Keskustelujen arkisto

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Topic: 200104

(579 messages)
Anders Christian Siveb¾k
Donald: Thanks for it
>
>Today in Toons: Every day's an anniversary. What's today?
>http://www.toonopedia.com/today.htm
>
SPREA:
>
>They've always been brother and sister here in Italy, due, probably, to a
>mistake made by a translator a long ago (or maybe somebody just thought
>they coulde be bother and sisters and wrote so... weird, since a "uncle"
>can hardly be brother of a "grandma" :-)
You're right. In Sweden btw. Scrooge is named as Donal'd uncle to his
father's side, which is comepletly wrong. but in Swden the term farbror
which means uncle is also just the distant realtive that you can't call
anything else than uncle.

>> I hope you know Cicero, a great roman speaker, a book sotre was named
>> after him and I also visited there. I browsed another book from the
>series
>> of classic comics, with Scrooge. It contained among many Barks and
>italian
>> stories two by Don, Xanadu and A little Something Special. I thought I
>had
>> book enough allready and left it.
>
>Aaaarghhh!!! I have to tell you you left behind a book reprinting what is
>considered by many the best Disney stories *ever*, and if not the best,
>certainly among the best! Romano Scarpa's "Paperino e la leggenda dello
>Scozzese Volante"! That's too bad you missed it!!
Don't worry, I do have that story, maybe censored by german, in an early
german pocketbook. I didn't notice it in the book btw. Was it b/w or
colored? Maybe I wasn't focussing on Scarpa in that moment, or maybe I'm
not that good at recognizing his style. I don't think we ever saw the
story in Denmark.

>
>
>--__--__--
>
>From: Klaus Harms <harms313 at web.de>
Interesting news Klaus.
That Micky Maus looks to me as something some insane fans, other than the
ones you asked have done. If there's a bastel-thing (cardboard for making
Duckburg) in it, then it sounds like someone from www.comicforum.de as
people there recently talked of the old days with card boards with things
you had to put together. Today the kid readers want to throw green glue at
eachother or play PC....

Hilsen/Yours
Anders Christian Siveb?k
Donaldist
Fluks, H.W.
Anders to Sprea:

> > a[n] "uncle"
> > can hardly be brother of a "grandma" :-)
> You're right.

Funny you say that, since only a few lines later you write:

> uncle is also just the distant re[la]tive that you can't call
> anything else than uncle.

...like the brother of a grandma!

Donald calls his mother Grandma because she's the grandma of the children.
And he calls his uncle Scrooge an uncle. The kids do too, because of lack of
a better name.

This makes perfectly sense. And this has been the "canon" in the Dutch
Disney comics for years. Marco Rota's "From Egg to Duck" story (1984)
confirmed that view.

And then came Don Rosa, who reminded us of a Barks story named "Donald's
Grandma Duck", and a family tree that Barks once sketched. This was quite
confusing, both to the Dutch editors and to Dutch DCML mailing list members:
see our discussions here in 1994 or so!

Anyway, Scrooge and Grandma being unrelated (the Barks/Rosa way) seems to be
the most sensible view, but the other possibility (siblings, the Rota way)
can be defended too.

--Harry.
Fluks, H.W.
Thierry:

> Taliaferro was a great artist, one of my favourite, but his
> duck remained strips only, with a few exceptions (the early
> Danish works by Rydahl, the early Italian works by
> Carpi/Bottaro/Scarpa).

Plus, to plug my own country a bit, the early Dutch comic stories by Ed
Lukacs.

--Harry.
Fluks, H.W.
Sprea:

> - "Zio Paperone Due nipoti, nessun profitto", that is to say "Nobody's
> Business", that was still unpublished here.

It took me a while before I realised which story you were talking about! No
code, no author... are you an Induckser, Sprea? 8-)

> Well, what a wonderful gag in the last panel.

Did the Italians in any way change or explain the logo?

--Harry.
Kenneth Glendinning
I agree that crediting your self with someone else's work is not fair but I
see nothing wrong with useing someone else's work on you page as long as you
give them credit for it.
As the Internet is freedom of information.

Kenneth

Anders Christian Sivebæk sez:

>>I am not sure what we can do about you.
>>Mailbombing is pretty rude, and I have other things to do, but
>>there's no web police as far as I know.

If Mr. Totti reads the Yahoo/Geocities Terms of Service, he will find that
what he is doing is not allowed by his server. The people whose work he has
stolen do NOT have to grin and bear it. A complaint to Yahoo/Geocities will
result in the removal of the stolen pages, if not his entire site.

I assure you, if the little thief ever touches any of the Disney pages on MY
Web site, he will find himself very quickly shut down.

Quack, Don

Today in Toons: Every day's an anniversary. What's today?
http://www.toonopedia.com/today.htm
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Kenneth Glendinning
Strange as people like (Floyd Gottfredson)(Walt Disney though he did not do
many comics)are far greater and I whould think better known.
Why dose not some one start a poll to see the who is most popular and well
known.
Or maybe I will.

Kenneth

Kriton Kyrimis kyrimis at cti.gr
Wed, 18 Apr 2001 12:28:47 +0300 (EET DST)

SOREN:

>I just wondered
>why most of those volunteers (two hundreds members or so) seem to be
>mere archaeologists.

Because we are fascinated by the arcaheological element of many of Barks'
and Don's stories?

Seriously, I think that the main reason we mostly talk about the stories
of these two artists is that we have *all* read them. I'm fairly certain
that if you conduct a poll asking list members with which artists they
are familiar, you would get 100% for Barks, Rosa, and (maybe) Scarpa,
and smaller scores for everybody else.
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Ari Seppi
Re: The discussion about the Italian comics

I really do like some Italian comics - even the new ones. I especially
enjoyed the much hated "Paperinik New Adventures", past tense of
"enjoy" as in "cancelled title".

Granted, it had it flaws. But still: continuation is so rare in
Disney comics and it really improves the readability. While it
PKNA wasn't perfect, it's average quality was above any other Finnish
weekly/monthly -publication: Aku Ankka does print Barks/Rosa/etc.
comics regularly but they print lots of other - not so good - stuff
even more regularly. Kuukauden sarjisekstra brings nice variety
to the Aku Ankka's normal Danish-mix, but still... and so on.

To summarize my point: Sob, sob, sob... this is *so* wrong. *They*
always cancel the ones I like. :-)

--
Ari Seppi (mani at sci.fi)
Erittin fanaattinen Disney-sarjakuvien ja Harry Potter -kirjojen palvoja
http://www.sci.fi/~mani/
Olaf Solstrand
How did I manage to write José Carioca's name wrong? I feel ashamed...
I think of José Carioca (and maybe also on day Panchito Pistoles) as an
interesting figure, but except from that he is one out of three cabarellos,
I know nothing about this. Does anybody reading this know if this stories
ever will be aviable in Norway? Why couldn't stories like these take over
the place of the Mickey Mouse-stories in the Donald Duck & Co? And all
Mickey stories could be moved into the monthly comic book "Mikke Mus"? Just
a thought.

If anyone her has not read the story "From egg to duck" by Marco Rota, we
can see that Donald is a little baby duck in an egg in a nest in the forest.
This egg falls down on the road and is found by (siblings?) Grandma and
$crooge. Grandma wants them adopt him, something $crooge doesn't want.
"well," she says, "if you don't want to be a father for the baby, you can at
least be his uncle!" He responds "Of course... and you can be his grandma!
Haha!" When I read this I thought of $crooge and Grandma as siblings. This
story may even support that fact. (but I don't think so...)

Stop arguing about who was Donald's "FATHER"! Donald has one father;
Quackmore Duck! Walt Disney is the first person to introduce Donald for us,
even though that was an all different figure from the one we know, and Barks
was the best story teller about Donald.

Donald and his friends live in a dimension in all human heads. Walt Disney
was the first one that noticed him. Carl Barks explored him and told us more
exact what happened with him, followed by Don Rosa and many more. But Donald
is Donald, and Donald exists. That's as easy as that. Donald is a human
being for me, and you can't "create" a human being. Nobody can. Donald is
alive in our minds.

---olaf---
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Botto Armando
Favio wrote:
> I bet that Italy has the record (if only for amator
> publications which I think should be counted). [...]
> Also, 10 pages is a "usual" story for the Dutch weekly, while in
> Italy, a "normal" story is 30 pages long (or was, until
> recently) and - more or less - in many French publications
> which were inspired by Italian ones. This may explain while
> the most reprinted stories in France are long adventures,
> and not ten-pagers as in the Netherlands.
> I would be interested to hear about the Italian record BTW,
> if somebody has it.

Indeed, long adventures are the most featured reprints in Italy, too.

I'm not 100% sure about the record-holder, as the Inducks data are still
incomplete, but a good candidate is "The Ghost of the Grotto" (Four Color
159), recently reprinted for the 13th time in "Tesori 3"...

Ciao,
Armando
Kenneth Glendinning
"Wow! What a bunch of mail today!
And it keeps pouring in too!"

I know it has taking me near an hour to get though it all as I have been
away.

"Don:
>>Get newer software! Most graphics software nowadays allows you to rotate
>>the
>>image in fractions of a degree, so you can straighten it out without
>>taking
>>the time to re-scan it.

I'm using Paint Shop Pro (v7). I've tried the rotate thing already, but it
invariably adds
a blur to the image."

I have an older version of Paint Shop Pro and it does not blur the picture
when you rotate it most be a problem with the newer software.

Kenneth

http://www.angelfire.com/ar2/ken2/index.html
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Thierry Fernand
Harry wrote:

>But that's *only* 7 times! That same story has been
>printed in Holland 11 times:
>
>DD1952-01*,DD1971-50*,BV 1,DDJ1952 1*,DDJ1952 2*,DDFAC
>1*,JUB 1,AKVCB 3,AKV 3,MA1992-32,DD2000-36*.

Record in France is AFAIK 9 publications, for "The Magic
Hourglass" and "Luck of the North". But, both include a
Belgian Mickey Mouse reprint.

I bet that Italy has the record (if only for amator
publications which I think should be counted). BUT 11 still
is a very high number, which I think has to do with the
tradition in your country. I have the impression that the
Dutch always loved Barks' comics more than any other nordic
country. For instance when Daan Jippes was art director, in
the mid-70s instead of publishing Studio stories (as
Hachette was doing) you published many Barks stories. Also,
10 pages is a "usual" story for the Dutch weekly, while in
Italy, a "normal" story is 30 pages long (or was, until
recently) and - more or less - in many French publications
which were inspired by Italian ones. This may explain while
the most reprinted stories in France are long adventures,
and not ten-pagers as in the Netherlands.

I would be interested to hear about the Italian record BTW,
if somebody has it.

Favio
http://mailotron.forez.com/livia/
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Kenneth Glendinning
Rob Klein bi442 at lafn.org
Wed, 18 Apr 2001 22:42:11 -0700

"Olivier mentioned that he is reluctant to discuss Gottfredson's Mickey
strips because too few people have access to them. Please DO discuss them.
I am sure that many of us are interested. Yes, it is true that certain
portions have not been reprinted in many countries, but many have."

I agree that this mailing list lack's talk of other Disney characters
outside the duck family.
As it seems that everybody has forgot the great's of the past
(Disney,Gottfredson,Murry etc).

Kenneth

http://www.anglefire.com/ar2/ken2/index.html
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Nils Lid Hjort
Timo Ronkainen:
<<Who wrote article/s to Swedish/Danish/Norwegian
Barks 100 book? I can?t find any info about these books
in official Disney-pages anymore. No sight of them after
that Barks-birthday week when they had that voting thing
there. Do not they want to sell/advertise those books? >>

The (relatively short) introduction to the Egmont "Barks' Best"
book has been written by ?ystein S?rensen, professor of history
at the University of Oslo. (Introductions to the year-by-year
"Complete Volumes of Donald Duck & Co.", a great success
also in the selling sense of the word, have by comparison
much more serious and long introductions. So far Egmont
Norway have issued 1948-1949, 1950, 1951-I, 1951-II,
1952-I, 1952-II, 1953-I, 1953-II, 1953-II. But this was
a footnote.) His preface has simply been translated into
Danish and Swedish. In addition there are (very) short
introductions to each of the stories in the book.

Otherwise I agree regarding the web pages of Egmont Donald Duck
Norway/Anders And Denmark/Kalle Anke Sweden. They are kept
in strict simultaneous control, obviously. They are not kept
well up to date; their sections on "recommended literature"
are not well worked through; more typographical-grammatical-
orthographical errors (shudder) slip through to these pages
than to the published pages in the magazines. (Example du jour:
"Littaratur [sic] for den ivrige Donald-forsker"...)

As Timo I find it particularly strange that the very recent
"Barks' Best" is now suddenly invisible on the web pages.
Similarly it does not seem possible to find out for example
about the "Complete Volumes" (how to buy an issue of interest,
how to find out which volume has a scholarly preface by
S?rensen) or the "Finally Back!" series.

One would hope that these web pages, which I assume are
visited by many (younger) readers, are given higher priority
by the Egmont offices.

Nils Lid Hjort
Fluks, H.W.
Kenneth:

> I
> see nothing wrong with using someone else's work on your page
> as long as you give them credit for it.
> As the Internet is freedom of information.

Not quite: current international copyright laws also apply to the internet.
It's just a bit more difficult to enforce those laws.

--Harry.
Brigitta McDuck
Hello to everybody!!

I am Gabriella from Italy, a Disney-comics lovers since... years.
I have been lurking on the list for a long time, but I have been forced to de - lurk by this message by

Don Rosa:>
>I have always wondered why there is not much discussion, or actually NO discussion, about the incredible array of
Italian artists who have been producing Duck (& mouse?) stories

someone has already answered to this: we do get a huge production here, but often quantity is not equal to quality, and the issue is also not good drawing, but good story - telling.

I love Cavazzano, Carpi, Scarpa, De Vita, Rota and others, and I spend a lot of money for my Disney comics every month, but what I receive back sometimes is... not so worth.

> But it would still be nice to see more discussion about them and all the other cartoonists. One of my philosophies
>in life is that you should constantly endeavor to learn all you can about what you like, and to *also* learn all that there is to learn *about*.

sometimes it is not easy for me, as I have always read Barks' stories in Italian, and I do not recognize titles and names of characters when I read the mails, and there are very good passionate people who answer the questions before I manage to understand the questions ;-))

anyway, if you want discussion about Italian Disney comics, everybody is welcome!!

ciao to all
Gabriella

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