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Topic: 200111

(308 messages)
Kriton Kyrimis
DIM:

> Kriton Kyrimis mentions this phrase "As with Don's Stories only numbers
> made up by Barks count in this game."Which excactly is this game?

Don's game, as you described, was to construct a plausible biography of
uncle Scrooge, based exclusively on facts presented by Barks.

My game was to figure out how many Beagle Boys there are, based on
what the artist who created them actually drew. If you expand this to
trying to figure out how many Beagle Boys were drawn by every artist
(or every good artist, with some definition of what "good" means), you
would be unable to answer it, as a) you'd have to have access to all
the stories where the Beagle Boys appeared, and b) the question would
be more or less equivalent to "how many numbers are there", to which
the answer is known and boring.

It's easy to say "artist Massimo Van Strobl drew Beagle Boy 123456",
but it is a lot harder to find a 41st Beagle drawn by Barks. (There
could well be; I don't know if my search was so thorough that I didn't
miss anything.)

As for being a Barks only fan, that I most certainly am not! If anything,
Barks is the artist whose stories I like to read the least these days,
as I've had an overdose of them! I love the work of many of the artists
that you mention (though I didn't care much for Rota's "Money Ocean",
which you mention), including that of "Mr. Boring". My favorites at the
moment are Scarpa, Gatto, Carpi, and Pier Lorenzo De Vita, with soft
spots for certain stories by Capitanio and Bramante. And I don't need
to mention the special esteem I have for the work of a certain member
of this list, do I? ;;-)

It's funny that you should begin your talk about other artists by
mentioning Scarpa's "Colosso del Nilo". According to David Gerstein,
it was my (long) letter to Gladstone, requesting that particular story,
which resulted in the eventual printing of the story in the US, earning me
a guest appearance in a story for which David wrote the American script.
(Check out http://dias.cti.gr/~kyrimis/us312.html !)

Kriton (e-mail: kyrimis at cti.gr)
(WWW: http://dias.cti.gr/~kyrimis)
-----
"How can anyone rewrite history when no one can even read it properly?"
-----
Kriton Kyrimis
DIM:

> 3)Flintheard Glomgold.If he didn't want his fortune to be inherited by the
> Southafrican govermwent he probably left it to the still living Scrooge or
> Scrooge's heir.

Not very likely! Glomgold would rather leave his fortune to be wasted
by the government on such things as welfare and public works than give
a single cent to Scrooge. However, if he didn't have any relatives
(which is something that we do not know), the most likely scenario is
that he would set up an estate whose sole purpose would be to increase
his fortune to the point where it would become larger than Scrooge's.

Kriton (e-mail: kyrimis at cti.gr)
(WWW: http://dias.cti.gr/~kyrimis)
-----
"How can anyone rewrite history when no one can even read it properly?"
-----
Dim I Nticoudis
Timo ronkaren mentioned to me the story "Paperino Anno 2001"(TL 301-A)
which confirms Scrooge McDuck is dead and burried on 2001.I haven't found
this story but I find references to it in the DCML.I like some of the
story's ideas.Such as:1)Scrooge has a single heir in Donald Duck,2)Donald
Duck prooves a worthy successor of Scrooge who takes many of his
predecessors qualities.3)Huey,Dewey and Louie Duck are used as capable
employees and possible heirs,they must be sixty year-olds by this time.
4)The Beagle Boys have survived this far.What I don't like is the time
travel business:If Donald,Huey,Dewey and Louie are absunt since 1961 who do
they meet on 2001?Why is there no mention of any descedant of Donald?What
has happened to his love Daisy Duck?Are the rest of the Ducks,except of the
four,mentioned deceased by this time?Who is to be Donald's heir?If he is so
much like Scrooge he would like to have a single heir probably.I would like
to read this story but it is not likely to be reprinted in Greece any time
soon.By the way if my ideas of who inherited the 19th centurie Ducks by the
1970's are correct and all other Ducks have joined the McDucks cemeterie by
2001 except Donald,Huey,Louie and Dewey then Donald must be a lot richer
than Scrooge.Thanks for your information Timo.
Searching through messages about "Paperino Anno 2001" I seem to have found
the original titles of two of the most memorable stories I bought as a child
though they left me with mixed feelings.I am refearing to
"L'antipaperone"(TL 295-B) and "Archimede e il signor Scherzo"(I TL
385-A).The first one's two Scrooges fighting among each other is a quite
interesting idea.And the second one's darker side of Gyreo's personalitie is
the only one I know of that turns the inventor into someone that can spread
terror to Duckburg with style.Donald shock is probably the highlight of the
storie.I wouldn't call them masterpieces but interesting they are.Have the
creators of the two stories experimented with darker versions of other
Disney characters?

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Dim I Nticoudis
Flintheart Glomgold.The only mentions of a relative of Glomgold are in the
stories:1)"The Money Champ"(W US 27-01) by Carl Barks,Flintheart mentions he
betrayed his mother's dreams and 2)"All That Glitters is Not Gold"(KT 2190)
in which there is a scene in which Flintheart's mother calls him and he
refuses to answer her.But the later is a Ducktales storie.Has his mother
ever actualy appeared or named?Wiliam Van Horn placed him in the family tree
of the Ducks so I guess he could be a distant relative.
As for Flintheart himself,I consider him s lonely version of
Scrooge.Scrooge is the head of a large family.A circle of activity of alies
and opponents is always surrounding Scrooge.His Money Bin is the symbol of
an always expanding megalopolis.In contrast Flintheart has no close
relatives,his only associations are Scrooge,Scrooge's familie and Scrooge's
enemies and his Money Bin is in a deserted valley "in the heart of Africa"
with nobody around for a looong way.Barks made a fine job when he exibited
how much alike and how much different are the two of them.
But he has Scrooge's love for money and Scrooge said in some stories that
he would even leave his fortune to John D.Rockerduck if that was the way for
it to be preserved and expanded.I do not think Flintheart can be that much
different.
Scrooge McDuck was always my favorite Disney character but Flintheart has
much of his appeal.Has Don Rosa revieled anything else for Flintheart's past
besides what is mentioned in his scetches for "The Life and Times of Scrooge
McDuck"?

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Ari Seppi
Dim:
>A daughter of him,Phantom Brat,appears.When did he have her?Is she wearing
>a suit like her father's?Is she to be his heir?

And he have also had a brother in a Danish story D 95071 (A Tainted Image).

--
Ari Seppi (mani at iki.fi)
http://www.iki.fi/mani/
Eritt?in fanaattinen Harry Potter -kirjojen ja Disney-sarjakuvien palvoja
Don Rosa
> From: "Dim I Nticoudis" <dimadick at hotmail.com>

Well, rather than reproduce Dim's plethora of questions, I'll just say I
can't help him answer them, and I daresay no one can. He seems to be trying
to make a continuity between everything that Disney or Barks or I or anyone
else has ever written about these characters. I would suggest that this is
impossible and perhaps pointless, except to do just for personal amusement.
I ignore everything that Disney ever "said" about Donald in any animated
cartoon, and virtually everything said about him in comics other than by
Barks... and limiting myself only to that realm, I still have difficulty in
getting it all to work out well. Dim also seems to be asking for complex
explanations for the reasons why of this and that, or the circumstances
leading up to now or then, all of these matters being things that were
never explained in any comic book. I suggest that Dim simply create his own
reasons and explanations and histories for these matters, and his results
will be as valid as anyone's.
Dim also claims (I believe it was him) that he likes the "continuity" I
have brought to Disney comics. This comment often puzzles me and I wonder
if some people see more than there is to see. There are only two things
that I do differently than anyone else as regards so-called "continuity". I
actually make NO attempt to make all of my stories taking place in the
"current" timeline to remain part of any sort of "continuity". I might
destroy the Money Bin totally in one story, but in the next, if it suits my
purposes, I will have $crooge claim that the Bin has stood unassailed for
50+ years. I might have Donald as the world's greatest something-or-other
master (a la Barks) in one story, then have him the same unemployable
no-talent as before in the next story. I will also gleefully disregard my
own Money Bin blueprints if it makes storytelling simpler, and I'm doing so
in the story I'm working on now. After each story I tell, time will seem to
rewind itself back to the starting point.
The two ways my stories differ: one -- my characters will be aware of
events that have happened in *other* stories. They will make references to
what adventures they've had in the past, both in Barks stories, and,
naturally and logically, in my own past stories. This is simply a way to
show respect for those past stories, and often to also lend extra
motivation or importance to the new plotline.
The second way -- I *do* use a definite continuity time-line, but ONLY as
regards the PAST. What Barks stated as $crooge having done in the past is
inviolate in my stories. I place "Barksian facts" of $crooge's life into a
set timeline but nothing else. I don't see any other way to handle history
if I'm going to tell stories that are based in history. The history of the
world is a set continuity, so the history of the Ducks and Duckburg must be
treated in the same way. In MY stories, that is... this has nothing to do
with how other writers like to write their stories, and to try to mesh the
two styles together would be rather frustrating, perhaps annoying to other
writers, and should be attempted only for the personal amusement of the
"attempter". I'm often bewildered by the few people who worry about how my
"Lo$" introduced a "continuity" when all I did was elaborate on a
continuity that already existed... it's simply that other writers have
always ignored it or contradicted it, whereas I choose to utilize,
reinforce and honor it. But it was already there... I did not create it.
I also read something written by Arne Voigtmann in the previous Digest, and
want to call Dim's attention to it as it might help him understand my view
of this "Universe". The history that I consider to be inviolate is all
things that happened in Duckburg or to $crooge up until about 1949. After
that time, all of my stories are taking place in a swirl of the 1950's...
I'm not sure which year which story takes place... I may not tell all of my
stories in chronological order, maybe, maybe not. And to make my version of
the Universe work out perfectly, I don't regard any story that Barks told
after this point to be taking place in the years they were published.
That's how I can have Magica DeSpell and Flintheart all involved in a 1952
adventure, even though their first appearances took place years after that
date. That's how the Nephews never grow older.
Some readers prefer to use the explanation that this "Disney Universe" is
all "magical" and that people never grow old and kids never grow up and
Duckburg continues into the 21st Century, neverchanging, covered in pixie
dust. This is okay for them, but not for me. That sort of idea would
diminish my enjoyment by making it all too "fairy tale" silly for me and my
overly-serious viewpoint. It seems so much simpler to say that I tell
stories set in the past. That explains everything in very few words and
does not involve any sort of fairy magic. But, again, that only applies to
*my* own stories.
So, Dim, if you can figure out answers to all your questions, let us know.
It will be interesting reading.
Olivier
Hi everyone!

Dim:
>> Seven creartors for only five stories?Why was this place in the comic strips
>> department of Disney unwanted?How did Floyd Gottfredson ended up doing >>this job for years if he
thought it ewas only temporary?

Five stories? I guess it depends how you separate them since there were no "title panels", it was a
one big continuity.
Would they be: the plane, the island, Death Valley, golf, Mr Slicker?
(Yes, I'm too lazy to check the INDUCKS :D )

I don't know if it was really "unwanted".
What follows is taken from David Smith's interview of Floyd Gottfredson(Nov 5, 1975) (published in
Gladstone's MM book).
1/ Walt Disney was more interested in animation.
2/ Ub Iwerks was the main animator.
3/ Win Smith quit the studio after an argument with Disney
4/ You will find that Merril de Maris & Ted Osborne were on & off; in Gottfredson explained that
Disney kept switching them, having one work with Gottfredson and the other in the Story Department,
then trading them because he liked what the one was doing with Gottfredson. (p 103)
5/ Gottfredson wanted to do comics trips. "Walt said, 'Well, you don't want to get involved in that.
Comic strip work is a rat race, and there's no future in it. Animation is where the future is going
to be." Gottfredson thus started as an in-betweener. When Win Smith quit, Disney asked him to taker
over "for a couple of weeks." Gottfredson had become interested in animation by then. "And this two
weeks, of course, dragged into a month, and I began to wonder if he was looking for anyone. And
then, after a couple of months, I began to worry for fear that he *was*, thatt he might find
someonje-- because I now had regained my own interest in comic strips. And the subject was enver
brought up again. Forty-six years later I was still doing the strip-- until I retired". (pp 98-100)
I guess Disney may have forgotten about it or may have been too busy or may not have found someone
suitable for the job, and may have seen that Gotttfredson was doing well, and he wanted to keep on
doing the strip.

>>In his first appearance on 1939's "Mickey Mouse outwits the Phantom
>>Blot"(sadly unpublished in Greece) the Blot is said to be working as a
>>spy.Is it explained who does he serve?
Sept 6, 1939: "This invention was bought by a firm in this country who were going to furnish it to
hospitals at cost! But a certain syndicate abroad meant to have it at any price--!
Sept 7: "The 'Blot' 's confession tells of being the agent for a foreign syndicate which was after
a secret formula being taken to America!"

>>Mickey says that he knows Pete would never kill an unarmed man.And Pete >>answers Mickey knows
well how sensitive he is.
Interesting. Pete does try to kill (an unarmed) Mickey in Gottfredson's strips.

Best wishes,
Olivier
Goofy313g
In the story I2071, "The secret of the 313", published in Mickey parade 196,
Daisy is shown to be donna.
There is a flashback when it is asked to donnald when he had got his car, and
he talks about the film "Don Donald "(Daisy and me shot a film years ago....)
He tells that, as daisy didn't want to see this stupid donkey anymore, he
bought a car... In the cartoon Don Donald, we can see this car, but it
doesn't have the any number.

About Barks' continuity, I remember I Noticed that, in the story with the
very little e.t., whose title I don't remember, scrooge uses the peace pipe
he had got from the Peeweegahs. (uuh.. or is it another one???)
what d'ya think about this?

Gilles MAURICE
Francesco Spreafico
From: "Dim I Nticoudis" <dimadick at hotmail.com>

Hey, lots of questions you seem to have... good! :-)

> Paperinik is a rather popular version of Donald Duck in Greece.In fact
> Almanako magazine reprints only stories of him and Arizona Goof for the
last
> four years.Some information says there are newer versions of Paperinik in
> Italy edited in the magazines Paperinik New Adventures and PK2.Is he still
> the same character who changed his style or have they revised his
> origins?Does Scrooge McDuck appear in the stories of the newer versions?

The character is the same, though he's sowhat different. They didn't revise
his origins, that remain the same, they just changed his background: now (in
that series) he's a "normal" superhero, interacting with new characters.
Scrooge (and the nephews) still appear sometimes, because, after all, that's
still Duckburg, but they appear very little; I remember that for some time
on another Italian magazine, GM (Junior Woodchucks), the nephews had left
with the other JW for a trip around the world... and this fitted with the
fact that they were seen so rarely in PK, a good touch of continuity.
The first series (PKNA) was set in a skyscraper named Ducklair Tower.
Scrooge used to own it and Donald was its keeper, so the Tower had become
his new Headquarters, with new allies, weapons, cars... aliens, time travel
and other science fiction plots were normal in that series. Now, with PK2,
things are slightly different (less SF, no more tower), but the spirit is
the same.

--
Sprea
http://digilander.iol.it/sgrizzo
Goofy313g
While doing the chronology of Barks and Rosa's storyes I am trying to build
since last year, I noticed that chrismas on bear mountain couldn't be the
first story after Donald has his nephews home...
For instance, "the forbidden valley" has to happen before Donald and the
nephews know Scrooge. If not, they would have talked him about this adventure
;Dinosaurs are not just a detail... it is a striking event (at least, in a
human being's life, so I guess it is in a Duck's life... but it is still to
discuss ;-))
And we see the idea of alive dinosaurs is all new for scrooge in "escape from
forbidden valley"...
I have tons of exemples like this, but today, I was back from the holydays,
and I have a math and a biology exams, tomorrow...

have a nice week
Gilles
Stefan Diös
Regarding Dumbella/Della as HDL's mother:

> I don't think the names exclude each other. Her name is Della, and
>as a boy, Donald- never known for his subtlety- could jokingly have called
>her Dumbella.

As David (quoted above) and Don have pointed out, this seems indeed a very
viable solution. But it could also be the other way round. Her real name
might be Dumbella, but she might prefer to use Della as a shortened form.
Not unlike any other Tom, Dick, or... well, maybe not the Harry we know.

Such an interpretation is hinted in the Swedish version of Don's "Duck
Family Tree", where her name (at my suggestion) is given as

Dumbella "Della" Anka

where "Anka" of course is the equivalent to "Duck".

Although not exactly pretty or flattering, the name "Dumbella" isn't quite
so insulting in Swedish as in English. We know what "dum/b" is, but the
dumbbells we might have around us aren't called anything like that. To me,
the suffix "-bella" actually sounds nice. Almost like it would in Italian,
perhaps.

Picky researchers might want to use the first-appearing name as the most
"original" and therefore most "correct". That would be Della; since, again
to quote David:

>>In their
>first comic strip appearance (1937), it's Donald's sister "Della" who is
>mentioned as being the boys' mother.
> When a cartoon came out in 1938 with the same idea, now the mother
>was named Dumbella,

But I think it's presumed that the comic and the cartoon were conceived and
produced more or less simultaneously, the cartoon just taking longer to
finish. Also, to blindly use the first appearance as evidence might mess up
the relations even further. I seem to recall that in the Sunday comic page
of 1937, it was "cousin" Della who sent the kids to Donald. Not the sister,
as in the cartoon of 1938 ("sister Dumbella").

Or maybe my memory, or some other part of my feather-brain, is on the wrong
track somewhere here?

Stefan Dios
Malmo, Sweden
Dim I Nticoudis
Don said I should have my own ideas.Of course I have them but concerning the
Disney characters I usualy use important stories made by well-known creators
or stories than fitt well with the previous continiuties.I keep notes on the
characters origins and some features of them.Even lesser characters like
Fethry Duck have some more interesting stories than the ones they usualy
appear in.
Since I was a five-year old,when I started reading I was fascinated by two
thinks:history books and Barks stories featuring monthly in Komix.This
explains probably why I still love history,Disney stories and creative
literature.I enjoy a sense of continiuty in about everything I read.And my
liking for literature is the reason I try to find some explanations behind
the lines and the thought panels.For example I did like the explanation of
Scrooge recognizing Donald disguised as Jake McDuck in "Christmas in
Sacktown".Scrooge realy looks too experienced to fall for such a trick and
Donald doesn't seem to know much about who he is impersonating.
I do not like fairy dust and magical immortalities.Reason can be used even
in fiction and I enjoy it more this way.I wouldn't like to read more stories
of poor quality about the Ducks meeting talking wooden puppets,sugary wolves
and annoying chipmunks.Would anybody?

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Olivier
>>About Barks' continuity, I remember I Noticed that, in the story with the very >>little e.t.,
whose title I don't remember, scrooge uses the peace pipe he had got >>from the Peeweegahs. (uuh..
or is it another one???) what d'ya think about >>this?

"Micro-Ducks from Outer Space" (U$ 65, Sept '66), album 53.
It's another pipe.
I don't have the corresponding PM, but I guess there must have been a confusion in the translation--
p 5 panel 5: "I can't afford bug sprays, but old chief Fireweed's *peace pipe* will down anything!"

>>For instance, "the forbidden valley" has to happen before Donald and the >>nephews know Scrooge.
If not, they would have told him about this adventure

You mean "long before", don't you?
Anyway, you can always imagine it was told "off panel": in comics as well as in movies, every single
thing is not shown and is left to the reader / viewer to imagine / complete.

Olivier
Anders Christian Siveb¾k
Dim, our new member from Greece (Welcome!)

About the Blot
>
>In his first appearance on 1939's "Mickey Mouse outwits the Phantom
>Blot"(sadly unpublished in Greece)
Huh? When i was at the offices of Komix in october 1999 I was bringing a
danish comic just to show them (My mother had just joined me, and she
brought that subscriber's edition). The editor who was not tall was very
interested in the
extra for the comic, as it carried that story, Gottfredson's first one,
about the Blot.
But i couldn't give it to him, as it was my own subscriber's edition. -
But we talked about it being a good story, and that they should contact
the ones in Copenhagen about it, so i presumed they had done so by now. I
actually have adouble of the comic
now, that I could send them - but it's more or less a code or such they
would need? or?

The Mickey Mystery pocketbook you mention has become one of my favorites -
post mortem, so to speak, as the magazine was closed before I discovered -
i haven't maneged yet to dig out all the issues at second-hand shops.
>
>Paperinik is a rather popular version of Donald Duck in Greece.In fact
>Almanako magazine reprints only stories of him and Arizona Goof for the
>last
>four years.Some information says there are newer versions of Paperinik in
>Italy edited in the magazines Paperinik New Adventures and PK2.Is he
>still
>the same character who changed his style or have they revised his
>origins?Does Scrooge McDuck appear in the stories of the newer versions?

This also surprises me - as we talked about PK - new adventures at that
office too -
We had fun talking about the italian 0/1, 0/2 and so on issues -

But yes, Scrooge occasionally does appear in those comics, but they are
completely different from any other duck comic i expect you to have seen,
a very different style, that I somehow came to like... And of course now
the magazine closes here becuase of too low sales.

Hilsen/Yours
Anders Christian Siveb?k
Donaldist
Don Rosa
As the new Digest passed by, I read my own contribution to see if it made a
grain of sense... and the only misspeaking I did was to write "They will
make references to what adventures they've had in the past". My use of the
word "past" will confuse the issue. I shoulda said "they (the characters)
will make references to other adventures they've had". I should not call it
the "past" since I am saying that all these "current" stories take place in
a not necessarily chronological swirl of the 1950's, and the only thing I
regard as a *past* timeframe of strict continuity is anything that happened
before about 1949.
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