Hi,
The following text appeard 4 times in USA 52:
>story and art by Egmont Publishing Services,...<
Does anyone now WHY the names of the writer's and drawer's aren't
published?
This is also from USA 52:
>I'd like to see more experimental art and stories like "'Tis the season"
by Bob Foster and Mike Peraza(US 251).<
eehh, are there two "'Tis the season? The one I know of is written by Dave
Rawson and drawn by Vicar (92272)(published in USA?)!
FRANCOIS:
>PER-ERIK,
>
>If you have more informations about Swedish productions, please, let >us
know. At least, *I* am interested.
Well, then I have some SAD information for you!
Yesterday I went to Carolina(a library that has every thing that's been
published in sweden since?) to look at "Musse Pigg Tidningen" and maybe
copy a few pages of the Swedish Disney comics, and put them on my Homepage!
But, I didn't know that you had to be 18 years old to have acess to that
library, so, the pictures on those swedish comics will have to whait a few
months!
Don and Shaun.
Thanks for the information about Canadian Disney comics!
Best regards
Per-Erik
------------------------------------------------------------------
(Email removed)
------------------------------------------------------------------
Author
Topic: 199709
(341 messages)
Per-Erik Malmström
Various......
Message 91 -
1997-09-09 at 10:50:13
Ota
Mickey & Donald Mad Parody and Public Domain Toons
Message 92 -
1997-09-09 at 11:13:39
I think it was Brix Lichtenberg who asked this (a couple digests ago)
"In the 50's there was a terrific Mickey/Donald parody in MAD by Bill
Elder. It was reprinted in a MAD pocket book ("Inside Mad"). Does
anybody know the number of the original issue? I'd like to know because
DC is reprinting the classic MAD issues."
"Mickey Rodent" (name of that parody) was first published in MAD #19 - jan.1955.
It seems that it will be reprinted in the 7th issue of the new Mad-EC Reprints
series somewhere late 1998 or early 1999. But that story has already been reprinted
in color some 20 years ago in the one of the first MAD Super Specials -- back then
they inserted a fac-simile color MAD in some issues.
As for now public domain toons:
Some digests ago I started to ask about banned toons. The discussion led to some
copyright info in subsequent digests.
Mark Mayerson said that some of the now public domain Warner toons went into
public domain because momebody at Warner legal department didn't renew the
copyright for such cartoons as "Corny Concerto" and such.
Well - if the pre-1948 Warner toons have been sold to AAP for TV distribution, I
think the fault was AAP's, not Warner's since by that time they didn't think in
commercializing that batch of cartoons no more, but AAP's. Anyway, present-time
owner of those toons, Turner (now Warner) still presents them in Cartoon Network.
Turner also banned a series of toons (that's the list I want to get somewhere)
because of racism or politicaly uncorrect stuff.
Many toons from that period appear in those U$ 3.00 or less cheap anthologies you
buy at the drugstore along with material from defunct studios like Uberks'or Van
Buren's, and Paramount ones (Famous Studios) are commonly found on those
anthologies.
But the subject is Disney so let's concentrate in it. I've seen some Disney toons
on those anthologies (with titles like 'Donald and Friend"or such).
One was that famous uncopyrighted I.R.S. toon.
The other one was that one about a car - a Disney adaptation of a children book. I
forgot the title but I have seen it in one of those cheap anthologies some time
ago. I think someone at Disney's Legal Department forgot to renew that one too.
Please if someone has more info, tell me!
ota
(Email removed)
"In the 50's there was a terrific Mickey/Donald parody in MAD by Bill
Elder. It was reprinted in a MAD pocket book ("Inside Mad"). Does
anybody know the number of the original issue? I'd like to know because
DC is reprinting the classic MAD issues."
"Mickey Rodent" (name of that parody) was first published in MAD #19 - jan.1955.
It seems that it will be reprinted in the 7th issue of the new Mad-EC Reprints
series somewhere late 1998 or early 1999. But that story has already been reprinted
in color some 20 years ago in the one of the first MAD Super Specials -- back then
they inserted a fac-simile color MAD in some issues.
As for now public domain toons:
Some digests ago I started to ask about banned toons. The discussion led to some
copyright info in subsequent digests.
Mark Mayerson said that some of the now public domain Warner toons went into
public domain because momebody at Warner legal department didn't renew the
copyright for such cartoons as "Corny Concerto" and such.
Well - if the pre-1948 Warner toons have been sold to AAP for TV distribution, I
think the fault was AAP's, not Warner's since by that time they didn't think in
commercializing that batch of cartoons no more, but AAP's. Anyway, present-time
owner of those toons, Turner (now Warner) still presents them in Cartoon Network.
Turner also banned a series of toons (that's the list I want to get somewhere)
because of racism or politicaly uncorrect stuff.
Many toons from that period appear in those U$ 3.00 or less cheap anthologies you
buy at the drugstore along with material from defunct studios like Uberks'or Van
Buren's, and Paramount ones (Famous Studios) are commonly found on those
anthologies.
But the subject is Disney so let's concentrate in it. I've seen some Disney toons
on those anthologies (with titles like 'Donald and Friend"or such).
One was that famous uncopyrighted I.R.S. toon.
The other one was that one about a car - a Disney adaptation of a children book. I
forgot the title but I have seen it in one of those cheap anthologies some time
ago. I think someone at Disney's Legal Department forgot to renew that one too.
Please if someone has more info, tell me!
ota
(Email removed)
Luna Storta
Some replies to #189,190,191
Message 93 -
1997-09-09 at 11:27:15
Hello everybody!
RICH and WILMER (abuot the cross-over with Gas and Jac):
>>We're all relatively accustomed to seeing Gus & Jac living on Grandma
Duck's Farm...
>Maybe Gus and Jac are the 1000th generation descendants of those
mice...
Maybe one of those 1000 Gas and Jac generations incourred in a genetical
mutation which made them as tall as Mickey: in Mickey Mouse in
Muosepotamia they meet Mickey, but they seem to be at least 20 times
greater the mouses they were in Cinderella! ;-)
RICH (about the absence of cross-overs):
I don't really know if it's a matter of charachter's right or a Disney
trend to cause the separation of the various Disney universes, but I
like it in this way. I like to think that the main reason to keep
separate Mickey's and Donald's universes is a chronological question:
Mickey is older than Donald (while Mickey runs a newspaper Donald is
very young and is hired as a newspaper seller), so he lives at his best
from 1935 to 1950, while Donald reaches his brightest glory from 1945 to
the sixties. (hum...it sounds horrible, my english needs a lot of
improvement!:-( ).
SHAUN CRAILL (about Mickey's facial features):
I don't think so: when a cartoonist is *VERY* good as Gottfredson was,
Mickey's face can assume a lot of expressions: try to recall one of
Gottfredson's masterpieces: "Mickey vs. Mickey" (or "Mickey's dangerous
double", I don't recall the exact english title, BTW it was in daily
strips from 2-march-53 to 20-june-53): there are two identical
Mickey(s?), but whoever read the story can recognize the evil one
because of subtiles features around his mouth and his eyes... So the
trouble isn't on the character's side, but on the artist's one!
CIAO!
Paolo Castagno alias Luna Storta
http://www.geocities.com/Paris/3088
How do you feel about women's rights?
I like either side of them.
-- Groucho Marx
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
RICH and WILMER (abuot the cross-over with Gas and Jac):
>>We're all relatively accustomed to seeing Gus & Jac living on Grandma
Duck's Farm...
>Maybe Gus and Jac are the 1000th generation descendants of those
mice...
Maybe one of those 1000 Gas and Jac generations incourred in a genetical
mutation which made them as tall as Mickey: in Mickey Mouse in
Muosepotamia they meet Mickey, but they seem to be at least 20 times
greater the mouses they were in Cinderella! ;-)
RICH (about the absence of cross-overs):
I don't really know if it's a matter of charachter's right or a Disney
trend to cause the separation of the various Disney universes, but I
like it in this way. I like to think that the main reason to keep
separate Mickey's and Donald's universes is a chronological question:
Mickey is older than Donald (while Mickey runs a newspaper Donald is
very young and is hired as a newspaper seller), so he lives at his best
from 1935 to 1950, while Donald reaches his brightest glory from 1945 to
the sixties. (hum...it sounds horrible, my english needs a lot of
improvement!:-( ).
SHAUN CRAILL (about Mickey's facial features):
I don't think so: when a cartoonist is *VERY* good as Gottfredson was,
Mickey's face can assume a lot of expressions: try to recall one of
Gottfredson's masterpieces: "Mickey vs. Mickey" (or "Mickey's dangerous
double", I don't recall the exact english title, BTW it was in daily
strips from 2-march-53 to 20-june-53): there are two identical
Mickey(s?), but whoever read the story can recognize the evil one
because of subtiles features around his mouth and his eyes... So the
trouble isn't on the character's side, but on the artist's one!
CIAO!
Paolo Castagno alias Luna Storta
http://www.geocities.com/Paris/3088
How do you feel about women's rights?
I like either side of them.
-- Groucho Marx
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
SRoweCanoe
Bugs Bunny??? What's he doing on this list?
Message 94 -
1997-09-09 at 14:10:25
Dwight Decker said:
<<"Bugs Bunny Nips the Nips" isn't in that collection, but was in
Volume I of MGM's series of boxed laserdisc sets of Warner toons.
I've heard that the cartoon was omitted from a subsequent reissue
of the collection, supposedly due to Turner policy, and the first
edition has acquired collectible status and high prices on the
secondary market as a result.>>
Maybe so, but as of just a few months ago, the Laser Disc set was still in
print, and still available (from folks like Ken Crane) at regular retail
with Nips the Nips still on it.
There is no (as of yet)set without it.
Steven Rowe
<<"Bugs Bunny Nips the Nips" isn't in that collection, but was in
Volume I of MGM's series of boxed laserdisc sets of Warner toons.
I've heard that the cartoon was omitted from a subsequent reissue
of the collection, supposedly due to Turner policy, and the first
edition has acquired collectible status and high prices on the
secondary market as a result.>>
Maybe so, but as of just a few months ago, the Laser Disc set was still in
print, and still available (from folks like Ken Crane) at regular retail
with Nips the Nips still on it.
There is no (as of yet)set without it.
Steven Rowe
Augie De Blieck Jr.
Tis the Season
Message 95 -
1997-09-09 at 16:25:04
PER-ERIK:
> >I'd like to see more experimental art and stories like "'Tis the season"
> by Bob Foster and Mike Peraza(US 251).<
>
> eehh, are there two "'Tis the season? The one I know of is written by Dave
> Rawson and drawn by Vicar (92272)(published in USA?)!
Apparantly so. The Bob Foster story was absolutely beautifully done. Painted
full-page splashes by Mike Peraza. Brings a tear to my eye every time.
-Augie
---------------------------------------------------------------------
Augie De Blieck Jr. - (Email removed) - (Email removed)
"Egg whites are good for a lot of things; lemon merangue pie, angel
food cake, and clogging up radiators." -MacGyver (Bushmaster)
> >I'd like to see more experimental art and stories like "'Tis the season"
> by Bob Foster and Mike Peraza(US 251).<
>
> eehh, are there two "'Tis the season? The one I know of is written by Dave
> Rawson and drawn by Vicar (92272)(published in USA?)!
Apparantly so. The Bob Foster story was absolutely beautifully done. Painted
full-page splashes by Mike Peraza. Brings a tear to my eye every time.
-Augie
---------------------------------------------------------------------
Augie De Blieck Jr. - (Email removed) - (Email removed)
"Egg whites are good for a lot of things; lemon merangue pie, angel
food cake, and clogging up radiators." -MacGyver (Bushmaster)
M. Mitchell Marmel
Suzie, the Little Blue Coupe
Message 96 -
1997-09-09 at 16:39:02
At 1:13 AM -0700 9/9/97, Ota wrote:
>The other one was that one about a car - a Disney adaptation of a children
>book. I
>forgot the title but I have seen it in one of those cheap anthologies some
>time
>ago. I think someone at Disney's Legal Department forgot to renew that one
>too.
>Please if someone has more info, tell me!
The title was "Suzie, the Little Blue Coupe". I've heard tell that a
diecast Suzie was released a couple of years back; don't know where or
when. Anyone?
-MMM-
>The other one was that one about a car - a Disney adaptation of a children
>book. I
>forgot the title but I have seen it in one of those cheap anthologies some
>time
>ago. I think someone at Disney's Legal Department forgot to renew that one
>too.
>Please if someone has more info, tell me!
The title was "Suzie, the Little Blue Coupe". I've heard tell that a
diecast Suzie was released a couple of years back; don't know where or
when. Anyone?
-MMM-
Alipio D'Oliveira Coelho
Disney comics Digest V97 #192
Message 97 -
1997-09-09 at 17:03:58
DON:
> 1967 - Scrooge McDuck dies?
Well, I allways saw U$ as a kind of Peter Pan: never will died or
became more older.
And who inherit all his fortune? DD? GG? H,D,L?
Alipio.
> 1967 - Scrooge McDuck dies?
Well, I allways saw U$ as a kind of Peter Pan: never will died or
became more older.
And who inherit all his fortune? DD? GG? H,D,L?
Alipio.
Mikko Aittola
Disney comics Digest V97 #192
Message 98 -
1997-09-09 at 17:08:55
KALEVALA:
It's odd to see so many "foreigners" discussing Kalevala. :)
Anyway, Uncle $crooge trying to find the legendary Sampo
would propably work as a concept for U$ adventure in Finland.
(As Mikko Pohjola earlier mentioned.)
Don Rosa wrote:
> about an announcement of an interesting (!) policy change that Egmont will
> soon begin
That's VERY good news indeed.
/Mikko
It's odd to see so many "foreigners" discussing Kalevala. :)
Anyway, Uncle $crooge trying to find the legendary Sampo
would propably work as a concept for U$ adventure in Finland.
(As Mikko Pohjola earlier mentioned.)
Don Rosa wrote:
> about an announcement of an interesting (!) policy change that Egmont will
> soon begin
That's VERY good news indeed.
/Mikko
Luna Storta
DISNEY DATABASE
Message 99 -
1997-09-09 at 18:10:07
Hi everybody,
This time I'm back with some GREAT news: the society where I work
decided to let me use some disk space for my interests, so I realized a
small database in Oracle that *we all* can use in many ways....
I imagined the first way to use it: some issues ago there was someone
asking for some statistics about we DML subscribers: how many
subscribers are on the list? Where do they came from? Which is the
average age? etc...
But sometimes there is another question: who is the most popular Disney
character? Which is the all times best story? Who is the greatest
author? and so on...
I made a short and simple form (with no mandatory fields) where we can
express all our preferences on Disney topics and present ourselves.
A second link will allow to see the results of the votation updated in
real-time (except that for the preferred stories that need a longer time
to be organized).
Just remember this: they gave me this opportunity just to increase
traffic on their website, so the web address is not so immediate: first
go to this URL:
http://www.cnapmi.com/shop/home.htm
and then click on the label on the left called 'Le Associazioni': a
second page will appear where is a link to "Disney on Line"! (I know
it's an hard-to-find link, but it's the only way they allowed me to do
it!)
If these pages will have a little bit of success I'll surely have the
chance to realize some more interesting services on the web using the
Oracle database such as a page where everyone can post his announcements
about buy and/or selling comics, or any other idea I'll receive from you
all!!!
Well, I hope this message will interest you.. if it isn't so, excuse me!
P.S.: when you'll see the form, there will be two fields for each of
these topics: preferred charachter, preferred author and preferred
artist. The first one allows to select an author (or a charachter or an
artist) from the ones already inserted in the database, the second one
allows to insert in the database the name of an author (or a charachter
or an artist) not previously included in the DB.
P.P.S.: at the moment the database is near to be empty: there is just my
vote, hope your votes will soon come!!!
CIAO!
Paolo Castagno alias Luna Storta
http://www.geocities.com/Paris/3088
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
This time I'm back with some GREAT news: the society where I work
decided to let me use some disk space for my interests, so I realized a
small database in Oracle that *we all* can use in many ways....
I imagined the first way to use it: some issues ago there was someone
asking for some statistics about we DML subscribers: how many
subscribers are on the list? Where do they came from? Which is the
average age? etc...
But sometimes there is another question: who is the most popular Disney
character? Which is the all times best story? Who is the greatest
author? and so on...
I made a short and simple form (with no mandatory fields) where we can
express all our preferences on Disney topics and present ourselves.
A second link will allow to see the results of the votation updated in
real-time (except that for the preferred stories that need a longer time
to be organized).
Just remember this: they gave me this opportunity just to increase
traffic on their website, so the web address is not so immediate: first
go to this URL:
http://www.cnapmi.com/shop/home.htm
and then click on the label on the left called 'Le Associazioni': a
second page will appear where is a link to "Disney on Line"! (I know
it's an hard-to-find link, but it's the only way they allowed me to do
it!)
If these pages will have a little bit of success I'll surely have the
chance to realize some more interesting services on the web using the
Oracle database such as a page where everyone can post his announcements
about buy and/or selling comics, or any other idea I'll receive from you
all!!!
Well, I hope this message will interest you.. if it isn't so, excuse me!
P.S.: when you'll see the form, there will be two fields for each of
these topics: preferred charachter, preferred author and preferred
artist. The first one allows to select an author (or a charachter or an
artist) from the ones already inserted in the database, the second one
allows to insert in the database the name of an author (or a charachter
or an artist) not previously included in the DB.
P.P.S.: at the moment the database is near to be empty: there is just my
vote, hope your votes will soon come!!!
CIAO!
Paolo Castagno alias Luna Storta
http://www.geocities.com/Paris/3088
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
Nils Helge Karstad
Scrooge's money
Message 100 -
1997-09-09 at 22:25:21
About the how-much-money-does-Scrooge-really-have discussion:
I just read the story "The second richest duck" by Carl Barks and noticed
that on page 2 panel 5 Scrooge says that he has 8100 cubic metres of money.
Jo
--------------------------------------------
Mail-adress:
(Email removed)
--------------------------------------------
I just read the story "The second richest duck" by Carl Barks and noticed
that on page 2 panel 5 Scrooge says that he has 8100 cubic metres of money.
Jo
--------------------------------------------
Mail-adress:
(Email removed)
--------------------------------------------
Jakob Soederbaum
Travelling...
Message 101 -
1997-09-09 at 23:01:16
Hi!
On Friday I'm leaving for a one week stay in Czechia. Are there
any listmembers in Prague? Does anyone know of any good place
there to buy comics?
---
/Jakob
On Friday I'm leaving for a one week stay in Czechia. Are there
any listmembers in Prague? Does anyone know of any good place
there to buy comics?
---
/Jakob
Vidar Svendsen
Story-codes + TARJEI
Message 102 -
1997-09-09 at 23:08:21
Nils Helge Karstad wrote:
>The first (probably an OS) about Donald and the nephews on camping in a
>forest.
This is Vacation Time (vacation Parade 1)
In Norway it is called Teltturen, published 4 times:
Walt Disneys serier 7/54
Walt Disneys m?nedshefte 6/67
Godbiter 40 (1982)
DD 22/93
>The second one is a WDC.
>It starts with Donald yelling at the nephews who plays cowboys in his
>vegetable garden (wrong word ?).
This is Child Psycologist (WDC 92)
In Norway it is called Barnepsykologen/Barnas venn,
published 3 times:
DD 9/49
DD 19/77
DD for 30 ?r siden: 11/79 (opptrykk av 9/49)
PS! There is a Norwegian Barks-index published by Donaldistene.
----------------------------------------------------------------------------
Vidar Svendsen http://home.sol.no/vsvends
One good thing about getting old is that people believe you when you say
"I don't remember"
>The first (probably an OS) about Donald and the nephews on camping in a
>forest.
This is Vacation Time (vacation Parade 1)
In Norway it is called Teltturen, published 4 times:
Walt Disneys serier 7/54
Walt Disneys m?nedshefte 6/67
Godbiter 40 (1982)
DD 22/93
>The second one is a WDC.
>It starts with Donald yelling at the nephews who plays cowboys in his
>vegetable garden (wrong word ?).
This is Child Psycologist (WDC 92)
In Norway it is called Barnepsykologen/Barnas venn,
published 3 times:
DD 9/49
DD 19/77
DD for 30 ?r siden: 11/79 (opptrykk av 9/49)
PS! There is a Norwegian Barks-index published by Donaldistene.
----------------------------------------------------------------------------
Vidar Svendsen http://home.sol.no/vsvends
One good thing about getting old is that people believe you when you say
"I don't remember"
Deckerd
Bugs Bunny??? What's he doing on this list?
Message 103 -
1997-09-10 at 00:00:58
On Sep 9, 7:10am, (Email removed) wrote:
> Subject: Bugs Bunny??? What's he doing on this list?
> Dwight Decker said:
> <<"Bugs Bunny Nips the Nips" isn't in that collection, but was in
> Volume I of MGM's series of boxed laserdisc sets of Warner toons.
> I've heard that the cartoon was omitted from a subsequent reissue
> of the collection, supposedly due to Turner policy, and the first
> edition has acquired collectible status and high prices on the
> secondary market as a result.>>
>
> Maybe so, but as of just a few months ago, the Laser Disc set was still in
> print, and still available (from folks like Ken Crane) at regular retail
> with Nips the Nips still on it.
> There is no (as of yet)set without it.
> Steven Rowe
>
How could I be so wrong? Musta misheard something... On the
other hand, there's an ad in the latest issue of the Laser
Disc Newsletter from somebody offering a used Looney Tunes boxed
set, "uncut" for $180, eighty buckeroonies above the original
retail price. Maybe the corresponding set of _tapes_
for Volume I has been reissued with the offending cartoon
excised?
And just to get back to something Disney related...gee, I wish
there had been a second volume of the boxed set of Mickey Mouse
cartoons on laserdisc...and a Donald box, too!
--Dwight Decker
--------------------------------
End of Disney comics Digest V97 Issue #193
******************************************
> Subject: Bugs Bunny??? What's he doing on this list?
> Dwight Decker said:
> <<"Bugs Bunny Nips the Nips" isn't in that collection, but was in
> Volume I of MGM's series of boxed laserdisc sets of Warner toons.
> I've heard that the cartoon was omitted from a subsequent reissue
> of the collection, supposedly due to Turner policy, and the first
> edition has acquired collectible status and high prices on the
> secondary market as a result.>>
>
> Maybe so, but as of just a few months ago, the Laser Disc set was still in
> print, and still available (from folks like Ken Crane) at regular retail
> with Nips the Nips still on it.
> There is no (as of yet)set without it.
> Steven Rowe
>
How could I be so wrong? Musta misheard something... On the
other hand, there's an ad in the latest issue of the Laser
Disc Newsletter from somebody offering a used Looney Tunes boxed
set, "uncut" for $180, eighty buckeroonies above the original
retail price. Maybe the corresponding set of _tapes_
for Volume I has been reissued with the offending cartoon
excised?
And just to get back to something Disney related...gee, I wish
there had been a second volume of the boxed set of Mickey Mouse
cartoons on laserdisc...and a Donald box, too!
--Dwight Decker
--------------------------------
End of Disney comics Digest V97 Issue #193
******************************************
Donald D. Markstein
Junkville Journal
Message 104 -
1997-09-10 at 07:09:43
NILS LID HJORT --
"Barks proved in U.S. #18 that such a thing can be successfully
carried out! "
Mmmmm... yes and no. He did a REASONABLY good job of it, but
my standards for scansion are very high. (I'm not even 100% pleased
with what I did here a few days ago, tho thanx for liking it.) There
were many cases of the word "the" getting a heavy beat. This may be
inevitable when you've got a tribe with a three-syllable name,
accent on the second, but all that indicates is that Barks should
have named them a little bit differently. His ear for language is
very nearly impeccable, but on that particular piece, I can't give
him more than an A-minus in that department (tho the story itself,
of course, is splendid).
Four-beat iambic verse... I'm up to my ears in that right
now, trying to compose a Bucky Bug script for WDC&S. They're short,
but each page takes a LOT of composition!
ON THE RELATIVE EXPRESSIVENESS OF DUCK VS. MOUSE FACES --
(Who was it who first mentioned that a couple of days ago?)
I happened to see a Mouse cartoon go by on The Disney Channel
the other day -- had to be early '30s, both because of what he was
wearing and because it looked like colorized b&w rather than
original color -- where Mickey gave a big, toothy grin in 3/4 view.
And he looked just like Uncle Sid from the comic strip ERNIE. (For
anyone not familiar with this character, his grin, accompanied with
the caption "would you buy a used car from this man?", would get a
laugh anywhere in the world. And he came by his grin honestly --
Sid is a member in good standing of the Piranha Club.)
If that's the best they can do with his face from that angle,
you're right -- the Mouse face is not nearly as expressive as the
Duck face.
RICH BELLACERA --
Does the "unique position" you refer to for Gus and Jaq have
to do with their being feature characters who crossed over into the
"world" of the series-cartoon folks? If so, Jiminy Cricket also made
that transition -- and more thoroughly, as he's guest-starred with
quite a few characters. If it's the fact that they became regular
supporting characters, then Madame Mim, from THE SWORD IN THE STONE,
pretty much qualifies, since she shared a book with the Beagle Boys
in the '60s. And Figaro, from PINOCCHIO, was for a brief time, at
least in cartoons, Minnie Mouse's cat.
Back then, a Disney character was pretty much just a Disney
character. They crossed over back and forth, features to Silly
Symphonies to series characters, even more freely (to say nothing of
years earlier) than Marvel superheroes. (Did You Know -- The Big Bad
Wolf was on Mickey Mouse's polo team...)
GARY LEACH --
I've been meaning to ask -- just where is the line drawn
between "traditional" Disney characters and "modern" ones? I mean,
I'm so old I think of Madame Mim as a newcomer, and even Scamp is
borderline -- and such newfangles as Winnie the Pooh are just about
beyond the pale. So -- if the bird and worm from THE FOX AND THE
HOUND suddenly, for whatever reason, become a hot property, would
you or Acclaim be the ones with the rights?
NILS HELGE KARSTAD --
I don't have story codes, but if it helps, the first story
you ask about originally appeared in WALT DISNEY VACATION PARADE #1
(1950) and the second in WDC&S #92 (May, 1948).
Quack, Don=
"Barks proved in U.S. #18 that such a thing can be successfully
carried out! "
Mmmmm... yes and no. He did a REASONABLY good job of it, but
my standards for scansion are very high. (I'm not even 100% pleased
with what I did here a few days ago, tho thanx for liking it.) There
were many cases of the word "the" getting a heavy beat. This may be
inevitable when you've got a tribe with a three-syllable name,
accent on the second, but all that indicates is that Barks should
have named them a little bit differently. His ear for language is
very nearly impeccable, but on that particular piece, I can't give
him more than an A-minus in that department (tho the story itself,
of course, is splendid).
Four-beat iambic verse... I'm up to my ears in that right
now, trying to compose a Bucky Bug script for WDC&S. They're short,
but each page takes a LOT of composition!
ON THE RELATIVE EXPRESSIVENESS OF DUCK VS. MOUSE FACES --
(Who was it who first mentioned that a couple of days ago?)
I happened to see a Mouse cartoon go by on The Disney Channel
the other day -- had to be early '30s, both because of what he was
wearing and because it looked like colorized b&w rather than
original color -- where Mickey gave a big, toothy grin in 3/4 view.
And he looked just like Uncle Sid from the comic strip ERNIE. (For
anyone not familiar with this character, his grin, accompanied with
the caption "would you buy a used car from this man?", would get a
laugh anywhere in the world. And he came by his grin honestly --
Sid is a member in good standing of the Piranha Club.)
If that's the best they can do with his face from that angle,
you're right -- the Mouse face is not nearly as expressive as the
Duck face.
RICH BELLACERA --
Does the "unique position" you refer to for Gus and Jaq have
to do with their being feature characters who crossed over into the
"world" of the series-cartoon folks? If so, Jiminy Cricket also made
that transition -- and more thoroughly, as he's guest-starred with
quite a few characters. If it's the fact that they became regular
supporting characters, then Madame Mim, from THE SWORD IN THE STONE,
pretty much qualifies, since she shared a book with the Beagle Boys
in the '60s. And Figaro, from PINOCCHIO, was for a brief time, at
least in cartoons, Minnie Mouse's cat.
Back then, a Disney character was pretty much just a Disney
character. They crossed over back and forth, features to Silly
Symphonies to series characters, even more freely (to say nothing of
years earlier) than Marvel superheroes. (Did You Know -- The Big Bad
Wolf was on Mickey Mouse's polo team...)
GARY LEACH --
I've been meaning to ask -- just where is the line drawn
between "traditional" Disney characters and "modern" ones? I mean,
I'm so old I think of Madame Mim as a newcomer, and even Scamp is
borderline -- and such newfangles as Winnie the Pooh are just about
beyond the pale. So -- if the bird and worm from THE FOX AND THE
HOUND suddenly, for whatever reason, become a hot property, would
you or Acclaim be the ones with the rights?
NILS HELGE KARSTAD --
I don't have story codes, but if it helps, the first story
you ask about originally appeared in WALT DISNEY VACATION PARADE #1
(1950) and the second in WDC&S #92 (May, 1948).
Quack, Don=
Rich Bellacera
Disney comics Digest V97 #193
Message 105 -
1997-09-10 at 08:56:27
GARY
>There are currently two comics licenses for the US, one for
>the "traditional" characters, currently held by Gladstone, and one for the
>"modern" characters, currently held by Acclaim and previously by Marvel.
>Crossovers between the properties (characters, to us reader types) covered
>by these different licenses would be tricky enough to arrange just between
>Gladstone and Acclaim, and once you added Disney's required participation
>into the equation...well, Gladstone and Acclaim would need to be able to
>get a whole amalgamated-Disney-universe line out of it, that would look to
>sell at least as well as Vampirella titles, for it to be worth the trouble.
That actually sounds more complicated than I suspected. It sounds like
a feat equivalent to having Marvel's Spiderman meet D.C.'s Superman.
Oy! and both Mickey and Simba are Disney characters which makes the
whole thing sound absurd from a simple "reader's" perpective. So I
guess it'd be a pretty good guess we'll probably NEVER see such a
scenario as "Mickey meets Simba" (even if a good script could be written).
I agree with Luna concerning the trend to stay away from such crossovers
stories (unless there was a better purpose than the usual hapazard meetings
in the older stories which seemed to be written *just-because-they-could-be
-written*).
This still doesn't resolve the status of Gus & Jaq, though.
As Fifi le Fume would say, "Le sigh."
-Rich (xephyr)
http://www.jps.net/xephyr/rich/disney.html
>There are currently two comics licenses for the US, one for
>the "traditional" characters, currently held by Gladstone, and one for the
>"modern" characters, currently held by Acclaim and previously by Marvel.
>Crossovers between the properties (characters, to us reader types) covered
>by these different licenses would be tricky enough to arrange just between
>Gladstone and Acclaim, and once you added Disney's required participation
>into the equation...well, Gladstone and Acclaim would need to be able to
>get a whole amalgamated-Disney-universe line out of it, that would look to
>sell at least as well as Vampirella titles, for it to be worth the trouble.
That actually sounds more complicated than I suspected. It sounds like
a feat equivalent to having Marvel's Spiderman meet D.C.'s Superman.
Oy! and both Mickey and Simba are Disney characters which makes the
whole thing sound absurd from a simple "reader's" perpective. So I
guess it'd be a pretty good guess we'll probably NEVER see such a
scenario as "Mickey meets Simba" (even if a good script could be written).
I agree with Luna concerning the trend to stay away from such crossovers
stories (unless there was a better purpose than the usual hapazard meetings
in the older stories which seemed to be written *just-because-they-could-be
-written*).
This still doesn't resolve the status of Gus & Jaq, though.
As Fifi le Fume would say, "Le sigh."
-Rich (xephyr)
http://www.jps.net/xephyr/rich/disney.html