Keskustelujen arkisto

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Topic: 199709

(341 messages)
Wilmer Rivers
While checking out the CNN Web site for that story on prospecting
in the asteroid belt, you might want to check out another story
there which should be dear to the hearts of Scrooge fans. It's
about the tourist season in Scagway and Dawson, where a throng
of travelers come to see the gold fields, and a sort of Disney-
land atmosphere has grown up to replace the "real thing". See
http://www.cnn.com/TRAVEL/NEWS/9709/10/tourist.rush.ap/

Wilmer Rivers
Tarjei Kidd Olsen
Hi,

OLE:

>I'd be happy to supply the Danish reprint of the first three parts in
>Jumbo #89 and the final one in 'Christmas Classics' #1 for a lot less
>than the $35 that would cost!

Apart from those parts (which I have(the first three parts in Swedish, and
the final part in Norwegian(the first three parts can be gotten in the
Norwegian "Donald Duck Pocket" #84, by the way)) ), do you know if he made
any more?

>Me, I'd like to see his and Giorgio Pezzin's "Once Upon a Time
>in America" in English, but everyone's entitled to dream...

what the story code?

______________________________
/ \
/ <<TARJEI KIDD OLSEN>> \
| |
| http://home.sol.no/kidd/ |
| |
| (Email removed) |
| |
| YOU know |
| it makes |
| more sense than |
| you think... |
\ /
\ <|T|> /
\____________________________/
Rich Bellacera
OTA:
>Now please someone tell me the name of that toon that is the story
>of two hats -- I think it was included in Melody Time or so. My
>memory is not so good as before!

It was called "Johnny Fedora and Alice Blue Bonnet" and a segment
from 1946's "Make Mine Music"... (a very good segment I might add).

>Well back to Disney -- just ask any child which characters belong to
>which universe ordimension and they will tell you...[snip]

I agree.

>Well... Cinderella's mice in Grandma Duck's farm is an invention of
>Western Printing. But Figaro and Cleo appearing as pets in the Mickey
>Universe was indeed an invention of the old Disney. If memory Figaro
>and Cleo doesn't betrays me again,. I think I saw a toon in which are
>pets of Minnie Mouse. Am I wrong?

Cleo was never clearly established as Minnie's pet Goldfish, she only
co-starred with Figaro in the short ""Figaro and Cleo" along with the
very un-PC character of "Mammy Twoshoes" (a.k.a. Aunt Delilah). But
since Mammy does show up in at least one Pluto short it might be
assumed that since Figaro IS clearly established as Minnie's, Cleo
might be. For some reason I don't think Figaro's presence in future
Disney comics "as Minnie's Pet" would pose as much of a complication
as "Gus & Jaq" do. The primary difference being that the cartoons
firmly established Figaro as residing with Minnie (Post-Pinocchio).
The question of Mim's situation seems to be only a fact in non-USA
comics, otherwise I would think she is relatively treated the same as
any guest appearance by a "movie" character (i.e., Cap'n Hook, Jiminy,
Tinker Bell, Smee, Pongo & Perdita, etc.).

DONALD MARKSTEIN:
> Does the "unique position" you refer to for Gus and Jaq have
> to do with their being feature characters who crossed over into the
> "world" of the series-cartoon folks? If so, Jiminy Cricket also made
> that transition -- and more thoroughly, as he's guest-starred with
> quite a few characters. If it's the fact that they became regular
> supporting characters, then Madame Mim, from THE SWORD IN
> THE STONE, pretty much qualifies, since she shared a book with
> the Beagle Boys in the '60s. And Figaro, from PINOCCHIO,
> was for a brief time, at least in cartoons, Minnie Mouse's cat.

I would disagree with Jiminy being unique. While he may have exceeded
any "movie" character in his comic book presence I would tend to think
he still only rated as a guest-star, having never really taken up residence
like Guc & Jaq did. Their situation is different. They didn't just guest
star, they actually became residents of Duckburg. I might agree with you
about Mim, though. Her presence was pretty blatant in the Gold Key
run of Beagle Boys books, though her connection to Magica in European
Disney is stronger, they LIVE together... hmmm. (You know, if they
did that in the USA the Southern Baptists would use it as ANOTHER
reason to BAN Disney... but I digress). Again with Figaro, I think
the five or six cartoons in which he starred with Minnie and Pluto I
would think firmly establish his residence as a legitimate resident of
Mouseton. His case is clearly different from Gus & Jaq's. The mice
never starred in a cartoon with anyone other than Cinderella. In my
opinion, Figaro isn't a problem, but Mim & the mice probably are,
despite their "pasts" in Duckburg. The rest were only guest-stars.

> Back then, a Disney character was pretty much just a Disney
> character. They crossed over back and forth, features to Silly
> Symphonies to series characters, even more freely (to say nothing of
> years earlier) than Marvel superheroes. (Did You Know -- The Big
> Bad Wolf was on Mickey Mouse's polo team...)

Yes I did, though BB Wolf and even Toby Tortoise and Max Hare are
from a time when cartoon universes at Disney were blurred, at least
where Silly Symphonies were concern, as in the case with "Mickey's
Polo Team." I hadn't really considered Big Bad and his son or Br'ers
Rabbit, Bear and Fox, since they might actually remain in a seperate
universe from Mickey and Donald without anyone ever noticing, and
Toby & Max have virtually disappeared anyway. Mim, too, could
disappear realatively easily without anyone noticing, but if we visit
Grandma Duck's farm and Jaq & Gus are suddenly gone, it might be
assumed that they have returned to the Cinderella Universe, but their
presence would be noticable. True, Grandma has appeared without
them in the past, but would they now be treated as if a Disney version
of D.C.'s "Zero Hour" occurred and now Gus & Jaq never existed in
Duckburg at all??

ALIPI asks:
>> And who inherit all his fortune? DD? GG? H,D,L?
DON ROSA replied:
>As stated in an old Barks story, $crooge named HD&L as his eventual
>heirs.

Are you referring to the tale where U$ gave Donald, Gladstone and the
Nephews each a thousand dollars to see what they would do with it? If I
remember, Donald squandered it, Gladstone hid it, and the Nephews
invested it in a treasure hunt and as a result of their faith in an old
codger's
dream, they multiplied thier money with their share of the treasure. To
which U$ vowed to name them the heirs to his fortune. I don't recall
the source for that tale. So this is still considered valid? Cool. ;-)

OLE R. NIELSEN:
>RICH taled about crossovers in Disney comics, and I just heard today
>that Egmont Denmark had bought out the only other major comic book
>company in Denmark, Semic-Interpresse. They were doing the super
>dooper comics from Marvel and DC, so now we might see Darkwing Duck
>team up with Batman, or Super-Goof in the showdown of the century
>against Superman (if he's still around). :-)

Well, maybe you'd get to see it, but us here in the USA wouldn't. Of that
I could bet Uncle $crooge's money bin. US license agreements and such
would ban the import of such a printed tale.

On the otherhand, I would settle for a team-up of Super Goof (& Gilly),
with the Red Bat (Fethry), Super Duck (Donald), Plastic Mickey, and
HD&L in their T-Squad personas. And INTRODUCING: Wonder Minnie
and Invisible Daisy.

DWIGHT DECKER:
>But what about today? Could Acclaim do, say, a story in which
>Ariel met Little Madison the Mermaid (seen at the beginning of
>Splash)?

Probably not with Madison, but I could see a meeting between Ariel
and "Bubbles the Water Baby." The Waterbabies from the Silly
Symphonies seemed to be part of the Disney reference material when
they set forth to create Ariel, as was evidenced by their inclusion in
the crowd scenes, and later in the Animated series, though it wasn't
clearly made evident, I think there was a strong inference, so I could
see that. Or why not a meeting between Ariel and the the ones from
Peter Pan's Mermaid Lagoon? Or with Saleen, the evil mermaid
from Aladdin. Now that would be great since Saleen's appearance
is based on the original designs for Ariel (resembling that of a lionfish).

I once wrote a cross-over story where Baby Mickey is visited by Baby
Pegasus from "Fantasia" and is whisked away to the Elysium Fields to
play with the satyrs, cupids and unicorns. A bit on the saccharin side,
but I was telling it to children anyhow. We don't get any of the Disney
Baby comics here in the States so I have to make them up, and
illustrate them myself (except for the ONE "Pete's Pacifier" which
appeared several years ago in WDC&S).

-Rich

-Rich (xephyr)
http://www.jps.net/xephyr/rich/disney.html
George Diamantopoulos
I agree with the others... Donald is more popular than Mickey. My
opinion is that Donald is more physical, more natural and more real than
Mickey. I mean Donald is a simple person as everyone.
Mickey is a super Detective and - in the newer stories - more clever
than a common person. Of course Donald has his secret character named
Fadom Duck (That's the greek name) and another one not listed in the
Disney Comics characters session. That's spy 007 or sth (I only saw this
name in 2 stories in a old greek comic which isn't published any more.
At the first story Donald was named Spy 007 and after he achieved his
mission, his boss - Uncle Scrooge of course! - said he is now Spy 008.
At the second story he was named 008. I guess it's an italien
character). B-U-T Fadom Duck and Spy 007 (Donald) are not so successful
as Mickey. I mean usualy the story ends with Fadom Duck who is followed
by Scrooge and Daisy to murder him :-). Also Donald is much more a
complicated character than Mickey. In 20% of Mickey's stories what
Mickey does is explaining and helping Goofy. I don't know in other
countries but in Greece most magazines (Except KOMIX) publish Mickey's
Mystery Stories that are so silly and boring that you know the solution
of the mystery from the begining(50% of Mickey's stories are like that
as I have seen in the greek magazines). I agree with the others who said
that Mickey is more boring to draw than Donald. KOMIX had published once
an article named for example Donalds storyboard or Mickey's storyboard
or sth. In this article there was info and tips about drawing Donald. I
think that would be a good idea to enter the dcomics site as this will
help people to discover their talent. Although there are some
*^|P-E-R-F-E-C-T|^* stories with Mickey such as the Ice Sword and the
stories published in the Mickey Mystery Magazine. And the big question:
Is Mickey too old? Well my opinion is that a cartoon doesn't get old but
Mickey needs renewsomething by someone who cares for him.(I hope I'm
forgiven for my English!)

PS. Because I changed an ISP I didn't get the answers to the question i
had in my first letter. DO you know where can I find the newer digests
in .txt format (I can open that .gz or whatever it's for Unix I think)At
least can you tell me where can I send the greek names of the characters
so that they are entered in the database? Also I want to add some more
characters who have appeared in only 3 Disney stories but I think we can
add them to character db.

GD on chat.microsoft.com in #Greece-Cyprus channel.
Eirik Krogh Visted
Well, I asked this question once before but didn't receive a reply. I
absolutely refuse to believe that nobody on this list has any idea about
this, so I'll try again: are the animated shorts Carl Barks worked on
available on video/laserdisc ?

Eirik Krogh Visted
Eirik Krogh Visted
Anyone remember ALF, the comedy show about the short, furry alien ? Well, a
tv-station here in Norway is currently rerunning it, and just the other day
there was a very funny sequence which had Alf trying to learn the names of
Santa's reindeers. Eventually, he came up with that their names were
Blixen, Vixen, Huey, Dewey and Louie ! I've gotten the impression that the
Ducks were virtually unknown in the US these days, so I was pretty
surprised when I discovered a reference like this on an American tv-show.

Eirik Krogh Visted
Mikko Pohjola
KRITEN, SUSAN (GARY):
> I passed along your comment about resolving the "young Scrooge hair color"
> situation to Sue, who goes "aw, shucks!" As for your question...no one here
> has any idea. Sorry.

It's possible that young Scrooge normally had brown hair, but the
summer sun burned it golden yellow. That happens to me and now the
"surface" hair is blond but all the hair beneath is (light) brown.

DAN and ALL:
I'm sorry if I offended anyone by comparing modern-day holy
scriptures to fictional stories about the Silmarils and King Arthur court.
I personally think mythology is always based on truth (even the Kalevala,
although noticably less than say, the Bible) and can not say whether there
is some greater mind behind all this or not. Philosophers say that it
would be illogical not to believe in (a) God, because if there isn't one,
it won't harm you to believe in Him, but if there is one, it's a good idea
to be on His side. I hope I didn't offend any more people by this
apology and will try to be more "politically correct" in the future...

ALL:
Per-Erik said:
> Does anyone now WHY the names of the writer's and drawer's aren't

This really hasn't anything to do with Egmont policies, but rather
the word 'drawer'. Is it the correct name for an artist who pencils and
inks? "An artist" is a poor word as writing is an art as well, as is
coloring (hi, Sue!) and many others necessary to make a comic book story.
So, is it okay to call an artist "a drawer"? What about "a chair"?

SCROOGE'S WEALTH:
Isn't there a Barks story (about a magic hour glass) where Scrooge
says that if he keeps losing a billion every minute he'll go broke in 356
(?) years?

Mike - The Finnish Trekkie
Bhc
Don M.:

> I've been meaning to ask -- just where is the line drawn
> between "traditional" Disney characters and "modern" ones? I mean,
> I'm so old I think of Madame Mim as a newcomer, and even Scamp is
> borderline -- and such newfangles as Winnie the Pooh are just about
> beyond the pale. So -- if the bird and worm from THE FOX AND THE
> HOUND suddenly, for whatever reason, become a hot property, would
> you or Acclaim be the ones with the rights?

Disney itself has yet to firm up the context in which to clearly define
"traditional" and "modern," but it is generally taken that the former
encompasses all past and present print incarnations of Donald Duck, Uncle
Scrooge, Mickey Mouse and their supporting casts, while the latter covers
anything Disney's cooked up since 1985. As you might imagine, this leaves a
rather large number of gray areas, such as DuckTales, Quack Pak, the Mickey
TV series now in the works, and animated Disney features films prior to
1985.

Dwight:

It would be totally in character for Disney to insist on having complete
control of development and approval (especially approval) of all ancillary
product from projects in which they have any involvement, no matter who
their partners might be. If Disney did have partners for such features as
Aladdin and The Lion King (I've never taken note one way or the other),
then Disney certainly did sew up control in those cases.

Gary

****************************
"It's Bindy Gonzer's birthday!" - Churchy La Femme
----------------------------------------------------------------------
Gladstone on the Web: http://www.hamlco.com/bhc/
---------------------------------------------------------------------
Wilmer Rivers
Eirik writes that he was surprised that a re-run of the American
situation comedy "ALF" contained a reference to "Huey, Dewey, and
Louie", since he thought the Ducks are pretty much unknowns in the
USA these days. They are, but the catchy rhyming names tend to
stick in people's minds, even if they can't quite place their origin;
I suspect that ALF is not the only person who thinks they are the
names of some of Santa's reindeer! Another use of their names was
in the 1970s Science-Fiction movie "Silent Running" with Bruce
Dern as the sole human aboard a spacecraft with three little
androids (very much like R2D2, although earlier!) who were named
after the Duck triplets.

In a posting a while back, I mentioned that an episode of the
cops/lawyers drama show "Law and Order" also made a reference
to a Duckburg resident. A cop is making a cynical reference
to someone they're interviewing, a physics grad student who had
invented a lot of weird gadgets in the laboratory where the
investugation is being conducted. The cop calls the inventive
student "Gyro Gearloose". So at least a couple of TV screen-
writers have dipped back into their childhood memories of the
Ducks in order to punch up a script! I suspect that in fact a
lot of writers, of screenplays and much else, were first turned
on to the craft of writing by reading the stories of Carl Barks.

Wilmer Rivers
Deckerd
On Sep 11, 8:12am, (Email removed) wrote:

> It would be totally in character for Disney to insist on having complete
> control of development and approval (especially approval) of all ancillary
> product from projects in which they have any involvement, no matter who
> their partners might be. If Disney did have partners for such features as
> Aladdin and The Lion King (I've never taken note one way or the other),
> then Disney certainly did sew up control in those cases.
>
I was thinking of the live-action features (e.g., Splash), but
you're probably right that Disney would nail down all the ancillary
rights. (My ignorance on this subject is close to total, I have
to admit.) Also, I was trying to think of instances in which
Disney animated characters met Disney live-action characters
in the comic books of the 1950s (like, did Captain Hook's ship
ever run aground on Captain Nemo's submarine?), when the Disney
Universe was a much smaller and tidier place, but I couldn't think
of any. Not that that proves anything one way or the other, of
course. There also seemed to be a division even then between the
Duck/Mouse comic world and the animated feature world, though
there were occasional exceptions (such as Gus & Jaq on Grandma
Duck's farm). It would be interesting to find out what the editorial
policy in those days exactly was...

--Dwight Decker

--------------------------------
End of Disney comics Digest V97 Issue #195
******************************************
Wilmer Rivers
Dwight writes:
> Also, I was trying to think of instances in which
> Disney animated characters met Disney live-action characters
> in the comic books of the 1950s (like, did Captain Hook's ship
> ever run aground on Captain Nemo's submarine?), when the Disney
> Universe was a much smaller and tidier place, but I couldn't think
> of any.

One possibility: did Benjamin Franklin (of the animated "Ben and Me")
ever meet Paul Revere or any of the other patriots (well, "patriots"
in the USA, "traitors/rebels" in the UK, I suppose!) of the live-
action feature "Johnnie Tremayne" (sp.?)? It's been **way** too long
since I read those comics to remember whether Ben even showed up at all,
much less whether he had a mouse in his hat when he did...

Wilmer Rivers
Cebarat
Sorry about the previous goof, everyone -- here we go again...

MARK EVANIER announced:
<<We're doing a four issue GROO mini-series for Dark Horse. First
one comes out at the end of January, 1998, then all four are supposed
to be collected into a paperback. Glad you missed us.>>

I can think of about a dozen or so medieval villages who would have preferred
that
we didn't. :-) Seriously, I'm glad to hear that the "bungling barbarian" is
returning soon.

HOY MURPHY said:
<<I've always had to use the accent for Scrooge when I read to my children.
They grew up on DuckTales and there's no way to get around it. I'm not
very
good, but I try. Thank God they don't make me read Donald and the newphews
words in the "duck" accent!>>

"No way to get around it"?... I happen to think that imagining the Barks et
al. Scrooge speaking with Alan Young's voice really lends something to the
classic comic-book tales. Same goes for imagining the nephews speaking in
Russi Taylor's "quacky" voice... especially the nephews of the "Junior
Woodchucks" era. That doesn't mean one should even TRY to duplicate the
"quacky" voice when reading aloud to children. Certain voices are better
left to be heard in the imagination.

KRITON KYRIMIS kommented:
<<Did anyone notice that the Plain Awfultonians in Lost in the Andes /
Return to Plain Awful are *identical indians*? As the latter story was
just recently reprinted by Gladstone, does their being *south* American
natives somehow exclude them from Disney's ban?>>

The P.A.'s are "Indians" in the very narrow sense that they are an indigenous
culture located in the Americas. America, however, seems far more willing to
accept versions of the Native Americans of Central and South America than
versions of the Native Americans of North America in its current popular
culture. Part of it undoubtedly has to do with "liberal guilt" over the
treatment of the Native North Americans and a consequent unwillingness to
treat them in a manner that could conceivably be regarded as offensive (for
example: drawing them as cartoony clones). The Native Central and South
Americans are less a part of the fabric of American history, and as such, are
considered slightly fairer game for use in a new or reprinted comic-book
story. Then, too, the Southern-accented P.A.'s are simply so bizarre that
one would REALLY have to have a lot of free time and unused indignation on
one's hands to be offended by them.

MIKKO POHJOLA said:
<<It would be hard if not impossible to make a good story (any kind of
story!) about the entire Kalevala, unless it was about the book itself
rather than it's contents - such as Search of the Lost Chapter of The
Kalevala etc. However, if one would take one individual story from the
book, such as the story about the money-making machine Sampo, or the one
about how Ilmarinen the demi-god smith of the Kaleva people made himself a
wife of gold and silver, or some such story, and maybe add one or two of
the legendary monsters of The Kalevala, THEN it would be possible to tell
a good story related to The Kalevala - or at least parts of it.>>

This sounds so much "in tune" with Scrooge adventure tales past that I'm
surprised no Egmont scrivener explored the idea years ago. As Mikko says,
the entire KALEVALA would not have to be explained -- just those parts of it
that directly impacted upon the plot (akin to Don's "Ten Avatars"). I'd say
that this story has some real potential!

DR. ARCHOTIS PANTSIOS glowed with pride:
<<More than anything else, that decision last Friday of the
International Olympic Committee will be a major boost to the morale of the
Greek people. It seems that financially most Olympiads end up in the red,
but then why do so many cities vie for them every four years?
I hope that ATHENS 2004 shall serve as an excellent chance to revive the
tarnished Olympic spirit that suffered greatly in recent years (see the
boycotts of the Moscow and Los Angeles games and the fiasco of the Atlanta
Games). The Olympic Games have at last returned to their cradle...>>

I too am glad that Athens has finally received the Games once again, but I
have to object to the description of the Atlanta Games as a "fiasco." One
nutcase's bomb should not be allowed to obscure the overall success of the
event. If the Greek organizers are concerned about running the Games in the
red, I would suggest that they avoid the heavily-statist approach and
concentrate on getting as much corporate and philanthropic support as
possible. I wouldn't want the Athens Games to be remembered as a step
backwards to the "spirit" of the hideously mismanaged Montreal Games.

DAN SHANE cautioned:
<<One suggestion: When referring to various ancient works, it's a good idea
not to identify certain writings as mythology when they are still viewed by
millions today as holy scripture, including the Vedas and the Bible. Just
because these collections are centuries old does not mean they are
universally considered to be fictional, as are the myths of civilizations
long gone. Joseph Campbell may have thought of the Bible, the Quran, and
the Vedas as myth, but not everyone agrees with him.>>

How about Native American legends? They fall under the heading of
"mythology" in many cases, but they are still taken as spiritual guidance by
certain sections of the Native American population, in much the same way that
the BIBLE and the KORAN are studied in Christianity and Islam, respectively.

AUGIE DE BLIECK said, re "Tis the Season":
<<The Bob Foster story was absolutely beautifully done. Painted
full-page splashes by Mike Peraza. Brings a tear to my eye every time.>>

And the story was drawn in the style of DUCKTALES... The McDuck Mansion of
the TV series could be seen in one splash, and Donald, Scrooge, and the boys
were modeled on their DT "versions." (Peraza worked on the TV series, so
it's not surprising that he drew on it for artistic inspiration.) This was
definitely one of the high points of the sadly brief "Golden Age of Disney
Comics".

-- Christopher E. Barat
(Email removed)
http://members.aol.com/cebarat/home.htm
Alien 1: "OOPS! BACKWARDS WAS."
Alien 2: "OOPS? OOPS?!?!"
-- "DuckTales" episode "Superdoo!"
Don Rosa
TARJEI:
(moooooaaaaaaaaannnnnnnn...)
I guess you didn't realize that my "A Little Something Special" story has
only been used in Egmont countries, and that everyone on this ML who lives
outside of Scandanavia and Germany has yet to read it. I was pretty pleased
with that story. Yet you just told the entire plot, including all plot
twists, and even included the surprise ending! And I don't even know why
you bothered to do that in a simple time-line, where you should have simply
written "1952 -- $crooge celebrates 50 years in Duckburg", period. What
was the point in doing that? You've broken my poor lil' heart. (sob...)
Dominik
Hi,
great mailing list!
I heard, that Don Rosa is comming to Germany in October.
When I went to my local Comic Store today and bought the new issue of the Don
Rosa Album in Germany, I noticed that they had different dates than the ones
that were published in Disney comics Digest V97 #190.
Here are the dates I got:

28. October Mainz - Zap Comics at 10.30 am
30. October Koeln - Comic Power in the morning;
Terminal Entertaiment in the afternoon
31. October Ulm - Comic Splash time unkown yet

Maybe someone can comment on these dates.
By the way does anyone know if Don Rosa is only signing the new comic Box from
Ehapa or also all his other comics.

-Don Rosa: I am looking for a good map from Duckburg maybe you can help me to
find one. I need it for my new homepage.

Dominik Altevogt
Keltenring 190
79199 Kirchzarten
(Email removed)
Michael Mankus
HD&L first appeared in a Silly Symphonies Sunday on 10/17/37. If they were
born in 1940, was this particular Donald Duck comic strip set in the
future? Just wondering where you got when they were born.

Michael
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