Hi everybody,
I'm new to dcml, and I'm glad to be here among comics lovers. I hope to
find news about Donald Duck, Uncle Scrooge and Barks chars, which are my
favourites.
Excuse me for the possible mistakes of my english.
Greetings from Italy
--
Antonio Maschio
<tbin at libero.it>
Author
Topic: 200106
(445 messages)
Antonio Maschio
New member
Message 46 -
2001-06-07 at 21:56:22
Mike Pohjola
Thank you for not showing offensive savages
Message 47 -
2001-06-08 at 02:23:56
I'd like to publically thank those clever editors and colorers who saved
my day with this week's Aku Ankka publication of a Little Hiawatha story
(D99173).
As you know, most Little Hiawatha stories are about Indians or some other
such "colored" people. Yuck! What's next? Negro heroes in Donald Duck
stories? Mickey Mouse turns out to be a Jew? I mean, how offensive can you
get?
I was all ready to get angry at this comic story that I believed to be so
fundamentally against everything that's right and proper. Then when I
actually started to read the story, I noticed that they'd made some
changes.
Yes, they were still kind of like Indians, with their feathered
head-pieces and amusingly big noses. Some of them were even colored
slightly tanned. I thought this was a bit extreme, but then I said to
myself: "Anything for artistic liberty." And I kept on reading.
I was right to do so. It turned out not to be such an Indian story, after
all. It was kind of like a Smurf story with the Smurfs changed to
almost-Indians. Still, I wouldn't like to see any non-whites having
adventures in my comic books. I have to look at all sorts of foreigners
all day in the city, so at least my Aku Ankka should provide me with
something inoffensive and anglo-american.
Although I noticed it first, I left the best improvement last: Hiawatha
and his family are actually white! They wear those freaky clothes and have
long hippie-curls, but underneath all that, they're white. Much whiter
than those Indians they're hanging with. They're the same color as Police
Chief O'Hara in another story in the same book. Irish I can live with.
Even Hiawatha's father, the chief, is white. Now, I don't mind native
aboriginal savages as long as there's someone proper to keep them from
their heathen ways.
That's why I'd like to thank the person who made this choice. You taught
me (and millions of kids throughout Europe!) a valuable lesson. No matter
where your heritage comes from, you can be just as white as normal people.
Thank you!
Mike Pohjola
mikep at iki.fi +358-50-5238399 http://www.iki.fi/mikep
my day with this week's Aku Ankka publication of a Little Hiawatha story
(D99173).
As you know, most Little Hiawatha stories are about Indians or some other
such "colored" people. Yuck! What's next? Negro heroes in Donald Duck
stories? Mickey Mouse turns out to be a Jew? I mean, how offensive can you
get?
I was all ready to get angry at this comic story that I believed to be so
fundamentally against everything that's right and proper. Then when I
actually started to read the story, I noticed that they'd made some
changes.
Yes, they were still kind of like Indians, with their feathered
head-pieces and amusingly big noses. Some of them were even colored
slightly tanned. I thought this was a bit extreme, but then I said to
myself: "Anything for artistic liberty." And I kept on reading.
I was right to do so. It turned out not to be such an Indian story, after
all. It was kind of like a Smurf story with the Smurfs changed to
almost-Indians. Still, I wouldn't like to see any non-whites having
adventures in my comic books. I have to look at all sorts of foreigners
all day in the city, so at least my Aku Ankka should provide me with
something inoffensive and anglo-american.
Although I noticed it first, I left the best improvement last: Hiawatha
and his family are actually white! They wear those freaky clothes and have
long hippie-curls, but underneath all that, they're white. Much whiter
than those Indians they're hanging with. They're the same color as Police
Chief O'Hara in another story in the same book. Irish I can live with.
Even Hiawatha's father, the chief, is white. Now, I don't mind native
aboriginal savages as long as there's someone proper to keep them from
their heathen ways.
That's why I'd like to thank the person who made this choice. You taught
me (and millions of kids throughout Europe!) a valuable lesson. No matter
where your heritage comes from, you can be just as white as normal people.
Thank you!
Mike Pohjola
mikep at iki.fi +358-50-5238399 http://www.iki.fi/mikep
Kriton Kyrimis
Rant! Rave!
Message 48 -
2001-06-08 at 13:32:14
S?ren:
> I am sorry that you see it this way. Those "new" Italian artists (not
> only Intini) but also for example Mastantuono, Celoni and Lavoradori
> have added something unique to Disney comics IMO.
I have nothing against the "new" Italian style, having enjoyed several
of these stories, which are often very funny. It is the art to this
particular story, to which I object, which really was atrocious!
(Perhaps I should scan a page or two, to show what I mean.)
The story itself was pretty funny, and would have benefitted from being
drawn in the loose (if that is the correct word) Italian style rather
than, say, the standard Egmont style: Donald is studying for an exam he
must pass in order to be hired as a museum guide. Fethry decides to help
him, despite Donald's unwillingness, using all sorts of bizarre methods.
This reults in Donald failing the exam, and the museum hiring the first
person from an unemployment list, who just happened to be Fethry!
Kriton (e-mail: kyrimis at cti.gr)
(WWW: http://dias.cti.gr/~kyrimis)
-----
"You speak treason!"
"Fluently!"
-----
> I am sorry that you see it this way. Those "new" Italian artists (not
> only Intini) but also for example Mastantuono, Celoni and Lavoradori
> have added something unique to Disney comics IMO.
I have nothing against the "new" Italian style, having enjoyed several
of these stories, which are often very funny. It is the art to this
particular story, to which I object, which really was atrocious!
(Perhaps I should scan a page or two, to show what I mean.)
The story itself was pretty funny, and would have benefitted from being
drawn in the loose (if that is the correct word) Italian style rather
than, say, the standard Egmont style: Donald is studying for an exam he
must pass in order to be hired as a museum guide. Fethry decides to help
him, despite Donald's unwillingness, using all sorts of bizarre methods.
This reults in Donald failing the exam, and the museum hiring the first
person from an unemployment list, who just happened to be Fethry!
Kriton (e-mail: kyrimis at cti.gr)
(WWW: http://dias.cti.gr/~kyrimis)
-----
"You speak treason!"
"Fluently!"
-----
Timo Ronkainen
DCML digest, Vol 1 #558 - 15 msgs
Message 49 -
2001-06-08 at 14:16:06
> 3. How to get the Don Rosa poster in Sarjainfo fanzine (Ivo van
>Wieringen)
Does anyone knows how to get this
>particular Sarjainfo issue (No. 4/00) (i can not find a Sarjainfo internet
>site),
Ask this about Sarjainfos editor in chief, Ville Hänninen:
ville.hanninen at helsinki.fi
Sarjainfo is:
http://www.kupla.net/engl/engl.html
http://www.kupla.net/engl/eseur/einfo.html
(in english)
and
http://www.kupla.net/seur/info/info.html
(only in Finnish)
Timo Ronkainen
^^''*''^^
Cartoonist - writer - donaldist -
Timo Ronkainen ---------------- -
YO-kylä 52 A 26 --------------- -
20540 Turku ------------------- -
Finland ----------------------- -
timoro at hotmail.com
timoro at sunpoint.net
¨¨ Personal:
http://members.nbci.com/_XMCM/timoro/
¨¨ Ankkalinnan Pamaus:
http://welcome.to/ankistit
.................................
"Rumble on, buxom bumble bee!
Go sit on cowslip - far from me!"
_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
>Wieringen)
Does anyone knows how to get this
>particular Sarjainfo issue (No. 4/00) (i can not find a Sarjainfo internet
>site),
Ask this about Sarjainfos editor in chief, Ville Hänninen:
ville.hanninen at helsinki.fi
Sarjainfo is:
http://www.kupla.net/engl/engl.html
http://www.kupla.net/engl/eseur/einfo.html
(in english)
and
http://www.kupla.net/seur/info/info.html
(only in Finnish)
Timo Ronkainen
^^''*''^^
Cartoonist - writer - donaldist -
Timo Ronkainen ---------------- -
YO-kylä 52 A 26 --------------- -
20540 Turku ------------------- -
Finland ----------------------- -
timoro at hotmail.com
timoro at sunpoint.net
¨¨ Personal:
http://members.nbci.com/_XMCM/timoro/
¨¨ Ankkalinnan Pamaus:
http://welcome.to/ankistit
.................................
"Rumble on, buxom bumble bee!
Go sit on cowslip - far from me!"
_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Ivo Van Wieringen
How to get the Don Rosa poster in Sarjainfo fanzine
Message 50 -
2001-06-08 at 14:46:41
Harry replied:
>>Ivo (welkom - where in Holland do you live?) :
I live in a small town called Velserboek in the neighbourhood of Haarlem. I
did make a few postings on this list, but most of the time I am lurking.
Harry, I like your anouncements of (Don Rosa) stories that are going to be
published in the DD extra. How do you get that information ? Connections
with the VNU ?
Anyway:
Harry you replied on my message:
>>Bigger scans of Rosa's drawings can be found on my website:
>>http://members.tripod.lycos.nl/bolderbast/ecrosa.html
These are bigger scans indeed, but the quality is not high, not all of the
details can be seen.
>>They are scans from the program book of the "EC reunion 2000" dinner in
San
>>Diego (that's where the drawings were auctioned).
That is information that I wanted, I contacted Jeff Vaughn of EC
Comics/Gemstone publishing. He told that these parodies not published
anywere in the form of a poster because of multiple copyright issues
involved. Snif, not so nice.
I am now trying the get the program book of EC reunion 2000. Thanks for your
info Harry.
Ivo
>>Ivo (welkom - where in Holland do you live?) :
I live in a small town called Velserboek in the neighbourhood of Haarlem. I
did make a few postings on this list, but most of the time I am lurking.
Harry, I like your anouncements of (Don Rosa) stories that are going to be
published in the DD extra. How do you get that information ? Connections
with the VNU ?
Anyway:
Harry you replied on my message:
>>Bigger scans of Rosa's drawings can be found on my website:
>>http://members.tripod.lycos.nl/bolderbast/ecrosa.html
These are bigger scans indeed, but the quality is not high, not all of the
details can be seen.
>>They are scans from the program book of the "EC reunion 2000" dinner in
San
>>Diego (that's where the drawings were auctioned).
That is information that I wanted, I contacted Jeff Vaughn of EC
Comics/Gemstone publishing. He told that these parodies not published
anywere in the form of a poster because of multiple copyright issues
involved. Snif, not so nice.
I am now trying the get the program book of EC reunion 2000. Thanks for your
info Harry.
Ivo
Arttu Salminen
How to get the Don Rosa poster in Sarjainfo fanzine
Message 51 -
2001-06-08 at 14:52:29
Ivo wrote:
>containing interesting material, especially the links to the unpublished
>stories and artwork of Don Rosa. On his site there is a section with
>published posters and of one I was very excited:
>http://www.angelfire.com/comics/donrosa/images/ec_kuvat.jpg
>because this is really, really great. Does anyone knows how to get this
>particular Sarjainfo issue (No. 4/00) (i can not find a Sarjainfo internet
>site), or better: does anyone know how to get this in the form of a poster
>or a high-definition image? Or does anyone knows or this is published in
>other magazines, perhaps Komix or Piscou?
Their e-mail address is sarjaks at kaapeli.fi or the editor's:
ville.hanninen at helsinki.fi. But I don't know, if they deliver
outside Finland.
Arttu Salminen
http://www.angelfire.com/comics/donrosa/
_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
>containing interesting material, especially the links to the unpublished
>stories and artwork of Don Rosa. On his site there is a section with
>published posters and of one I was very excited:
>http://www.angelfire.com/comics/donrosa/images/ec_kuvat.jpg
>because this is really, really great. Does anyone knows how to get this
>particular Sarjainfo issue (No. 4/00) (i can not find a Sarjainfo internet
>site), or better: does anyone know how to get this in the form of a poster
>or a high-definition image? Or does anyone knows or this is published in
>other magazines, perhaps Komix or Piscou?
Their e-mail address is sarjaks at kaapeli.fi or the editor's:
ville.hanninen at helsinki.fi. But I don't know, if they deliver
outside Finland.
Arttu Salminen
http://www.angelfire.com/comics/donrosa/
_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Apostolis Trikourakis
How to get the Don Rosa poster in Sarjainfo fanzine
Message 52 -
2001-06-08 at 15:29:17
Ivo wrote:
> Does anyone knows how to get this particular
> Sarjainfo issue (No. 4/00) (i can not find a
> Sarjainfointernet site), or better: does anyone know
> how to get this in the form of a poster or a high-
> definition image? Or does anyone knows or this is
> published in other magazines, perhaps Komix or
> Piscou?
This poster hasn't been published in Greece (and
neither to Komix) until now, as I know.
Best Wishes
=====
Apostolis Trikourakis, Athens, Greece
E-mail: komixgreekpage at yahoo.com
Web Site: http://www.geocities.com/komixgreekpage
__________________________________________________
Do You Yahoo!?
Get personalized email addresses from Yahoo! Mail - only $35
a year! http://personal.mail.yahoo.com/
> Does anyone knows how to get this particular
> Sarjainfo issue (No. 4/00) (i can not find a
> Sarjainfointernet site), or better: does anyone know
> how to get this in the form of a poster or a high-
> definition image? Or does anyone knows or this is
> published in other magazines, perhaps Komix or
> Piscou?
This poster hasn't been published in Greece (and
neither to Komix) until now, as I know.
Best Wishes
=====
Apostolis Trikourakis, Athens, Greece
E-mail: komixgreekpage at yahoo.com
Web Site: http://www.geocities.com/komixgreekpage
__________________________________________________
Do You Yahoo!?
Get personalized email addresses from Yahoo! Mail - only $35
a year! http://personal.mail.yahoo.com/
Francesco Spreafico
Rant! Rave!
Message 53 -
2001-06-08 at 15:48:50
From: "S?ren Krarup Olesen" <raptus at stofanet.dk>
> I am sorry that you see it this way. Those "new" Italian artists (not
> only Intini) but also for example Mastantuono, Celoni and Lavoradori
> have added something unique to Disney comics IMO.
Yes, something unique, something terribly unique... something terrible indeed
:-))
--
Sprea
> I am sorry that you see it this way. Those "new" Italian artists (not
> only Intini) but also for example Mastantuono, Celoni and Lavoradori
> have added something unique to Disney comics IMO.
Yes, something unique, something terribly unique... something terrible indeed
:-))
--
Sprea
Rob Klein
Character Models
Message 54 -
2001-06-08 at 16:54:58
I agree with Achrontis that the artists should stick (to some degree) to
their studio's model for individual characters. I believe each artist
should develop their own style and have the freedom of their own
expression. But the character should be recogniseable. No one has forced
the artists at gunpoint to work for Disney. They have the freedom to
develop and market their own characters in their own universe, if they so
choose. However, it is up to the editors of the individual publishers to
implement the standards determining the degree to which drawings much
adhere to the models. It is clear that the Italians have deviated from the
original US models more than most of the other publishers. If the Disney
Company department which grants the franchises and oversees the overseas
Disney publications offices does not have a problem with a given level of
straying from the model, then it becomes "acceptable". The Italian artists
who's figures are most distorted and stray MOST from the original US models
are my least favourite. The stories they draw are ruined for me, at least
in terms of my thinking of them as taking place in the "Duck Universe".
I also agree with Soeren Krarup Oleson, that Don Rosa's "best" (at least my
favourite of his) stories are those which are not slavishly tied to the
information Barks provided in previous stories. This is something that is
a natural and automatic result, which cannot be avoided. Naturally, having
to tie a plot around the connecting of events to the linking of the details
of previous events would result in the use of less originality than
inventing all new details and tying a completely new plot around these new
details.
I believe there is a place for Both types of stories by him. Those of us
who wish to read about and visualise what happened before and after one of
Barks' classical stories, or learn more about the details relating to them
will likely enjoy Don's historical stories more. Those of us who enjoy,
even more, Don's cereativity in stories not related to specific Barks
references, will enjoy Don's unrelated stories more. This way, everyone
can be happy to some degree. The only problem comes between the groups of
fans who want Don to produce a higher percentage of his stories (or story
pages) in their particular genre of choice.
Rob Klein
their studio's model for individual characters. I believe each artist
should develop their own style and have the freedom of their own
expression. But the character should be recogniseable. No one has forced
the artists at gunpoint to work for Disney. They have the freedom to
develop and market their own characters in their own universe, if they so
choose. However, it is up to the editors of the individual publishers to
implement the standards determining the degree to which drawings much
adhere to the models. It is clear that the Italians have deviated from the
original US models more than most of the other publishers. If the Disney
Company department which grants the franchises and oversees the overseas
Disney publications offices does not have a problem with a given level of
straying from the model, then it becomes "acceptable". The Italian artists
who's figures are most distorted and stray MOST from the original US models
are my least favourite. The stories they draw are ruined for me, at least
in terms of my thinking of them as taking place in the "Duck Universe".
I also agree with Soeren Krarup Oleson, that Don Rosa's "best" (at least my
favourite of his) stories are those which are not slavishly tied to the
information Barks provided in previous stories. This is something that is
a natural and automatic result, which cannot be avoided. Naturally, having
to tie a plot around the connecting of events to the linking of the details
of previous events would result in the use of less originality than
inventing all new details and tying a completely new plot around these new
details.
I believe there is a place for Both types of stories by him. Those of us
who wish to read about and visualise what happened before and after one of
Barks' classical stories, or learn more about the details relating to them
will likely enjoy Don's historical stories more. Those of us who enjoy,
even more, Don's cereativity in stories not related to specific Barks
references, will enjoy Don's unrelated stories more. This way, everyone
can be happy to some degree. The only problem comes between the groups of
fans who want Don to produce a higher percentage of his stories (or story
pages) in their particular genre of choice.
Rob Klein
Anders Christian Sivebaek
Quacketiquack!
Message 55 -
2001-06-08 at 21:33:31
Hi
Happy birthday to Donald on june 9th. I hope this will be in the digest
tomorrow at noon.
InDenmark the year for elderly people to retire has been 67 for a long
time, and Donald will be that this time, so he should retire, shouldn't
he? Nah, he still looks like not a year over 30, so he's okay.
People born after 1939 will retire when they're 65, I heard.
I made a fun little drawing for my neighbour who is 2 years older than
Donald and has his birthday the same day. I make Donald wave at him,
while holding a stick in the other hand, and look at him with eyes that
look a bit tired from age.
Now, don't think I'm becoming an artist or such. I just like to make
drawings for people I care for :-)
A. C. Sivebaek
acsive at mail.mira.dk
Happy birthday to Donald on june 9th. I hope this will be in the digest
tomorrow at noon.
InDenmark the year for elderly people to retire has been 67 for a long
time, and Donald will be that this time, so he should retire, shouldn't
he? Nah, he still looks like not a year over 30, so he's okay.
People born after 1939 will retire when they're 65, I heard.
I made a fun little drawing for my neighbour who is 2 years older than
Donald and has his birthday the same day. I make Donald wave at him,
while holding a stick in the other hand, and look at him with eyes that
look a bit tired from age.
Now, don't think I'm becoming an artist or such. I just like to make
drawings for people I care for :-)
A. C. Sivebaek
acsive at mail.mira.dk
Anders Christian Sivebaek
Politcal corredtness? (rasicm?)
Message 56 -
2001-06-08 at 22:08:28
Mike Pohjola
You sound to me as hit by the awfull political correctness. Can't I
tell a story about Indians if they're nice carring people? People with
the possible meaning you have where guilty as charged in making Don's
story war of the wendigo not published untill the very last issue of
Walt Disney Comics.
Donald has encountered africans or afro-americans as I believe they
should be called. I can certainly not use the expression nigger, as
they did in the south long ago. There was a case about a danish nazi
(now that's where I say yuck!) who yelled nigger at an african
ambassador and tried to kill him. What would you have against negro
*heroes* in DD? If they're shown as good people, it wouldn't matter to
me. Mickey could very well be a jew, one of the many nice jews - I
never heard of not nice jews. I heard of many who were killed because
of a certain austrian.
The indians were slightly tanned? Gosh? aren't native americans a bit
darker in skin than us darned white people? aren't black people black
and is it only a myth that the skin of chinese is a bit yellow?
Now what would be not good to show the readers was this: White people,
using the sword or the baptismal font to either kill or christen the
"wild" people in America, Africa, Australia, Asia - that would be
awfull showing the kids, though it would also be the truth!
>Still, I wouldn't like to see any non-whites having
>adventures in my comic books. I have to look at all sorts of
foreigners
>all day in the city, so at least my Aku Ankka should provide me with
>something inoffensive and anglo-american.
Well, then you absolutely shouldn't read stories by Barks or
Gottfredson. Gosh, is the problem here that you don't like foreigners??
>Even Hiawatha's father, the chief, is white. Now, I don't mind native
>aboriginal savages as long as there's someone proper to keep them from
>their heathen ways.
heathen? Do you believe in the God who made these awfull white people
kill natives allover?
Aargh... White people are normal people??
A. C. Sivebaek
acsive at mail.mira.dk
You sound to me as hit by the awfull political correctness. Can't I
tell a story about Indians if they're nice carring people? People with
the possible meaning you have where guilty as charged in making Don's
story war of the wendigo not published untill the very last issue of
Walt Disney Comics.
Donald has encountered africans or afro-americans as I believe they
should be called. I can certainly not use the expression nigger, as
they did in the south long ago. There was a case about a danish nazi
(now that's where I say yuck!) who yelled nigger at an african
ambassador and tried to kill him. What would you have against negro
*heroes* in DD? If they're shown as good people, it wouldn't matter to
me. Mickey could very well be a jew, one of the many nice jews - I
never heard of not nice jews. I heard of many who were killed because
of a certain austrian.
The indians were slightly tanned? Gosh? aren't native americans a bit
darker in skin than us darned white people? aren't black people black
and is it only a myth that the skin of chinese is a bit yellow?
Now what would be not good to show the readers was this: White people,
using the sword or the baptismal font to either kill or christen the
"wild" people in America, Africa, Australia, Asia - that would be
awfull showing the kids, though it would also be the truth!
>Still, I wouldn't like to see any non-whites having
>adventures in my comic books. I have to look at all sorts of
foreigners
>all day in the city, so at least my Aku Ankka should provide me with
>something inoffensive and anglo-american.
Well, then you absolutely shouldn't read stories by Barks or
Gottfredson. Gosh, is the problem here that you don't like foreigners??
>Even Hiawatha's father, the chief, is white. Now, I don't mind native
>aboriginal savages as long as there's someone proper to keep them from
>their heathen ways.
heathen? Do you believe in the God who made these awfull white people
kill natives allover?
Aargh... White people are normal people??
A. C. Sivebaek
acsive at mail.mira.dk
Anders Christian Sivebaek
558: Rant rave reaction and new Rosa story, art and other things
Message 57 -
2001-06-08 at 22:08:35
Hi
Kriton, I checked the comic you mention, and that artist is either the,
or one of them, who draws in a what i would call Picasso-like style.
That being almost an insult towards Picasso. I agree, that it's not
like Italian disney at all. IMO it looks horrible...
HARRY
S?ren was correctly talking about the BB vs. MB story, as you presume.
and you're right there are many references in the story. There's
actually
a h... of a lot of references to barks-stories, I made a list filling a
whole
sheet of my Donald-comic-sized paper.
Of course Don's invention (is that correct?), the trophy-room makes
there be
many references to old Barks treasure hunt stories.
And of course the blueprints are one big reference to Barks.
Harry, if you would like a copy, I have extra doubles that aren't
reserved for anyone
(at least not, now that I heard Don received the issue.). But of course
it'll
be in danish. You're very welcome to get one of them! :-)
Yes, You'll have to guard yourself with patience if you want to see it
in the DD Extra.
well, Harry, duckhunt has a maillist and a forum too, so you have to
join there too ;-)
No, you don't, only if you like. Well, I presume the reason is that
it's fun to have a forum
of ones own, and maybe some of the founders haven't heard of the dcml.
tell them
about it, and about which persons are here, then they might pop up.
On the duckhunt list we at some point talked about maling something to
Don Rosa,
but a wise finnish member knew how much mail this cartoonist gets every
day already, so
he adviced the persons to join this list. Where Don reads and answers
questions to him,
so that many other readers will also see it.
S?ren:
>The core of the story is an "independant" black comedy.
Just a teaser: Did you not notice the trophy room? The barks-references
are nice and not
at all heavy or something, but I don't find that they are ever. But you
know me, don't you? :-)
DAVID ("Lurker")
You should go to clubs.yahoo and search for the Barks and Rosa page. I
joined very easily myself
Yes, I pitty you guys very much, and I can't do any other than to offer
you too to get a danish copy
of the story, which you wouldn't be able to read, unless you do read
danish. And I would have to
find that copy at a second hand, because I have to keep an issue for
myself, one for Arie and for a
swedish friend, and one is reserved to Harry, if he wants it.
S?ren
Reindeers? It's not reindeers, it's those with the big antlers, red
deers (the male is a stag). Sorry that I laughed.
The clichee about the stag rutting at the forest lake is very known in
Denmark. of course
my grandparents had it too, and sorry I find it nice.
remember: reindeers are in front of santa's sled, stags are at the
forest lake (big clichees here)
Of course I follow you S?ren, we shouldn't shut of for new artists like
those Picassos you mention.
They're just not my cup of tea. If you hint to Jippes or others I of
course know their style and
recognized a panel from the story this week (HDL smoking cigars) from
one or another fanzine.
When I was at the small art exhibition in my town some long time ago, I
btw looked into a very green blue
painting and told myself that I felt the atmosphere of the
Kalevala-story by Don
A. C. Sivebaek
acsive at mail.mira.dk
Kriton, I checked the comic you mention, and that artist is either the,
or one of them, who draws in a what i would call Picasso-like style.
That being almost an insult towards Picasso. I agree, that it's not
like Italian disney at all. IMO it looks horrible...
HARRY
S?ren was correctly talking about the BB vs. MB story, as you presume.
and you're right there are many references in the story. There's
actually
a h... of a lot of references to barks-stories, I made a list filling a
whole
sheet of my Donald-comic-sized paper.
Of course Don's invention (is that correct?), the trophy-room makes
there be
many references to old Barks treasure hunt stories.
And of course the blueprints are one big reference to Barks.
Harry, if you would like a copy, I have extra doubles that aren't
reserved for anyone
(at least not, now that I heard Don received the issue.). But of course
it'll
be in danish. You're very welcome to get one of them! :-)
Yes, You'll have to guard yourself with patience if you want to see it
in the DD Extra.
well, Harry, duckhunt has a maillist and a forum too, so you have to
join there too ;-)
No, you don't, only if you like. Well, I presume the reason is that
it's fun to have a forum
of ones own, and maybe some of the founders haven't heard of the dcml.
tell them
about it, and about which persons are here, then they might pop up.
On the duckhunt list we at some point talked about maling something to
Don Rosa,
but a wise finnish member knew how much mail this cartoonist gets every
day already, so
he adviced the persons to join this list. Where Don reads and answers
questions to him,
so that many other readers will also see it.
S?ren:
>The core of the story is an "independant" black comedy.
Just a teaser: Did you not notice the trophy room? The barks-references
are nice and not
at all heavy or something, but I don't find that they are ever. But you
know me, don't you? :-)
DAVID ("Lurker")
You should go to clubs.yahoo and search for the Barks and Rosa page. I
joined very easily myself
Yes, I pitty you guys very much, and I can't do any other than to offer
you too to get a danish copy
of the story, which you wouldn't be able to read, unless you do read
danish. And I would have to
find that copy at a second hand, because I have to keep an issue for
myself, one for Arie and for a
swedish friend, and one is reserved to Harry, if he wants it.
S?ren
Reindeers? It's not reindeers, it's those with the big antlers, red
deers (the male is a stag). Sorry that I laughed.
The clichee about the stag rutting at the forest lake is very known in
Denmark. of course
my grandparents had it too, and sorry I find it nice.
remember: reindeers are in front of santa's sled, stags are at the
forest lake (big clichees here)
Of course I follow you S?ren, we shouldn't shut of for new artists like
those Picassos you mention.
They're just not my cup of tea. If you hint to Jippes or others I of
course know their style and
recognized a panel from the story this week (HDL smoking cigars) from
one or another fanzine.
When I was at the small art exhibition in my town some long time ago, I
btw looked into a very green blue
painting and told myself that I felt the atmosphere of the
Kalevala-story by Don
A. C. Sivebaek
acsive at mail.mira.dk
Francesco Spreafico
Thank you for not showing offensive savages
Message 58 -
2001-06-08 at 23:04:51
From: "Mike Pohjola" <mikep at iki.fi>
> As you know, most Little Hiawatha stories are about Indians or some other
> such "colored" people. Yuck! What's next? Negro heroes in Donald Duck
> stories? Mickey Mouse turns out to be a Jew? I mean, how offensive can you
> get?
Er... this mail's s'posed to be somewhat... sarcastic... I guess... is it not?
--
Francesco
> As you know, most Little Hiawatha stories are about Indians or some other
> such "colored" people. Yuck! What's next? Negro heroes in Donald Duck
> stories? Mickey Mouse turns out to be a Jew? I mean, how offensive can you
> get?
Er... this mail's s'posed to be somewhat... sarcastic... I guess... is it not?
--
Francesco
Olivier
Thank you for not showing offensive savages
Message 59 -
2001-06-08 at 23:25:50
Francesco:
>>Er... this mail's s'posed to be somewhat... sarcastic... I guess... is it not?
Yes, I suppose so too. That's how I read it.
>>Er... this mail's s'posed to be somewhat... sarcastic... I guess... is it not?
Yes, I suppose so too. That's how I read it.
Don Rosa
COMICS JOURNAL
Message 60 -
2001-06-08 at 23:38:04
I don't know if there's a website to go to to read bits of the new COMICS
JOURNAL or if it's sold wherever any of you are... but the current issue
has an excellent essay by Michael Barrier of, more or less, final thoughts
about Carl Barks and his life and works. Barrier deserves the title as
"world's greatest Carl Barks fan/expert" since he was one of the earliest
fans who sought the Old Master out, and has done more than anyone else to
write about the greatness of his works. So I was particularly pleased that,
amid the many other superb observations, Barrier expounds something I've
always thought -- that Mr. Barks should be remembered strictly for the work
he did in writing and drawing comic books stories prior to 1967, and not at
all for his paintings and other "collectibles" endeavors of his final
years. Actually, Barrier is a bit harsher than even I am on this matter --
I've always thought of the paintings as "fun" but not done in the original
spirit of the "real" stories, and I liked them primarily because they
enabled Mr. Barks to finally get just a fraction of the $ he should have
earned for creating the world's most popular comic books. Barrier calls the
paintings "awful" and "kitsch" that got worse as they went along, and since
he thinks Mr. Barks was far from poverty-stricken before the paintings
began, Barks and the world would have been better off if none of that had
ever happened. Maybe so... Barrier uses as his proof of that the state of
affairs which all that finally culminating in involving the so-called
"Studio" which he declines to explain in painful detail, which I think was
the proper way to handle it. That 5 years of Mr. Barks' life would be best
wiped from the collective memory of the planet at large, even though that's
a "revisionist" attitude for a history buff to have.
I even liked the one mention I received -- even though it was a negative
comparison to Mr. Barks, it was nonetheless absolutely 100% true! But I'll
let you hunt down the article and read that and all the other excellent
thoughts and reflections in it.
JOURNAL or if it's sold wherever any of you are... but the current issue
has an excellent essay by Michael Barrier of, more or less, final thoughts
about Carl Barks and his life and works. Barrier deserves the title as
"world's greatest Carl Barks fan/expert" since he was one of the earliest
fans who sought the Old Master out, and has done more than anyone else to
write about the greatness of his works. So I was particularly pleased that,
amid the many other superb observations, Barrier expounds something I've
always thought -- that Mr. Barks should be remembered strictly for the work
he did in writing and drawing comic books stories prior to 1967, and not at
all for his paintings and other "collectibles" endeavors of his final
years. Actually, Barrier is a bit harsher than even I am on this matter --
I've always thought of the paintings as "fun" but not done in the original
spirit of the "real" stories, and I liked them primarily because they
enabled Mr. Barks to finally get just a fraction of the $ he should have
earned for creating the world's most popular comic books. Barrier calls the
paintings "awful" and "kitsch" that got worse as they went along, and since
he thinks Mr. Barks was far from poverty-stricken before the paintings
began, Barks and the world would have been better off if none of that had
ever happened. Maybe so... Barrier uses as his proof of that the state of
affairs which all that finally culminating in involving the so-called
"Studio" which he declines to explain in painful detail, which I think was
the proper way to handle it. That 5 years of Mr. Barks' life would be best
wiped from the collective memory of the planet at large, even though that's
a "revisionist" attitude for a history buff to have.
I even liked the one mention I received -- even though it was a negative
comparison to Mr. Barks, it was nonetheless absolutely 100% true! But I'll
let you hunt down the article and read that and all the other excellent
thoughts and reflections in it.