Dear DCML members
Because of Claudio Eckert's post, I want to announce that March's Komix (#
153) will be dedicated to Carl Barks. The editors prepared that special
issue long ago before Carl's death. In my opinion, that will be a great
issue :-)
Best Wishes
Apostolis Trikourakis, Athens
E-mail: komix at compulink.gr & komixgreekpage at yahoo.com
Web Site: http://www.geocities.com/komixgreekpage
Author
Topic: 200101
(249 messages)
Apostolis Trikourakis
100 years Carl Barks on March's Komix
Message 16 -
2001-01-04 at 19:09:57
Mauro Montemagno
What shall I do?
Message 17 -
2001-01-05 at 11:52:43
Dear Messrs,I continually receive your e-mail letters
but frankly I don't know what you want me to do so
please try to specify better in the near future.Thank
you,Yours Faithfully.
______________________________________________________________________
Do You Yahoo!?
Il tuo indirizzo gratis e per sempre @yahoo.it su http://mail.yahoo.it
but frankly I don't know what you want me to do so
please try to specify better in the near future.Thank
you,Yours Faithfully.
______________________________________________________________________
Do You Yahoo!?
Il tuo indirizzo gratis e per sempre @yahoo.it su http://mail.yahoo.it
Unggul_jaya
English
Message 18 -
2001-01-05 at 14:04:15
Hi I'd like to learn english
please help me....
thank's
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Sign-up today at http://www.themail.com/ref.htm?ref=1836837
please help me....
thank's
__________________________________________________________________
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Sign-up today at http://www.themail.com/ref.htm?ref=1836837
Unggul_jaya
English
Message 19 -
2001-01-05 at 14:12:39
Dear All,
I'd like to establishe my english but I've got a problem, would you like to help me ?? please,
__________________________________________________________________
Make A Buck Or Two @ TheMail.com - Free Internet Email
Sign-up today at http://www.themail.com/ref.htm?ref=1836837
I'd like to establishe my english but I've got a problem, would you like to help me ?? please,
__________________________________________________________________
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Sign-up today at http://www.themail.com/ref.htm?ref=1836837
Søren Krarup Olesen
Turkish [OT]
Message 20 -
2001-01-06 at 00:03:33
Dear friends,
This is completely off topic I know, however, I am looking for a person
who can help me in translating 34 short sentences from Turkish to
English. Somebody who knows somebody that I may contact...?
Best,
Søren
This is completely off topic I know, however, I am looking for a person
who can help me in translating 34 short sentences from Turkish to
English. Somebody who knows somebody that I may contact...?
Best,
Søren
Fernando Ventura
Silvia Ziche, Italian artists, Disney style
Message 21 -
2001-01-06 at 03:34:49
Fernando Ventura wrote:
> For example, I just take "perfect"
> attention to the work of the VERY good Silvia Ziche after se her on Paolo
> Castagno site receiving the "Yellow Kid"...!
Well... are you interested in her work or in her look?? ;-)
She's the niecest Disney artist I've ever seen!!! Me too... :)
On the two things! Hahahahhahaha!
Speaking serious, now, I think she do very nice EXPRESSIONS on the
characters...! I showed "I Grand Splash" to my fiends(the one's that like
comics) and they liked it a lot too! They see some similarities between the
expressions that I draw(that is more crazy) with her expression's, that are
very crazy too!
There are more informations about her...her work? I think that we need to
improve more times the creator section on DCML...let's help Per Starback!
In fact, I'm happy to buy the "Topolino"...(when I found it on
Brazil)...there are many new GOOD Italian Disney artists representing this
"new generation"...
I like:
Claudio Sciarrone
Silvia Ziche
Enrico Faccini
Stefano Intini
Lara Molinari( It's a He or a She???)
Alessandro Barbucci (Paperino Paperotto is GREAT!!! It goes to the writters
of this too!)
I don't know a good writter...yet...but I liked a lot when Enrico Faccini
write the story hinself. I loved "Paperino e la Vacanza a Prezzo Stracciato"
on Topolino 2335...!
It's VERY fun!
I just dislike when I see LOT'S of artists, with the SAME look of Cavazzano!
This one's that I speak about are able to do there own style...It this that
I most like on Disney comics, when a artist has his own style! For this I
like so much Reanto Canini! It's different from influence.
Thank You!
Fernando from Brazil!
I think we can continue dicusting this style topic...It is very interisting!
> For example, I just take "perfect"
> attention to the work of the VERY good Silvia Ziche after se her on Paolo
> Castagno site receiving the "Yellow Kid"...!
Well... are you interested in her work or in her look?? ;-)
She's the niecest Disney artist I've ever seen!!! Me too... :)
On the two things! Hahahahhahaha!
Speaking serious, now, I think she do very nice EXPRESSIONS on the
characters...! I showed "I Grand Splash" to my fiends(the one's that like
comics) and they liked it a lot too! They see some similarities between the
expressions that I draw(that is more crazy) with her expression's, that are
very crazy too!
There are more informations about her...her work? I think that we need to
improve more times the creator section on DCML...let's help Per Starback!
In fact, I'm happy to buy the "Topolino"...(when I found it on
Brazil)...there are many new GOOD Italian Disney artists representing this
"new generation"...
I like:
Claudio Sciarrone
Silvia Ziche
Enrico Faccini
Stefano Intini
Lara Molinari( It's a He or a She???)
Alessandro Barbucci (Paperino Paperotto is GREAT!!! It goes to the writters
of this too!)
I don't know a good writter...yet...but I liked a lot when Enrico Faccini
write the story hinself. I loved "Paperino e la Vacanza a Prezzo Stracciato"
on Topolino 2335...!
It's VERY fun!
I just dislike when I see LOT'S of artists, with the SAME look of Cavazzano!
This one's that I speak about are able to do there own style...It this that
I most like on Disney comics, when a artist has his own style! For this I
like so much Reanto Canini! It's different from influence.
Thank You!
Fernando from Brazil!
I think we can continue dicusting this style topic...It is very interisting!
Fernando Ventura
Francesco Spreafico: Italian Artists, Renato Canini
Message 22 -
2001-01-06 at 07:33:07
> There are more informations about her...her work? I think that we need
to
> improve more times the creator section on DCML...let's help Per
Starback!
There used to be a "beta" secret site about her, made by her brother, but
that was a couple of years ago and after a while it disappeared; I never
heard about it anymore :-(
For this we need to catch all the information togheter! :)
> I like:
> Claudio Sciarrone
Me too, I'm glad I'm not the only one to like him. (I have to say that
lately he's gotten a bit worse... I think that's because of the low pay
:-( )
On Italy too???
> Stefano Intini
I used to hate him, his PKNA stories are frankly horrible, BUT the short
ones, still on PKNA, about Evrons, were very good. I realized that his
only problems are ducks. He just has no idea what they should look like.
I never see the PKNA of Intini! But I think it;s terrible to him to see his
work changed that time by Disney, principally because it's not his name that
appear.
My firsts Duck and Mickey's stories are "correct" by other artist! Because
my style are VERY much different!
> Lara Molinari( It's a He or a She???)
It's a She, but I don't like her particularly (even though I don't dislike
her either)
I like the ink of her histories...Is that made by she, herself? I never see
a credit to a inker on Topolino comics!
> Alessandro Barbucci (Paperino Paperotto is GREAT!!! It goes to the
writters
> of this too!)
I hate Paperino Paperotto(...)
It's very much "Calvin and Hobbes"..."Inspiration"?!
Weel...I like...
:)
The "greatest" one is (was) Tito Faraci, but he seems to have left Disney,
so... :-(
Another good one is Silvano Mezzavilla.
Right! I will read then with more attention...!
On Brazil, the best one's, actually :
Arthur Faria Jr
G?rson Teixeira
My oppinion, off course!
"Old" Cavazzano clones are Mastantuono and Intini, but later on thay
changed they're style into something more personal... the problem is that
Mastantuono after a very poor period has reached a good level now, while
Intini IMHO not yet.
I have a question! If I work to Disney Italy comics, I'm obliged to work on
the "italian style", or I can do my style? I mean:
I can use the Fethry' original design(well, not the original, the Hubbard's
style), for example?
I can use the Bark's Money Bin?
I can NOT use Battista?
I can do a story with Glittering Goldie, besides Briggita?(Well I like a lot
Briggita, it's just a question!)
I can work with any Disney Universe...for example, "Os Adolescentes"?
> This one's that I speak about are able to do there own style...It this
that
> I most like on Disney comics, when a artist has his own style! For this
I
> like so much Reanto Canini! It's different from influence.
Renato Canini?
Ok...I writted wrong...ReANto Canini...but, the question go for this, or
about who is he?
He was one of the best brazilian artist...but Disney put him out, because
his styles was very much "polittical"...I will send you a example of Canini!
Fernando!
to
> improve more times the creator section on DCML...let's help Per
Starback!
There used to be a "beta" secret site about her, made by her brother, but
that was a couple of years ago and after a while it disappeared; I never
heard about it anymore :-(
For this we need to catch all the information togheter! :)
> I like:
> Claudio Sciarrone
Me too, I'm glad I'm not the only one to like him. (I have to say that
lately he's gotten a bit worse... I think that's because of the low pay
:-( )
On Italy too???
> Stefano Intini
I used to hate him, his PKNA stories are frankly horrible, BUT the short
ones, still on PKNA, about Evrons, were very good. I realized that his
only problems are ducks. He just has no idea what they should look like.
I never see the PKNA of Intini! But I think it;s terrible to him to see his
work changed that time by Disney, principally because it's not his name that
appear.
My firsts Duck and Mickey's stories are "correct" by other artist! Because
my style are VERY much different!
> Lara Molinari( It's a He or a She???)
It's a She, but I don't like her particularly (even though I don't dislike
her either)
I like the ink of her histories...Is that made by she, herself? I never see
a credit to a inker on Topolino comics!
> Alessandro Barbucci (Paperino Paperotto is GREAT!!! It goes to the
writters
> of this too!)
I hate Paperino Paperotto(...)
It's very much "Calvin and Hobbes"..."Inspiration"?!
Weel...I like...
:)
The "greatest" one is (was) Tito Faraci, but he seems to have left Disney,
so... :-(
Another good one is Silvano Mezzavilla.
Right! I will read then with more attention...!
On Brazil, the best one's, actually :
Arthur Faria Jr
G?rson Teixeira
My oppinion, off course!
"Old" Cavazzano clones are Mastantuono and Intini, but later on thay
changed they're style into something more personal... the problem is that
Mastantuono after a very poor period has reached a good level now, while
Intini IMHO not yet.
I have a question! If I work to Disney Italy comics, I'm obliged to work on
the "italian style", or I can do my style? I mean:
I can use the Fethry' original design(well, not the original, the Hubbard's
style), for example?
I can use the Bark's Money Bin?
I can NOT use Battista?
I can do a story with Glittering Goldie, besides Briggita?(Well I like a lot
Briggita, it's just a question!)
I can work with any Disney Universe...for example, "Os Adolescentes"?
> This one's that I speak about are able to do there own style...It this
that
> I most like on Disney comics, when a artist has his own style! For this
I
> like so much Reanto Canini! It's different from influence.
Renato Canini?
Ok...I writted wrong...ReANto Canini...but, the question go for this, or
about who is he?
He was one of the best brazilian artist...but Disney put him out, because
his styles was very much "polittical"...I will send you a example of Canini!
Fernando!
Fernando Ventura
Laura Bozzano
Message 23 -
2001-01-06 at 07:41:43
Still, are you folks completely forgetting Laura Bozzano? Many
artists have been praised (for some reason) during the years by copying
Barks' style, but Laura managed to adopt Carpi's style to an extent
that might fool any novice in the "art of art recognition". Very
talented, but of course I have no idea what she looks
like--something which is completely irrelevant anyway :-)
S?ren
Hum...I'm not familiar with her...maybe I read something made by she,
thinking on Carpi...You know...no credts yet on Brazil!
I agree about copyng Bark's...it's the same with Cavazzano!
But I LOVE the work of Daniel Branca...!
Fernando!
artists have been praised (for some reason) during the years by copying
Barks' style, but Laura managed to adopt Carpi's style to an extent
that might fool any novice in the "art of art recognition". Very
talented, but of course I have no idea what she looks
like--something which is completely irrelevant anyway :-)
S?ren
Hum...I'm not familiar with her...maybe I read something made by she,
thinking on Carpi...You know...no credts yet on Brazil!
I agree about copyng Bark's...it's the same with Cavazzano!
But I LOVE the work of Daniel Branca...!
Fernando!
Paolo Castagno
Mery Krismus an a hapi neu yeer!
Message 24 -
2001-01-06 at 12:51:19
Kriton Kyrimis wrote:
> Has anyone ever wondered what it is that makes the
> work of an artist be recognized as his? We usually talk about individual
> "style", but what is style, and can it be quantified?
Well, just a couple of examples can be identified with Perego's
works: when he draws ducks they never have a sinchronization:
open mouths for silent ducks, while they're talking their mouths
are closed....
And Luciano Gatto fills his panels with little sweat drops
poppin'out from his characters.
> "Well, I just put 1.795372 and 2.204628 together."
> "And what does *that* mean?"
> "Four!"
LOL!!!! :-D
- Paolo
--
http://members.xoom.it/inducks mailto:p.castagno at libero.it
'Ciao, scoperto qualcosa sull'auto volante?'
'Si! Quel tipo la fa volare allineando gli atomi!'
(Pippo e Topolino in YM 032)
> Has anyone ever wondered what it is that makes the
> work of an artist be recognized as his? We usually talk about individual
> "style", but what is style, and can it be quantified?
Well, just a couple of examples can be identified with Perego's
works: when he draws ducks they never have a sinchronization:
open mouths for silent ducks, while they're talking their mouths
are closed....
And Luciano Gatto fills his panels with little sweat drops
poppin'out from his characters.
> "Well, I just put 1.795372 and 2.204628 together."
> "And what does *that* mean?"
> "Four!"
LOL!!!! :-D
- Paolo
--
http://members.xoom.it/inducks mailto:p.castagno at libero.it
'Ciao, scoperto qualcosa sull'auto volante?'
'Si! Quel tipo la fa volare allineando gli atomi!'
(Pippo e Topolino in YM 032)
Paolo Castagno
Kari Korhonen
Message 25 -
2001-01-06 at 12:51:28
Fernando Ventura wrote:
> For example, I just take "perfect"
> attention to the work of the VERY good Silvia Ziche after se her on Paolo
> Castagno site receiving the "Yellow Kid"...!
Well... are you interested in her work or in her look?? ;-)
She's the niecest Disney artist I've ever seen!!!
- Paolo
--
http://members.xoom.it/inducks mailto:p.castagno at libero.it
"Bene! E non scordarti i ferri, Figliolo!"
(Giuseppe Tubi in YM 036)
> For example, I just take "perfect"
> attention to the work of the VERY good Silvia Ziche after se her on Paolo
> Castagno site receiving the "Yellow Kid"...!
Well... are you interested in her work or in her look?? ;-)
She's the niecest Disney artist I've ever seen!!!
- Paolo
--
http://members.xoom.it/inducks mailto:p.castagno at libero.it
"Bene! E non scordarti i ferri, Figliolo!"
(Giuseppe Tubi in YM 036)
Timo Ronkainen
Bookmarks
Message 26 -
2001-01-06 at 17:14:04
I bought some time ago three cardboard bookmarks that appears to be quite
old. Pictures on them presents Pluto and three little pigs.
check them on:
http://members.nbci.com/timoro/bookmarks/
Has there been similar things like these in other countries than Finland?
Can anybody say something on these?
Timo R
.................................
"Rumble on, buxom bumble bee!
Go sit on cowslip - far from me!"
timoro at hotmail.com
timoro at sunpoint.net
http://members.nbci.com/_XMCM/timoro/
http://members.nbci.com/timoro/pamaus
_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
old. Pictures on them presents Pluto and three little pigs.
check them on:
http://members.nbci.com/timoro/bookmarks/
Has there been similar things like these in other countries than Finland?
Can anybody say something on these?
Timo R
.................................
"Rumble on, buxom bumble bee!
Go sit on cowslip - far from me!"
timoro at hotmail.com
timoro at sunpoint.net
http://members.nbci.com/_XMCM/timoro/
http://members.nbci.com/timoro/pamaus
_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Francesco Spreafico
Silvia Ziche, Italian artists, Disney style
Message 27 -
2001-01-06 at 17:58:07
From: "Fernando Ventura" <fernandopventura at uol.com.br>
> Well... are you interested in her work or in her look?? ;-)
> She's the niecest Disney artist I've ever seen!!! Me too... :)
I agree :-))
> There are more informations about her...her work? I think that we need
to
> improve more times the creator section on DCML...let's help Per
Starback!
There used to be a "beta" secret site about her, made by her brother, but
that was a couple of years ago and after a while it disappeared; I never
heard about it anymore :-(
> In fact, I'm happy to buy the "Topolino"...(when I found it on
> Brazil)...there are many new GOOD Italian Disney artists representing
this
> "new generation"...
Well, "many" is a big, big word, and so is "good" :-)
> I like:
> Claudio Sciarrone
Me too, I'm glad I'm not the only one to like him. (I have to say that
lately he's gotten a bit worse... I think that's because of the low pay
:-( )
> Silvia Ziche
Of course, the best "new one".
> Enrico Faccini
I think he's good too, yes, even though I find him better as a writer.
> Stefano Intini
I used to hate him, his PKNA stories are frankly horrible, BUT the short
ones, still on PKNA, about Evrons, were very good. I realized that his
only problems are ducks. He just has no idea what they should look like.
> Lara Molinari( It's a He or a She???)
It's a She, but I don't like her particularly (even though I don't dislike
her either)
> Alessandro Barbucci (Paperino Paperotto is GREAT!!! It goes to the
writters
> of this too!)
I hate Paperino Paperotto, but I admit that Alessandro Barbucci is
slightly better than the average (while NO WAY I can accept that he's
considered a Master by some... come on, get real!)
> I don't know a good writter...yet...but I liked a lot when Enrico
Faccini
> write the story hinself.
Oh, great, we agree then :-)
The "greatest" one is (was) Tito Faraci, but he seems to have left Disney,
so... :-(
Another good one is Silvano Mezzavilla.
> I just dislike when I see LOT'S of artists, with the SAME look of
Cavazzano!
Yes indeed. Roberto Vian for example. The problem is that you can't say
that their drawings are bad, because they're not. With horrible art I
generally don't even bother reading the story, I just skip it... but this
is not the case.
"Old" Cavazzano clones are Mastantuono and Intini, but later on thay
changed they're style into something more personal... the problem is that
Mastantuono after a very poor period has reached a good level now, while
Intini IMHO not yet.
> This one's that I speak about are able to do there own style...It this
that
> I most like on Disney comics, when a artist has his own style! For this
I
> like so much Reanto Canini! It's different from influence.
Renato Canini?
Anyway there's another problem here. It'a alright to be different and
original, but as long as your art doesn't suck! And by that I don't mean
that the artist can't draw, but only that he can't draw ducks (or mice)
take one for all, Fabio Celoni. I think he'd be a great Marvel or DC
artist, but with disney, well, he's just not.
--
Sprea
http://digilander.iol.it/sgrizzo (Scarpa)
> Well... are you interested in her work or in her look?? ;-)
> She's the niecest Disney artist I've ever seen!!! Me too... :)
I agree :-))
> There are more informations about her...her work? I think that we need
to
> improve more times the creator section on DCML...let's help Per
Starback!
There used to be a "beta" secret site about her, made by her brother, but
that was a couple of years ago and after a while it disappeared; I never
heard about it anymore :-(
> In fact, I'm happy to buy the "Topolino"...(when I found it on
> Brazil)...there are many new GOOD Italian Disney artists representing
this
> "new generation"...
Well, "many" is a big, big word, and so is "good" :-)
> I like:
> Claudio Sciarrone
Me too, I'm glad I'm not the only one to like him. (I have to say that
lately he's gotten a bit worse... I think that's because of the low pay
:-( )
> Silvia Ziche
Of course, the best "new one".
> Enrico Faccini
I think he's good too, yes, even though I find him better as a writer.
> Stefano Intini
I used to hate him, his PKNA stories are frankly horrible, BUT the short
ones, still on PKNA, about Evrons, were very good. I realized that his
only problems are ducks. He just has no idea what they should look like.
> Lara Molinari( It's a He or a She???)
It's a She, but I don't like her particularly (even though I don't dislike
her either)
> Alessandro Barbucci (Paperino Paperotto is GREAT!!! It goes to the
writters
> of this too!)
I hate Paperino Paperotto, but I admit that Alessandro Barbucci is
slightly better than the average (while NO WAY I can accept that he's
considered a Master by some... come on, get real!)
> I don't know a good writter...yet...but I liked a lot when Enrico
Faccini
> write the story hinself.
Oh, great, we agree then :-)
The "greatest" one is (was) Tito Faraci, but he seems to have left Disney,
so... :-(
Another good one is Silvano Mezzavilla.
> I just dislike when I see LOT'S of artists, with the SAME look of
Cavazzano!
Yes indeed. Roberto Vian for example. The problem is that you can't say
that their drawings are bad, because they're not. With horrible art I
generally don't even bother reading the story, I just skip it... but this
is not the case.
"Old" Cavazzano clones are Mastantuono and Intini, but later on thay
changed they're style into something more personal... the problem is that
Mastantuono after a very poor period has reached a good level now, while
Intini IMHO not yet.
> This one's that I speak about are able to do there own style...It this
that
> I most like on Disney comics, when a artist has his own style! For this
I
> like so much Reanto Canini! It's different from influence.
Renato Canini?
Anyway there's another problem here. It'a alright to be different and
original, but as long as your art doesn't suck! And by that I don't mean
that the artist can't draw, but only that he can't draw ducks (or mice)
take one for all, Fabio Celoni. I think he'd be a great Marvel or DC
artist, but with disney, well, he's just not.
--
Sprea
http://digilander.iol.it/sgrizzo (Scarpa)
Søren Krarup Olesen
Silvia Ziche, Italian artists, Disney style
Message 28 -
2001-01-06 at 19:00:25
PAOLO + SPREA:
> > Lara Molinari( It's a He or a She???)
>
> It's a She, but I don't like her particularly (even though I don't dislike
> her either)
I think Lara does an excellent job. The art is easy to recognise
and she definetely has her own personal style, whatever that implies
(Hi, Kriton! :-)
Still, are you folks completely forgetting Laura Bozzano? Many
artists have been praised (for some reason) during the years by copying
Barks' style, but Laura managed to adopt Carpi's style to an extent
that might fool any novice in the "art of art recognition". Very
talented, but of course I have no idea what she looks
like--something which is completely irrelevant anyway :-)
Søren
> > Lara Molinari( It's a He or a She???)
>
> It's a She, but I don't like her particularly (even though I don't dislike
> her either)
I think Lara does an excellent job. The art is easy to recognise
and she definetely has her own personal style, whatever that implies
(Hi, Kriton! :-)
Still, are you folks completely forgetting Laura Bozzano? Many
artists have been praised (for some reason) during the years by copying
Barks' style, but Laura managed to adopt Carpi's style to an extent
that might fool any novice in the "art of art recognition". Very
talented, but of course I have no idea what she looks
like--something which is completely irrelevant anyway :-)
Søren
Francesco Spreafico
Silvia Ziche, Italian artists, Disney style
Message 29 -
2001-01-06 at 19:20:07
From: "S?ren Krarup Olesen" <sko at acoustics.dk>
> Still, are you folks completely forgetting Laura Bozzano? Many
> artists have been praised (for some reason) during the years by copying
> Barks' style, but Laura managed to adopt Carpi's style to an extent
> that might fool any novice in the "art of art recognition". Very
> talented, but of course I have no idea what she looks
> like--something which is completely irrelevant anyway :-)
Agreed, but that's a Carpi's clone, what's good in that?
--
Sprea
http://digilander.iol.it/sgrizzo (Scarpa)
> Still, are you folks completely forgetting Laura Bozzano? Many
> artists have been praised (for some reason) during the years by copying
> Barks' style, but Laura managed to adopt Carpi's style to an extent
> that might fool any novice in the "art of art recognition". Very
> talented, but of course I have no idea what she looks
> like--something which is completely irrelevant anyway :-)
Agreed, but that's a Carpi's clone, what's good in that?
--
Sprea
http://digilander.iol.it/sgrizzo (Scarpa)
Francesco Spreafico
Francesco Spreafico: Italian Artists, Renato Canini
Message 30 -
2001-01-06 at 19:55:25
(There's something wrong with the quoting, it must have been my faul, hope
to have settled it)
From: "Fernando Ventura" <fernandopventura at uol.com.br>
>> Me too, I'm glad I'm not the only one to like him. (I have to say that
>> lately he's gotten a bit worse... I think that's because of the low pay
>> :-( )
>
>> On Italy too???
I remember speaking with him a couple of years ago and he said that since
they get paid the same for masterpieces and for crap, it is very likely
that they produce more crap, or that they start working for other
non-disney publishers.
>> I never see the PKNA of Intini! But I think it;s terrible to him to see
his
>> work changed that time by Disney, principally because it's not his name
that
>> appear.
I agree, that infamous 0/3...
> I like the ink of her histories...Is that made by she, herself? I never
see
> a credit to a inker on Topolino comics!
They don't credit inkers indeed, and that's a pity. But I think that most
artist do their own inks, maybe all but Scarpa, Cavazzano and Silvia
Ziche.
> I have a question! If I work to Disney Italy comics, I'm obliged to work
on
> the "italian style", or I can do my style? I mean:
Good question, I don't know!
> I can use the Fethry' original design(well, not the original, the
Hubbard's
> style), for example?
Not so different that Italian after all (And lateley even Biquinho, or how
it's spelled, is part of the "Italian family" too),
> I can use the Bark's Money Bin?
You mean no dome? It think so, there are so many different monay bins
around in Itlaian stories
> I can NOT use Battista?
I definitely think so, he's not in all stories.
> I can do a story with Glittering Goldie, besides Briggita?(Well I like a
lot
> Briggita, it's just a question!)
Scarpa did it in the story where Paperetta Ye'-Ye' made his first
appereance
> I can work with any Disney Universe...for example, "Os Adolescentes"?
This I really don't know, since I'm not even sure who they are :-)
> Ok...I writted wrong...ReANto Canini...but, the question go for this, or
> about who is he?
The second you said :-) Now I've seen it and well, I can't say I like him
:-)
--
Sprea
http://digilander.iol.it/sgrizzo (Scarpa)
to have settled it)
From: "Fernando Ventura" <fernandopventura at uol.com.br>
>> Me too, I'm glad I'm not the only one to like him. (I have to say that
>> lately he's gotten a bit worse... I think that's because of the low pay
>> :-( )
>
>> On Italy too???
I remember speaking with him a couple of years ago and he said that since
they get paid the same for masterpieces and for crap, it is very likely
that they produce more crap, or that they start working for other
non-disney publishers.
>> I never see the PKNA of Intini! But I think it;s terrible to him to see
his
>> work changed that time by Disney, principally because it's not his name
that
>> appear.
I agree, that infamous 0/3...
> I like the ink of her histories...Is that made by she, herself? I never
see
> a credit to a inker on Topolino comics!
They don't credit inkers indeed, and that's a pity. But I think that most
artist do their own inks, maybe all but Scarpa, Cavazzano and Silvia
Ziche.
> I have a question! If I work to Disney Italy comics, I'm obliged to work
on
> the "italian style", or I can do my style? I mean:
Good question, I don't know!
> I can use the Fethry' original design(well, not the original, the
Hubbard's
> style), for example?
Not so different that Italian after all (And lateley even Biquinho, or how
it's spelled, is part of the "Italian family" too),
> I can use the Bark's Money Bin?
You mean no dome? It think so, there are so many different monay bins
around in Itlaian stories
> I can NOT use Battista?
I definitely think so, he's not in all stories.
> I can do a story with Glittering Goldie, besides Briggita?(Well I like a
lot
> Briggita, it's just a question!)
Scarpa did it in the story where Paperetta Ye'-Ye' made his first
appereance
> I can work with any Disney Universe...for example, "Os Adolescentes"?
This I really don't know, since I'm not even sure who they are :-)
> Ok...I writted wrong...ReANto Canini...but, the question go for this, or
> about who is he?
The second you said :-) Now I've seen it and well, I can't say I like him
:-)
--
Sprea
http://digilander.iol.it/sgrizzo (Scarpa)