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Author

Topic: 200311

(421 messages)
Mats Rune Gullikstad
Hi all,

I love DuckTales! But I only remember one episode: When all Scrooges money
freezes i a big pond.
I was pretty young when the episodes went on Norwegian telly, and I would
love to see them again!

Do you get DuckTales on DVD?

Mats

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Arie Fachrisal
I dont see any faults in attempting new panel designs for Disney stories.
Barks has tried that sometimes in the past too, by showing DD's hat or a
certain character hand or fingers crossing the panel's border for just a
bit, maybe not too radical but still a funny small detail. also the
inclusion of "small view" such as sunset and or moon in the text box that
shows "In the morning" or such etc.

imho Rosa has also experimented in creating new panel designs to work with
his duck stories to create more visible impact according to the story's plot
and mood. One obvious panel design is the "45 degrees panels" (i dunno what
Don and the others call it) he used in "Sharpie of the Culebra Cut" where
the "building" US in is drifting down.

So maybe new inventive way of panel designs arent a sacrilege to the Disney
stories. sure some of the designs by various disney comic artists might not
suit one's taste but that doesnt mean it's forbidden to do that. i
personally havent had any access to the said story of Mr. Fecchi and im
looking forward to the story that has caused the long debate here in DCML.

Keep On Quacking,
Arie Fachrisal
Olaf Solstrand
> imho Rosa has also experimented in creating new panel designs to work with
> his duck stories to create more visible impact according to the story's
> plot
> and mood. One obvious panel design is the "45 degrees panels" (i dunno what
> Don and the others call it) he used in "Sharpie of the Culebra Cut" where
> the "building" US in is drifting down.

Agreed, Arie. I think one of my favorite panels from Don Rosa must be the
splash panel of part 3 of the 3-part version of D 96089...

http://duckman.pettho.com/2worlds/v_d96089b2.html

...naturally, because he's experimenting. I love love love love love this panel!

Olaf
Cord Wiljes
There also were some pretty inventive panel layouts in Barks'
Scrooge/Gyro story in "disneyland birthday party" (the one in
Scrooge and Gyro travel to the moon to find a crystal even harder
than Scrooge's Forbidium save.)

Fecchi's stories have a very dynamic and modern panel layout because
they also have very modern plots, often in futuristic settings, with
lots of cinematic action. So in my opinion the art fits the content
perfectly.

Cord
KUR
> To Katie, and for who's intertested in this issue: it seems that the very
> first Flinthearth's non-barksian story is Italian, and specifically Zio
> Paperone e il bisbilione, written by Osvaldo Pavese, art by Giuseppe
Perego,
> in "Topolino" n. 608 (23-07-1967). Since the art is quite - AHEM,
ER... -
> not oustanding, the story is not so famous; indeed it's quite important,
> because shows the first (and only?) team-up Scrooge-Flintheart-Rockerduck,
> and even if Flintheart is in Duckburg (but it's not written that he
*lives*
> there) it's clearly shown a difference between his personality and
> Rockerduck's one.

Sow there were a "Flintheart meet Rockerduck" story!
Im happy theat were adlise one story wen they aperd together!

Your's
Maciek
KUR
> I love your close look at the Magica episodes. I had never considered any
of
> this previously! I like that she's after the harp in "Raiders of the Lost
> Harp" too.

A strange thing obaut dis episode : Magica home (mount vesuvius) is in som
sort of forest while, in rest of the episodes she live in vulcano on the
midle of the ocean (wich look like a Sfinks with Magica head).

And one more thing theat shout have dibate here is Poe de Spell. In "Send in
the Clones" it was told theat he is relly Magica brother whou was turn in
the Raven. In some other Duck Tales episode he aperd dis fackt was not
mention.
Did in some "Duck Tales" comics was mention theat he actualy her brother?

> I'm glad you mentioned "Magica's Shadow War." That
> episode creeped me out big time when I was a child! I still think the
image of
> her huge, frightening shadow is pretty potent stuff. I also love that
moment
> when things go wrong with the stadium lights and all of the other shadows
> appear.

The episode wich relly crep me out was "Hotell StrangeDuck". The cementary,
the scary face of the wall and the gout... It's ollsow spoky....

Yours
Maciek
Katie Sullivan
First, on the subject of Rumpus, I see him as existing in a
different universe or continuity than the Barks/Rosa one. So I
don't hurt my brain too much trying to figure out how he would
fit into that family tree. ;-)
Has Van Horn ever used (or mentioned by name) Hortense or
Matilda? Didn't Don Rosa come up with the name "Fergus" as
Scrooge's father's name, since Barks only called him by the
nickname "Scottie" or somesuch?
It seems like Van Horn freely borrows bits and pieces of other
authors' universes, and ignores others. I'm NOT saying this is
a bad thing! It's fun, and certainly within his right! (Rosa
does this too, after all--the "earning the first dime by shining
a ditchdigger's boots" scene wasn't a Barks idea but came from
another author whose name escapes me at the moment...Strobl?)
But I'm just wondering what other bits of the Barks/Rosa
continuity have been picked up by Van Horn.

Maciek (with this syntax, who else? ;) wrote:
> But obaut maching : I love Duck Tales version of "Back to the
> Klondaik".
> Ofcours Carl Bark version is much better but in Duck Tales
> there is shown
> much more love betwen Scrooge and Goldie. Maby bicous Scrooge
> sems to fell
> in love with Goldie sence he saw her for the first time. Why
> in Barks
> version he simes to hate here in the flash back.

Ah, but that outward hate simply covers up his love for her. ;)

Although I did like the DuckTales version of "Back to the
Klondike," too. ;)

Matthew wrote:

> Oh and Katie! I LIKE Scrooge in love, but I guess I like
> miserable,
> unrequited love best (LOL)!

Oh, that's okay then! LOL! ^_^

> I'm really bothered by how easily
> Millionaira
> pulls the wool over Scrooge's eyes.

Not to mention how quickly he forgets Goldie. :-p

> The puns they exchange
> are great,
> though. Don't they talk about moving into a tax shelter?

Yeah. "Love bucks," and "money muffin." *gag* LOL!

And lastly, thanks to Luca for the information about
Flintheart's first non-Barks appearance! Very interesting! :)

Katie Sullivan
http://www.sullivanet.com/

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Olaf Solstrand
Quoting Katie Sullivan <vazali at yahoo.com>:

> First, on the subject of Rumpus, I see him as existing in a
> different universe or continuity than the Barks/Rosa one. So I
> don't hurt my brain too much trying to figure out how he would
> fit into that family tree. ;-)
> Has Van Horn ever used (or mentioned by name) Hortense or
> Matilda? Didn't Don Rosa come up with the name "Fergus" as
> Scrooge's father's name, since Barks only called him by the
> nickname "Scottie" or somesuch?
> It seems like Van Horn freely borrows bits and pieces of other
> authors' universes, and ignores others. I'm NOT saying this is
> a bad thing! It's fun, and certainly within his right! (Rosa
> does this too, after all--the "earning the first dime by shining
> a ditchdigger's boots" scene wasn't a Barks idea but came from
> another author whose name escapes me at the moment...Strobl?)
> But I'm just wondering what other bits of the Barks/Rosa
> continuity have been picked up by Van Horn.

If I'm to guess: (note, this is a pure guess. I have no background whatsoever
for saying so.)

I think that Van Horn from the second he invented Rumpus thought of him as
Scrooge's brother (or half-brother). In Rumpus' first story, "It's all
relative" (written 1991), he's referred to by Donald as "uncle". How normal is
it to refer to your mother's cousin as your uncle? (Well, I see that as
possible - after all, that's what Huey, Dewey and Louie did, assuming Della is
their mother.)

Problem was, before Van Horn got to writing Rumpus' second story, Egmont had
published Lo$ and the Don Rosa family tree. In this, which now would be
Egmont's "official" family tree, no brother of Scrooge was mentioned. So, when
Rumpus makes his second appearance in "Say Uncle!", he's presented as Scrooge's
cousin. A good explanation to why he's not on the family tree - NONE of
Scrooge's cousins are.

But he's NOT Scrooge's cousin, is he... no, that's just a clever way of
sneaking Rumpus past the family tree. As long as his brotherhood to Scrooge is
a well-kept secret, no wonder it's not in the family tree. As long as Rumpus
himself doesn't know, how could Don Rosa know? That way, there's no reason to
explain this any further. First, Don Rosa draws a family tree. Then, Rumpus
suddenly finds a letter from his mother. From THERE the siblinghood
Scrooge/Rumpus begins. And that way, if a nosy teenager asks "oh yeah, but if
they're siblings, how come Rumpus is not on the family tree?" - one can answer
that nobody knew of this siblinghood when the family tree was drawn, instead of
making up an explanation for why Scrooge's life-long brother wasn't in
Scrooge's family tree only because he hadn't appeared in any stories yet (which
is NOT a good explanation when talking to kids).

And from there, Rumpus can slide into the role he was intended to play - as
Donald's lazy and food-loving uncle in "Ain't it the truth", as Scrooge's a
little naive brother in "A dime for your thoughts" and as the selfish sneak we
know from the first two Rumpus stories in "Full circle". Brilliant, isn't it?
Donald has a new uncle, and we know the "reason" he's not on the family tree.

OK, that's my guess. Any of our friends at Egmont who wants to tell me how
wrong I am? (or, naturally, Mr. Van Horn himself if he happens to read this.)

Olaf
Matthew Williams
Maciek writes:

>You now it's fanny theat Scrooge Invait Glomgold and Magica to the weding.
Affter all they are vilans.

Yes, this is somewhat strange, but I like it! The really interesting thing
to do would be to watch the episode again and see which side of the church
they are sitting on! Maybe they're friends of the Vanderbucks family. It
seems a little unfair that Magica and Glomgold were invited, but the Beagles
have to sneak in!

I love your close look at the Magica episodes. I had never considered any
of this previously! I like that she's after the harp in "Raiders of the
Lost Harp" too. Surely a sophisticated witch like Magica would want to
diversify every now and then. I'm glad you mentioned "Magica's Shadow War."
That episode creeped me out big time when I was a child! I still think the
image of her huge, frightening shadow is pretty potent stuff. I also love
that moment when things go wrong with the stadium lights and all of the
other shadows appear.

>I like to talk obaut hime. His the best Duck Tales charecter wich didn't
>aped biform the show but was made by Duck Tales (like Gizmo or Webby)
>I like his family (father, mother and sirter) theat aperd in episode "Top
>Duck" and have a cameoin Till Nephews Do Us Part.

I LOVE Launchpad. I was overjoyed to see him in a new (in America anyway)
story a few weeks ago. I would love it if a writer or artist made some
attempt to incorporate him as a regular fixture in Duckburg, not just as a
presence in a "DuckTales" story. He adds something unique that Gladstone,
Gyro, Fethry, and Daisy can't. I've actually been playing around with
creating my own duck scripts for the last several months, and I've tried to
include Launchpad in small roles. I love him because he can do dumb things
and serve as comic relief, but he also has a certain amount of dignity that
keeps him from being a complete clown.

Matt
Timo Ronkainen
Me:
>>I think it was Hank Porter.
Stefan Persson:
>There are two famous Disney signatures. Which of them are you talking
>about?

Sorry about delayed reply. It was this one:
http://www.geocities.com/timoro2/disneylogo.jpg
don't remember where I read about this, but I'm sure it was this one that
was said to be designed by Porter. That's what I read.

Timo

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Timo Ronkainen
Looks like this never reached DCML. I post this one more time.

Stefan:
>There are two famous Disney signatures. Which of them are you talking
>about?

It was this one:
http://www.geocities.com/timoro2/disneylogo.jpg

I don't remember where I read about this, but this one was said to be
designed by Porter.

Timo

^^''*''^^
Cartoonist - writer - donaldist -
Timo Ronkainen ---------------- -
YO-kyl? 52 A 26 --------------- -
20540 Turku ------------------- -
Finland ----------------------- -
timoro at hotmail.com
timoro at sunpoint.net

?? Personal:
http://www.geocities.com/timoro2/

?? Ankkalinnan Pamaus:
http://www.perunamaa.net/ankistit/

?? Kvaak-sarjakuvaportaali:
http://www.kvaak.fi
.................................
"Rumble on, buxom bumble bee!
Go sit on a cowslip - far from me!"

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Timo Ronkainen
Looks like this never reached DCML. I post this one more time.

Stefan:
>There are two famous Disney signatures. Which of them are you talking
>about?

It was this one:
http://www.geocities.com/timoro2/disneylogo.jpg

I don't remember where I read about this, but this one was said to be
designed by Porter.

Timo

^^''*''^^
Cartoonist - writer - donaldist -
Timo Ronkainen ---------------- -
YO-kyl? 52 A 26 --------------- -
20540 Turku ------------------- -
Finland ----------------------- -
timoro at hotmail.com
timoro at sunpoint.net

?? Personal:
http://www.geocities.com/timoro2/

?? Ankkalinnan Pamaus:
http://www.perunamaa.net/ankistit/

?? Kvaak-sarjakuvaportaali:
http://www.kvaak.fi
.................................
"Rumble on, buxom bumble bee!
Go sit on a cowslip - far from me!"

_________________________________________________________________
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KUR
> Yes, this is somewhat strange, but I like it! The really interesting
thing
> to do would be to watch the episode again and see which side of the church
> they are sitting on!

Well actualy the Weding was not in church but in bank.
It wasen't shown wen Magica is sitnik. She only was seen wen she was saininh
some sort of "Guest book" in the bank entry.
Glomgold was siting at the same said as Gladstone and Doofus. Whow ever Huey
Duey and Luey were siting on difrent said thean they had.

> Maybe they're friends of the Vanderbucks family.

I thing Magica look much like Miss Vanderbuck. Maby she is from her far
familly?

Your's
Maciek
Marco Barlotti
At 20.45 10/11/2003 +0100, Luca Boschi <totemboschi at libero.it> wrote:

>it seems that the very
>first Flinthearth's non-barksian story is Italian, and specifically Zio
>Paperone e il bisbilione, written by Osvaldo Pavese, art by Giuseppe Perego,
>in "Topolino" n. 608 (23-07-1967).

Correct.

>Moreover, this story also clearly states the *ufficial* Italian translation
>of Flinthearth Glomgold into Cuordipietra Famedoro, even if this very name
>was used only one time before, in translating original Barks' stories.

Sorry to contradict you, but this is not correct IMHO.
Glomgold appears again a few weeks later on "Topolino" in the story you
certainly know very well I TL 615-A (Paperino e i candidati al CIAO)
written by Guido Martina and drawn by G. B. Carpi. He is called "Mac Gold"
in that story, as you certainly remember.
What you probably forgot is that when a couple of years later Osvaldo
Pavese uses again that character (in the story I TL 813-B (Zio Paperone e
la pepita astrale) again drawn by Perego (!) he calls him "Mac Gold"!!!
So probably in those years somebody (Martina?) had decided that <Mac Gold>
was the Italian name of Flinthearth Glomgold.

When I TL 813-B was reprinted in "Classici Disney" #70, several years
later, the story was partially re-lettered to change all references from
<Mac Gold> to <Cuordipietra Famedoro>. I daresay the name "Cuordipietra
Famedoro" had become "official" by that time...

Marco

http://www.cce.unifi.it/~marcobar/Comics
Daniel Van Eijmeren
SIGVALD GROSFJELD to MATTHEW WILLIAMS, 10-11-2003:

> If the overlapping style remain mr. Fecchi's special style rather
> than the norm, I will have no problems at all enjoying both his
> and other creators comics in the DD Pocket books.

What exactly is "the norm" within Disney comics? Apart from some
basic rules, Disney comics are known to have a great variation,
with lots of different styles.

> It was not my intention to hurt anyone. I am very sorry if
> mr. Fecchi or anyone else felt hurt by my comment.
>
> Also notice that I used the word "bad" in order to get attention
> at DCML.

You can be sure that I've noticed this comment, Sigvald! You just
admit you have purposedly used negativity, in order to get attention.
(As if you don't have attention enough, already!)

This puts your apologies and your contributions in quite a different
light for me. You DO seem to know the difference between annoying
behaviour and good behaviour. If you think you should have attention,
you just throw in some negativity, resulting in angry/disappointed
people falling over each other, just to reach you and to give you
some more chances... And then, how are these chances (mis)used?
I think I see a vicious circle here.

Anyway, trying to get bad attention is a very wrong attitude. If you
go on with that, I really think you should unsubscribe from this list,
Sigvald. This list is not meant for people who are experimenting with
bad behaviour. You can raise your own mailing list for that.

> The next time I have some critical comment of any kind, I can present
> it in a nice way - and see if that gives attention as well.

This is vivisection. I feel like a guinea-pig, looked up in a funny farm!

How will people react if Dr. Sigvald tries to present his critical
comments in a nice way? Will it give him as much attention as before,
or will he have to fall back on his bad vibe tactics?

What an experiment! It's for the good cause, though. Either way, it
helps to give Sigvald attention... And if it's not enough, bad vibes
will be the bait to get a lot more attention. What a system!

--- Dani?l
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