I think the problem with Disney comic books has several reasons.
1st: Of cause the interest in Disney comics has declined in the last 25 years. But I think you can still make, print and sell books with good profit. And don't forget the international customers. Amazon is a great point of sale for that with no risk for the publisher.
2nd: In the US advertising is really missing and a good place at the local newsstands. I didn't see any copy of Disney comics at a supermarket, newspaper stand or book store in New York and the northern states last year.
3rd: A good mix of reprints and new stories as well. I think Gemstone did a great job with Uncle Scrooge and Comics & Stories.
4rd: A mix of low priced comic books and higher priced collectors editions.
Author
Topic: Uh-oh...
(312 messages)
Charlie Brown
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Message 136 -
2011-05-19 at 18:00:42
Roger North
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Message 137 -
2011-05-19 at 21:01:38
I have never seen any Disney Comics in my city since before the end of Gladstone's second run. Up until February in 1998 they used to sell them wherever comic books were available. Before then they used to sell like hotcakes. Nowadays you will be lucky to find one of one title in any comic book store. The only Boom Issue I have is Chip N Dale Rescue Rangers #1 and that's only because the company owner sent it to me in exchange for a review. I do have a lot of issues from previous companies though. See my What Disney Comics do you have thread to see what issues I have. If Marvel gets the license to publish classic Disney Comics I hope they sell them in my city.
Fritz Baugh
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Message 138 -
2011-05-20 at 13:44:10
More news, and it's not good:
Diamond's posted the order forms for the June Previews, and here's the entirety of the Kaboom solicitation for August:
Quote:PAGE 254
KABOOM!
FI JUN11 0963 ROGER LANGRIDGE SNARKED #0 08/24/11 SRP: $1.00 = $
KIDS JUN11 0964 DARKWING DUCK #15 (C: 1-0-0) 08/24/11 SRP: $3.99 = $
JUN11 0965 DARKWING DUCK TP VOL 03 FOWL DISPOSITION (C: 1-0-0) 08/24/11 SRP: $14.99 = $
JUN11 0966 DARKWING DUCK TP VOL 01 DUCK KNIGHT RETURNS (C: 1-0-0) 07/20/11 SRP: $14.99 = $
OA JUN11 0967 DARKWING DUCK TP VOL 02 CRISIS ON INFINITE DARKWINGS (O/A) (C: 1-0-0) 07/27/11 SRP: $14.99 = $
KIDS JUN11 0968 DUCKTALES #4 (C: 1-0-0) 08/24/11 SRP: $3.99 = $
Diamond's posted the order forms for the June Previews, and here's the entirety of the Kaboom solicitation for August:
Quote:PAGE 254
KABOOM!
FI JUN11 0963 ROGER LANGRIDGE SNARKED #0 08/24/11 SRP: $1.00 = $
KIDS JUN11 0964 DARKWING DUCK #15 (C: 1-0-0) 08/24/11 SRP: $3.99 = $
JUN11 0965 DARKWING DUCK TP VOL 03 FOWL DISPOSITION (C: 1-0-0) 08/24/11 SRP: $14.99 = $
JUN11 0966 DARKWING DUCK TP VOL 01 DUCK KNIGHT RETURNS (C: 1-0-0) 07/20/11 SRP: $14.99 = $
OA JUN11 0967 DARKWING DUCK TP VOL 02 CRISIS ON INFINITE DARKWINGS (O/A) (C: 1-0-0) 07/27/11 SRP: $14.99 = $
KIDS JUN11 0968 DUCKTALES #4 (C: 1-0-0) 08/24/11 SRP: $3.99 = $
Roger North
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Message 139 -
2011-05-20 at 20:47:22
It sounds like they are going to cancel Chip N Dale Rescue Rangers after July. That's not good. The only Disney Comics available in August that Kaboom is selling are Darkwing Duck, and Duck Tales.
Jano
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Message 140 -
2011-05-20 at 22:26:36
It is correct that CDRR won't continue after issue 8. The second storyarc will also be the last one.
T.Wormstedt
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Message 141 -
2011-05-21 at 05:36:28
Quote from user: rodneyBoom's Disney books were sold on newsstands. I've seen them in supermarkets and bookstores. I would like to see some full numbers for the Boom titles.
You've seen Boom's Disney books at Supermarkets & bookstores? Are these the comics or the books? Where do you live exactly? It sounds like a dream place.
The last time I ever saw a Disney comic at a newsstand and not a comic store was in 1998 -- my local Fred Meyer in Kirkland, WA - I bought a copy of Uncle Scrooge Adventures #42 or #43 - Treasure Of Marco Polo story. When WDC&S & US titles went prestige and to 5.95 w/ Gladstone publishing I never saw Disney comics at newsstand's again to this day.
- Tom Wormstedt
You've seen Boom's Disney books at Supermarkets & bookstores? Are these the comics or the books? Where do you live exactly? It sounds like a dream place.
The last time I ever saw a Disney comic at a newsstand and not a comic store was in 1998 -- my local Fred Meyer in Kirkland, WA - I bought a copy of Uncle Scrooge Adventures #42 or #43 - Treasure Of Marco Polo story. When WDC&S & US titles went prestige and to 5.95 w/ Gladstone publishing I never saw Disney comics at newsstand's again to this day.
- Tom Wormstedt
MustangRockstar
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Message 142 -
2011-05-21 at 06:28:47
Quote from user: Lars JensenQuote from user: MustangRockstarIt's time to swallow hard and honestly ask ourselves if Disney comics are even feasible in North America at this
point. In the last 30 years, we've seen five efforts to produce these comics, and all failed.
They didn't all fail. Please don't spread incorrect information.
Gladstone I (1985-1990) was a big success -- and only partly due to the DuckTales TV show. Its comic books often sold more than 100,000 copies, and there was a plethora of thriving titles. Gladstone I was so successful, in fact, that Disney revoked Gladstone's license so they themselves could publish those successful comics and bring those big profits in-house.
Disney Comics (1990-1993) made several strategic mistakes regarding choice of reprint material, what kind of material they themselves should produce, advertising, analyzing sales figures etc. And yes, they did end up having to cancel a lot of titles. But in the end they weren't really a failure, either. In their last days, Donald Duck Adventures, Uncle Scrooge, and Walt Disney's Comics and Stories still sold in OK numbers... just less than Gladstone I had done. So they gave the license back to Gladstone.
Gladstone II (1993-1998) was hit by several problems. From what I understand, the publisher (Bruce Hamilton) wanted to save money on producing the comics, perhaps because sales had gone down during the Disney Comics years. Unfortunately, Gladstone II's cost-saving measures made sales go down further. Hamilton chose to print old inventory material even though it was often very unpopular with readers (just look at the negative responses to "Goofy History" and "Mickey and the Sleuth" stories in the letter columns... and yet those stories kept being published), and lots of stories from the earlier Gladstone period were reprinted again and again. Some comics were printed with newsprint covers to keep the price low, but this was again a very unpopular move that lost more buyers than it kept on board. As a result, sales fell and fell...
Gemstone (2003-2008) made money. This has been mentioned in several places -- also on this message board. Their problems are still a little unclear (to me, at least), but from what I understand their earnings were being used to finance Steve Geppi's other enterprises. Problems with those other enterprises apparently eventually led to a cash crunch, which made Gemstone unable to afford continue publishing. But what they did publish, made money for them.
BOOM! (2009-?)... Well, we don't know. And until BOOM! announces something, it's all speculation and hearsay. Which means it is premature to write them off, in my opinion.
So no, publishing Disney comics is not doomed to failure. In fact, over the last thirty years, publishing Disney comics has traditionally made money for the publisher.
MustangRockstar, McDuck_Enterprises... I really don't understand your (and others') defeatist attitudes. Why do fans keep trying to come up with arguments for why companies should not publish Disney comics... or, at the very least, not publish them the successful way that Gladstone I or (to a lesser degree) Gemstone did?
Nice essay. But five publishers, in a 25-26 year span, with publishing gaps = fail. No matter how we try and spin it or justify it, or argue about it.
I want nothing more than to see Disney comics sell and find an audience. But one man's defeatist attitude is another man's harsh assessment of the condition of things in the year 2011. Bottom line is that if someone could make it work, people would be chomping at the bit to produce these comics and they would stick around. When a company can make the model work for more than five years, I'll buy it. But in the meantime, I accept the fact that my hobby is a niche hobby and that this will be a part of the way things are.
point. In the last 30 years, we've seen five efforts to produce these comics, and all failed.
They didn't all fail. Please don't spread incorrect information.
Gladstone I (1985-1990) was a big success -- and only partly due to the DuckTales TV show. Its comic books often sold more than 100,000 copies, and there was a plethora of thriving titles. Gladstone I was so successful, in fact, that Disney revoked Gladstone's license so they themselves could publish those successful comics and bring those big profits in-house.
Disney Comics (1990-1993) made several strategic mistakes regarding choice of reprint material, what kind of material they themselves should produce, advertising, analyzing sales figures etc. And yes, they did end up having to cancel a lot of titles. But in the end they weren't really a failure, either. In their last days, Donald Duck Adventures, Uncle Scrooge, and Walt Disney's Comics and Stories still sold in OK numbers... just less than Gladstone I had done. So they gave the license back to Gladstone.
Gladstone II (1993-1998) was hit by several problems. From what I understand, the publisher (Bruce Hamilton) wanted to save money on producing the comics, perhaps because sales had gone down during the Disney Comics years. Unfortunately, Gladstone II's cost-saving measures made sales go down further. Hamilton chose to print old inventory material even though it was often very unpopular with readers (just look at the negative responses to "Goofy History" and "Mickey and the Sleuth" stories in the letter columns... and yet those stories kept being published), and lots of stories from the earlier Gladstone period were reprinted again and again. Some comics were printed with newsprint covers to keep the price low, but this was again a very unpopular move that lost more buyers than it kept on board. As a result, sales fell and fell...
Gemstone (2003-2008) made money. This has been mentioned in several places -- also on this message board. Their problems are still a little unclear (to me, at least), but from what I understand their earnings were being used to finance Steve Geppi's other enterprises. Problems with those other enterprises apparently eventually led to a cash crunch, which made Gemstone unable to afford continue publishing. But what they did publish, made money for them.
BOOM! (2009-?)... Well, we don't know. And until BOOM! announces something, it's all speculation and hearsay. Which means it is premature to write them off, in my opinion.
So no, publishing Disney comics is not doomed to failure. In fact, over the last thirty years, publishing Disney comics has traditionally made money for the publisher.
MustangRockstar, McDuck_Enterprises... I really don't understand your (and others') defeatist attitudes. Why do fans keep trying to come up with arguments for why companies should not publish Disney comics... or, at the very least, not publish them the successful way that Gladstone I or (to a lesser degree) Gemstone did?
Nice essay. But five publishers, in a 25-26 year span, with publishing gaps = fail. No matter how we try and spin it or justify it, or argue about it.
I want nothing more than to see Disney comics sell and find an audience. But one man's defeatist attitude is another man's harsh assessment of the condition of things in the year 2011. Bottom line is that if someone could make it work, people would be chomping at the bit to produce these comics and they would stick around. When a company can make the model work for more than five years, I'll buy it. But in the meantime, I accept the fact that my hobby is a niche hobby and that this will be a part of the way things are.
Lars Jensen
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Message 143 -
2011-05-21 at 10:21:11
Quote from user: MustangRockstarNice essay.
Thanks. It took forever to write. :)
Quote from user: MustangRockstarBut five publishers, in a 25-26 year span, with publishing gaps = fail.
But why were there five publishers? And how do we define "fail"?
As I wrote: Gladstone I definitely wasn't a failure -- it made tons of money. Disney Comics made a profit as well -- although smaller. So did Gemstone (although we don't know how much they made). And we have no idea what is going on with BOOM!
Which means that since 1985 the only company that we know has ended up being an economical failure due to low sales is Gladstone II.
Thanks. It took forever to write. :)
Quote from user: MustangRockstarBut five publishers, in a 25-26 year span, with publishing gaps = fail.
But why were there five publishers? And how do we define "fail"?
As I wrote: Gladstone I definitely wasn't a failure -- it made tons of money. Disney Comics made a profit as well -- although smaller. So did Gemstone (although we don't know how much they made). And we have no idea what is going on with BOOM!
Which means that since 1985 the only company that we know has ended up being an economical failure due to low sales is Gladstone II.
Dutch Duckfan Down Under
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Message 144 -
2011-05-21 at 11:30:14
Quote from user: MustangRockstarNice essay. But five publishers, in a 25-26 year span, with publishing gaps = fail.
It would've been three publishers if Disney hadn't intervered. Also, there have been only two publishing gaps so far: from 1998 to 2003, and from 2008 to 2009. There weren't any gaps between 1985 and 1998. Also, I thought the last WDC&S'es were published in early 1999, but that's just my nitpicking.
It would've been three publishers if Disney hadn't intervered. Also, there have been only two publishing gaps so far: from 1998 to 2003, and from 2008 to 2009. There weren't any gaps between 1985 and 1998. Also, I thought the last WDC&S'es were published in early 1999, but that's just my nitpicking.
Fritz Baugh
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Message 145 -
2011-05-21 at 14:03:43
Quote from user: Dutch Duckfan Down UnderAlso, I thought the last WDC&S'es were published in early 1999, but that's just my nitpicking.
WDC 633 and US 318 were cover dated February 1999, but actually released in December 1998. Cover dates can be off a couple of months because the whole comic book cover date system started not as an indicator of the month the comic was released, but the month that the newstand was supposed to pull unsold copies from sale. Even though Gladstone didn't have newstand sales at that point, they dates were still staggered out of habit and convention.
WDC 633 and US 318 were cover dated February 1999, but actually released in December 1998. Cover dates can be off a couple of months because the whole comic book cover date system started not as an indicator of the month the comic was released, but the month that the newstand was supposed to pull unsold copies from sale. Even though Gladstone didn't have newstand sales at that point, they dates were still staggered out of habit and convention.
MustangRockstar
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Message 146 -
2011-05-21 at 20:16:12
Quote from user: Dutch Duckfan Down UnderQuote from user: MustangRockstarNice essay. But five publishers, in a 25-26 year span, with publishing gaps = fail.
It would've been three publishers if Disney hadn't intervered. Also, there have been only two publishing gaps so far: from 1998 to 2003, and from 2008 to 2009. There weren't any gaps between 1985 and 1998. Also, I thought the last WDC&S'es were published in early 1999, but that's just my nitpicking.
So, essentially, we're talking about 5 or 6 years total in the last 25 years. Roughly 1/4 of the time in question.
Not a small percentage fellas.
It would've been three publishers if Disney hadn't intervered. Also, there have been only two publishing gaps so far: from 1998 to 2003, and from 2008 to 2009. There weren't any gaps between 1985 and 1998. Also, I thought the last WDC&S'es were published in early 1999, but that's just my nitpicking.
So, essentially, we're talking about 5 or 6 years total in the last 25 years. Roughly 1/4 of the time in question.
Not a small percentage fellas.
MustangRockstar
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Message 147 -
2011-05-21 at 20:20:55
Quote from user: Dutch Duckfan Down UnderQuote from user: MustangRockstarNice essay. But five publishers, in a 25-26 year span, with publishing gaps = fail.
It would've been three publishers if Disney hadn't intervered. Also, there have been only two publishing gaps so far: from 1998 to 2003, and from 2008 to 2009. There weren't any gaps between 1985 and 1998. Also, I thought the last WDC&S'es were published in early 1999, but that's just my nitpicking.
But the fact remains that it still happened and it still did not work. And as I said in a previous post, when we talk about 5 or 6 years our of 25, we're talking about nearly 1/4 of the time. Especially if we look at more recent history, like say the the past 10 years, we're looking at two gaps, possibly a third on the horizon, and potentially three publishers. We're not exactly trending in the right direction at the moment.
Forget for a second that these are comics we love and want to see thrive. When we look with our heads, and not with our hearts, things don't paint a pretty picture. No matter how much I wish I could say otherwise.
It would've been three publishers if Disney hadn't intervered. Also, there have been only two publishing gaps so far: from 1998 to 2003, and from 2008 to 2009. There weren't any gaps between 1985 and 1998. Also, I thought the last WDC&S'es were published in early 1999, but that's just my nitpicking.
But the fact remains that it still happened and it still did not work. And as I said in a previous post, when we talk about 5 or 6 years our of 25, we're talking about nearly 1/4 of the time. Especially if we look at more recent history, like say the the past 10 years, we're looking at two gaps, possibly a third on the horizon, and potentially three publishers. We're not exactly trending in the right direction at the moment.
Forget for a second that these are comics we love and want to see thrive. When we look with our heads, and not with our hearts, things don't paint a pretty picture. No matter how much I wish I could say otherwise.
Snowpeck
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Message 148 -
2011-05-21 at 23:10:02
The problem has always, in my opinion, been that no one has ever marketed the books right. They were either marketed only for kiddies, or only for collectors. A good middle has to be found somewhere in there. Gladstone II was a bit of an attempt at that, but such a high percentage of the stories printed during the early part of that era were ones that had been printed only a few years before (alienating the hard core collectors again.)
I was a heavy duty Disney comics collector in the mid-90s, but stopped cold when the prestige books came around. First off, comics stores in my area were reluctant to carry them (I bought all my comics from newsstands before), and $5.95, eventually escalating to $7.95 never seemed to be in the budget. And Boom is hardly doing any marketing at all. I can only find a couple issues here and there at comics stores. They're nowhere to be found on newsstands... or even places that would seem obvious like The Disney Store.
You can print the best quality comics in the world... appealing to all generations... but if you don't market them properly, no one will buy.
I was a heavy duty Disney comics collector in the mid-90s, but stopped cold when the prestige books came around. First off, comics stores in my area were reluctant to carry them (I bought all my comics from newsstands before), and $5.95, eventually escalating to $7.95 never seemed to be in the budget. And Boom is hardly doing any marketing at all. I can only find a couple issues here and there at comics stores. They're nowhere to be found on newsstands... or even places that would seem obvious like The Disney Store.
You can print the best quality comics in the world... appealing to all generations... but if you don't market them properly, no one will buy.
Roger North
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Message 149 -
2011-05-22 at 01:09:06
I see what you mean snowpeck. I too stopped collecting the Disney Comics when Walt Disney's Comics and Stories, and Uncle Scrooge converted to prestige format but I started again in 2004. I was lucky that I was able to get a subscription to every title that Gemstone published in 2005. It would be a pity if Disney Comics stopped publishing for good. I hope Marvel will target their Disney Comics to both Kids and Collectors.
Vesuvius
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Message 150 -
2011-05-23 at 07:13:56
I think Marvel will do a much better job of marketing the Disney books to kids. Putting out a magazine like they are planning to do also seems like a good way to off-set the costs of producing new material, should the magazine be successful.
Whether or not Marvel will care about the quality of the content is still debatable.
Whether or not Marvel will care about the quality of the content is still debatable.