> RE: Rosa in Helsinki...Most of the time Don worked like a maniac so
> that
> all his fans would get a signature, [...SNIP...] I only saw two
> full-figure drawings, the first one was a b/w drawing of Scrooge in a
> wheel chair and the second one was probably one of the most beautiful
> full-color drawings of Goldie that has ever been made.
I'm so jealous!!! ;-) (Just out of curiosity...what did it look like?
What was she wearing, how was she posed, etc.) You can just e-mail me
with the answers if you like, rather than clutter up the ML.
((Email removed))
> TO Soeren Krarup Olesen <(Email removed)>
> Katie Sullivan (ME) wrote:
> > I have now signed up for the webring! I'm site #4. My URL (newly
> > moved) is
> > http://www2.fortunecity.com/lavendar/ridleyford/112/scrooge.html
> > (One of those long URLs that makes you grateful for bookmarks!!!)
>
> Oh, have you ever tried http://www.xoom.com that give you some
> 3 MB plus a good address like http://members.xoom.com/scrooge.
I've tried setting up an account there, but the server seems reaaaally
slow. Maybe it's just been the times I checked, but half of the time
the files don't come up correctly. If someone has had a better
experience with them, let me know. (Probably by e-mail, since it's
off-topic. (Email removed))
Quackcerely,
Katie Sullivan
Author
Topic: 199802
(347 messages)
Katie Sullivan
Goldie (of course) and web space
Message 316 -
1998-02-25 at 00:34:09
Marco Barlotti
Time machine DD stories
Message 317 -
1998-02-25 at 00:49:58
STEFAN DIOS:
> About the same
>time, Egmont produced a similar album series called "Donald Duck and the
>Time Machine". These stories focused on history rather than geography by
>having Donald and the kids travel through time, landing in a different
>adventurous era each time. Some of these were also above average, for that
>time, and it was originally planned that a different writer and artist would
>produce each story. I believe I did all those albums in Swedish (six of
>them), but I always liked the "Scrooge's Treasury" stories a little bit=
> more!
Stefan, are you SURE these were SIX stories? I know only of FIVE (and I read
only the first one...).
The ones I know of are:
The Viking Voyage, D 9434
The cave bear caper, D 9576
The royal portrait, D 89004
Medieval magic, D 89053
Prince Iganov, D 90243
Which one (if any) is missing???
Please try to answer, since I am currently VERY interested in time travel
Disney stories.
Marco
http://marcobar.cce.unifi.it/Comics
> About the same
>time, Egmont produced a similar album series called "Donald Duck and the
>Time Machine". These stories focused on history rather than geography by
>having Donald and the kids travel through time, landing in a different
>adventurous era each time. Some of these were also above average, for that
>time, and it was originally planned that a different writer and artist would
>produce each story. I believe I did all those albums in Swedish (six of
>them), but I always liked the "Scrooge's Treasury" stories a little bit=
> more!
Stefan, are you SURE these were SIX stories? I know only of FIVE (and I read
only the first one...).
The ones I know of are:
The Viking Voyage, D 9434
The cave bear caper, D 9576
The royal portrait, D 89004
Medieval magic, D 89053
Prince Iganov, D 90243
Which one (if any) is missing???
Please try to answer, since I am currently VERY interested in time travel
Disney stories.
Marco
http://marcobar.cce.unifi.it/Comics
Stefan Diös
Pujol
Message 318 -
1998-02-25 at 01:57:02
Ah! I had no idea that Pujol did all those French "Agent James Goof"
stories, until Francois informed us (and I checked the Database). That
figures! Many of those stories appeared in the Egmont Monthly (Swedish
"Musse Pigg & C:o") when I translated that magazine. And I loved them! My
old notes are full of praise for James Goof, especially when compared to the
rest of the Monthly. As always, the writer deserves his share of the glory,
perhaps the lion's share, but we always have to love Pujol's art...
Thanks, Francois!
Stefan Dios
Malmo, Sweden
stories, until Francois informed us (and I checked the Database). That
figures! Many of those stories appeared in the Egmont Monthly (Swedish
"Musse Pigg & C:o") when I translated that magazine. And I loved them! My
old notes are full of praise for James Goof, especially when compared to the
rest of the Monthly. As always, the writer deserves his share of the glory,
perhaps the lion's share, but we always have to love Pujol's art...
Thanks, Francois!
Stefan Dios
Malmo, Sweden
Frank Fabian
European editions
Message 319 -
1998-02-25 at 08:13:29
DANIEL TANGRI:
> Like some other people, and unlike a lot of others, I am especially fond
of the
> work of William Van Horn (and will eagerly buy the new Gladstone albums!).
> What intersts me is that his work is usually
>published in Europe up to three years before it hits Gladstone's pages.
Could
>anyone tell me what would be the best European comic book to subscribe to
>to get copies of his latest work (I can read German and French). Does
>anyone also know if any of his work has made it onto Disney's "banned list"
>(like Don Rosa's Peeweegah story, which I actually have in Micky Maus
>courtesy of a friend in Marburg)? Are there any European compliation albums
>with any of his stories in them? And while I'm on Rosa's work (which I am
>also a fan of), can anyone tell me what other stories of his were banned by
>Disney, so I can hunt for some back issues in Europe?
>
Probably the best comic book to subscribe to for this purpose would be the
Danish, Norwegian or Swedish weeklies, which feature all of the new Egmont
stuff first and are very similar in content, if not practically identical.
Since you, however, didn't write of Danish, Norwegian or Swedish as being
among your language skills, the German weekly would probably be a good
choice. They publish all the new Egmont stuff with a delay of only a few
weeks (with exceptions in regard to longer stories; Don Rosa's "Ten
Avatars" story, e.g., hasn't been published in German as of now.) I don't
know if the French comics publish stories by Van Horn, but would assume so,
since they also seem to publish Don Rosa's stories quite extensively.
Perhaps one of our French members can help out.
I don't know of any "banned" Van Horn stories, and from Rosa, I can think
just now of only one other "semi-banned" story, namely "The Incredible
Shrinking Tightwad", which had to be published by Gladstone in a different
version than that used in Europe because of problems with Disney. It was
published in the German weekly some time ago, I can't look up the issues
now; the German title was "Schrumpfende Onkels."
Both Van Horn and Don Rosa have their own album series by German Disney
publisher Ehapa; the Rosa series now having about 14 albums, including one
with the Peeweegah story; the Van Horn series about four. Both should be
easily obtainable in any German comic store or larger bookstore.
That's it from me, hope to have helped,
Frank
> Like some other people, and unlike a lot of others, I am especially fond
of the
> work of William Van Horn (and will eagerly buy the new Gladstone albums!).
> What intersts me is that his work is usually
>published in Europe up to three years before it hits Gladstone's pages.
Could
>anyone tell me what would be the best European comic book to subscribe to
>to get copies of his latest work (I can read German and French). Does
>anyone also know if any of his work has made it onto Disney's "banned list"
>(like Don Rosa's Peeweegah story, which I actually have in Micky Maus
>courtesy of a friend in Marburg)? Are there any European compliation albums
>with any of his stories in them? And while I'm on Rosa's work (which I am
>also a fan of), can anyone tell me what other stories of his were banned by
>Disney, so I can hunt for some back issues in Europe?
>
Probably the best comic book to subscribe to for this purpose would be the
Danish, Norwegian or Swedish weeklies, which feature all of the new Egmont
stuff first and are very similar in content, if not practically identical.
Since you, however, didn't write of Danish, Norwegian or Swedish as being
among your language skills, the German weekly would probably be a good
choice. They publish all the new Egmont stuff with a delay of only a few
weeks (with exceptions in regard to longer stories; Don Rosa's "Ten
Avatars" story, e.g., hasn't been published in German as of now.) I don't
know if the French comics publish stories by Van Horn, but would assume so,
since they also seem to publish Don Rosa's stories quite extensively.
Perhaps one of our French members can help out.
I don't know of any "banned" Van Horn stories, and from Rosa, I can think
just now of only one other "semi-banned" story, namely "The Incredible
Shrinking Tightwad", which had to be published by Gladstone in a different
version than that used in Europe because of problems with Disney. It was
published in the German weekly some time ago, I can't look up the issues
now; the German title was "Schrumpfende Onkels."
Both Van Horn and Don Rosa have their own album series by German Disney
publisher Ehapa; the Rosa series now having about 14 albums, including one
with the Peeweegah story; the Van Horn series about four. Both should be
easily obtainable in any German comic store or larger bookstore.
That's it from me, hope to have helped,
Frank
Ventnor
Doomgurgle Strait, Hurricane Hattie, Futility Flats
Message 320 -
1998-02-25 at 15:39:19
I'm trying to track down three stories that I remember. Can anyone supply
titles for the following: -
1) An Uncle Scrooge story featuring a place called "Doomgurgle Strait;
2) A Disney story featuring an airship race that passed a place called
Futility Flats; and
3) A Moby Duck story that talked about a ship blown aground during Hurricane
Hattie.
Thanks,
David King.
"Mankind has not so much power to receive as the genius has power to give."
Schopenhauer
titles for the following: -
1) An Uncle Scrooge story featuring a place called "Doomgurgle Strait;
2) A Disney story featuring an airship race that passed a place called
Futility Flats; and
3) A Moby Duck story that talked about a ship blown aground during Hurricane
Hattie.
Thanks,
David King.
"Mankind has not so much power to receive as the genius has power to give."
Schopenhauer
Cebarat
Disney comics Digest V98 #62
Message 321 -
1998-02-26 at 04:17:33
ON THE "TREASURE CHEST" STORIES:
These were among the first European Duck stories I ever read, and in a sense
they've formed the baseline for my assessment of European Duck comics ever
since. I find the artwork extremely charming, especially the work on the
Nephews (only Daniel Branca's "cute" Nephews come close). The stories are
solid, as well. If only there had been more of these. :-(
FRANCOIS:
<<I've unfortunately never seen "Mathmagic Land" (reprinted by Gladstone =
a few years ago, but I missed that issue). I wonder how someone could make
a Disney story with Mathematics! (I read comments about that in the
Gladstone "mail bin" and many people were shocked to see such subject in
a Disney comic!).
"Shocked"? Given Barks fans' glorying in The Duck Man's use of historical
events and settings, I'm shocked that they were shocked. Isn't mathematics,
after all, part and parcel of the human adventure?
The comic book deviates from the animated featurette in several places, but by
and large it's an excellent adaptation.
PER-ERIK:
<<IMO an album with only Van Horn stories sounds great, while
the picking of stories doesn't. Van Horn's duck- drawings has improved *a
lot* since 88' so it would probably be more fun for everyone if the album
printed newer stories...>>
So too has Don Rosa's art improved a lot since 1987 -- and no one had any
objection to his earliest stories being reprinted! I wouldn't mind if
Gladstone laid off reprinting the early one-page gags that VH did in '87 and
'88; a lot of them have been reprinted in recent Gladstone issues, anyway.
I'd prefer that they concentrate on Bill's multipage stories.
-- Christopher E. Barat
(Email removed)
http://members.aol.com/cebarat/home.htm
--------------------------------
End of Disney comics Digest V98 Issue #63
*****************************************
These were among the first European Duck stories I ever read, and in a sense
they've formed the baseline for my assessment of European Duck comics ever
since. I find the artwork extremely charming, especially the work on the
Nephews (only Daniel Branca's "cute" Nephews come close). The stories are
solid, as well. If only there had been more of these. :-(
FRANCOIS:
<<I've unfortunately never seen "Mathmagic Land" (reprinted by Gladstone =
a few years ago, but I missed that issue). I wonder how someone could make
a Disney story with Mathematics! (I read comments about that in the
Gladstone "mail bin" and many people were shocked to see such subject in
a Disney comic!).
"Shocked"? Given Barks fans' glorying in The Duck Man's use of historical
events and settings, I'm shocked that they were shocked. Isn't mathematics,
after all, part and parcel of the human adventure?
The comic book deviates from the animated featurette in several places, but by
and large it's an excellent adaptation.
PER-ERIK:
<<IMO an album with only Van Horn stories sounds great, while
the picking of stories doesn't. Van Horn's duck- drawings has improved *a
lot* since 88' so it would probably be more fun for everyone if the album
printed newer stories...>>
So too has Don Rosa's art improved a lot since 1987 -- and no one had any
objection to his earliest stories being reprinted! I wouldn't mind if
Gladstone laid off reprinting the early one-page gags that VH did in '87 and
'88; a lot of them have been reprinted in recent Gladstone issues, anyway.
I'd prefer that they concentrate on Bill's multipage stories.
-- Christopher E. Barat
(Email removed)
http://members.aol.com/cebarat/home.htm
--------------------------------
End of Disney comics Digest V98 Issue #63
*****************************************
Shaun Knowler
Lo$ HC
Message 322 -
1998-02-26 at 05:19:27
Those of you who are curious about who's gotten their Gladstone limted
yadda yadda HC lo$ books:
I ordered mine the very day the PREVIEWS catalog with it's solicitation
hit comic stores, and I received my signed-only book in early December.
Apperantly I was also lucky that mine didn't have some of Don's editing of
the intro cut off in my book. It's one of my most prized possesions, and
it didn't even have the drawings in it that a lot of you are waiting for,
so I'm sure the book will be worth the wait, and maybe even the money! :)
-Shaun... proud owner of book #527
Fortuna Favet Fortibus
yadda yadda HC lo$ books:
I ordered mine the very day the PREVIEWS catalog with it's solicitation
hit comic stores, and I received my signed-only book in early December.
Apperantly I was also lucky that mine didn't have some of Don's editing of
the intro cut off in my book. It's one of my most prized possesions, and
it didn't even have the drawings in it that a lot of you are waiting for,
so I'm sure the book will be worth the wait, and maybe even the money! :)
-Shaun... proud owner of book #527
Fortuna Favet Fortibus
Danny Coenen
Disney comics Digest V98 #63
Message 323 -
1998-02-26 at 07:16:34
My wife found a web site yesterday that might be of interest for most
of us, since it has a section about Carl Barks and his oil paintings
on it. It's not always perfectly accurate, but definitely very nice to
look at.
The address is http://www.geocities.com/~jimlowe .
Just thought I'd let you know.
Have a great day everybody!
==
Danny Coenen
Visit me on the World Wide Web at:
http://www.geocities.com/SouthBeach/Breakers/5042
http://surf.to/saturnpage
_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com
of us, since it has a section about Carl Barks and his oil paintings
on it. It's not always perfectly accurate, but definitely very nice to
look at.
The address is http://www.geocities.com/~jimlowe .
Just thought I'd let you know.
Have a great day everybody!
==
Danny Coenen
Visit me on the World Wide Web at:
http://www.geocities.com/SouthBeach/Breakers/5042
http://surf.to/saturnpage
_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com
Francois Willot
Pujol
Message 324 -
1998-02-26 at 13:25:43
>Thanks, Francois!
Well, thanks for your thanks, Stefan!
It seems that these James Goof stories (Goofy as "agent triple-zero")
were reprinted in many Scandinavian countries like Denmark and Norway.
I think this is an interesting subject (because of the quality of the
stories), so I'll try to say more about the authors.
According to my database (available on Per's site as part of the Disney
database), the first stories (something like 7 or 8) were drawn by
Pujol. It was during the years 1986-1987. I suspect that the inking was
also done by Pujol (maybe Alberto Becattini knows more about that?).
After that, there was three stories by Manolo (or Antonio?) Galdon -
another Spanish artist from the Comicup Studio - and, at the same time
(1988-1989), some by Maximino Tortajada and Cesar Ferioli. The last one
of the "first period" was drawn by Jose Ramon Bernado.
Fortunately, the names of the writers are actually given in the original
"Journal de Mickey" publications, and we do know them. The main author
was Philippe Gasc, who did the first stories drawn by Pujol. He invented
the series and created a whole new personality for "Scuttle"
("Lafouine"), Pete's friend who originally appeared in the Mickey
stories drawn by Murry. Then, there was Francois Corteggiani, Jacques
Lelievre and Didier le Bornec, in the Gasc-style.
Nothing was produced after that (afetr, approximatively, 20 stories). In
1997, however, three new stories appeared, drawn by Isabel Penalva (an
excellent Spanish artist). The old spirit was preserved; Gasc, who
hadn't write any stories in the previous years, made a special return!
The information I have in my database are (for the moment) rather
incomplete, and I haven't - for the moment - the complete list of the
stories. This is only a very provisional summary of the James Goof
series!
Francois
Well, thanks for your thanks, Stefan!
It seems that these James Goof stories (Goofy as "agent triple-zero")
were reprinted in many Scandinavian countries like Denmark and Norway.
I think this is an interesting subject (because of the quality of the
stories), so I'll try to say more about the authors.
According to my database (available on Per's site as part of the Disney
database), the first stories (something like 7 or 8) were drawn by
Pujol. It was during the years 1986-1987. I suspect that the inking was
also done by Pujol (maybe Alberto Becattini knows more about that?).
After that, there was three stories by Manolo (or Antonio?) Galdon -
another Spanish artist from the Comicup Studio - and, at the same time
(1988-1989), some by Maximino Tortajada and Cesar Ferioli. The last one
of the "first period" was drawn by Jose Ramon Bernado.
Fortunately, the names of the writers are actually given in the original
"Journal de Mickey" publications, and we do know them. The main author
was Philippe Gasc, who did the first stories drawn by Pujol. He invented
the series and created a whole new personality for "Scuttle"
("Lafouine"), Pete's friend who originally appeared in the Mickey
stories drawn by Murry. Then, there was Francois Corteggiani, Jacques
Lelievre and Didier le Bornec, in the Gasc-style.
Nothing was produced after that (afetr, approximatively, 20 stories). In
1997, however, three new stories appeared, drawn by Isabel Penalva (an
excellent Spanish artist). The old spirit was preserved; Gasc, who
hadn't write any stories in the previous years, made a special return!
The information I have in my database are (for the moment) rather
incomplete, and I haven't - for the moment - the complete list of the
stories. This is only a very provisional summary of the James Goof
series!
Francois
Stefan Diös
Time machine and Pujol
Message 325 -
1998-02-26 at 13:40:47
MARCO:
>Stefan, are you SURE these were SIX stories? I know only of FIVE (and I read
>only the first one...).
>The ones I know of are:
>
>The Viking Voyage, D 9434
>The cave bear caper, D 9576
>The royal portrait, D 89004
>Medieval magic, D 89053
>Prince Iganov, D 90243
>
>Which one (if any) is missing???
The sixth one deals with the ancient Olympic Games in Greece, and appeared
in Sweden in 1993. Its code, D 9964, suggests that it was produced before
Egmont changed their code system to numbers denoting years; but delayed five
or six years for some reason.
It's interesting that the late (1993) albums both in the Treasure Chest
series and the Time Machine series seem to be somewhat "unknown". I don't
know how many countries used them, but I do believe they were harder to find
than the others even in Sweden. Around this time, many of these albums were
never distributed to regular shops and newsstands, but confined to some kind
of "album club" subscribers. Even the traditional and highly acclaimed Barks
reprint albums
"disappeared" from public view for some years, before the series was finally
canceled. And now, alas, Disney albums like these are rarely, if ever,
produced in Sweden at all.
By the way, Marco, if you only read the first Time Machine album (Vikings),
don't expect all of the others to be equally good... However, as you may
know, #5 (Russia) is also drawn by Marco Rota, my favorite artist. But in
translating that album, I remember having trouble with the exact historical
and geographical location. The original script, in my opinion, used too many
make-believe names and places for such a serious album project (especially
with Rota's excellent and detailed art), and I tried my best to put in
authentic geographical names, where I could. Overall, the Scrooge's Treasure
Chest series looked much better than this one.
Another interesting detail: Time Machine #2 (cavemen) from 1988 was one of
the first attempts in Sweden to sneak in some writer's and artist's credits
other than Barks. Unfortunately, it was incorrect... it said "Rota", like in
the first album, while the second one is by Vicar... but I'm sure the
intentions were good! Now, in this enlightened year of 1998, when we are
finally allowed to give every bit of credit in the weekly magazines, the
Swedish editors don't do it. The time is out of joint...
ALBERTO:
Thank you for informing us about Pujol! It's good to be joined by the guy
with all the answers!
So, let me ask you, just for the record: Is it correct that his first name
is spelled "Miquel" with a Q, not "Miguel"?
Stefan Dios
Malmo, Sweden
>Stefan, are you SURE these were SIX stories? I know only of FIVE (and I read
>only the first one...).
>The ones I know of are:
>
>The Viking Voyage, D 9434
>The cave bear caper, D 9576
>The royal portrait, D 89004
>Medieval magic, D 89053
>Prince Iganov, D 90243
>
>Which one (if any) is missing???
The sixth one deals with the ancient Olympic Games in Greece, and appeared
in Sweden in 1993. Its code, D 9964, suggests that it was produced before
Egmont changed their code system to numbers denoting years; but delayed five
or six years for some reason.
It's interesting that the late (1993) albums both in the Treasure Chest
series and the Time Machine series seem to be somewhat "unknown". I don't
know how many countries used them, but I do believe they were harder to find
than the others even in Sweden. Around this time, many of these albums were
never distributed to regular shops and newsstands, but confined to some kind
of "album club" subscribers. Even the traditional and highly acclaimed Barks
reprint albums
"disappeared" from public view for some years, before the series was finally
canceled. And now, alas, Disney albums like these are rarely, if ever,
produced in Sweden at all.
By the way, Marco, if you only read the first Time Machine album (Vikings),
don't expect all of the others to be equally good... However, as you may
know, #5 (Russia) is also drawn by Marco Rota, my favorite artist. But in
translating that album, I remember having trouble with the exact historical
and geographical location. The original script, in my opinion, used too many
make-believe names and places for such a serious album project (especially
with Rota's excellent and detailed art), and I tried my best to put in
authentic geographical names, where I could. Overall, the Scrooge's Treasure
Chest series looked much better than this one.
Another interesting detail: Time Machine #2 (cavemen) from 1988 was one of
the first attempts in Sweden to sneak in some writer's and artist's credits
other than Barks. Unfortunately, it was incorrect... it said "Rota", like in
the first album, while the second one is by Vicar... but I'm sure the
intentions were good! Now, in this enlightened year of 1998, when we are
finally allowed to give every bit of credit in the weekly magazines, the
Swedish editors don't do it. The time is out of joint...
ALBERTO:
Thank you for informing us about Pujol! It's good to be joined by the guy
with all the answers!
So, let me ask you, just for the record: Is it correct that his first name
is spelled "Miquel" with a Q, not "Miguel"?
Stefan Dios
Malmo, Sweden
Per-Erik Malmström
Hopefully clearing up a missunderstanding
Message 326 -
1998-02-26 at 15:53:40
CHRISTOPHER:
> PER-ERIK:
> <<IMO an album with only Van Horn stories sounds great, while
> the picking of stories doesn't. Van Horn's duck- drawings has improved
*a
> lot* since 88' so it would probably be more fun for everyone if the
album
> printed newer stories...>>
> So too has Don Rosa's art improved a lot since 1987 -- and no one had any
> objection to his earliest stories being reprinted!
Oh, did I make myself unclear? I love Bill's work and I certainly didn't
mean to say that I dislike his earliest work. What I meant(and still
believe I said) was that I think his recent duck-art is better then it was
when he started working for Gladstone.
The fact that the Rosa album contained Don's earliest work didn't bother me
a bit. I already had all his new stories in both english(not WotW, etc) and
Swedish while I didn't have his first stories in english.
Best Wishes
Per-Erik
------------------------------------------------------------------
(Email removed)
------------------------------------------------------------------
> PER-ERIK:
> <<IMO an album with only Van Horn stories sounds great, while
> the picking of stories doesn't. Van Horn's duck- drawings has improved
*a
> lot* since 88' so it would probably be more fun for everyone if the
album
> printed newer stories...>>
> So too has Don Rosa's art improved a lot since 1987 -- and no one had any
> objection to his earliest stories being reprinted!
Oh, did I make myself unclear? I love Bill's work and I certainly didn't
mean to say that I dislike his earliest work. What I meant(and still
believe I said) was that I think his recent duck-art is better then it was
when he started working for Gladstone.
The fact that the Rosa album contained Don's earliest work didn't bother me
a bit. I already had all his new stories in both english(not WotW, etc) and
Swedish while I didn't have his first stories in english.
Best Wishes
Per-Erik
------------------------------------------------------------------
(Email removed)
------------------------------------------------------------------
Per-Erik Malmström
Flemming Andersen
Message 327 -
1998-02-26 at 17:21:15
Hi!!
I just learned the name on one of my favorit drawers from the Swedish
"Donald Duck's pocket", his name is Flemming Andersen.
Does anyone have any information on him?
I've scanned one of his pages for those who have never seen the art of this
drawer. The pic is located at:
http://www.geocities.com/Paris/Metro/7211/Pic1.jpeg
Best,
Per-Erik
------------------------------------------------------------------
(Email removed)
------------------------------------------------------------------
I just learned the name on one of my favorit drawers from the Swedish
"Donald Duck's pocket", his name is Flemming Andersen.
Does anyone have any information on him?
I've scanned one of his pages for those who have never seen the art of this
drawer. The pic is located at:
http://www.geocities.com/Paris/Metro/7211/Pic1.jpeg
Best,
Per-Erik
------------------------------------------------------------------
(Email removed)
------------------------------------------------------------------
Fluks, H.W.
Flemming Andersen
Message 328 -
1998-02-26 at 17:42:08
Per-Erik:
>I just learned the name on one of my favorit drawers from the Swedish
>"Donald Duck's pocket", his name is Flemming Andersen.
>Does anyone have any information on him?
There is a (not quite complete yet) index of his work on
http://www.update.uu.se/~starback/disney-comics/creators/flemming-anders
en-pindex.html
(That is one address, though my mailer will probably break it up into
two lines..)
BTW, there are also indexes of a lot of other Disney comics creators on
that site.
--Harry.
><><><><
>I just learned the name on one of my favorit drawers from the Swedish
>"Donald Duck's pocket", his name is Flemming Andersen.
>Does anyone have any information on him?
There is a (not quite complete yet) index of his work on
http://www.update.uu.se/~starback/disney-comics/creators/flemming-anders
en-pindex.html
(That is one address, though my mailer will probably break it up into
two lines..)
BTW, there are also indexes of a lot of other Disney comics creators on
that site.
--Harry.
><><><><
PAULO CEZAR LOPES BARRETO,BARRETO
Quacking again...
Message 329 -
1998-02-26 at 18:21:58
LUNA STORTA:
>about the Disney Pages Webring, the
>procedure is now complete
Yes, I checked the Webring site... Great job!
GIANFRANCO GORIA
>I'm looking for images on Comics & Chess.
There's a 1978 story of Paper Bat against a chess-king villain. I'll
look for that story for further details.
SOEREN:
> and there is some strange address to geocities that
does not work on number 6 or 7
At least concerning number 6, that's my own fault, not Geocities'.
But wait...
[]s
P.C.Barreto
(Email removed)
>about the Disney Pages Webring, the
>procedure is now complete
Yes, I checked the Webring site... Great job!
GIANFRANCO GORIA
>I'm looking for images on Comics & Chess.
There's a 1978 story of Paper Bat against a chess-king villain. I'll
look for that story for further details.
SOEREN:
> and there is some strange address to geocities that
does not work on number 6 or 7
At least concerning number 6, that's my own fault, not Geocities'.
But wait...
[]s
P.C.Barreto
(Email removed)
Georg Tempel
Kabatek stories
Message 330 -
1998-02-26 at 20:33:02
Referring to the Kabatek stories published in "Abenteuer aus Onkel
Dagoberts Schatztruhe" (Adventures out of Uncle Scrooges Treasure Chest)
just a few notes: Adolf Kabatek, at that time head of Ehapa Verlag
Germany, drafted the series and wrote the plots for most of the stories.
In fact, he had some editors of Ehapa working on photo references and
ideas. In Germany the series was published between 1983 and 1987 in
soft- and hardcover albums. After six books in the market the series was
stopped because of bad sales.
The idea behind the series was to take the Ducks out of their "normal"
environment and have them act in "our" world. In that way it was hoped
to get new readers for the Duck adventures as the stories were well
researched and had a well founded background.
Georg
Dagoberts Schatztruhe" (Adventures out of Uncle Scrooges Treasure Chest)
just a few notes: Adolf Kabatek, at that time head of Ehapa Verlag
Germany, drafted the series and wrote the plots for most of the stories.
In fact, he had some editors of Ehapa working on photo references and
ideas. In Germany the series was published between 1983 and 1987 in
soft- and hardcover albums. After six books in the market the series was
stopped because of bad sales.
The idea behind the series was to take the Ducks out of their "normal"
environment and have them act in "our" world. In that way it was hoped
to get new readers for the Duck adventures as the stories were well
researched and had a well founded background.
Georg