Author
Topic: 199710
(359 messages)
Katie Sullivan
Disney comics Digest V97 #220
Message 151 -
1997-10-14 at 01:36:42
listing digest #1-99
Nils Lid Hjort
95,000 dollars
Message 152 -
1997-10-14 at 15:07:56
As we know original Barks comic book art is very scarce -- and certainly
_buying it_ is outside pocket range for most of us. I just heard that the
original art to the full 10-pager "The Beauty Business", from WDC&S 308,
May 1966, Barks' next-to-last story (the very last one, omitting the few
curiosa pieces he made much much later, being "The not-so-ancient mariner"
from WDC&S 312, August 1966), has been recovered (from the Disney studios,
somehow?). And it is offered for sale! It will be organised as an auction, with
a starting price of 95,000 dollars. Move the comma and translate this to 9,500
usd for each page.
As I understand, this work is _not_ listed in this printed-in-Finland book
about surviving Barks art, and should be welcomed back from its twilight zone.
And of course, "Crazy List Members, Unite!", form a buyers' group and go for
it, if you cannot live well without an original Barks comic book page on
your wall.
(I just heard this piece of somewhat esoteric news through a telephone
conversation, and do not have more explicit information about who sells and
how to bid -- but I can press my source for more information if required.)
Nils Lid Hjort
"All that for a butterfly!" (see March of Comics #20/1948)
_buying it_ is outside pocket range for most of us. I just heard that the
original art to the full 10-pager "The Beauty Business", from WDC&S 308,
May 1966, Barks' next-to-last story (the very last one, omitting the few
curiosa pieces he made much much later, being "The not-so-ancient mariner"
from WDC&S 312, August 1966), has been recovered (from the Disney studios,
somehow?). And it is offered for sale! It will be organised as an auction, with
a starting price of 95,000 dollars. Move the comma and translate this to 9,500
usd for each page.
As I understand, this work is _not_ listed in this printed-in-Finland book
about surviving Barks art, and should be welcomed back from its twilight zone.
And of course, "Crazy List Members, Unite!", form a buyers' group and go for
it, if you cannot live well without an original Barks comic book page on
your wall.
(I just heard this piece of somewhat esoteric news through a telephone
conversation, and do not have more explicit information about who sells and
how to bid -- but I can press my source for more information if required.)
Nils Lid Hjort
"All that for a butterfly!" (see March of Comics #20/1948)
Fluks, H.W.
Breda (Looking for Daan)
Message 153 -
1997-10-14 at 15:52:21
Stefan:
>Does anyone know how to reach Daan Jippes at this time, or what he's
>currently doing?
I can tell you what he did last Saturday: making drawings at the Dutch
comic
convention in Breda. I haven't talked with him, but the people at GP
(the
Dutch editors) must know how to reach him. Try Pieter van Cleef
((Email removed)).
BTW, Freddy Milton was also at that convention. Arthur and I spoke with
him
briefly. We looked for him later that day, but apparently he was gone.
I think he and Jippes went to a pub or so...
Milton said that a new issue of "Carl Barks & Co." will be out soon.
It's a shame that we couldn't talk longer with Milton. I didn't even get
a signature...
BTW2: The convention was flooded with Scandinavians: Borge Ring was
there too.
--Harry.
--------------------------------
End of Disney comics Digest V97 Issue #223
******************************************
>Does anyone know how to reach Daan Jippes at this time, or what he's
>currently doing?
I can tell you what he did last Saturday: making drawings at the Dutch
comic
convention in Breda. I haven't talked with him, but the people at GP
(the
Dutch editors) must know how to reach him. Try Pieter van Cleef
((Email removed)).
BTW, Freddy Milton was also at that convention. Arthur and I spoke with
him
briefly. We looked for him later that day, but apparently he was gone.
I think he and Jippes went to a pub or so...
Milton said that a new issue of "Carl Barks & Co." will be out soon.
It's a shame that we couldn't talk longer with Milton. I didn't even get
a signature...
BTW2: The convention was flooded with Scandinavians: Borge Ring was
there too.
--Harry.
--------------------------------
End of Disney comics Digest V97 Issue #223
******************************************
Marco Barlotti
Jacovitti
Message 154 -
1997-10-14 at 18:02:29
>Well, no, Anders had come across a page in a Swedish reprint of
>Italian-produced Disney comics that he thought might have been
>inked by Jaccovitti, but didn't know if Jaccovitti had ever
>ever worked on Disney comics.
As far as I know, Jacovitti **never** worked on Disney comics, and never
inked them.
Marco
>Italian-produced Disney comics that he thought might have been
>inked by Jaccovitti, but didn't know if Jaccovitti had ever
>ever worked on Disney comics.
As far as I know, Jacovitti **never** worked on Disney comics, and never
inked them.
Marco
Deckerd
Jacovitti
Message 155 -
1997-10-14 at 18:33:15
On Oct 14, 4:02pm, Marco Barlotti wrote:
> As far as I know, Jacovitti **never** worked on Disney comics, and never
> inked them.
>
Okay, that answers that. Thanks for providing the information! And
I apologize for misspelling Jacovitti's name (being insensitive to
Italian orthography, I put an extra "c" in it). Oops...
--Dwight Decker
> As far as I know, Jacovitti **never** worked on Disney comics, and never
> inked them.
>
Okay, that answers that. Thanks for providing the information! And
I apologize for misspelling Jacovitti's name (being insensitive to
Italian orthography, I put an extra "c" in it). Oops...
--Dwight Decker
Luca Boschi
Looking for Daan Jippes
Message 156 -
1997-10-14 at 20:50:46
Hi, everybody (and hi, Harry Fluks)!
I read from Harry Fluks, about the "recherche" of Daan Jippes.
>>>>I can tell you what he did last Saturday: making drawings at the Dutch comic convention in Breda.
I'm also looking for him (I corresponeded with Daan for a looong time,
more than ten years, but from a while I've lost his traks, from when
he's not in the USA anymore). Now I'm looking for him for a specific
request by Disney-Italy, since they are going to translate a very nice
story by him, but they need some more informations about some original
dialogues.
If some of your is able to telle me where I can find him (a telephone
or fax number by him), I'll be very happy (and Disney too)...
>>>>>Milton said that a new issue of "Carl Barks & Co." will be out soon.
It's a shame that we couldn't talk longer with Milton. I didn't even
get
a signature..
I'm in close contact with Freddy, who sent me a letter, few days ago,
just asking if I keow what they say about him in Internet. He has no
access to it. But if you have some questions or requests concerning
his work, or if you want to comunicate something to him, you have just
to write it in this Mailing List, and I'll print it and send it to
him.
Thank you in advance!
Luca Boschi
I read from Harry Fluks, about the "recherche" of Daan Jippes.
>>>>I can tell you what he did last Saturday: making drawings at the Dutch comic convention in Breda.
I'm also looking for him (I corresponeded with Daan for a looong time,
more than ten years, but from a while I've lost his traks, from when
he's not in the USA anymore). Now I'm looking for him for a specific
request by Disney-Italy, since they are going to translate a very nice
story by him, but they need some more informations about some original
dialogues.
If some of your is able to telle me where I can find him (a telephone
or fax number by him), I'll be very happy (and Disney too)...
>>>>>Milton said that a new issue of "Carl Barks & Co." will be out soon.
It's a shame that we couldn't talk longer with Milton. I didn't even
get
a signature..
I'm in close contact with Freddy, who sent me a letter, few days ago,
just asking if I keow what they say about him in Internet. He has no
access to it. But if you have some questions or requests concerning
his work, or if you want to comunicate something to him, you have just
to write it in this Mailing List, and I'll print it and send it to
him.
Thank you in advance!
Luca Boschi
Harry Fluks
Francois and her letter
Message 157 -
1997-10-14 at 22:23:00
Francois wrote:
> In "Lo scoop senszionale", Paperetta is a reporter spying Scrooge for
> his boss, Brigitta. She's in the story as some distant relative of the
> Ducks. His relation to Goldie is not even mentioned.
Maybe this is a bit less confusing when you replace the 2 "his" by
"her". I assume you mean Brigitta is *Paperetta's* boss, and that
*Paperetta's* relation to Goldie is not mentioned.
(This is the kind of problem I would have had in French...)
--Harry.
> In "Lo scoop senszionale", Paperetta is a reporter spying Scrooge for
> his boss, Brigitta. She's in the story as some distant relative of the
> Ducks. His relation to Goldie is not even mentioned.
Maybe this is a bit less confusing when you replace the 2 "his" by
"her". I assume you mean Brigitta is *Paperetta's* boss, and that
*Paperetta's* relation to Goldie is not mentioned.
(This is the kind of problem I would have had in French...)
--Harry.
Tarjei Kidd Olsen
Disney comics Digest V97 #223
Message 158 -
1997-10-14 at 23:42:22
PER:
>
>Yes, there is a catalog on the way you subscribe. To recieve it: send a
>mail to Susan Morse (at: (Email removed)) and provide her with your
>snailmail address.
hmm, I think I should be getting their latest catalogue anyway (there wasn't
an asterisk by my name on the address label like there should be if I'm not
scheduled to get any more..), so I guess it's just taking a *LONGLONGLONG*
time to get here like normal......:-(
>
>There isn't! 100 copies went to the people who worked with the book so
>there's only 900 copies for sale.8-)
*argh* :-)
NILS:
>I am currently reading through some of Don Rosa's "Pertwillaby Papers", and
>enjoy them.
how did you get them?
VIDAR:
>I'm going to York (GB) on Sunday. Are there any comics-
>shops in the area?
I'm not sure if they actually have one in York, but in case they do;
Forbidden Planet is a cool comic store (though I'd say you're fairly
unlikely to find any Disney comics there (Disney-DUCK comics anyway), but
hey, buy 2000AD and Judge Dredd The Megazine instead (some of my other
favourite comics))!! ;) Just check a local phone book to find out if there
are any of the stores in the area......
STEFAN:
>
>Thanks, everyone who tried to help me out with Ferdinand recently. I realize
>that my request was somewhat off topic, so, if you pardon me, henceforth
>I'll agree to drop the bull.
*chortle.* ;)
RYAN:
>stories due to their "politically incorrect" content. I have also heard
>that several of Barks' stories have been banned (Voodoo Hoodoo in
>particular).
Voodoo Hoodoo hasn't been banned, has it everyone?!? They only added pupils
to Bombies eyes or something, right?
|| <<<<Tarjei Kidd Olsen>>>> ||
||___________________________||
|| http://home.sol.no/~kidd/ ||
|| (Email removed) ||
>
>Yes, there is a catalog on the way you subscribe. To recieve it: send a
>mail to Susan Morse (at: (Email removed)) and provide her with your
>snailmail address.
hmm, I think I should be getting their latest catalogue anyway (there wasn't
an asterisk by my name on the address label like there should be if I'm not
scheduled to get any more..), so I guess it's just taking a *LONGLONGLONG*
time to get here like normal......:-(
>
>There isn't! 100 copies went to the people who worked with the book so
>there's only 900 copies for sale.8-)
*argh* :-)
NILS:
>I am currently reading through some of Don Rosa's "Pertwillaby Papers", and
>enjoy them.
how did you get them?
VIDAR:
>I'm going to York (GB) on Sunday. Are there any comics-
>shops in the area?
I'm not sure if they actually have one in York, but in case they do;
Forbidden Planet is a cool comic store (though I'd say you're fairly
unlikely to find any Disney comics there (Disney-DUCK comics anyway), but
hey, buy 2000AD and Judge Dredd The Megazine instead (some of my other
favourite comics))!! ;) Just check a local phone book to find out if there
are any of the stores in the area......
STEFAN:
>
>Thanks, everyone who tried to help me out with Ferdinand recently. I realize
>that my request was somewhat off topic, so, if you pardon me, henceforth
>I'll agree to drop the bull.
*chortle.* ;)
RYAN:
>stories due to their "politically incorrect" content. I have also heard
>that several of Barks' stories have been banned (Voodoo Hoodoo in
>particular).
Voodoo Hoodoo hasn't been banned, has it everyone?!? They only added pupils
to Bombies eyes or something, right?
|| <<<<Tarjei Kidd Olsen>>>> ||
||___________________________||
|| http://home.sol.no/~kidd/ ||
|| (Email removed) ||
Bhc
Disney comics Digest V97 #222
Message 159 -
1997-10-15 at 03:08:40
Tarjei:
We have a new product catalog, containing everything we hope you want to
know, mailing out at the end of this week.
Paolo:
>Well, great luck you *like* him! Maybe I didn=92t get the real sense of=
>=20
>the above sentence...
Guess not. Perhaps I might have said it's Cavazzano's *art style* we like,
because it was one of the main reasons we ran the story (the other was
Fethry Duck). We chose what we deemed to be quality over quantity in what
we cut out, as we wanted to run the story and the time and place for that
was in the back of WDG #5.
All:
You who are familiar with the original versions of what we at Gladstone
consider foreign stories have given us no small amount of criticism over
the years on what we do with these stories when we put them into our
comics. All in all, such feedback has been what it should be, letting us
know where and how we've succeeded or failed.
However, you must also be aware of this: Gladstone is licensed to serve the
North American comics market, and only the North American comics market,
with English language comics. You understand that right out of the gate the
foreign stories we publish cannot appear in the "original" versions: you
will never see stories in Italian, French, Danish, German, Swedish, or any
other language but English in Gladstone comics. Extensive redialoguing is
always done, and we edit artwork, redo plotlines, and whatever else we
believe it takes to get stories in shape for our market (and for Disney,
which has its own ideas of what is acceptable for North America). It is our
job, it is why we are here.
So I have to ask: If you have the original version of something, and can
read the original version, then what do you want from Gladstone?
Gary
****************************
"Life ain't nohow permanent!" - Porkypine
----------------------------------------------------------------------
Gladstone on the Web: http://www.hamlco.com/bhc/
---------------------------------------------------------------------
We have a new product catalog, containing everything we hope you want to
know, mailing out at the end of this week.
Paolo:
>Well, great luck you *like* him! Maybe I didn=92t get the real sense of=
>=20
>the above sentence...
Guess not. Perhaps I might have said it's Cavazzano's *art style* we like,
because it was one of the main reasons we ran the story (the other was
Fethry Duck). We chose what we deemed to be quality over quantity in what
we cut out, as we wanted to run the story and the time and place for that
was in the back of WDG #5.
All:
You who are familiar with the original versions of what we at Gladstone
consider foreign stories have given us no small amount of criticism over
the years on what we do with these stories when we put them into our
comics. All in all, such feedback has been what it should be, letting us
know where and how we've succeeded or failed.
However, you must also be aware of this: Gladstone is licensed to serve the
North American comics market, and only the North American comics market,
with English language comics. You understand that right out of the gate the
foreign stories we publish cannot appear in the "original" versions: you
will never see stories in Italian, French, Danish, German, Swedish, or any
other language but English in Gladstone comics. Extensive redialoguing is
always done, and we edit artwork, redo plotlines, and whatever else we
believe it takes to get stories in shape for our market (and for Disney,
which has its own ideas of what is acceptable for North America). It is our
job, it is why we are here.
So I have to ask: If you have the original version of something, and can
read the original version, then what do you want from Gladstone?
Gary
****************************
"Life ain't nohow permanent!" - Porkypine
----------------------------------------------------------------------
Gladstone on the Web: http://www.hamlco.com/bhc/
---------------------------------------------------------------------
Don Rosa
Disney comics Digest V97 #223
Message 160 -
1997-10-15 at 07:14:12
NILS (asks me):
> I am currently reading through some of Don Rosa's "Pertwillaby Papers",
and
> enjoy them. A couple of questions (which could be directed to Don, but
which
> would interest most maillist readers):
> * Does the original artwork still exist?
Yep... all down in a drawer in my comic "vault".
> * Has any of the PP stories been published outside USA?
Nope.
> * Who `owns' the art?
Me, I guess. Last time I peeked at it, no Disney copyright has as yet
appeared on the bottom of each sheet.
> Are there copyright restrictions?
I s'pose just normal ones, eh?
>If a Scandinavian
> newspaper, for example, or student type magazine, wanted to publish
some
> of the stories, would it (a) be possible
Yeah, I guess so. But I would wonder about their prudence.
>and (b) be costly?
What? Would *I* make them pay a lot? Hahaha.
Oh, if someone ACTUALLY wanted to do that, I'd have them pay me *something*
just to keep everybody "honest". Do you think somebody would actually want
to publish them in Europe?!
By the way, since I know you're in Oslo, but that someone else here might
know more about this: I hear that a new "comic museum" has opened in
Oslo... a different one than Krogh's place where I last saw you. Is that
correct? What's it like?
> I am currently reading through some of Don Rosa's "Pertwillaby Papers",
and
> enjoy them. A couple of questions (which could be directed to Don, but
which
> would interest most maillist readers):
> * Does the original artwork still exist?
Yep... all down in a drawer in my comic "vault".
> * Has any of the PP stories been published outside USA?
Nope.
> * Who `owns' the art?
Me, I guess. Last time I peeked at it, no Disney copyright has as yet
appeared on the bottom of each sheet.
> Are there copyright restrictions?
I s'pose just normal ones, eh?
>If a Scandinavian
> newspaper, for example, or student type magazine, wanted to publish
some
> of the stories, would it (a) be possible
Yeah, I guess so. But I would wonder about their prudence.
>and (b) be costly?
What? Would *I* make them pay a lot? Hahaha.
Oh, if someone ACTUALLY wanted to do that, I'd have them pay me *something*
just to keep everybody "honest". Do you think somebody would actually want
to publish them in Europe?!
By the way, since I know you're in Oslo, but that someone else here might
know more about this: I hear that a new "comic museum" has opened in
Oslo... a different one than Krogh's place where I last saw you. Is that
correct? What's it like?
Even Flood
Don's Woodchuck story
Message 161 -
1997-10-15 at 10:36:33
I have much to my surprise seen no comments on Don's
latest story about how the boys ijoned the Woodchucks.
Well, let me be the first (?), then. But my comments will
not be very constructive - to make it short I loved the story
from beginning to end. Great storyline, great major gags (like
the one with Grandma), great minor gags (follow the dog!),
surprising plot twists (well, they surprised me and I am an old
timer!), a truly Heroic Deed by Donald - it has everything.
It need to be read several times and everytime it is
just as enjoyable. Congratulations, Don! You must have had
a good time writing this.
Two questions only - what is the english title? (Abbreviation
and full title, please!) And the first time the boys are given the
chance to join (the panel just before Grandma enters) the - eh -
the multimedalled guy - well, his motivations is a bit obscure,
just saying it is a special day. Is something lost in the
translation?
Even
--------------------------------
End of Disney comics Digest V97 Issue #226
******************************************
latest story about how the boys ijoned the Woodchucks.
Well, let me be the first (?), then. But my comments will
not be very constructive - to make it short I loved the story
from beginning to end. Great storyline, great major gags (like
the one with Grandma), great minor gags (follow the dog!),
surprising plot twists (well, they surprised me and I am an old
timer!), a truly Heroic Deed by Donald - it has everything.
It need to be read several times and everytime it is
just as enjoyable. Congratulations, Don! You must have had
a good time writing this.
Two questions only - what is the english title? (Abbreviation
and full title, please!) And the first time the boys are given the
chance to join (the panel just before Grandma enters) the - eh -
the multimedalled guy - well, his motivations is a bit obscure,
just saying it is a special day. Is something lost in the
translation?
Even
--------------------------------
End of Disney comics Digest V97 Issue #226
******************************************
SRoweCanoe
Comics in Disney Adventures
Message 162 -
1997-10-15 at 13:24:11
Disney Adventures Volume 8 #1 November 1997
The Jungle Book * The Great Monkey Toss JZ331 4pp
Bobbi Weiss / Oscar Martin
Nightmare Ned * All Spork and No Play 4pp
Ursula O'Steen / Mark Hempel
D & A * Halloweenie Roast 8pp
Mike Duggan & Steve Leialoha (inks)
next issue on sale: November 4
I know that D&A were created for DA; Anybody know where Nightmare Ned is
from?
Steven Rowe
The Jungle Book * The Great Monkey Toss JZ331 4pp
Bobbi Weiss / Oscar Martin
Nightmare Ned * All Spork and No Play 4pp
Ursula O'Steen / Mark Hempel
D & A * Halloweenie Roast 8pp
Mike Duggan & Steve Leialoha (inks)
next issue on sale: November 4
I know that D&A were created for DA; Anybody know where Nightmare Ned is
from?
Steven Rowe
Luna Storta
Replies...
Message 163 -
1997-10-15 at 14:40:45
Hello,
HARRY:
Is really my form too hard to fill in? There are just *6* fields that
can be filled: your age and nationality (and for those shouldn't be very
hard to provide an answer...). Then someone can insert his preferred
story, charachter, writer and artist...and click on the "OK"
button...BTW if someone wants to see if it's really too hard the address
is:
http://www.confor.it:2222/disney
>who's that "David Gerstin"...
Ooops....shame on me...(moan moan)
KATIE and DON:
That's what I think about Goldie that can justify her nephew: surely she
didn't have any son (or daughter) *AFTER* meeting Scrooge, but, due to
her precedent way of life, I won't be very surprised if she had a child
by someone... (surely it isn't politically correct, but it could
happen...) This child couldn't obviously follow her in the Yukon, so she
had to left him somewhere (an orphanotropy?). Maybe this can explain her
hard-heart too when she first met Scrooge...obviously IMVHO!
DON (about Rota's interview):
What I intended to say reporting that interview was that the strangest
thing in your stories is that they don't report the "Disney Spirit" that
we all readers are used to know, at least in Italy: stories from
Cavazzano or Carpi are strictly Disney: even without any Disney
charachter in a panel anyone can say: "It's a Disney story". In your
stories (and in Rota's too) there is something that goes over the normal
standard and that surprises the reader at the first impression, it's
always a positive surprise, but it's however a surprise and can
determine situations such as "I'm not stil 100% convincted by Rosa's
work..." or "I'm trying to understand what is strange in Rosa's art..."
etc.. It was not intended as a criticism or a compliment, just like a
possible explanation to the disease that someone seems to have reading
your stories for the first time. BTW I really like your way to tell
stories, and I really like Rota's style (while his stories sometimes are
not-so-good...), will ever be there a story written by you and realized
by Rota? (just a dream...)
Ciao
Paolo Castagno alias Luna Storta.
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
HARRY:
Is really my form too hard to fill in? There are just *6* fields that
can be filled: your age and nationality (and for those shouldn't be very
hard to provide an answer...). Then someone can insert his preferred
story, charachter, writer and artist...and click on the "OK"
button...BTW if someone wants to see if it's really too hard the address
is:
http://www.confor.it:2222/disney
>who's that "David Gerstin"...
Ooops....shame on me...(moan moan)
KATIE and DON:
That's what I think about Goldie that can justify her nephew: surely she
didn't have any son (or daughter) *AFTER* meeting Scrooge, but, due to
her precedent way of life, I won't be very surprised if she had a child
by someone... (surely it isn't politically correct, but it could
happen...) This child couldn't obviously follow her in the Yukon, so she
had to left him somewhere (an orphanotropy?). Maybe this can explain her
hard-heart too when she first met Scrooge...obviously IMVHO!
DON (about Rota's interview):
What I intended to say reporting that interview was that the strangest
thing in your stories is that they don't report the "Disney Spirit" that
we all readers are used to know, at least in Italy: stories from
Cavazzano or Carpi are strictly Disney: even without any Disney
charachter in a panel anyone can say: "It's a Disney story". In your
stories (and in Rota's too) there is something that goes over the normal
standard and that surprises the reader at the first impression, it's
always a positive surprise, but it's however a surprise and can
determine situations such as "I'm not stil 100% convincted by Rosa's
work..." or "I'm trying to understand what is strange in Rosa's art..."
etc.. It was not intended as a criticism or a compliment, just like a
possible explanation to the disease that someone seems to have reading
your stories for the first time. BTW I really like your way to tell
stories, and I really like Rota's style (while his stories sometimes are
not-so-good...), will ever be there a story written by you and realized
by Rota? (just a dream...)
Ciao
Paolo Castagno alias Luna Storta.
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
Ota
Jacovitti
Message 164 -
1997-10-15 at 16:10:29
Please someone tell me: is Jacovitti still alive????????????????????????????
Tarjei Kidd Olsen
Comic museum
Message 165 -
1997-10-15 at 16:27:22
DON R.:
>By the way, since I know you're in Oslo, but that someone else here might
>know more about this: I hear that a new "comic museum" has opened in
>Oslo... a different one than Krogh's place where I last saw you. Is that
>correct? What's it like?
hmm, yes I (and someone else I think) mentioned that museum a few digests
back. I had an article lying around in the way here which explained lots
about it, but now when I need it, it has of course disappeared without a
trace. As far as I know, I think the museum is in the NTF (Norsk Tegneserie
Forum) building somewhere, and it contains lots of comic art, including Carl
Barks (and maybe you, Don, but I'm not sure of that) stuff. I'm fairly sure
others here will know lots more... Anyway, I talked to someone in NTF today
over the phone (in connection with me joining NTF-Donaldistene), and he said
you'd be coming to the NTF building, so i guess you'll see the museum. Oh,
and he didn't seem to have a clue what you are meant to be doing here. He
said that "Hjemmet" -that's a publisher isn't it?- likes to keep it's plans
secret until the last minute...
|| <<<<Tarjei Kidd Olsen>>>> ||
||___________________________||
|| http://home.sol.no/~kidd/ ||
|| (Email removed) ||
--------------------------------
End of Disney comics Digest V97 Issue #224
******************************************
>By the way, since I know you're in Oslo, but that someone else here might
>know more about this: I hear that a new "comic museum" has opened in
>Oslo... a different one than Krogh's place where I last saw you. Is that
>correct? What's it like?
hmm, yes I (and someone else I think) mentioned that museum a few digests
back. I had an article lying around in the way here which explained lots
about it, but now when I need it, it has of course disappeared without a
trace. As far as I know, I think the museum is in the NTF (Norsk Tegneserie
Forum) building somewhere, and it contains lots of comic art, including Carl
Barks (and maybe you, Don, but I'm not sure of that) stuff. I'm fairly sure
others here will know lots more... Anyway, I talked to someone in NTF today
over the phone (in connection with me joining NTF-Donaldistene), and he said
you'd be coming to the NTF building, so i guess you'll see the museum. Oh,
and he didn't seem to have a clue what you are meant to be doing here. He
said that "Hjemmet" -that's a publisher isn't it?- likes to keep it's plans
secret until the last minute...
|| <<<<Tarjei Kidd Olsen>>>> ||
||___________________________||
|| http://home.sol.no/~kidd/ ||
|| (Email removed) ||
--------------------------------
End of Disney comics Digest V97 Issue #224
******************************************