Hi!
I've made some mistakes reporting about
DD's Brazilian special edition (50 years special issue):
Item 4: The story code is ZS 34-09-16, not W SS 1-10 .
Item 7: I forgot the title of the article:
"Cheia de charme" (Full of charm)
Item 14: The last artist's name is Jorge Kato, not "Jato" :-(
Tchau,
-- Arthur.
Author
Topic: 200008
(301 messages)
Arthur Faria Jr.
Donald Duck's Brazilian special edition (corrections)
Message 1 -
2000-08-01 at 00:13:40
John Chadwick
Spreading the word
Message 2 -
2000-08-01 at 01:41:24
Yesterday, I e-mailed as many comic book people as I could find
addresses for to help spread the word about Carl Barks, occasionally if
I couldn't find an e-mail address I pasted my message in guestbooks.
One of these guest books was on Charles Vess's official site. (If you
haven't heard of Charles, he's a fantastic artist who tends to mostly do
fairy tale type image, his most recent well known work was the art for
Neil Gaiman's wonderful novella, STARDUST.) I saw Charles at a
convention a few years ago, and when he was asked what was something
he'd like to do that he hadn't had the opportunity to do. He said, "I'd
like to do an Uncle Scrooge." (and I would love to see it if he did)
Anyway, I posted my message on his website, and Charles posted a very
nice response to it which I thought you might all like to read. (My
message is right beneath it if you care to look.)
So here's the url:
http://www.greenmanpress.com/guestbook/guestbook.html
addresses for to help spread the word about Carl Barks, occasionally if
I couldn't find an e-mail address I pasted my message in guestbooks.
One of these guest books was on Charles Vess's official site. (If you
haven't heard of Charles, he's a fantastic artist who tends to mostly do
fairy tale type image, his most recent well known work was the art for
Neil Gaiman's wonderful novella, STARDUST.) I saw Charles at a
convention a few years ago, and when he was asked what was something
he'd like to do that he hadn't had the opportunity to do. He said, "I'd
like to do an Uncle Scrooge." (and I would love to see it if he did)
Anyway, I posted my message on his website, and Charles posted a very
nice response to it which I thought you might all like to read. (My
message is right beneath it if you care to look.)
So here's the url:
http://www.greenmanpress.com/guestbook/guestbook.html
Alex Bowman
Thanks
Message 3 -
2000-08-01 at 20:01:31
Thank you for the responses.
It is a shame that they would prohibit inter-company crossovers. I can see
a little reasoning if they wouldn't allow other types of crossovers. Woody
Woodpecker & Pinocchio, Fred Flintstone & The White Rabbit, Foghorn Leghorn
& Friar Tuck.
But, come on...the Disney Universe IS one universe. A Fantasy Universe. I
have heard through the grapevine that there is a film in the works called
THE SEARCH FOR MICKEY. Mickey is missing and a core group of his friends
(possibilities: Donald, Goofy, Minnie, Daisy, Pluto, Horace, Clarabelle,
DArkwing Duck, Basil of Baker Stret & Dr. Dawson, Jaques & Gus, Timothy the
mouse, Jiminy Crickett & Bianca & Bernard...I'm sure that list will be
shortened!) go on a trek to bring him back. They are going to be traveling
all over...Agrabah, 100 Acre Wood, Sherwood Forrest, London, Paris...and in
turn, interacting with all other Disney characters.
Take care
alex
________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
It is a shame that they would prohibit inter-company crossovers. I can see
a little reasoning if they wouldn't allow other types of crossovers. Woody
Woodpecker & Pinocchio, Fred Flintstone & The White Rabbit, Foghorn Leghorn
& Friar Tuck.
But, come on...the Disney Universe IS one universe. A Fantasy Universe. I
have heard through the grapevine that there is a film in the works called
THE SEARCH FOR MICKEY. Mickey is missing and a core group of his friends
(possibilities: Donald, Goofy, Minnie, Daisy, Pluto, Horace, Clarabelle,
DArkwing Duck, Basil of Baker Stret & Dr. Dawson, Jaques & Gus, Timothy the
mouse, Jiminy Crickett & Bianca & Bernard...I'm sure that list will be
shortened!) go on a trek to bring him back. They are going to be traveling
all over...Agrabah, 100 Acre Wood, Sherwood Forrest, London, Paris...and in
turn, interacting with all other Disney characters.
Take care
alex
________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
Thierry Fernand
Brazilian Disney Comic Stories
Message 4 -
2000-08-01 at 20:14:04
Hi everyone,
Thanks to a member of this mailing list, I have uploaded 6 of
the Brazilian stories Arthur Faria translated in English. The
entry page is at:
http://members.forez.com/brazilianstories/index.html
The stories are supposed to stay there permanently.
Links to two other Brazilian stories (in Italian and
Portuguese) have been added as well. The site is meant to be
the "Brazilian section" of Disney Comic online (which have
been slightly updated once again, with a link to a
gottfredson story sent by Paolo Castagno
http://members.xoom.it/inducks/extras/mmwwii.htm).
But "Brazilian Disney Comics" is also meant to be a way for
Disney Comic fans used to American (and European) stories to
discover "new worlds".
Arthur:
Thanks for your message, and for the list of translated
Brazilian stories. I plan to put the rest on the web in the
near future.
Favio
______________________________________________________
Bo?te aux lettres - Caramail - http://www.caramail.com
Thanks to a member of this mailing list, I have uploaded 6 of
the Brazilian stories Arthur Faria translated in English. The
entry page is at:
http://members.forez.com/brazilianstories/index.html
The stories are supposed to stay there permanently.
Links to two other Brazilian stories (in Italian and
Portuguese) have been added as well. The site is meant to be
the "Brazilian section" of Disney Comic online (which have
been slightly updated once again, with a link to a
gottfredson story sent by Paolo Castagno
http://members.xoom.it/inducks/extras/mmwwii.htm).
But "Brazilian Disney Comics" is also meant to be a way for
Disney Comic fans used to American (and European) stories to
discover "new worlds".
Arthur:
Thanks for your message, and for the list of translated
Brazilian stories. I plan to put the rest on the web in the
near future.
Favio
______________________________________________________
Bo?te aux lettres - Caramail - http://www.caramail.com
Timo Ronkainen
DCML digest, Vol 1 #214 - 3 msgs
Message 5 -
2000-08-02 at 13:21:17
>From: "Alex Bowman" I would love to see most interesting stories concocted
>to bring otehr
>characters together.
>
>Goofy & Merlin
I do remember reading a French produced story with Goofy and Merlin in it
(among other characters). It might have been Le miroir magique F JM 81030.
Of course I might remember wrong. Maybe someone knows better.
greetings
Timo R.
.................................
"Rumble on, buxom bumble bee!
Go sit on cowslip - far from me!"
timoro at hotmail.com
http://members.xoom.com/timoro
________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
>to bring otehr
>characters together.
>
>Goofy & Merlin
I do remember reading a French produced story with Goofy and Merlin in it
(among other characters). It might have been Le miroir magique F JM 81030.
Of course I might remember wrong. Maybe someone knows better.
greetings
Timo R.
.................................
"Rumble on, buxom bumble bee!
Go sit on cowslip - far from me!"
timoro at hotmail.com
http://members.xoom.com/timoro
________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
Don Rosa
Digest #217
Message 6 -
2000-08-02 at 15:00:26
> From: "Alex Bowman"
> But, come on...the Disney Universe IS one universe. A Fantasy Universe.
>
That's strictly a matter of opinion and personal interpretation. Other
writers can do what they wish and other readers can read what they like,
but my stories deal strictly with a Donald Duck Universe where no other
characters exist except Barks Duckburg characters... and it is not a
"fantasy universe" in the fairy tale sense... my version of it is overly
serious, based on the real history and geography of the real world. It is a
fantasy world in the same sense that the world of Asterix seems to be a
past era of the world we live in, except there is a Gaul with an impossibly
tremendous nose and another with an impossibly huge gut, and many other
historical personages drawn in caricature fashion. In my interpretation of
the Duck Universe there are people who also are drawn as caricatures, but
they are still human beings, not ducks or dogs or pigs, and still live in
the normal world (well, hopefully maybe a bit funnier than normal).
Remember this Duckburg world is not a "Disney World"... it was created by
Dell and by Barks. I find it's a bigger challenge and a more satisfying
accomplishment to produce (hopefully) entertaining stories under such
limiting parameters of logic and actual history. Plus, that's the way Barks
did it (unless ordered to do otherwise by his editors) and that's the way I
likes it.
Someone else might enjoy a universe peopled by all the Disney characters at
once where talking super-intelligent chipmunks meet living wooden puppets
and such, and that's fine, but they shouldn't expect anything like that in
*all* stories in a Disney comic, and certainly not in mine.
> But, come on...the Disney Universe IS one universe. A Fantasy Universe.
>
That's strictly a matter of opinion and personal interpretation. Other
writers can do what they wish and other readers can read what they like,
but my stories deal strictly with a Donald Duck Universe where no other
characters exist except Barks Duckburg characters... and it is not a
"fantasy universe" in the fairy tale sense... my version of it is overly
serious, based on the real history and geography of the real world. It is a
fantasy world in the same sense that the world of Asterix seems to be a
past era of the world we live in, except there is a Gaul with an impossibly
tremendous nose and another with an impossibly huge gut, and many other
historical personages drawn in caricature fashion. In my interpretation of
the Duck Universe there are people who also are drawn as caricatures, but
they are still human beings, not ducks or dogs or pigs, and still live in
the normal world (well, hopefully maybe a bit funnier than normal).
Remember this Duckburg world is not a "Disney World"... it was created by
Dell and by Barks. I find it's a bigger challenge and a more satisfying
accomplishment to produce (hopefully) entertaining stories under such
limiting parameters of logic and actual history. Plus, that's the way Barks
did it (unless ordered to do otherwise by his editors) and that's the way I
likes it.
Someone else might enjoy a universe peopled by all the Disney characters at
once where talking super-intelligent chipmunks meet living wooden puppets
and such, and that's fine, but they shouldn't expect anything like that in
*all* stories in a Disney comic, and certainly not in mine.
Fernando Ventura
Disney Universe?!
Message 7 -
2000-08-02 at 19:19:56
Don writted:
"Someone else might enjoy a universe peopled by all the Disney characters at
once where talking super-intelligent chipmunks meet living wooden puppets
and such, and that's fine, but they shouldn't expect anything like that in
*all* stories in a Disney comic, and certainly not in mine."
I agree with Don, and think that a more "real" historie is better than
another with so much fantasy. In other way, and in my case, as a very young
Disney writter, I can't do some things that Don do, for example, with a
character as Joe Carioca. I can't put him living on the 40's, for example,
as in his movies, or on the firsts Carioca Strips just because we ned to use
the actual model sheet of the character. The modern place he lives. And, if
I can do it, I will appear with a special problem. If I put this character
into a more "real"world, living on the 40's in Brazil, I will be doing a
contrariety, because the Brazil we see in "Saludos Amigos" and "The Three
Caballeros"is not REAL, in fact it is Surreal world, and it is one of the
reasons because this films are not very much accept in Brazil, because the
critics didn't see that Disney ARE NOT triyng to represent a realistic
place, they are doing then vision of it. But this is another discussion.
So, I need to do my Carioca histories in two ways, I think. One, is
representing a modern, 2000 year, Rio de Janeiro, but forgetting some(not
all) of the "historical facts"made by others before me, just trying to
maintain the live of the character more credible as it is possible. Another
is doing a more surrealistic comic, basead into the characters personality,
and making the historie behind the character. I try to use this two ways.
When I writted the Timon and Pumbaa-Z? Carioca crossover, I'm just thinking
in put the personalites of this characters in conflit. First, I'm "using"
the Timon and Punbaa series characters, and not the "Lion King's Timon and
Pumba". So, they are more HUMAN in the series and less REAL animals as in
the original movie. So, it is accetable to put two human animal characters
with another human character, as Jos? is. More or less, as Chip and Dale is
accetable to appear with Donald.
So, I think that some charactes didn't appear weel with others.If there
are no character personalit way to put the characters togheter, there are no
historie behind then. It will be just a two characters historie, but I think
it will be a very boring one, and not a interisting way to see the character
togheter. So, I think that we can do a less Real historie sometimes, if the
comic will be interisting, not just to see a "Disney Crossover" whitout any
credibility.
Of course, in this case, Disney don't permit this historie. I don't know
if this can be done around the world. Maybe, one day, I will translate the
Rough of this to show to you.
For this reason, I'm very ansious to see "The Three Caballeros Rides Again",
because Don CAN put the 40,s Carioca into Barks universe.
Of course, it is just my oppinion,
Fernando Ventura!
"Someone else might enjoy a universe peopled by all the Disney characters at
once where talking super-intelligent chipmunks meet living wooden puppets
and such, and that's fine, but they shouldn't expect anything like that in
*all* stories in a Disney comic, and certainly not in mine."
I agree with Don, and think that a more "real" historie is better than
another with so much fantasy. In other way, and in my case, as a very young
Disney writter, I can't do some things that Don do, for example, with a
character as Joe Carioca. I can't put him living on the 40's, for example,
as in his movies, or on the firsts Carioca Strips just because we ned to use
the actual model sheet of the character. The modern place he lives. And, if
I can do it, I will appear with a special problem. If I put this character
into a more "real"world, living on the 40's in Brazil, I will be doing a
contrariety, because the Brazil we see in "Saludos Amigos" and "The Three
Caballeros"is not REAL, in fact it is Surreal world, and it is one of the
reasons because this films are not very much accept in Brazil, because the
critics didn't see that Disney ARE NOT triyng to represent a realistic
place, they are doing then vision of it. But this is another discussion.
So, I need to do my Carioca histories in two ways, I think. One, is
representing a modern, 2000 year, Rio de Janeiro, but forgetting some(not
all) of the "historical facts"made by others before me, just trying to
maintain the live of the character more credible as it is possible. Another
is doing a more surrealistic comic, basead into the characters personality,
and making the historie behind the character. I try to use this two ways.
When I writted the Timon and Pumbaa-Z? Carioca crossover, I'm just thinking
in put the personalites of this characters in conflit. First, I'm "using"
the Timon and Punbaa series characters, and not the "Lion King's Timon and
Pumba". So, they are more HUMAN in the series and less REAL animals as in
the original movie. So, it is accetable to put two human animal characters
with another human character, as Jos? is. More or less, as Chip and Dale is
accetable to appear with Donald.
So, I think that some charactes didn't appear weel with others.If there
are no character personalit way to put the characters togheter, there are no
historie behind then. It will be just a two characters historie, but I think
it will be a very boring one, and not a interisting way to see the character
togheter. So, I think that we can do a less Real historie sometimes, if the
comic will be interisting, not just to see a "Disney Crossover" whitout any
credibility.
Of course, in this case, Disney don't permit this historie. I don't know
if this can be done around the world. Maybe, one day, I will translate the
Rough of this to show to you.
For this reason, I'm very ansious to see "The Three Caballeros Rides Again",
because Don CAN put the 40,s Carioca into Barks universe.
Of course, it is just my oppinion,
Fernando Ventura!
Paolo Castagno
Disappointment because of ZP
Message 8 -
2000-08-02 at 20:06:48
bhc at primenet.com wrote:
> We American speakers often use the past tense, with emphasis, by
> default when asking questions of that nature.
OK, then it explains that all in a satisfactory way. Thanks.
- Paolo
--
http://members.xoom.it/inducks mailto:p.castagno at libero.it
Augurati che io non ritrovi mai il fischietto, Calidornia: sarei
un padrone ingordo (Topo the Kid in I TL 274-A)
> We American speakers often use the past tense, with emphasis, by
> default when asking questions of that nature.
OK, then it explains that all in a satisfactory way. Thanks.
- Paolo
--
http://members.xoom.it/inducks mailto:p.castagno at libero.it
Augurati che io non ritrovi mai il fischietto, Calidornia: sarei
un padrone ingordo (Topo the Kid in I TL 274-A)
Paolo Castagno
Donald Duck's Brazilian special edition
Message 9 -
2000-08-02 at 20:07:14
"Arthur Faria Jr." wrote:
> Since Disney special editions have become very
> rare in Brazil, I'll describe for anyone interested
> a surprisingly very good Donald Duck's special edition
> for the 50 years of his comic book that Editora Abril
> published this month in Brazil.
You know, in Italy there are a lot of interesting Disney
publications, and I think Italian can be easily read by
Portugueses.... so if there is someone who wants to swap this
special edition with some Italian Disney stuff (or with money,
obviously), well... I'm here!
- Paolo
--
http://members.xoom.it/inducks mailto:p.castagno at libero.it
"Ecco qua: che ve ne pare?"
"Beh, cosa sarebbe?"
"...una odalisca?"
(I Bassotti in I TL 251-A)
> Since Disney special editions have become very
> rare in Brazil, I'll describe for anyone interested
> a surprisingly very good Donald Duck's special edition
> for the 50 years of his comic book that Editora Abril
> published this month in Brazil.
You know, in Italy there are a lot of interesting Disney
publications, and I think Italian can be easily read by
Portugueses.... so if there is someone who wants to swap this
special edition with some Italian Disney stuff (or with money,
obviously), well... I'm here!
- Paolo
--
http://members.xoom.it/inducks mailto:p.castagno at libero.it
"Ecco qua: che ve ne pare?"
"Beh, cosa sarebbe?"
"...una odalisca?"
(I Bassotti in I TL 251-A)
Alex Bowman
Hi again
Message 10 -
2000-08-02 at 23:08:35
Hello all
I apologize if I am writing too much. Let me know please if I am. The
first request I made was to see if anyone knew of any OTHER issues of Disney
comics that had character crossovers. I already am in possession of the
three I mentioned.
1)Thumper, 7 Dwarves & Jiminy Cricket
2)Thumper, Wicked Witch & 7 Dwarves
3)Timothy Mouse, Dumbo & Jiminy Cricket
If anyone knows of ANY other issues where characters are placed in story
lines with other unlikely characters.
EXAMPLES) a) Mad Hatter + Ursula
b) Baloo + Pongo the Dalmation
c) Geppetto + Horace Horsecollar
Thank you once again!
alex
________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
I apologize if I am writing too much. Let me know please if I am. The
first request I made was to see if anyone knew of any OTHER issues of Disney
comics that had character crossovers. I already am in possession of the
three I mentioned.
1)Thumper, 7 Dwarves & Jiminy Cricket
2)Thumper, Wicked Witch & 7 Dwarves
3)Timothy Mouse, Dumbo & Jiminy Cricket
If anyone knows of ANY other issues where characters are placed in story
lines with other unlikely characters.
EXAMPLES) a) Mad Hatter + Ursula
b) Baloo + Pongo the Dalmation
c) Geppetto + Horace Horsecollar
Thank you once again!
alex
________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
Søren Krarup Olesen
Hi again
Message 11 -
2000-08-03 at 12:14:04
ALEX:
You might like to take a look in WDC 357 from 1970, where you'll find
the Al Hubbard story "Super-Pup" that features Scamp and Super Goof(!)
Søren
You might like to take a look in WDC 357 from 1970, where you'll find
the Al Hubbard story "Super-Pup" that features Scamp and Super Goof(!)
Søren
Don Rosa
DCML digest, Vol 1 #218 - 7 msgs
Message 12 -
2000-08-03 at 15:37:02
From: "Fernando Ventura" <
>>>>If I put this character
into a more "real"world, living on the 40's in Brazil, I will be doing a
contrariety, because the Brazil we see in "Saludos Amigos" and "The Three
Caballeros"is not REAL, in fact it is Surreal world, and it is one of the
reasons because this films are not very much accept in Brazil, because the
critics didn't see that Disney ARE NOT triyng to represent a realistic
place, they are doing then vision of it.
Right, and this caused me some problems, as well. I was not taking these
two characters from a previous "Universe" -- "The Three Caballeros" was not
a "story" film... it was a fantasy-travelogue where the characters simply
sang and danced and made barely restrained sexual advances toward women
while they introduced other sequences in the film. I wanted to
"reintroduce" Jose Carioca and Panchito Pistoles into Donald's life even
though they had actually never been there before -- I made vague references
to the adventures they'd had and the pretty girls they'd chased, but I
couldn't make any direct references since no old adventures actually
existed, not the way all of Barks' old stories "actually exist" as history
for my normal Duck stories.
Reading my own message in the last Digest -- I think of how Barks limited
his parameters (or wanted to) even more than I do. He originally wanted to
place Donald in a world of realistically drawn humans, but was finally
ordered by his editors to back off from that. So he started using humans
with round black noses and saying they were "dogs". I would imagine these
Barks dog-humans looked very weird in 1948, but I grew up with them to such
an extent that I thought that's how you were supposed to draw humans. I
never for a moment thought those were dogs -- I thought that cartoonists
drew humans with those black snoots -- and all my old comic books that I
drew when I was 7-14 years old were all about humans with round black
noses.
Barks limited himself more than I do in another sense in that he never
allowed himself (for reasons I've never heard) to use ghosts or witches or
the occult, whereas I like to use Sir Quackly as the occasional link
$crooge has with his ancestors. No, Barks' Magica DeSpell was NOT a witch
with occult powers, she was a sorceress, a normal person who needed to use
old wands and to learn ancient spells to perform magic... she used
preternatural powers, not supernatural powers. European writers *after*
Barks turned Magica into a witch. The only two times Barks used actual
witches, in "The Golden Christmas Tree" and "Trick or Treat", it was at the
orders of the bosses.
That reminds me of that idea of crossovers -- in the "Golden Christmas
Tree", Donald actually meets the Witch from "Snow White and the 7 Dwarfs".
The story even opens with him reading in a newspaper "Sightings reported of
figure who looks like Snow White's evil witch". Huh? How could a newspaper
reporter transcend reality to know this?! But this report makes sense to
Donald rather than causing him to say "Who the $#@* is 'Snow White'?" Then
the story goes on to involve Donald in a very boring tale of talking trees
and "saving all the world's Christmas Trees" and other really too-cute,
too-obvious, surreal stuff. I never liked that story and I was delighted to
find out in later years that Barks did not write it, it was all the ideas
of the sorts of editors who would put Huey, Dewey and Louie playing
baseball with a ghost on the cover of a comic, and not see anything
intrinsically wrong with the concept.
>>>>If I put this character
into a more "real"world, living on the 40's in Brazil, I will be doing a
contrariety, because the Brazil we see in "Saludos Amigos" and "The Three
Caballeros"is not REAL, in fact it is Surreal world, and it is one of the
reasons because this films are not very much accept in Brazil, because the
critics didn't see that Disney ARE NOT triyng to represent a realistic
place, they are doing then vision of it.
Right, and this caused me some problems, as well. I was not taking these
two characters from a previous "Universe" -- "The Three Caballeros" was not
a "story" film... it was a fantasy-travelogue where the characters simply
sang and danced and made barely restrained sexual advances toward women
while they introduced other sequences in the film. I wanted to
"reintroduce" Jose Carioca and Panchito Pistoles into Donald's life even
though they had actually never been there before -- I made vague references
to the adventures they'd had and the pretty girls they'd chased, but I
couldn't make any direct references since no old adventures actually
existed, not the way all of Barks' old stories "actually exist" as history
for my normal Duck stories.
Reading my own message in the last Digest -- I think of how Barks limited
his parameters (or wanted to) even more than I do. He originally wanted to
place Donald in a world of realistically drawn humans, but was finally
ordered by his editors to back off from that. So he started using humans
with round black noses and saying they were "dogs". I would imagine these
Barks dog-humans looked very weird in 1948, but I grew up with them to such
an extent that I thought that's how you were supposed to draw humans. I
never for a moment thought those were dogs -- I thought that cartoonists
drew humans with those black snoots -- and all my old comic books that I
drew when I was 7-14 years old were all about humans with round black
noses.
Barks limited himself more than I do in another sense in that he never
allowed himself (for reasons I've never heard) to use ghosts or witches or
the occult, whereas I like to use Sir Quackly as the occasional link
$crooge has with his ancestors. No, Barks' Magica DeSpell was NOT a witch
with occult powers, she was a sorceress, a normal person who needed to use
old wands and to learn ancient spells to perform magic... she used
preternatural powers, not supernatural powers. European writers *after*
Barks turned Magica into a witch. The only two times Barks used actual
witches, in "The Golden Christmas Tree" and "Trick or Treat", it was at the
orders of the bosses.
That reminds me of that idea of crossovers -- in the "Golden Christmas
Tree", Donald actually meets the Witch from "Snow White and the 7 Dwarfs".
The story even opens with him reading in a newspaper "Sightings reported of
figure who looks like Snow White's evil witch". Huh? How could a newspaper
reporter transcend reality to know this?! But this report makes sense to
Donald rather than causing him to say "Who the $#@* is 'Snow White'?" Then
the story goes on to involve Donald in a very boring tale of talking trees
and "saving all the world's Christmas Trees" and other really too-cute,
too-obvious, surreal stuff. I never liked that story and I was delighted to
find out in later years that Barks did not write it, it was all the ideas
of the sorts of editors who would put Huey, Dewey and Louie playing
baseball with a ghost on the cover of a comic, and not see anything
intrinsically wrong with the concept.
John Garvin
How did Barks do it?
Message 13 -
2000-08-03 at 18:30:19
Don said:
***
I find it's a bigger challenge and a more satisfying
accomplishment to produce (hopefully) entertaining stories under such
limiting parameters of logic and actual history. Plus, that's the way Barks
did it (unless ordered to do otherwise by his editors) and that's the way I
likes it.
Someone else might enjoy a universe peopled by all the Disney characters at
once where talking super-intelligent chipmunks meet living wooden puppets
and such, and that's fine, but they shouldn't expect anything like that in
*all* stories in a Disney comic, and certainly not in mine.
***
Of course all of Barks stories founded in a version of the real world: Duckburg
mirrored our world in many ways because that allowed Barks to tell many stories
that were not fantasy (Donalds everyman stories, for instance), but MANY of
Barks stories contained elements of the fantastic: Santa Clause and his magic
sleigh, many types of witchcraft and witches, immortal zombies. And many
stories which had such kooky science they might as well have been magic: gas
that ressurects people who have been dead for thousands of years, machines that
make you smaller than insects. And who can forget the race of creatures that
live under the earth and create earthquakes? Or the creatures who lived on the
barren planet in view of the bountiful planet? Or the race of mermen who
hoarded Scrooge's quarters?
Are living wooden puppets really more fantastic than a race of menny-hoo-nees
living in Hawaii? No, I think the Barks universe is very much a "fantasy" one,
unless one chooses to ignore a great many Barks stories. You might choose to
tell your stories that way, but you can hardly claim that that's the way "Barks
did it." Barks did it many ways. He often used "logic and actual history" and
often used whimsy and pure fantasy. And I don't think you can argue that all of
these stories were done because he editors ordered him too.
***
I find it's a bigger challenge and a more satisfying
accomplishment to produce (hopefully) entertaining stories under such
limiting parameters of logic and actual history. Plus, that's the way Barks
did it (unless ordered to do otherwise by his editors) and that's the way I
likes it.
Someone else might enjoy a universe peopled by all the Disney characters at
once where talking super-intelligent chipmunks meet living wooden puppets
and such, and that's fine, but they shouldn't expect anything like that in
*all* stories in a Disney comic, and certainly not in mine.
***
Of course all of Barks stories founded in a version of the real world: Duckburg
mirrored our world in many ways because that allowed Barks to tell many stories
that were not fantasy (Donalds everyman stories, for instance), but MANY of
Barks stories contained elements of the fantastic: Santa Clause and his magic
sleigh, many types of witchcraft and witches, immortal zombies. And many
stories which had such kooky science they might as well have been magic: gas
that ressurects people who have been dead for thousands of years, machines that
make you smaller than insects. And who can forget the race of creatures that
live under the earth and create earthquakes? Or the creatures who lived on the
barren planet in view of the bountiful planet? Or the race of mermen who
hoarded Scrooge's quarters?
Are living wooden puppets really more fantastic than a race of menny-hoo-nees
living in Hawaii? No, I think the Barks universe is very much a "fantasy" one,
unless one chooses to ignore a great many Barks stories. You might choose to
tell your stories that way, but you can hardly claim that that's the way "Barks
did it." Barks did it many ways. He often used "logic and actual history" and
often used whimsy and pure fantasy. And I don't think you can argue that all of
these stories were done because he editors ordered him too.
Thierry Fernand
Brazilian stories
Message 14 -
2000-08-03 at 20:21:58
Things went fast recently: 4 more Brazilian stories are now
online. I also have added short summaries of the different
Brazilian series (that is "Fethry Kid", "Fethry the
Submariner", "Jungle Fethry", "The New Daisy" and "Fethry the
Red Bat").
There are now only two stories that I'm missing:
B 860038 "It can shine like gold, but..." 8p
B 870143 "The longest duel of the West" 11p
They will hopefully be online soon, and I will of course let
you know.
Favio
*******************************
Disney Comics Online:
http://members.forez.com/livia
Disney Comics Made in Brazil
http://members.forez.com/brazil
Al Taliaferro
http://www.geocities.com/Paris/Cinema/9080
______________________________________________________
Bo?te aux lettres - Caramail - http://www.caramail.com
online. I also have added short summaries of the different
Brazilian series (that is "Fethry Kid", "Fethry the
Submariner", "Jungle Fethry", "The New Daisy" and "Fethry the
Red Bat").
There are now only two stories that I'm missing:
B 860038 "It can shine like gold, but..." 8p
B 870143 "The longest duel of the West" 11p
They will hopefully be online soon, and I will of course let
you know.
Favio
*******************************
Disney Comics Online:
http://members.forez.com/livia
Disney Comics Made in Brazil
http://members.forez.com/brazil
Al Taliaferro
http://www.geocities.com/Paris/Cinema/9080
______________________________________________________
Bo?te aux lettres - Caramail - http://www.caramail.com
Kristian Pedersen
For the Greek members
Message 15 -
2000-08-04 at 12:28:00
Hi - just a quick question for the Greek members of DCML: What are the
names of Huey, Dewey and Louie in Greek? I'm sure it's on one of the
often-referenced websites on this list, but for the moment I have no
internet access apart from email.
The reason I ask is that I always thought the perfect Greek names for
the kids would be Hemi, Semi and Demi :)
Cheers,
Kristian
names of Huey, Dewey and Louie in Greek? I'm sure it's on one of the
often-referenced websites on this list, but for the moment I have no
internet access apart from email.
The reason I ask is that I always thought the perfect Greek names for
the kids would be Hemi, Semi and Demi :)
Cheers,
Kristian