Keskustelujen arkisto

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Author

Topic: 199807

(382 messages)
Fluks, H.W.
Mikko Pihkoluoma:

Welcome here! You wrote:

> I've read all other Rosa's comics than these [...]
> I would be very pleased if someone could tell in which
> issues these comics are published in magazines like U$ U$A ....

Have a look at the Rosa index on my web site:

http://home.wxs.nl/~fluks4/rosas.html

In the "Publications" column, you'll find the reprints in the various
countries. If you can't browse the Web, I can send you the index in
private mail.

(I see made an error in the index: when it says "Aku Ankka 1-29", it
should say "Aku Ankka 91-29". I'll fix that in the next version...)

--Harry.
JALustig
In the last digest a couple of people wrote in that they were puzzled by my
recent remark that Gladstone's license may not be renewed. I didn't think I
was announcing anything new. Gladstone's license to publish comic books
featuring Disney characters expires at the end of this year. Negotiations
between Disney and Gladstone are still going on.

Now I certainly wasn't saying that Gladstone's license won't be renewed. I
hope it is and Gladstone continues publishing the Disney characters for many
years to come. From what I hear, however, the negotiations are particularly
difficult this time and the license renewal could go either way. Personally,
I'm hoping for the best and keeping my fingers crossed.

--John Lustig
Francois Willot
From: Don Rosa
> From: Francois
>>The first page of this story was partly (re)drawn by Mau Heymans. This
>> may explain some of the differences you noticed.
>
> ??? Who told you that? It's not true.
> They sent me somebody's (Heyman's?) redrawn versions of that page
> before I
> inked, and I changed my pencils somewhat to match how they wanted the
> Duck
> faces to look. But I didn't change too much. The redrawn pencils were
> clearly better art than mine, but the faces seemed to lose their
> expressiveness... so I sorta aimed in between their pencils and my
> pencils
> when I inked. But the inks were all mine.
> Are you saying that there was a difference between any published
> version of
> this story and some other? If so, tell me which. This is, naturally,
> possible... but I missed it -- I'd like to see for myself.

No, no, there's no difference in the publications I have. I asked Mau
Heymans via e-mail if he did anything in that story, and he said yes, so
I assumed he redrew some of your drawings. But he was probably only
talking about the pencils you mentions.

Hey, I think that the final result shows that you didn't completely draw
the story or that the usual irritating details were partly deleted. The
story, by the way, is one of your best short tales IMO. I especially
like when you put "action" in your comics, and the kind of humour there
is in "On A Silver Platter" too (in case you're interested by my
opinion).

From: Per-Erik
>Yesterday I received a copy of the latest issue of PICSOU, and...and...
>someone had used a scissor very frequently in that issue. Barks, Rosa,
>Branca--no one made it. The first tier of every story is gone!!!
> Does anyone know WHY the staff at PICSOU have done this
>unnecessary and stupid interference? Leaving room for a HUGE title is
>not a good excuse.

You're not the only one who is making protestations against that
butchering! What issue number did you receive? In the last one(s), they
changed the titles, and I believe the stories are now published in their
original versions.

Francois
Wilmer Rivers
It's true that Donald's parenting skills aren't likely to win him
any awards. Actually, Barks once used that very idea as the premise
of a story, in which an organization of concerned parents expressed
concern about Donald's leading his nephews into great danger in a
trip down the river through the jungle, but Donald proudly proclaimed
to them that he had been a good parent because he had rescued them
from numerous perils (when in fact, it had of course been the nephews
who had saved their uncle's tail feathers at practically every turn!).

The defining characteristic of Donald is of course that he is a hot-
head. This certainly comes out in his relationship with his nephews,
at least in the early years, but then we should not expect him to be
any better a parent to HD&L than he is a neighbor to Jones, with whom
he regularly engages in physical combat on a routine basis. Donald
does tend to react to his nephews' misconduct (real or perceived) by
chasing after them with a switch, but it would be totally out of
character for him to react any other way.

Also, you have to realize that in the early days, HD&L often acted like
real brats! Barks inherited the characters as a bunch of real rascals,
and over the years he matured them to the point where, as emphasized in
the story mentioned above, it is the nephews who are the parent to their
uncle. Prior to that, though, they often **deserved** to be spanked.
Remember just how it was that they came to live with Unca Donald in the
first place - their "real" father ("Daddy Duck"?) suffered a terrible
injury when a firecracker of unknown origin exploded underneath the
armchair in which he was sitting. Far be it from me to suggest that
HD&L were in any way responsible for that explosions (it may well have
been the evil fourth nephew who hatched the Gunpowder Plot), but there
was often plenty of reason for Donald to keep his switch handy when
dealing with mischief in triplicate!

Wilmer Rivers
Bhc
Bob Kass is worried, and he's not alone. What I said about getting the Van
Horn albums out concerned the Barks run of Uncle Scrooge Adventures in
Color albums, which will wind up very soon with #56. Our goal was to get a
four-volume special series out each year of this run, one of which was to
have Van Horn material. That's what I meant by leaving it late.

I know this doesn't answer the main question, particularly as John Lustig
put it. Concern is mounting about the possibility that there may be no more
Disney comics in the States before long, and there's nothing I'd rather do
than assure you all that it won't happen. Best I can do right now is say
that, if there's anything we can do about it, it won't. But real
information is genuinely scanty right now, and I have no idea when that's
going to change.

Gary

****************************
"It's either very new cheese or very old meat." - Oscar Madison
----------------------------------------------------------------------
Gladstone on the Web: http://www.brucehamilton.com
Cunlifu
hwy wassup
Per Starback
Some time ago I mentioned that the list would be out of order because
the computer it runs on was going to move. That move was postponed
several times, but now it's finally over. Unfortunately the computer
was down long enough to make some mail sent to it bounce back.

So if you've sent mail to the list (dcomics) or its administrative
address (dcomics-REQUEST) during this time, it's possible that you
have received a "bounce message" returning your message and stating
that it couldn't be delivered. In that case, please resend your
message (if you still want to send it).

--
Per Starback <(Email removed)> <http://www.update.uu.se/~starback/>
Administrator of the Disney comics mailing list
"Life is but a gamble! Let flipism chart your ramble!"
Luca Boschi
Marco Barlotti wrote:
>
> I asked:
> >
> >> Is this the end of the saga?
> >
>
> (regarding the <Once upon in America...> saga by Pezzin and Massimo De Vita)
>
> to which Luca Boschi answered:
>
> >Yes!
>
> But I asked Pezzin too... and he told me that TWO more instalments are to
> come! One about those flying machines... by Horace and Wilbur... and
> another one (still far to come) about the oil rush!
>
> So it is NOT the end of it... it seems! And I am quite glad.

Me, too!
Luca

--------------------------------
End of Disney comics Digest V98 Issue #158
******************************************
Fluks, H.W.
I may have mentioned this to several people already, but for the record:

Daan Jippes has been (re)drawing Barks scripts again. He has done (or he
may be in the process of finishing) the following two stories:

H 9885, Donald Duck "A day in a duck's life"
H 98135, Donald Duck "Pawns of the Loup Garou" (21 pages)

As always, Jippes worked from the Barks script sketches as they were
published in the Carl Barks Library. I haven't seen anything from these
two stories yet, but I hope they will be published in Holland soon!

--Harry.
Kriton Kyrimis
MICHAEL MANKUS:

> Hey Don Rosa, or anyone else that may know, I was looking over the Family
> Tree from WDC&S 600 and I remembered that HD&L's father was missing.

No, it's not. It clearly states that Donald's father's name is
}{{
NO CARRIER
}}}{{}
CONNECT 28800
Duck

"KFITZ":

> did not care for
> the last stories Gladstone has printed by Scarpa, especially not "Lentils
> of Babylon".

Hey! That's one of my favorites you're talking about!
--
Kriton (e-mail: (Email removed))
(WWW: http://dias.cti.gr/~kyrimis
-----
"I'm the nearest thing you can get to infullable."
"Infallible!"
"Exactly."
-----
Tarjei Kidd Olsen
Hi there,

>
>Happy Birthday to our own Don Rosa! Thanks for all the great stories!
>
>-Augie

Eeeek? Um, a late happy birthday to you then, Don R! :-)

-- |Tarjei - Kidd - Olsen|=20
-- Home:=A0=A0=A0=A0=A0 (Email removed)=20
-- Work:=A0=A0=A0=A0=A0 (Email removed)=
a.norgesnett.no
-- Website:=A0=A0 http://home.sol.no/~kidd/index.html=20
-- Panacea:=A0 http://panacea.norgesnett.no/
Don Rosa
from MIKKO:
>>>Oh, darn :) There's got to be something you didn't think about...
How about his eye-holes when he was moving through the walls?

There are things that I think about, then decide to ignore... but I *think*
that I think about everything there is to be thunk about. I think.
The eye-hole problem... he simply turned his head sideways as he walked
through walls. I even knew that the feather on his helmet would suffer,
though I needed it to be there for the conclusion when the helmet had to be
pulled off by a Duck. Note that the feather gets more beat up as the story
goes along.

>>>>I kind of thought that the Universal Solvent (tm) would also
absorb air.

Yes, it does... and you'll see that this was a major idea in the FIRST
version of the "Universal Solvent" (no tm needed if you don't say
"Omnisolve"(tm)) which I wrote/drew back in 1977. In that original version,
the use of Omnisolve(tm) had to be abandonned for that very reason -- Lance
Pertwillaby realized that it was sucking in and destroying air, and
widespread use of the Universal Solvent would spell the end of life on
Earth. But, as I often say, my Egmont page counts simply don't allow me to
examine or explain everything in my stories or in my head -- there just
isn't room... I must cut corners.
But, anyway, air would always flow through the Black Knight's eyeholes even
if some was absorbed by the edges.

>>> I notice you had
The Black Knight destroy the old cannon Scrooge got from the Bour War. I
think you in a way crossed the line there. That cannon was a Barks item
which has been seen in many stories. You kind of broke the status-quo
there and I think that's bad.

I was well aware of this... and I agree that the loss of that cannon would
be like the loss of the #1 Dime. So I knew that $crooge had more than ONE of
these old cannons. He bought a number of them at a Boer War surplus sale.
Simple explanation.

from HARRY: re - "On a Silver Platter"
>>>>But apart from that, the Dutch editors retouched the final inked
version, removing some of the background details, and/or what they
thought was too dark shading.

That may be true. But how would you know that? Did you see the photostats of
the art that I sent them? I'm not saying you're wrong, and I wouldn't object
to some real artist cleaning up my messy art (on photostats, *only*!)... but
I'm trying to see how you know this to be a fact when I never even noticed
anything myself.
Fluks, H.W.
Don R.:

(re - "On a Silver Platter"):
>(me) the Dutch editors retouched the final inked version
>(Don) That may be true. But how would you know that?

My answer is as simple as Francois' was to your question to him: they
told me they did that. Two different people in two different
conversations about your work mentioned this fact.
But I don't know if they used photostats or the original art. If you
have a copy (or xerox) of your own art, it would be interesting to
compare that to the published version!

--Harry.
Per-Erik Malmström
FRANCOIS:
> You're not the only one who is making protestations against that
> butchering! What issue number did you receive? In the last one(s), they
> changed the titles, and I believe the stories are now published in their
> original versions.

PICSOU Magazine No. 294. I believe it's one of the latest issues (if not
*the* latest issue). Disregarded the butchering and all the ads, I liked
the comic book. Unusual to see both beginning and end of a Don Rosa story
in the same issue.

Best,
Per-Erik
Anders Chr. Sivebæk
Hello Harry and the others
I just read an article from 1996 written by a danish donaldist, Steffen
Kronborg, I hope you've heard of him. The article was an analysis of WD=
C
137 - The Screaming Cowboy by Carl Barks. This is how it appears in You=
r
Index:
W WDC 137-02 10 51-06-21 DD D:The Screaming Cowboy [app:JW]
us : BL 8-395,LICW 20,WDC 557,WDCDG 5
w : WDC 137,WDC 391
dk : AA52-07,AA70-08,AA93B07,BH 4
In Denmark we call the song and the story the "Sobbing Sailor", I wond=
er
what it's called in Holland, Sweden and Norway? The first four lines of=
the
song are very known in Denmark, and every real Donaldist can quote them=
. So
that leads me to the final question: What are those four lines in the
american original, Donald screams them in the 5th panel on page 1(which=
I
had a scanner, but here they are in Danish: Oh, sk=E6nk mig en grav / v=
ed det
isgr=F8nne hav / hvor kun b=F8lgerne h=F8rer / min graad.
I would be very pleased if you can help me; I joined the Mailing List.
Anders Christian Sivebaek (DK)
(Email removed)
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