There *is* data in Lothar's index that can *not* be derived directly from
the comic itself. Especially writer's credits from before they were printed
in the comic. And for these, Lothar *did* copy information from Inducks. We
have found some specific cases where data can *only* be coming from Inducks.
> He even wrote summaries
> of the stories and his database may be even more complete and
> informative than the Inducks'.
The summaries, and the scans, are indeed more extensive than Inducks can
offer. On the other hand, Inducks contains lots of other information that
Lothar doesn't. So cooperation would be the most logical (in stead of trying
to protect own data with scary copyright notices).
> In fact European publisher Egmont/Ehapa
> sometimes asks for specific info from Lothar Schneider's database if
> they have questions regarding certain stories.
Yes, like they also consult Inducks a lot. And maybe other sources.
> For all fans of Disney comics this means that the Comicguide site is a
> great new source to find new data and verfify infos.
Yes, but probably the fans will notice that Inducks is more correct on some
places. For instance because Lothar used an *old* version of Inducks for
some of his data. 8-)
--Harry.
Don Rosa
DCML digest #1060
Message 19 -
2002-09-03 at 16:57:01
From: Kriton Kyrimis <kyrimis at cti.gr>
>>>DON said about "The Lost Charts of Columbus" (translated back to
English):
(blah blah blah)
>>>There may be an even older traveler who reached America from
Europe:
Oh, yes, there is no lack of historians claiming pre-Columbian European
visitors to America. And I wouldn't be surprised if most of them were not
completely true! These explorers (and windblown sailors) had no idea what
they had stumbled upon, and they had no reliable method for recording proof
of their trip or any reason to try.
In doing research for my latest story, I have come across entire books
written about another voyage to America that I did not even find in my
research while doing the "Lost Charts..." story. A Scot named William
Sinclair with an Italian navigator named Zeno and a small fleet seem to have
sailed to the same area of North America as Leif Erickson settled, following
the same route, and established their own "lost colonies" in Nova Scotia and
Rhode Island (I think it was -- I don't have my notes here) in 1398. There
is even a round stone lighthouse that has always been a landmark in Rhode
Island that was there when the first colonists arrived (but nobody made a
big deal about it at the time since they weren't especially interested in
such things). Apparently there is a detailed log of the entire voyage with
every detail of the trip and the colony recorded. The only reason it has
never been an accepted fact is that the existing log is a COPY of the
original, which is lost. But the people who believe in this story site the
fact that even though the book is written around 1500, it still contains
accurate details that were not known at that time of a part of America that
had yet to be "discovered". There are history books that nowadays tell of
this 1398 voyage as if it is accepted fact, and don't even bother to
question it.
I am a big fan of the "Age of Exploration" and pre-Columbian voyages to
these
shores -- but none of these tales takes any credit away from my boy Columbus
since, even if he wasn't first and even if he didn't know where he was, he
was the only guy who did it properly so that somebody noticed. And even
Columbus was almost forgotten and ignored until a resurgence in interest in
his life occurred about a century after he died. Even his trip to America
was
almost lost to history.
From: lgiver at postoffice.pacbell.net
Subject: Don Rosa's Sequels for Gladstone
>>>But Don's first story, "Son of the Sun (AR102)" was first published
by Gladstone in US219 in 1987; it was a sequel to US26 "Prize of Pizarro"
and was full of Barks references. It was a tremendous success, and
there were 5 other sequel stories (AR103, 106, 113, 125, and 130) in
the next 2 years during Gladstone's first run up through 1989.
These were "Nobody's Business" sequel to C&S155 "Some Heir over the
Rainbow";
"Cash Flow" sequel to US8 "Message from Mysterious Island";
"Last Sled to Dawson" sequel to "Back to the Klondike" and US59 "North of
the Yukon"; "Crockodile Collector" sequel to "Trail of the Unicorn"; and
"Return to Plain Awful" sequel to "Lost in the Andes". These were all
tremendous sequel stories, but I still like "Return to Xanadu" the best.
I see that my buddy Kriton has saved me some work and already explained your
error in perception. These were not "sequels"... they did not require
familiarity with the original stories you mention for the new story to
function. They merely contained references to earlier tales just for fun or
as an homage. The only story I did for Gladstone that was a sequel was
"Return to Plain Awful" and (as I've explained before) the editor allowed me
to do a previously-forbidden sequel in this case only because Another
Rainbow needed a comic to accompany the Barks litho that showed $crooge
entering Plain Awful (since he was not in Barks' "Lost in the Andes"). I was
told that many litho buyers were investors rather than Barks fans and had
never read "Lost in the Andes" and would have been quite puzzled by the
square chicken. It was not a self-explanatory scene of $crooge in the Money
Bin or like that.
And I assume we know that "Return to Xanadu" was done for Europe, not
Gladstone. The European editors *wanted* sequels... their readers had been
requesting them for years.
>>>DON said about "The Lost Charts of Columbus" (translated back to
English):
(blah blah blah)
>>>There may be an even older traveler who reached America from
Europe:
Oh, yes, there is no lack of historians claiming pre-Columbian European
visitors to America. And I wouldn't be surprised if most of them were not
completely true! These explorers (and windblown sailors) had no idea what
they had stumbled upon, and they had no reliable method for recording proof
of their trip or any reason to try.
In doing research for my latest story, I have come across entire books
written about another voyage to America that I did not even find in my
research while doing the "Lost Charts..." story. A Scot named William
Sinclair with an Italian navigator named Zeno and a small fleet seem to have
sailed to the same area of North America as Leif Erickson settled, following
the same route, and established their own "lost colonies" in Nova Scotia and
Rhode Island (I think it was -- I don't have my notes here) in 1398. There
is even a round stone lighthouse that has always been a landmark in Rhode
Island that was there when the first colonists arrived (but nobody made a
big deal about it at the time since they weren't especially interested in
such things). Apparently there is a detailed log of the entire voyage with
every detail of the trip and the colony recorded. The only reason it has
never been an accepted fact is that the existing log is a COPY of the
original, which is lost. But the people who believe in this story site the
fact that even though the book is written around 1500, it still contains
accurate details that were not known at that time of a part of America that
had yet to be "discovered". There are history books that nowadays tell of
this 1398 voyage as if it is accepted fact, and don't even bother to
question it.
I am a big fan of the "Age of Exploration" and pre-Columbian voyages to
these
shores -- but none of these tales takes any credit away from my boy Columbus
since, even if he wasn't first and even if he didn't know where he was, he
was the only guy who did it properly so that somebody noticed. And even
Columbus was almost forgotten and ignored until a resurgence in interest in
his life occurred about a century after he died. Even his trip to America
was
almost lost to history.
From: lgiver at postoffice.pacbell.net
Subject: Don Rosa's Sequels for Gladstone
>>>But Don's first story, "Son of the Sun (AR102)" was first published
by Gladstone in US219 in 1987; it was a sequel to US26 "Prize of Pizarro"
and was full of Barks references. It was a tremendous success, and
there were 5 other sequel stories (AR103, 106, 113, 125, and 130) in
the next 2 years during Gladstone's first run up through 1989.
These were "Nobody's Business" sequel to C&S155 "Some Heir over the
Rainbow";
"Cash Flow" sequel to US8 "Message from Mysterious Island";
"Last Sled to Dawson" sequel to "Back to the Klondike" and US59 "North of
the Yukon"; "Crockodile Collector" sequel to "Trail of the Unicorn"; and
"Return to Plain Awful" sequel to "Lost in the Andes". These were all
tremendous sequel stories, but I still like "Return to Xanadu" the best.
I see that my buddy Kriton has saved me some work and already explained your
error in perception. These were not "sequels"... they did not require
familiarity with the original stories you mention for the new story to
function. They merely contained references to earlier tales just for fun or
as an homage. The only story I did for Gladstone that was a sequel was
"Return to Plain Awful" and (as I've explained before) the editor allowed me
to do a previously-forbidden sequel in this case only because Another
Rainbow needed a comic to accompany the Barks litho that showed $crooge
entering Plain Awful (since he was not in Barks' "Lost in the Andes"). I was
told that many litho buyers were investors rather than Barks fans and had
never read "Lost in the Andes" and would have been quite puzzled by the
square chicken. It was not a self-explanatory scene of $crooge in the Money
Bin or like that.
And I assume we know that "Return to Xanadu" was done for Europe, not
Gladstone. The European editors *wanted* sequels... their readers had been
requesting them for years.
M.J. Prior
Wattles and vase paintings
Message 20 -
2002-09-03 at 16:59:03
DON MARKSTEIN:
> the red dangling thingie on a chicken's neck is called a
> "wattle" in English.
SHAD Z.:
> And the red pointy thing on top of their heads is
> a "comb" in English.
M. MITCHELL MARMEL (not in this context):
> Huh! Ya learn something new every day.
Which is why I like this mailinglist (and internet in
general). The Dutch word for "comb" is also "comb", only in
Dutch ("kam"). I mean, the thing you, er, comb your hair
with has the same name as the rooster-thingy.
(And punk-hairdo is also called "hanenkam" ("coxcomb").
DON ROSA and HARRY FLUKS:
>> A) I obtained the ancient Greek spelling I used for
>> Croesus in my story from
>> a photo in a book of an ancient vase depicting Croesus >>
with his name written on it.
> I'm still curious to see that photo. To me it sounds like
> the vase is a forgery.
I found one on the internet. It might be the same vase.
http://www.perseus.tufts.edu/cgi-bin/image?lookup=1993.01.0547
I have to go, but I'll return on this subject.
Michiel Prior.
> the red dangling thingie on a chicken's neck is called a
> "wattle" in English.
SHAD Z.:
> And the red pointy thing on top of their heads is
> a "comb" in English.
M. MITCHELL MARMEL (not in this context):
> Huh! Ya learn something new every day.
Which is why I like this mailinglist (and internet in
general). The Dutch word for "comb" is also "comb", only in
Dutch ("kam"). I mean, the thing you, er, comb your hair
with has the same name as the rooster-thingy.
(And punk-hairdo is also called "hanenkam" ("coxcomb").
DON ROSA and HARRY FLUKS:
>> A) I obtained the ancient Greek spelling I used for
>> Croesus in my story from
>> a photo in a book of an ancient vase depicting Croesus >>
with his name written on it.
> I'm still curious to see that photo. To me it sounds like
> the vase is a forgery.
I found one on the internet. It might be the same vase.
http://www.perseus.tufts.edu/cgi-bin/image?lookup=1993.01.0547
I have to go, but I'll return on this subject.
Michiel Prior.
H.W.Fluks
Vase paintings
Message 21 -
2002-09-03 at 20:49:03
Michiel:
> I found one on the internet. It might be the same vase.
>
> http://www.perseus.tufts.edu/cgi-bin/image?lookup=1993.01.0547
Amazing!
--Harry.
> I found one on the internet. It might be the same vase.
>
> http://www.perseus.tufts.edu/cgi-bin/image?lookup=1993.01.0547
Amazing!
--Harry.
Dave Rawson
Colchis in Greek Myth
Message 22 -
2002-09-03 at 22:22:18
Dim I Nticoudis <dimadick at hotmail.com> wrote, in part:
> The territory which Greeks called Colchis is now a part of the modern Republic of
> Georgia.
In fact, when Pat McGreal and I wrote INDIANA JONES & THE GOLDEN FLEECE for Dark
Horse a number of years ago, our research led us to set the final resting place of
the fleece -- in the rugged Caucasus of Georgia. For the astute, they'll find we
retraced the voyage of the ancient Argonauts as Indy battles his way behind the enemy
lines in WWII just as the British are historically swept out Peloponnesus (reputed
site of Agamemnon's Mycenae) and into the sea. He's aided in his quest by a
strong-willed woman, Omphale (more grist for the knowledgeable). Part of the pay-off,
of course, is serpentephobic Indy encountering the biggest snake he's ever seen.
Frankly, I'd love to see the Iliad populated with Disney characters. Mickey as
Hector. Donald as Achilles. Scrooge as Agamemnon. Gladstone as Paris. Daisy as Helen.
Gyro as Ulysses. By jimminy, it's a cornerstone of Western culture and I think adults
would love it!
But that's just me. I also thought folks would love a 240-page comic book biography
of Leonardo da Vinci (which at least now exists).
> The territory which Greeks called Colchis is now a part of the modern Republic of
> Georgia.
In fact, when Pat McGreal and I wrote INDIANA JONES & THE GOLDEN FLEECE for Dark
Horse a number of years ago, our research led us to set the final resting place of
the fleece -- in the rugged Caucasus of Georgia. For the astute, they'll find we
retraced the voyage of the ancient Argonauts as Indy battles his way behind the enemy
lines in WWII just as the British are historically swept out Peloponnesus (reputed
site of Agamemnon's Mycenae) and into the sea. He's aided in his quest by a
strong-willed woman, Omphale (more grist for the knowledgeable). Part of the pay-off,
of course, is serpentephobic Indy encountering the biggest snake he's ever seen.
Frankly, I'd love to see the Iliad populated with Disney characters. Mickey as
Hector. Donald as Achilles. Scrooge as Agamemnon. Gladstone as Paris. Daisy as Helen.
Gyro as Ulysses. By jimminy, it's a cornerstone of Western culture and I think adults
would love it!
But that's just me. I also thought folks would love a 240-page comic book biography
of Leonardo da Vinci (which at least now exists).
Fabio Blanco
[DCF Disney Comic Fans] LO$ chapter 0 is in the files section in DCF2 site
Message 23 -
2002-09-04 at 03:28:54
the link of the site, would be a good begin to enjoy :)
Fabio
Fabio
Ritmic
Indian Ducks
Message 24 -
2002-09-04 at 05:51:38
In a message dated 8/11/02 6:05:29 AM Eastern Daylight Time,
dcml-request at stp.ling.uu.se writes:
> Message: 7
> Date: Sun, 11 Aug 2002 00:02:22 +0100 (BST)
> From: Helen Johnes <helena20202000 at yahoo.co.in>
> Subject: About The Life of Scrooge
> To: dcml at stp.ling.uu.se
>
> I just joined the list and would like to ask a
> question to all Duck specialists out there.
>
> I haven't read the Don Rosa story that is set in south
> Africa (it's not pub'ed in India) but I heard there
> was a reference to the colonial atrocities committed
> against South Africans by the Dutch at page 3. Can
> someone give more details?...
>
Are these Indian Duck comics in English or another language? Us Americans
will go to any extreme to get some Duck!!! :)
Michael Feldman
<A HREF="http://hometown.aol.com/ritmic/myhomepageindex.html">Click here: The Go Happenin' Home Page</A>
http://hometown.aol.com/ritmic/myhomepageindex.html
"A computer lets you make more mistakes faster than any invention in human
history -- with the possible exceptions of handguns and tequila."
--Mitch Ratliffe, _Technology Review_ April 1992
dcml-request at stp.ling.uu.se writes:
> Message: 7
> Date: Sun, 11 Aug 2002 00:02:22 +0100 (BST)
> From: Helen Johnes <helena20202000 at yahoo.co.in>
> Subject: About The Life of Scrooge
> To: dcml at stp.ling.uu.se
>
> I just joined the list and would like to ask a
> question to all Duck specialists out there.
>
> I haven't read the Don Rosa story that is set in south
> Africa (it's not pub'ed in India) but I heard there
> was a reference to the colonial atrocities committed
> against South Africans by the Dutch at page 3. Can
> someone give more details?...
>
Are these Indian Duck comics in English or another language? Us Americans
will go to any extreme to get some Duck!!! :)
Michael Feldman
<A HREF="http://hometown.aol.com/ritmic/myhomepageindex.html">Click here: The Go Happenin' Home Page</A>
http://hometown.aol.com/ritmic/myhomepageindex.html
"A computer lets you make more mistakes faster than any invention in human
history -- with the possible exceptions of handguns and tequila."
--Mitch Ratliffe, _Technology Review_ April 1992
Kriton Kyrimis
William Sinclair and the Argonauts
Message 25 -
2002-09-04 at 09:07:08
DON:
> Oh, yes, there is no lack of historians claiming pre-Columbian European
> visitors to America.
Indeed, but who among these visitors was the *first* one? From what you
describe, William Sinclair is almost modern, while Jason goes back to the
age of myths. I guess what fascinated me most about this was the mention
of Colchis being in America, with the unexpected associations with Barks'
story. Another example of history being stranger than fiction!
I don't know enough to argue with Dimos' arguments, but I would like to
point out that place names from the Mycenaean era are under dispute. For
many places mentioned in the Iliad there are at least two places in
Greece that lay claim to be that place, so it is by no means certain
where most of these places were. I don't see why the same should not be
true for places mentioned in another story dating from Mycenaean times,
such as Colchis.
I will feel free, however, not to cut Dimos in on the loot when I claim my
inheritance as a direct descendant of Jason, though. [See our discussion
about Charlemagne!]
Kriton (e-mail: kyrimis at cti.gr)
(WWW: http://dias.cti.gr/~kyrimis)
-----
"I don't make threats; but I *do* keep promises!"
-----
> Oh, yes, there is no lack of historians claiming pre-Columbian European
> visitors to America.
Indeed, but who among these visitors was the *first* one? From what you
describe, William Sinclair is almost modern, while Jason goes back to the
age of myths. I guess what fascinated me most about this was the mention
of Colchis being in America, with the unexpected associations with Barks'
story. Another example of history being stranger than fiction!
I don't know enough to argue with Dimos' arguments, but I would like to
point out that place names from the Mycenaean era are under dispute. For
many places mentioned in the Iliad there are at least two places in
Greece that lay claim to be that place, so it is by no means certain
where most of these places were. I don't see why the same should not be
true for places mentioned in another story dating from Mycenaean times,
such as Colchis.
I will feel free, however, not to cut Dimos in on the loot when I claim my
inheritance as a direct descendant of Jason, though. [See our discussion
about Charlemagne!]
Kriton (e-mail: kyrimis at cti.gr)
(WWW: http://dias.cti.gr/~kyrimis)
-----
"I don't make threats; but I *do* keep promises!"
-----
Kriton Kyrimis
Vase paintings
Message 26 -
2002-09-04 at 09:29:41
MICHIEL:
> I found one on the internet. It might be the same vase.
>
> http://www.perseus.tufts.edu/cgi-bin/image?lookup=1993.01.0547
Judging from the references I found to that vase on the internet, this
is probably a very well-known vase, too.
This might explane why the Greek "oi" is transcribed as "oe" in Latin.
I wonder if this is one of those misspellings which provide us with
indications about how ancient Greek was pronounced.
HARRY:
> Amazing!
Indeed!
Kriton (e-mail: kyrimis at cti.gr)
(WWW: http://dias.cti.gr/~kyrimis)
-----
"You can't change the past, except in the rarest of circumstances, and this
isn't one of them."
-----
> I found one on the internet. It might be the same vase.
>
> http://www.perseus.tufts.edu/cgi-bin/image?lookup=1993.01.0547
Judging from the references I found to that vase on the internet, this
is probably a very well-known vase, too.
This might explane why the Greek "oi" is transcribed as "oe" in Latin.
I wonder if this is one of those misspellings which provide us with
indications about how ancient Greek was pronounced.
HARRY:
> Amazing!
Indeed!
Kriton (e-mail: kyrimis at cti.gr)
(WWW: http://dias.cti.gr/~kyrimis)
-----
"You can't change the past, except in the rarest of circumstances, and this
isn't one of them."
-----
Lgiver
Don Rosa sequel stories
Message 27 -
2002-09-04 at 12:28:05
In reply to Don Rosa's comments on his early Gladstone stories:
I certainly never expected to be debating Don Rosa about
the definition of a sequel story. Don's definition of a sequel
requires that the reader have some familiarity with the original
story or the sequel won't make sense. Such as square chickens
being returned to Plain Awful, or how it came about that there
were a billion bottle caps in Tralla La. But as a reader, I didn't
have such a strict definition, and considered a story that followed
up and expanded on a Barks story to be a sequel. Surely
The "Last Sled to Dawson" was the first of several sequels to
"Back to the Klondike". Quoting Scrooge: "...pack your
bags, boys! We're going back to the Klondike....AGAIN!"
(page 10, panel 4 of Last Sled). So of course I considered it
a sequel; even the ducks knew they were in a sequel, and
Scrooge announced it to the readers.
Now I wouldn't try to make the case that every story
built on a Barks reference is a sequel. For example, I didn't
consider "Oolated Luck" to be a sequel to Barks' "Turkey
Trouble (WDC&S 75)" just because Donald Duck has a
can of oolated squiggs (page 4, panel 4) in that story. That
can was incidental to Barks' story, and the 2 stories have
nothing else in common. But I was very impressed that
such a tiny detail in Barks' story could inspire such a fun, new
story.
And thanks again, Don, for autographing my copy of
the German edition of Scrooge Life & Times, parts 1 & 2.
Best wishes, ---Larry Giver.
I certainly never expected to be debating Don Rosa about
the definition of a sequel story. Don's definition of a sequel
requires that the reader have some familiarity with the original
story or the sequel won't make sense. Such as square chickens
being returned to Plain Awful, or how it came about that there
were a billion bottle caps in Tralla La. But as a reader, I didn't
have such a strict definition, and considered a story that followed
up and expanded on a Barks story to be a sequel. Surely
The "Last Sled to Dawson" was the first of several sequels to
"Back to the Klondike". Quoting Scrooge: "...pack your
bags, boys! We're going back to the Klondike....AGAIN!"
(page 10, panel 4 of Last Sled). So of course I considered it
a sequel; even the ducks knew they were in a sequel, and
Scrooge announced it to the readers.
Now I wouldn't try to make the case that every story
built on a Barks reference is a sequel. For example, I didn't
consider "Oolated Luck" to be a sequel to Barks' "Turkey
Trouble (WDC&S 75)" just because Donald Duck has a
can of oolated squiggs (page 4, panel 4) in that story. That
can was incidental to Barks' story, and the 2 stories have
nothing else in common. But I was very impressed that
such a tiny detail in Barks' story could inspire such a fun, new
story.
And thanks again, Don, for autographing my copy of
the German edition of Scrooge Life & Times, parts 1 & 2.
Best wishes, ---Larry Giver.
Sigvald Grøsfjeld Jr.
Million og billion?
Message 28 -
2002-09-04 at 16:36:21
Hi all!
In "The Status Seeker" from 1963, Barks mentions a
richman?s club in Duckburg. Can anyone who has the
US-version of this story please tell if Barks names
this club "The millionaires club" or "The billionaires
club"?
And by the way, is this club mentioned anywhere else
before that story?
Sigvald :-)
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In "The Status Seeker" from 1963, Barks mentions a
richman?s club in Duckburg. Can anyone who has the
US-version of this story please tell if Barks names
this club "The millionaires club" or "The billionaires
club"?
And by the way, is this club mentioned anywhere else
before that story?
Sigvald :-)
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Nytt design, enklere ? bruke, alltid tilgang til Adressebok, Kalender og Notisbok
Frank Bubacz
Million og billion?
Message 29 -
2002-09-04 at 16:56:15
>From: "Sigvald Gr?sfjeld jr."
>In "The Status Seeker" from 1963, Barks mentions a
>richman?s club in Duckburg. Can anyone who has the
>US-version of this story please tell if Barks names
>this club "The millionaires club" or "The billionaires
>club"?
Can't help you with this question, but it seems to me that it's a different
club.
>And by the way, is this club mentioned anywhere else
>before that story?
As far as I know the Billionaire's Club had its debut in 'The Christmas Cha
Cha' (1960), a story drawn but not written by Barks. Of course, Barks always
tried to improve on the scripts given to him, but we can't say for sure
whose creation it is, I guess. Except if it had been used by a different
artist before. ;-)
Frank
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>In "The Status Seeker" from 1963, Barks mentions a
>richman?s club in Duckburg. Can anyone who has the
>US-version of this story please tell if Barks names
>this club "The millionaires club" or "The billionaires
>club"?
Can't help you with this question, but it seems to me that it's a different
club.
>And by the way, is this club mentioned anywhere else
>before that story?
As far as I know the Billionaire's Club had its debut in 'The Christmas Cha
Cha' (1960), a story drawn but not written by Barks. Of course, Barks always
tried to improve on the scripts given to him, but we can't say for sure
whose creation it is, I guess. Except if it had been used by a different
artist before. ;-)
Frank
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http://pocketpc.msn.de
Olivier
Million og billion?
Message 30 -
2002-09-04 at 17:50:16
Hi!
Sigvald:
>> In "The Status Seeker" from 1963, Barks mentions a richman's club in
>>Duckburg. Can anyone who has the US-version of this story please tell if Barks
>>names this club "The millionaires club" or "The billionaires club"?
Let' see...
U$A Album # 39: "The Status Seeker", U$ 41, March '63
p 1, panel 1: "The poshest parties in Duckburg are staged in the grand ballroom of the Swelldorf
Brasstoria Hotel!"
p1, panel 2: "It's only for *important* people"
p 1, panel 3: "Well, important people who *own* things-- the *sort* of things that gieve them
*status*"
Just thumbing through the story I don't see mention of an actual name for the club; do you have a
panel reference?
In WDC&S # 269, "A Matter of Factory" (Feb '63), Album 46), Uncle Scrooge is ashamed that Donald
hasn't accomplished anything, whereas his fellow members of the "Billionaires Club" (p 1 pnael 1)
keep bragging about their own nephews; he thus appoints Donald manager of a run-down motel.
There may be another such club in another story, but I don't remember right now.
Best wishes,
Olivier
Sigvald:
>> In "The Status Seeker" from 1963, Barks mentions a richman's club in
>>Duckburg. Can anyone who has the US-version of this story please tell if Barks
>>names this club "The millionaires club" or "The billionaires club"?
Let' see...
U$A Album # 39: "The Status Seeker", U$ 41, March '63
p 1, panel 1: "The poshest parties in Duckburg are staged in the grand ballroom of the Swelldorf
Brasstoria Hotel!"
p1, panel 2: "It's only for *important* people"
p 1, panel 3: "Well, important people who *own* things-- the *sort* of things that gieve them
*status*"
Just thumbing through the story I don't see mention of an actual name for the club; do you have a
panel reference?
In WDC&S # 269, "A Matter of Factory" (Feb '63), Album 46), Uncle Scrooge is ashamed that Donald
hasn't accomplished anything, whereas his fellow members of the "Billionaires Club" (p 1 pnael 1)
keep bragging about their own nephews; he thus appoints Donald manager of a run-down motel.
There may be another such club in another story, but I don't remember right now.
Best wishes,
Olivier