Keskustelujen arkisto

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Topic: 200106

(445 messages)
YMH
In a message dated 6/1/01 6:07:52 AM Eastern Daylight Time,
dcml-request at stp.ling.uu.se writes:

> The appearances of the moneybin and Duckburg are inconsistent, but
> still I can't help daydreaming about how far such a three-dimensional
> project could go.
>
>
> Best wishes,
>
> --- Daniel
>
> PS. One practical purpose of this imaginary project could be a
> Duck Adventures video-game in which the player:
>
> - has to avoid danger when leading the Micro-Ducks through Duckburg (US 65)
> - has to hide for Daisy's club (WDC 101 nightmare story)
> - has to avoid spies when bringing a serum to Codfish Cove (WDC 114)
> - has to reach the surpressed desire party in an armor suit (WDC 198)
> - etc. etc. etc.
>
> If this game would get a mutliple player network-option, we could all
>

The closest things that's out there at the moment to what you're describing
is the recent DONALD DUCK: GOING QUACKERS game for PC, PlayStation,
PlayStation2, and Nintendo64. Still, this is a fairly simple twitch-action
game that uses a few Barksian elements but nevertheless feels more like
something out of classic Disney animation than the comics, in terms of
sophisticatedness of story, characters, humor, etc.

One day hopefully that will change. :-) I'm studying to be a game developer
(about to start my second summer as a programmer at a game company) and one
of my dream projects is to one day work on an intelligent Adventure Game
(adventure games have no combat; you run around solving problems by way of
wit and logic -- think the MONKEY ISLAND series, if any of you are familiar
with that) featuring the BarksDucks.

Not likely to ever happen, of course, but I can dream... And one day, when
the time is right, I will certainly try. I bet getting the license from
Disney will be more difficult than actually making the game -- after all, it
would prominently recast their sacred versatile corporate icons as characters
with set personalties, and we can't have that, now can we. :-)

-Yossi Horowitz
Anders Christian Siveb¾k
Hi friends
>

OLAF
>
>Hi! I just want to tell you that tonight, I had a really weird dream. I
>dreamed that the king of Norway made Dan Shane a royal knight. Quite odd,
>since I don't know what Dan Shane looks like, but that was my dream. Ciao!

I don't find it odd todream about something which you have great interest
in. I both met Carl Barks and Don Rosa talking to George Lucas in my
dreams. There will sadly be no chance of the first anymore, and I don't
really recall what Don and George were talking about...

>W
>ell, maybe they'll see them when that story is reprinted in the German
>
>"Rosa Album" series.
They sure hope so.
Album 27 I guess.
>
>Speaking a bit more on the blueprints, I've now seen all three of the "Big
>Three"
Wasn't that also what they called Chrurchill, Roosevelt and Stalin?

>weekly versions of it, all of the versions that Dan Shane created on
>his computer here in Louisville and which were printed directly from his
>computer file into the Egmont comics. And each printing is different. All
>are rather nice, but they're still different.
Yes, very

>The Swedish version looks good, but the blue is a light turquoise. Still,
>no problem.
I look forward to see that one

Interesting info about the press at Egmont. I have noticed the fact about
different paper quality for years of course. It's the reason many of the
continued stories are partly destroyed by their darned glue when they
include
a (childish or not) gift for the reader. They put it in the middle, where
the
change of paper quality is.
I remember back in the 80'es and maybe untill 1994 where the old press
could take all pages exept the coiver which had to be in this glossy
quality.
It was one quality then. If they keep on this two-quality-business it's
strange.
I'm glad you're satisfied especially with the page 1 of those prints.

Does others here recall the new gate of triumph, in la Defense near Paris?
The danish translator made the architecht be the duck-counterpart of him.
Johand (and means duck) Spr?kkelsen (Sprechelsen). Sprechelsen was
the actual architecht of that, and that makes it true that the architecht
made
square buildings. (Did he make this up for the danish one or did Francis
what
was his name make box-formed buildings too?)

The norwegians usally write the writer and artist under the splash panel
of a story.
That they put it in the caption under the Bin is their doing. Readers who
know you,
would know that you didn't tell them to do so. You should be told btw
that the
norwegian title of the series seems to be honnor to Barks, which they
wouldn't write
two times. The danish one says created by Barks those two places.
So for once I can be a bit proud of the danish result. But still some
goofs as made,
two empty speech bubbles and such.
Plus the fact about the coloring, which is equal for all 3 I think. The
golden fleece is white.
And the tooth from the jade-elephant in Treasure of Marco Polo is grey,
insetad of green
as it's supposed to be.
>
>
>Finally, in the panel where the Beagles emerge from the well in the
>basement of the Bin, and they are supposed to be looking at a wall where a
>disgruntled workman has scrawled nasty graffiti about Mr. McDuck, this
>being how the Beagles know they are in the Bin. But in the Norwegian
>version there is no graffiti! The wall is blank! How do they know where
>they are?
I'll want to check this. that's a detail I hadn't noticed! (See it's
necessary to read those
stories at least 5 times to get it all... I'm at no. 4 and 1 hour away
from my issue!)
>

Hilsen/Yours
Anders Christian Siveb?k
Donaldist
Reinhold Lennebo
Hi everyone

I'm new to the list. My name is Reinhold Lennebo and I
work for the Egmont Group, Sweden, as a manager.

I am very interested in the discussion on this mailing
list and wish to contribute whenever possible.

I'm looking forward to hear from you soon.

Reinhold

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Olivier
Hello everyone!

Does anyone know Harry Balm and have a few scans of his paintings?
Dreidreizehn (http://www.dreidreizehn.de/) announces Egmont will publish
with 30 paintings by him in August, but the cover is much too small (it's a
thumbnail).
And does anyone know anything about the Barks covers portfolio Egmont
is publishing in July? Are they reproductions of the original comic book covers?
Or Reproductions from the original, with the same color as the original cover,
or new color? Or black & white?

Speaking of covers, IMHO, the text on the covers was by the editors.
They are just too much like marketing eye-catching phrases. It also fits
Also, on his cover sketches, Barks wrote titles (several versions, sometimes);
if he did write some of these texts, I guess he would have written them on each
sketch (or several propositions in the margin or whatever), or would have
left space for them.
ex: "The Queen of the Wild Dog Pack"
The final layout looks as if it was made to accomodate the text.
But there is no such space in the other sketches, nor on the sketches
for other covers.

Thanks for any information.
Have a nice week-end!

Olivier

Off-topic PS:

Yossi:
>>think the MONKEY ISLAND series, if any of you are familiar with that
Yep, I know "Monkey island" and LucasArts' great adventure games, Yossi!
("Maniac Mansion", "Day of the Tentacle", "Sam 'n' Max, ... ) : )
Bi442
I must apologise to Mr. W.L. Lilly for my having a memory made of mush. I
realise now, that the all-time high comic book sales figures quoted at above
3million, must have been ANNUAL sales totals, NOT monthly circulation totals.
As the indicia and legally mandatory "circulation statement" did not, in those
times, include print run totals, we do not have access to monthly figures. The
figures quoted to me by Malcom Willits and others in the 1960s AND those
printed in Willits' article must be annual figures.Tom Andrae informed me that
the monthly figures are not available. So, in 1953, (mostly)the same group of
250,000 - 270,000 people wer buying Walt Disney's Comics and stories each
month. So, we have no way of knowing what the drop-off was when Barks' stories
stopped appearing.

My feeble memory now reminds me that we had this same discussion several months
ago among several Scandinavian, a few Finnish and a few US DCML members.

If anyone has John Nichols' current e-mail address, could they please send it
to me. I can then ask him what circulation or sales figures are in his Barks
Collector back issue. Thanks, Rob Klein

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Sue And Gary Leach
Rob:

> I tend to agree more with W.L. Lilly, that lines such as "It's Spooky, it's
> Kooky" sound much more like Western's editors than Carl Barks.

It was the pop culture styling of the time, in all media. Barks attempted to
emulate it, self-consciously, his stories of the period, as Bob Haney
attempted to convey at DC in Teen Titans, as Marvel wallowed in with abandon
across their entire line. A lot of television themes and promotions of this
period had that flavor of phrasing, too. Just think The Addams Family, the
theme of which burned such phrases as "mysterious and spooky" and "they're
altogether ooky" into the brains of millions of impressionable viewers'
brains.

> A few of these did seem "Barksish" enough to have been written by
> him. But, knowing the way Western operated, I rather doubt that some of
> them were provided by Barks, and some not. I can picture them asking him
> to draw an additional small drawing for the cover, but not bothering him
> for "advert lines" to entice readers to purchase the book.

Unless mebbe Barks simply jotted down what he thought might be likely blurbs
and sent them along, asked for or not, with his cover art. Unlikely, but not
inconceivable.

> I believe the
> editorial staff would have saved THAT function for themselves (one of the
> small, fun riskless ways they could help justify their existence).

Yes, those editorial staffs sure had to find ways to justify their
existences. After all, they only had to answer to their bosses, the
publishers, who simply expected those editorial staffs to get those comics
done with minimum cost, maximum efficiency, and absolutely ON TIME. Oh yeah,
and to make sure those comics would sell. Hey, no pressure there, right?

Gary Leach
Luca Boschi
Hi, all!

> I must apologise to Mr. W.L. Lilly for my having a memory made of mush. I
> realise now, that the all-time high comic book sales figures quoted at above
> 3million, must have been ANNUAL sales totals, NOT monthly circulation totals.

Hmmm... Dave Smith, in his "encyclopedia" Disney frm "A" to "Z", wrote that
the 3million of comic books sold is the number of WDC&S distributed in
Sept., 1952. For this reason it was considered the all-times beste seller
among the comic books. And its' Disney's official voice.

Ciao,

Luca
Kenneth Glendinning
Hi just wondering how many people on the DCML are from Europe?
Oh and a welcome to Reinhold Lennebo to the mailing list.

Kenneth

Disney and Commando Comics http://www.angelfire.com/ar2/ken2/index.html
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Olivier
Hi Kenneth and everyone!

>>Hi just wondering how many people on the DCML are from Europe?

I think the best thing would be to have a page with a list of all the countries
in the world with a counter next to each, and you click where you are from.
This way we'd know exactly how many members there are in each country
without swamping the list with messages and having to count them.

Does anyone know how to do it?
I don't think it's difficult to do, but I don't know the appropriate
html / javascript / whatever commands.

Olivier

Paris, France
Norman
Well, I checked the story with that JW-Jubilee, Osborne and Taliaferro
are named there.
About King Scrooge I can only tell you that there are two different
translations one used in MM and the other in the albums.

There are also two versions of "The Quest for Kalevala", again one MM
and one album. I compared them and noticed that, in the MM version, some
words where changed to adapt the story to joung readers. The "rhymes"
where also changed to make them easier to understand for children. It
seems that the german translator Peter Daibezeiher is forced to do so,
but doesn?t like it either. This would explain the different
translations of some stories, all made by him.

Seems to be part of german tradition. I think of Star Trek The Original
Series: the episodes gained a whole new meaning, thanks to german
translations, adapted to younger people.

Norman
Rob Klein
Thanks Luca (B.) for giving us the information that the Sept. 1952 issue of
Walt Disney's Comics and Stories sold 3 million copies. Tom Andrae
informed me (yesterday) that the highwatermark was 3,038,000 in Sept. 1953
(as quoted in "Sherman interview" in "Duckburg Times No. 12". I seem to
remember malcom Willits telling me it was 1952, but that is only a memory
from 1966 (I cannot vouch for its worth). But, Mr. Lilly, perhaps the
monthly figures of over 3 million were, after all, reached? Tom A.
informed me that their are currently no monthly figures available for the
year 1950; - so, apparently, Joe T.'s question of difference between Barks
and non-Barks issues cannot be answered.

For Gary Leach: I didn't mean to offend comic book editors by seeming to
imply that their job is easy. Having worked with them at
Oberon/Geillustrerde Pers/VNU and Gutenberghus/Egmont, I have an idea of
what they are up against. I also know (based on my experience with
Gutenberghus before Byron Erickson arrived) that the publishers often have
no idea how very difficult it was to perform all those functions you
mentioned (with a high level of quality and efficiancy). My comment was
meant to imply that it was a relatively "riskless" way (for the lowest
level of editorial staff) to show some tangeable productivity that is easy
to notice (comic covers). This would not be for THEIR immediate bosses
(chief editor), who already KNOW how valuable their editorial staff is, but
more to have something easy to show the Publishers that a given size of
editorial staff is actually needed. I know this sounds ludicrous, but as
you know; often the "money people" have no idea what editorial staff do.
Often they want to see "concrete" evidence of their work.

Perhaps this explanation holds no water. Maybe my perception of the
situation is off base. If so, I apologise. I know there is usually
terrible pressure, and editorial staffs SHOULD NOT NEED to justify their
existence.

Regarding the idea of determining the count of DCML members by country (of
residence, nationality(birth or current passport(s)):

I believe we already have a built in mechanism that would be the easiest
way to produce such data. That is Per Starback's list of DCML members
linked to our DCML Home Page. It has members listed with their e-mail
address. If Per could adjust those entries to include a data point for
"Country" (however defined), then he could also be able to tabulate those
figures. I assume that all new members from that time onward, would have
to answer the "country" question on their application to the list.
Previous members would be requested to enter that "extra" bit of
information retroactively, in a separate visit to the DCML Members' List.
This may require an amount of work for him that he may not have time for.
But, I believe this way would be much less work than having another member
start a separate data base "from scratch".

I look forward to other members' and Per's comments on this issue. It
might be an interesting bit of knowledge, but is it worth all the work that
may be required? To get an accurate count, we would need ALL members to
cooperate in providing the information.

Rob Klein
WL Lilly
...I said I believed the possibility of the 3,000,000
( I assume you weren't insulting me , or , feeling
insulted by me . ) sales , but , I do judge this on
annual average , and , if it was so little over 3 mil
,
obviously , the year's av. was probably less than
that
Still , of course , lots .
Re Rich Morrissey:
He was best known as a super Superman fan ( Just
like Don Rosa ! ) - Years ago , he was writing a
history of the character's changes through the
years/the story behind Superman's editoral approahes -
Did he ever get much written ? Does his research still
exist ? Obviously , this is extremely
OT , but , since this is such an ELITE , HIGH-CLASS
group of fans , where better to ask it ??????? It
could certainly be an interesting book , and , with
the people who worked on Supes pre-1970 generally busy
dying/being dead , the chances for first-hand inquiry
are disappearing-!

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Timo Ronkainen
Hi!

Thanks to Rob Klein, W. L. Lilly and Tom Andrae for the info about WDC
sales. I just needed to be sure, as I'm writing an article.

Timo

^^''*''^^
Cartoonist - writer - donaldist -
Timo Ronkainen ---------------- -
YO-kylä 52 A 26 --------------- -
20540 Turku ------------------- -
Finland ----------------------- -
timoro at hotmail.com
timoro at sunpoint.net
¨¨ Personal:
http://members.nbci.com/_XMCM/timoro/
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Go sit on cowslip - far from me!"

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Petri Kanninen
Hi!

While discussing Filo Sganga, Olaf wrote:
> - He has appeared under many different names (at least in Norwegian).
> Blame the translators!

That is the case in Finland too: Jaakko, Kaarlo Kiemu, Nikke N?ykk?, Reima
R?hm? etc. That would suggest that the Nordic pocket books were translated
from the same source. From Germany perhaps? But the strange thing is that
Finnish pocket books match the German ones best. In Denmark and Sweden
(of Norway I'm not sure) early pocket books were sometimes printed so
that a Mickey story was inserted between duck-stories and there are also a
lot of german pockets missing. On the other hand in Finland pockets were
printed like in Germany. It seems that editors in Scandinavian countries
decided that German pockets were not good enough.

--
Petri Kanninen (pkannine at cc.hut.fi)
"El?m? muodostaa komplekseja."
Aku Ankan taskukirja -tietokanta:
http://www.perunamaa.net/taskarit/
Pascal Oost
Op 02-06-2001 12:05 schreef dcml-request at stp.ling.uu.se
<dcml-request at stp.ling.uu.se>:

> Message: 4
> From: "Olivier" <mouse-ducks at wanadoo.fr>
> To: "x DCML" <dcml at stp.ling.uu.se>
> Subject: Paintings & Covers
> Date: Fri, 1 Jun 2001 19:18:00 +0200
>
> Hello everyone!
>
> Does anyone know Harry Balm and have a few scans of his paintings?
> Dreidreizehn (http://www.dreidreizehn.de/) announces Egmont will publish
> with 30 paintings by him in August, but the cover is much too small (it's a
> thumbnail).

Harry Balm was employed as an artist for the Spaarnestad / Oberon /
Ge?llustreerde Pers, the publisher of the Dutch Donald Duck weekly, until he
retired a couple of years ago.
He started doing (non-Disney) comics, later he worked as designer / lay
outer for the Disney-periodicals, although he was suspected to consider the
painting he did at home as his "real" work. He was (is?) quite successful as
a painter.
For Donald Duck weekly, he made a lot of Duckstuff: variations on old
paintings (e.g. Rembrandt's "Nachtwacht"), portraits of historical figures
and scenes from classic books. As examples, I took three pictures from a
calendar with his work. You can find them here:

<http://home.wanadoo.nl/poost/>

I think you should consider Harry Balm more as a painter who also did some
Disney-work, than as a Disney-artist who did some of his work in paint.

P
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