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Topic: Uh-oh...

(312 messages)
Vesuvius
Fantagraphics has the license to publish the creator Omnibi like we're seeing for Gottfredson. The FCBD issue you're seeing for Darkwing Duck/Rescue Rangers was solicited months ago, so it doesn't mean anything in the greater mystery of what's going on with the comics at Boom. Otherwise, it's unlikely they'd be promoting a book like Chip n' Dale that, judging by the subscriptions on their site, is getting canceled.
Baar Baar Jinx
Quote from user: VesuviusFantagraphics has the license to publish the creator Omnibi like we're seeing for Gottfredson. The FCBD issue you're seeing for Darkwing Duck/Rescue Rangers was solicited months ago, so it doesn't mean anything in the greater mystery of what's going on with the comics at Boom. Otherwise, it's unlikely they'd be promoting a book like Chip n' Dale that, judging by the subscriptions on their site, is getting canceled.
That would explain why they're able to promote Gottfredson's name so prominently on the cover, perhaps .... still, could this be a sign that Fantagraphics may be interested in the license in future? Although, again, it seems unlikely they'll be offered it until Marvel gets its turn.

If Boom still had their license, then in the coming months we'd have had two American publishers holding the license to Gottfredson/Barks work at the same time! Has that ever happened before?

BTW, someone managed to get a comment from Boom regarding the classic license... make that a "no comment".

http://darkwingblog.wordpress.com/2011/04/19/disney-licenses-in-trouble/
Roger North
No Barr Barr. I can't afford to subscribe to them sadly even when it was possible.
Vesuvius
The license held by Boom and the license held by Fantagraphics are probably two very different animals. If you take a company like Lucasfilm, for example, the divvy up their licensing to best squeeze every dollar out of similar products. For example, Hasbro might have the license to make action figures, but another company gets the license to make 12-inch action figures.
I assume that's what Disney has done here. Boom can publish comics and graphic novels, but probably not high-end Creator Omnibi like Fantagraphics. (Although Boom is clearly trying to circumvent that a bit with their "mostly" Don Rosa collection. If I was Fantagraphics, I'd be livid at Boom trying to cut in on the market they paid good money for.)
Then again, Fantagraphics will probably move tens of thousands of their Omnibi, while Boom's numbers will likely be below 20,000.
Vesuvius
Quote from user: Baar Baar JinxBTW, someone managed to get a comment from Boom regarding the classic license... make that a "no comment".

http://darkwingblog.wordpress.com/2011/04/19/disney-licenses-in-trouble/

Wow. Not even a "Kaboom 2.0" graphic this time around, eh? And the promise of "big things to come"? This is all too familiar, Boom.
Dean Rekich
Quote from user: VesuviusBoom can publish comics and graphic novels, but probably not high-end Creator Omnibi like Fantagraphics. (Although Boom is clearly trying to circumvent that a bit with their "mostly" Don Rosa collection. If I was Fantagraphics, I'd be livid at Boom trying to cut in on the market they paid good money for.)
Vesuvius, why do you assume that Fantagraphics cares if Boom or anyone else publishes collections of Don Rosa's stories? Just because Boom is publishing Barks and Gottfredson libraries does not mean they necessarily want to publish libraries of other Disney comics creators. If Fantagraphics wanted to publish Scarpa, Van Horn, Vicar, etc, etc. libraries, wouldn't they do so? Far from being livid, I doubt Fantagraphics cares one whit about Boom's TPB collections.
Vesuvius
Quote from user: Dean RekichQuote from user: VesuviusBoom can publish comics and graphic novels, but probably not high-end Creator Omnibi like Fantagraphics. (Although Boom is clearly trying to circumvent that a bit with their "mostly" Don Rosa collection. If I was Fantagraphics, I'd be livid at Boom trying to cut in on the market they paid good money for.)
Vesuvius, why do you assume that Fantagraphics cares if Boom or anyone else publishes collections of Don Rosa's stories? Just because Boom is publishing Barks and Gottfredson libraries does not mean they necessarily want to publish libraries of other Disney comics creators. If Fantagraphics wanted to publish Scarpa, Van Horn, Vicar, etc, etc. libraries, wouldn't they do so? Far from being livid, I doubt Fantagraphics cares one whit about Boom's TPB collections.

You're probably right, Dean, Fantagraphics probably ONLY wants to publish a Gottfredson library and that's it.

Oh wait, that doesn't make any sense.

Considering Fantagraphics is working on their first Omnibus, I'd say it's pretty naive to think they don't have plans to do more in the future. Just because they haven't announced them yet doesn't mean they don't have plans to do so. Otherwise what's the point of buying a license?

And I conceded above that Fantagraphics probably doesn't care about what Boom is doing, because judging by how well Fantagraphics did with the Shulz library, Boom's sales would barely be a blip on their radar...but it still looks as if Boom is trying to do an end run around Fantagraphics and try to get their own "undercover" creator libraries to market.
GeoX
Um, I'm pretty sure that Fantagraphics negotiated the licenses for the Gottfredson and Barks collections individually. They might or might not "want" to work on other Disney creators' work in the future, but who cares? It's not like they have some kind of moral right to every creator out there.
Vesuvius
Hey Roger,
I believe they did negotiate the licenses individually, but if those two are successful, I can't imaging they wouldn't want to cover Rosa, Scarpa, etc.
Anyway, I'm not sure how I got into arguing this point, as the main question is still what is happening with the classic characters ongoing titles. I can't imaging Boom losing the rights to those but still being able to put out collections.
GeoX
Well, there might be some sorta unexpected expiration date to the license that came up for some reason, which hasn't arrived yet but is fast approaching.
Doing a Scarpa Library--or one of any European creator, for that matter--would by necessity involve a MASSIVE amount of translation and localization work. Not sayin' it couldn't be done if someone was so determined, but when we're talking about people who are basically unknown in the US by anyone but aficionados...well, that would be a tough pitch, I would think.
Charlie Brown
I think at Fantagraphics there is only a Don Rosa collection possible. All other creators have too many unpublished work in the US.
Coolwater
The Scarpa, Vicar, Van Horn Libraries are quite much pipe dreams in Europe, too. Actually I love wallowing in the idea of a "Cavazzano Library"--don't laugh, I know that such a project is a complete utopia, at least outside of Italy. In fact there are nothing but Barks and Rosa Libraries in our countries (okay, Gottfredson will also get his one sooner or later).
Well, maybe Ehapa will produce the "Volker Reiche Library" one day. But that idea is only realistic because the five or so short stories of this artist would fit well into one thin album which would be the whole "library" then ...
GeoX
Hey, I'd pay money for a Fantagraphics Tony Strobl collection! Although admittedly, I'd probably be the only one...
Sirredknee
Make that a comprehensive Best of Strobl collection and I'm with you!
Robb_K
Quote from user: CoolwaterThe Scarpa, Vicar, Van Horn Libraries are quite much pipe dreams in Europe, too. Actually I love wallowing in the idea of a "Cavazzano Library"--don't laugh, I know that such a project is a complete utopia, at least outside of Italy. In fact there are nothing but Barks and Rosa Libraries in our countries (okay, Gottfredson will also get his one sooner or later).

Well, maybe Ehapa will produce the "Volker Reiche Library" one day. But that idea is only realistic because the five or so short stories of this artist would fit well into one thin album which would be the whole "library" then ...

I'd like one for Daan Jippes, Freddy Milton, Jan Gulbransson, Ben Verhagen, and Romano Scarpa.
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