Keskustelujen arkisto

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Topic: 200105

(361 messages)
Thierry Fernand
>> So, whatever "CI" is, on the phone number/letter spread,
>> is what Daisy's # would be... I trust that European
>> phones follow that (generally) "three letters to each number"
>> pattern or everyone non-American's really gonna be confused!
>In my country, they only recently started "name dialing". Most phones had
>only numbers, no letters, until recently.
>I think other European phones don't "follow" the USA pattern either.

In France, the first digits of phone numbers also had a name signification. For instance a call to a place near the
opera Garnier in Paris would be GA-something or GAR-... a call to the Odeon would be OD-something or ODE-....

Favio

_________________________________________________________
Le journal des abonn?s Caramail - http://www.carazine.com
Rich
From: "Hutcherson, Jeff" <Jeff.Hutcherson at disney.com>
>Subject: Clarabelle Cow and Goofy
>I work with the Disney company and am doing research on
>Goofy and Clarabelle. Specifically, I am looking for
>the name of one of the comic books from the late sixties
>that show Goofy and Clarabelle having romantic interest
>in one another.

Poor Horace. :(

Hello Jeff,

I don't have access to my comics at the moment, but many of the examples of
Goofy & Clarabelle being romantically inclined are from the SUPER GOOF
series and from the WALT DISNEY COMICS DIGEST series, usually drawn/written
by Paul Murry. One of my favorites is from WALT DISNEY SHOWCASE #8 called
"Goofy's Big Day." I think I like that story because it seems to mark a
decline in Goofy's interest in Clarabelle as later comics had a revival of
Horace and a return to their traditional pairing. I'm sure there were more
published stories in Italian, Danish and Portuguese, but I have not seen
those.

Jeff, why does WDTV Animation insist on perpetuating the relationship
between Goofy & Clarabelle? I know in some ways Clarabelle can easily be
painted to be a "goofy-ish" character also, but Clarabelle is Horace's
long-time fianc?. Sure they've never married, officially, but their
relationship is nearly as old as Mickey and Minnie's and definitely older
than Donald & Daisy's. To the best of my knowledge, most Disney fans of
Comics and Animation disapproved of Goofy's and Clarabelle's relationship,
preferring that she remains with Horace.

What is WDTVA's official profile for Horace concerning Clarabelle?

Traditionally Goofy has been the perpetual bachelor, but has, on occassion,
been romantically attached to Clarabelle, but the late great Floyd
Gottfredson actually created a girlfriend for Goofy named "Glory-Bee." Not
only is Glory-Bee in Goofy's same species (she's a dog), but she's pretty,
even if somewhat of an airhead. Personally, I'd like to see much more of
Mr. Gottfredson's legacy brought to the small screen. We've seen Chief
O'Hara and the Phantom Blot animated, at long last, in the MouseWorks and
House of Mouse formats, so why not bring other great characters created or
heavily used by Gottfredson into the cartoons such as Colonel Doberman,
Professors Ecks, Doublex & Triplex, Mickey's buddy Butch, Eega Beeva &
Pflip, Shamrock Bones, Captain Churchmouse, Detective Casey, Tanglefoot the
horse, Cousin Bertie Cow, Doctor Einmug, Eli Squinch, Ellsworth, Mickey's
nephews Morty & Ferdie Fieldmouse, Goofy's smart nephew Gilbert, Uncle
Mortimer, Percy & Patricia Pigg, Sylvester Shyster, and so many others?

Or even some of the Paul Murry characters like Dangerous Dan McBoo & Idjit,
Minnie's nieces Millie & Melody, Emil Eagle, and others?

For more information about some of these characters check out:
http://www.jps.net/xephyr/rich/dzone/hoozoo/hzlist.html

I really dread a continuance of the Clarabelle/Goofy relationship, though,
if that is as deep as WDTVA desires to go with the characters, I guess I
will live with it. I'm just glad we are getting something, anything in the
United States, that continues the tradition of Disney Comics & Animated
shorts right now.

Thank you,

Rich Bellacera
xephyr at jps.net

Disney Comics & Animation Message Board
House of Mouse/Mickey's MouseWorks
http://members3.boardhost.com/DisneyComics/
Michael Toman
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>From: dcml-request at stp.ling.uu.se
>Reply-To: dcml at stp.ling.uu.se
>To: dcml at stp.ling.uu.se
>Subject: DCML digest, Vol 1 #523 - 11 msgs
>Date: Tue, 8 May 2001 22:04:14 +0200
>
>_______________________________________________
>dcml at stp.ling.uu.se - Disney Comics Mailing List
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Anders Christian Siveb¾k
Don Rosa

>So my name sounds to them like "Sir Pinky".
What a laff riot :-)
I find that quite amusing (I myself think I have been saying your name the
right way for most of the time I have known about you, and I know it's
your name). Reminds me of that cartoon series with Pinky and the Brain...
It had quite a catchy themesong which will now haunt me for the rest of
the day :-)...

> Or is there something funny about the word "margarine" in
>Europe that is not translatable here? Is it like the "Sir Pinky" deal?
First, thanks to Stefan who enlightened this subject to us.
Don it is not supposed to be funny, not in my head at least. It is used as
the most dull place to work, for Donald. Imagine packing margarine all day
- saying this in all due respect to people here who might actually do so.
But it does sound as vary boring job, almost as boring as the one I has
myself last year.
So it's just an expression.

Do we know any other factories in Duckburg apart from the margarine
factory? In an easter story i once saw one which must have been Eggmont in
the original LOL!
I take it the Fluks store was in Don's Indonesia-story?

Hilsen/Yours
Anders Christian Siveb?k
Donaldist
Fluks, H.W.
Dani?l:

> Carl Barks: Officer for a Day
>
http://www.comicoriginalart.com/galerielaqua/IMAGES/Original/original%20art/
disney/barksofficercover.jpg
>
> "rejected cover idea", drawn in 1968 for Donald Duck #126 (1969)
>
> Design, inked by Daan Jippes in the 1990s. I wonder if he has used
> this very art, because it might also be possible that he uses
> the small
> b/w reproductions from The Carl Barks Library as source material.

For the JW stories, Jippes worked from the small reproductions of the
artwork in CBL (as you probably already know). I'm convinced that the DD
story and the accompanying cover were produced in the same way.

--Harry.
Fluks, H.W.
> I take it the Fluks store was in Don's Indonesia-story?

Yes, and it still is. In all translations I've seen, so far. (I'm collecting
them, you know. 8-)

--Harry.
Fluks, H.W.
Mark Wright:

> Just to verify, are there ANY countries that currently
> produce Disney comics in the English language?

As far as I know, we have, currently:

- English-language comics produced by Egmont for India;
- Some Italian deluxe books where stories are printed in both English and
Italian.

BTW, most comic stories that Egmont (Denmark) *produces* are in English, but
they are translated to various languages before being *published*.

--Harry.
Hans Kiesl
Don Rosa wrote:

> to European ears, where it is a tradition for cartoonists to use
> one-name pseudonyms, "Don Rosa" sounds quite phony and is
> sometimes written by fans as "Donrosa". They take "Don" to be the
> Spanish or Italian antiquated term of respect, and "Rosa" means
> "pink" in many languages. So my name sounds to them like "Sir
> Pinky".

I agree that for us Europeans "Don Rosa" sounds like famous
theatre or opera characters like "Don Giovanni" or "Don Carlos",
but this doesn't explain at all why someone (European or not)
would write your name as one word (no-one would write
"Doncarlos" either). When I read Iron Man as a child I got
acquainted with the artist called Don Heck. Nowadays Don DeLillo
is an American writer, who is well known in Europe, too. So what's
so special about the first name "Don"?.

By the way, have you heard about the Portuguese singer Dona
Rosa? She sings the "Fado", typical Portuguese songs full of
melancholy. But it's getting way too off-topic now... :-)

-Hans-
Fluks, H.W.
Simo:

> in the 1990's Oberon/Disney Holland has produced only some
> 450-700 pages of new Disney comics per year.

I heard that the various publishers have a "page quotum" from Disney: VNU
(Holland) is supposed to produce 1000 pages a year; Egmont 5000 pages and
Italy 9000 pages. If I understood well, these quota are a minimum as well as
a maximum (with a margin, of course).

> In last year even the
> Dutch weekly "Donald Duck" published more pages from Egmont than
> Dutch pages!

They published lots of old Egmont stories that were still lying around. They
didn't know that they had not used them yet, but Inducks helped in finding
out.
So blame us Inducksers for all the bad Egmont stories in recent Dutch
weeklies...

> For some reason Dutch stories are not my favorites. I consider
> some of them being too aggressively violent

Interesting. Though I do not like the violence in most Italian stories, I
*do* like it in Dutch (Heymans) stories. Because they are so funnily drawn!

Anyway, I think that currently
- the best Dutch stories are better than the best Egmont stories (not
counting Mickey stories - we see very few of them here in Holland. And not
counting Rosa stories either - they're a different dimension...);
- the average Dutch story is just as dull as the average Egmont story;
- the worst Dutch stories are better than the worst Egmont stories (easy to
say, since Egmont is producing so much more).

> Let's just add here too that I'm a fan of Vicar/Branca/Murry/Tello/-
> Bancells/Santanach -stories...

Vicar is too dull these days. I never liked Tello that much, and
Bancells/Santanach art is something I really *dis*like...
Branca is (still) great!

--Harry.
Fluks, H.W.
[I'm going to break the rule once again that mails on DCML should be about
Disney comics...]

Chuck:

> Chuck Munson
> Fairfax VA 22030 USA (The US Postal Service also
> requests that we use no punctuation in our addresses-
> no periods, commas, etc.-because it will help them
> supposedly move the mail faster - RIGHT!)

I can't speak for the USA mail service, but I am currently working on a
computer program for the Dutch mail service. It automatically interprets
hand-written addresses on envelopes. In our program, periods and commas are
no problem; they are small enough to eliminate. But slashes (/),
underlining, and all other kinds of extra stuff *can* be a problem in
automatic recognition. And if the computer program cannot recognise the
address, it has to be done by hand. This may indeed slow down delivery.
RIGHT!

--Harry.
Marco Barlotti
I've checked
http://www.geocities.com/maurepas0011/

and the version of "Lost in the Andes" they have there has some problems:

page 7 is missing (you see page 13 instead)
page 18 is missing (you see page 24 instead)
page 27 is missing (you see page 30 instead)
page 28 is missing (you see page 31 instead)
page 33 is missing (you see nothing instead)

:-(

Marco

http://marcobar.cce.unifi.it/Comics
Halsten Aastebol
At 11:38 09.05.01 +0200, Marco Barlotti wrote:
>page 33 is missing (you see nothing instead)
Hmm? "Lost in the Andes" has only got 32 pages.
Halsten
Halsten Aastebol
At 07:56 08.05.01 -0400, Don Rosa wrote:

>I'd mentioned that before, but I relate it again because I wanted to ask
>about this business of Donald working in a "margarine" factory in
>Scandinavia. A margarine factory? I don't get it. Barks' "skunk oil"
>factory sounds funny... like, why would anyone want skunk oil?!

Maybe the skunks would want it for refill! :-)

>But to
>American ears "margarine factory" isn't the least bit funny. Margarine is a
>blend of vegetable oils used as a butter substitute. Perhaps a translator
>who didn't know what a "skunk" was made a wild guess that it was some type
>of a vegetable?

I cannot imagine the translator not knowing what a skunk is. In Norway we
even use exactly the same word with slightly different pronounciation,
although the word "stinkdyr" (stinking animal) is just as common. So the
gag can't have been unnoticed by the translator.

>Or is there something funny about the word "margarine" in
>Europe that is not translatable here?

No, not at all.
But guess what! I still think it's funny! Just because the whole setting i
funny, with Donald and the nephews (and the boy at the end of the story)
refering to this job that we never get to see. What is lost in the
translation is in this case compensated by the increased realism
(possibility of such a job actually excisting), and the remains of the gag:
What factory would base it's existence on a single product of this type? It
might be bought up by the milk factory, then merged with the cheese
factory, finally changing it's name to the Duckburg dairy.

Halsten
Søren Krarup Olesen
HALSTEN + DANIËL + HARRY:

> > Or did the Scandanivian countries have different gods at that time,
> > meaning that the Norse gods really are gods from only the ancient
> > culture of Norway?

We've always had and still have the very same god(s) in Scandinavia. The
old ones had names like Thor, Odin, Freja etc. and they were all
equivalent to ancient Roman and Greek gods in the sense that they each
had their own "working area"; ruling, transportation, love, you name
it. Only the recent god (he who goes by many names and doesn't like
competitors) seems to be able to take care of everything.

I feel tempted to make a comparison between mythological gods and comic
characters: None of them do actually exist, you won't meet them on the
street for example. They physically look slightly different from normal
people although they have more or less the same characteristics. They
live in a city/place we are unable to visit. They are immortal.

The observant reader may of course object to this, since our ducks and
mice don't "rule" (and "play" with) the human beings as such, still we
have this mailing list, don't we, where we discuss legends, sagas,
rumours and myths. Perhaps this little mailing list is one example of a
modern electronic church (or rather a temple) where people meet for
debates because they have one thing in common.

Just a wild thought... :-)

Søren
Rob Klein
In addition to the Indian all-English issues, and the Italian issues with
English translation, Egmont - affiliated publications in Indonesia have a
few translation pages (so the Indonesian youth can be helped in learning
their English). In addition, Singapore had an Egmont affililiated
publisher issuing Disney Comics in English text in the early 1990s. Can
anyone tell us if that franchise is still in operation (David?)? Can
anyone tell us whether or not the Hong Kong issues have any English text?

Speaking of the Singapore issues: I desperately want to get hold of any
single Egmont-related Singapore Disney Comic issue, and have lots of Disney
comic books to swap for such. Or, if the finder would rather have me draw
for them an original drawing (subject of their choice) - I would be glad to
do that for trade.

If you can get one for me, please notify me at: <bi442 at lafn.org> OR :
<robbklein at yahoo.com>

Thanks, Rob Klein
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