Hi all!
A few minutes ago our Swedish friend Stefan Persson kindly mailed me a
INDUCKS indeks over Don Rosa's production. Shecking this briefly I
discovered that the code for "Back in Time for a Dime" has been changed from
KDTM90i to DTM 1990-2
This is *not* the first time such codes have been changed. Once the codes
for DRs Family Tree was also changed. Can Harry Fluks or someone else
responsible for this please explain why this has been done, and if there has
been other changes to?
Sigvald
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Author
Topic: 200308
(787 messages)
Sigvald Grøsfjeld Jr.
A changed story code for a Rosa-publication
Message 76 -
2003-08-08 at 02:54:25
Geo
Reply's to the "I hate new ideas" posts
Message 77 -
2003-08-08 at 03:04:41
This is why I never end up posting, but I guess if I'm going to get in this I'm going to need to go all the way.
"I'm an American and Blum's "wicca" references were pure gibberish to me, nor do I want to have them explained. Also, almost all of the computer talk was over my head; I'm literate enough in computers to use them, but all the pseudo-jargon that flys around is pretty meaningless to me--and I think most other people are the same way."
Please please please do not make the rest of Americans look ignorant. If you don't understand something look it up, thats what most of us did when Barks would write about Pizarro or Holograms or terms we didn't understand when we were children. I for one try to learn something new everyday and every moment that I can, and I know I'm not the only one. I realize that your mentioning of America was in reference to a direct question, but that along with blatant ignorance (flat out not want to learn something) just crystallizes the stereotype.
"And fads like this wicca nonsense aren't going to be popular for long..."
You just insulted a Religion. I do not practice it myself but already one other DCML member posted that they did. I assume from your post that you were unaware of the fact that it is a Religion. Now you are.
"I know, I know, but those are *fictional* stories by Barks -*Fictional* even in a Duckburg context."
I look at Barks' work as a whole because he created all of the stories, and even in stories where Duckburg does not have a space port there's still technology far outside of the 1950's there.
So far I have simply addressed how Barks work was not stuck in 1950 concepts, opinions on which stories count and which don't are subjective. Objectively they were not set in any kind of stone, not in time nor continuity nor every geography (Duckburg changed in almost every book).
Aside from all that, and addressing the story in question directly, bringing new stories into more modern terms while keeping the characters the same is as difficult as assembling the Carl Barks universe into an arc. If you want to know how hard that is to do ask Mr Rosa. This is Blums first story printed in the US, if we (the Disney Comics Community) judged Don Rosa by his first work we would have judged him far before his greatest work (let alone whats still to come from him). Was this story good, was it bad, it's all a matter of taste really. I for one am looking forward to more from him, and since he has been around American Disney Comics since the beginning of Gladstone he has earned his place.
What I find most ironic in all of this is even after 300 years if you mention Wicca to the wrong people they'll still burn you at the stake. People are always people I guess.
Geo
=======================
"I used to have a handle on life, but it broke."
---------------------------------
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"I'm an American and Blum's "wicca" references were pure gibberish to me, nor do I want to have them explained. Also, almost all of the computer talk was over my head; I'm literate enough in computers to use them, but all the pseudo-jargon that flys around is pretty meaningless to me--and I think most other people are the same way."
Please please please do not make the rest of Americans look ignorant. If you don't understand something look it up, thats what most of us did when Barks would write about Pizarro or Holograms or terms we didn't understand when we were children. I for one try to learn something new everyday and every moment that I can, and I know I'm not the only one. I realize that your mentioning of America was in reference to a direct question, but that along with blatant ignorance (flat out not want to learn something) just crystallizes the stereotype.
"And fads like this wicca nonsense aren't going to be popular for long..."
You just insulted a Religion. I do not practice it myself but already one other DCML member posted that they did. I assume from your post that you were unaware of the fact that it is a Religion. Now you are.
"I know, I know, but those are *fictional* stories by Barks -*Fictional* even in a Duckburg context."
I look at Barks' work as a whole because he created all of the stories, and even in stories where Duckburg does not have a space port there's still technology far outside of the 1950's there.
So far I have simply addressed how Barks work was not stuck in 1950 concepts, opinions on which stories count and which don't are subjective. Objectively they were not set in any kind of stone, not in time nor continuity nor every geography (Duckburg changed in almost every book).
Aside from all that, and addressing the story in question directly, bringing new stories into more modern terms while keeping the characters the same is as difficult as assembling the Carl Barks universe into an arc. If you want to know how hard that is to do ask Mr Rosa. This is Blums first story printed in the US, if we (the Disney Comics Community) judged Don Rosa by his first work we would have judged him far before his greatest work (let alone whats still to come from him). Was this story good, was it bad, it's all a matter of taste really. I for one am looking forward to more from him, and since he has been around American Disney Comics since the beginning of Gladstone he has earned his place.
What I find most ironic in all of this is even after 300 years if you mention Wicca to the wrong people they'll still burn you at the stake. People are always people I guess.
Geo
=======================
"I used to have a handle on life, but it broke."
---------------------------------
Do you Yahoo!?
Yahoo! SiteBuilder - Free, easy-to-use web site design software
SRoweCanoe
Inventive Gentlemen? Four Color #1150
Message 78 -
2003-08-08 at 03:15:00
In a message dated 8/7/2003 6:32:01 PM Eastern Daylight Time, ljamal at longbox.com writes:
>
> This story is not in my copy of #1150 and the 9th story "Undercover Girl" is
> printed on the back inside cover and with an ad on the back cover that leave
> no room for a 10th story. I do not believe that I am missing any pages as
> all the other stories are complete. Is there another
> version of this book
> which includes this 10th story?
some issues have the ad, some issues have the one page story.
many four colors like that
(hmm, are we switching the 4 color discussion over here?
- sorry folks injoke)
Steven Rowe
SRoweCanoe at aol.com
>
> This story is not in my copy of #1150 and the 9th story "Undercover Girl" is
> printed on the back inside cover and with an ad on the back cover that leave
> no room for a 10th story. I do not believe that I am missing any pages as
> all the other stories are complete. Is there another
> version of this book
> which includes this 10th story?
some issues have the ad, some issues have the one page story.
many four colors like that
(hmm, are we switching the 4 color discussion over here?
- sorry folks injoke)
Steven Rowe
SRoweCanoe at aol.com
Daniel Van Eijmeren
Much more about Ault's "Carl Barks Conversations" (links)
Message 79 -
2003-08-08 at 08:20:20
On July 27, I sent you a link to an extensive review of Donald Ault's
book "Carl Barks Conversations", written by Kevin McGowin:
http://www.eclectica.org/v7n3/mcgowin_barks.html
Here are some more links. They are from Gottfried Helnwein's
international site, including a link to a Barks interview(!!!).
- - - - - - -
An abstract of the Kevin McGowin review, with an extract from the
interview about Helnwein:
http://www.helnwein.de/texte/international_texts/abstracts_1.html
Helnwein's July 11, 1992 Barks interview in its totality, along
with a bio of Kevin McGowin and Donald Ault:
http://www.helnwein.de/texte/international_texts/artikel_1358.html
There's also a teaser for other relevant sites, like:
http://www.helnweincomic.homestead.com/
It's about "The Darker Side of Playland", which shows Helnwein's work
on reconstituting what could be called a "noir duck" (as well as a
"noir mouse").
http://www.helnwein.com/texte/international_texts/artikel_398.html
An reminiscence ("Memories of Duckburg") about Helnwein's post-WW II
reaction to the duck comics. Helnwein originally translated it for
Donald Ault in its entirety because Donald thought Mississippi might
want to use it as a foreword to the book or something, but they
weren't interested, or so it seemed. Now it's available online.
- - - - - - -
Donald Ault's "Carl Barks Conversations" is published by University
Press of Mississippi (2003). It contains more than 238 pages. There's
a hardback and a paperback edition. It's also for sale via internet.
--- Dani?l
book "Carl Barks Conversations", written by Kevin McGowin:
http://www.eclectica.org/v7n3/mcgowin_barks.html
Here are some more links. They are from Gottfried Helnwein's
international site, including a link to a Barks interview(!!!).
- - - - - - -
An abstract of the Kevin McGowin review, with an extract from the
interview about Helnwein:
http://www.helnwein.de/texte/international_texts/abstracts_1.html
Helnwein's July 11, 1992 Barks interview in its totality, along
with a bio of Kevin McGowin and Donald Ault:
http://www.helnwein.de/texte/international_texts/artikel_1358.html
There's also a teaser for other relevant sites, like:
http://www.helnweincomic.homestead.com/
It's about "The Darker Side of Playland", which shows Helnwein's work
on reconstituting what could be called a "noir duck" (as well as a
"noir mouse").
http://www.helnwein.com/texte/international_texts/artikel_398.html
An reminiscence ("Memories of Duckburg") about Helnwein's post-WW II
reaction to the duck comics. Helnwein originally translated it for
Donald Ault in its entirety because Donald thought Mississippi might
want to use it as a foreword to the book or something, but they
weren't interested, or so it seemed. Now it's available online.
- - - - - - -
Donald Ault's "Carl Barks Conversations" is published by University
Press of Mississippi (2003). It contains more than 238 pages. There's
a hardback and a paperback edition. It's also for sale via internet.
--- Dani?l
Kriton Kyrimis
About G. Blum and reference points
Message 80 -
2003-08-08 at 08:57:08
SIGVALD:
> Barks-style stories should IMO
> take place in the mid-1950's +/- a decade.
Daniel answered this for me quite eloquently. The only thing that I want to
add is that I think that the above statement helps one understand your point
of view. The non-Barks stories that you want to read are Barks pastiches,
i.e., stories that are written in Barks' style, and at their best would be
stories that Barks might have written himself during his prime. People who
disagree with you want to read non-Barks stories that Barks himself might have
written had he kept writing to this day, never getting tired of working with
the times, and always staying in his prime. As Daniel pointed put, Barks kept
adapting to the times, so, had he been active in our times, he would probably
have produced stories similar to the ones the best of today's writers are
producing today.
Both points of view are valid, irreconcilable though they may be. And although
I do not share your view in this particular instance, I can certainly
understand it: being somewhat of a Sherlock Holmes fan (where, as with duck
comics, their is life after Conan Doyle), I cannot imagine reading a Holmes
story taking place in any time other than Victorian times. I don't know if
there is such a beast, but I gather that there is at least one movie where
Sherlock Holmes helps fight the nazis!
Now the only problem with this analysis is that Don's stories are clearly a
lot more than mere Barks pastiches!
Kriton (e-mail: kyrimis at cti.gr)
(WWW: http://dias.cti.gr/~kyrimis)
-----
"That particular problem is impossible to solve... how *did* you solve it?"
-----
> Barks-style stories should IMO
> take place in the mid-1950's +/- a decade.
Daniel answered this for me quite eloquently. The only thing that I want to
add is that I think that the above statement helps one understand your point
of view. The non-Barks stories that you want to read are Barks pastiches,
i.e., stories that are written in Barks' style, and at their best would be
stories that Barks might have written himself during his prime. People who
disagree with you want to read non-Barks stories that Barks himself might have
written had he kept writing to this day, never getting tired of working with
the times, and always staying in his prime. As Daniel pointed put, Barks kept
adapting to the times, so, had he been active in our times, he would probably
have produced stories similar to the ones the best of today's writers are
producing today.
Both points of view are valid, irreconcilable though they may be. And although
I do not share your view in this particular instance, I can certainly
understand it: being somewhat of a Sherlock Holmes fan (where, as with duck
comics, their is life after Conan Doyle), I cannot imagine reading a Holmes
story taking place in any time other than Victorian times. I don't know if
there is such a beast, but I gather that there is at least one movie where
Sherlock Holmes helps fight the nazis!
Now the only problem with this analysis is that Don's stories are clearly a
lot more than mere Barks pastiches!
Kriton (e-mail: kyrimis at cti.gr)
(WWW: http://dias.cti.gr/~kyrimis)
-----
"That particular problem is impossible to solve... how *did* you solve it?"
-----
Kriton Kyrimis
About G. Blum and reference points
Message 81 -
2003-08-08 at 09:14:15
Kriton Kyrimis wrote:
ME:
> never getting tired of working with the times,
I meant "with the DUCKS"!!!
Kriton (e-mail: kyrimis at cti.gr)
(WWW: http://dias.cti.gr/~kyrimis)
-----
"That particular problem is impossible to solve... how *did* you solve it?"
-----
ME:
> never getting tired of working with the times,
I meant "with the DUCKS"!!!
Kriton (e-mail: kyrimis at cti.gr)
(WWW: http://dias.cti.gr/~kyrimis)
-----
"That particular problem is impossible to solve... how *did* you solve it?"
-----
Rodney-selfhelpbikeco
Blumobservations
Message 82 -
2003-08-08 at 15:50:29
Actually, when I read the Blum story, I wondered how many people would understand all of the computer jargon that the story hinged on. I had good ideas of what all of it meant myself, but I suspected that at least some others wouldn't, and I'm right.
Technically, it was Blum's first story published in the US, but he's scripted stories for US publication literally since the first Gladstone run. These were also plagued by inside jokes that nobody but him got, and generally heavy-handedness. Now that Blum has been given full reign to create his own tales (without ready-made art) this trend seems to have multiplied tenfold.
And in regards to the whole Wicca bit...that didn't sit well with me either (and I'm glad to know that I'm not the only person who's not pleased with this story). I'm certainly not afraid of the religion or those who practice it, but, at least from what I can remember (I'm saying this for fear of being blasted with a million story list of instances where this happened) religion was always spoken of in very general terms in Disney comics....probably because they're geared toward a family audience (ie: *hopefully* kids are reading these stories too!), by generating religious structures for the various ducks, you're isolating the appeal of them. Personally, I'd be all the more comfortable if religion of any sort would stay out of my Disney comics. If I had children who were curious about Wicca, I'd want them to come to me so we could discuss it together....not see any appeal of it because a duck practiced it in a story. Kids grow up fast enough without various religious bel
iefs being forced upon them in comic books.
I certainly hope that Blum will produce some really good stories in the future, because all I see from him with this story is a throw-away that will be outdated in 5 years, and will never need to see print again. So, while I hope that he produces some great stuff in the future, he's going to have to change tracks for that to happen in my mind, and judging by the article in US320, that's not going to happen.
rodney.
________________________________________________________________
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Technically, it was Blum's first story published in the US, but he's scripted stories for US publication literally since the first Gladstone run. These were also plagued by inside jokes that nobody but him got, and generally heavy-handedness. Now that Blum has been given full reign to create his own tales (without ready-made art) this trend seems to have multiplied tenfold.
And in regards to the whole Wicca bit...that didn't sit well with me either (and I'm glad to know that I'm not the only person who's not pleased with this story). I'm certainly not afraid of the religion or those who practice it, but, at least from what I can remember (I'm saying this for fear of being blasted with a million story list of instances where this happened) religion was always spoken of in very general terms in Disney comics....probably because they're geared toward a family audience (ie: *hopefully* kids are reading these stories too!), by generating religious structures for the various ducks, you're isolating the appeal of them. Personally, I'd be all the more comfortable if religion of any sort would stay out of my Disney comics. If I had children who were curious about Wicca, I'd want them to come to me so we could discuss it together....not see any appeal of it because a duck practiced it in a story. Kids grow up fast enough without various religious bel
iefs being forced upon them in comic books.
I certainly hope that Blum will produce some really good stories in the future, because all I see from him with this story is a throw-away that will be outdated in 5 years, and will never need to see print again. So, while I hope that he produces some great stuff in the future, he's going to have to change tracks for that to happen in my mind, and judging by the article in US320, that's not going to happen.
rodney.
________________________________________________________________
The best thing to hit the internet in years - Juno SpeedBand!
Surf the web up to FIVE TIMES FASTER!
Only $14.95/ month - visit www.juno.com to sign up today!
Rich Bellacera
Blumobservations
Message 83 -
2003-08-08 at 18:12:52
Rodney said:
> If I had children who were curious about Wicca, I'd want
> them to come to me so we could discuss it together....not
> see any appeal of it because a duck practiced it in a story.
> Kids grow up fast enough without various religious beliefs
> being forced upon them in comic books.
Despite the fact that "Christianity" (and I am a Christian) is
thrust upon the readers quite frequently in Disney comics...
But I digress...
It is this very mindset that is probably preventing Disney
from allowing release of such great series as W.I.T.C.H. in
the USA. From what I saw and read while in China, I really
liked it.
Ironically, this debate over "wicca" is strange since the very
idea of witches and witchcraft is so tightly woven into the
history of Disney since the earliest of days (considering BEDKNOBS
& BROOMSTICKS, MARY POPPINS and so forth). Witches are a legacy
in Disney, why should knowing one more aspect of them make them
somehow more prohibitive? And, yes we MUST bring up the fact
that 'small children' are reading Disney comics, that way we
can make it seem even more horribly prohibitive.
I certainly do not believe this comic was in anyway heavy-handed
in it's delivery of Magica's interest in Wicca, nor do I believe
Disney generally pushes any particular religion (though I do believe
Christianity is depicted far more often than any other religious
belief in their comics, live-action movies and animated films).
I generally don't have a problem with this, and "SMALL ONE" is
among my favorite animated shorts, too.
I'm sorry, but sometimes I see how much the religious Right of
the USA tries to control every aspect of our culture and it both
frightens and angers me, especially when it gets into my "escapist
activities" like reading comics.
Thanks,
Rich Bellacera
(Email removed)
---- Msg sent via CWNet - http://cwnet.com/
> If I had children who were curious about Wicca, I'd want
> them to come to me so we could discuss it together....not
> see any appeal of it because a duck practiced it in a story.
> Kids grow up fast enough without various religious beliefs
> being forced upon them in comic books.
Despite the fact that "Christianity" (and I am a Christian) is
thrust upon the readers quite frequently in Disney comics...
But I digress...
It is this very mindset that is probably preventing Disney
from allowing release of such great series as W.I.T.C.H. in
the USA. From what I saw and read while in China, I really
liked it.
Ironically, this debate over "wicca" is strange since the very
idea of witches and witchcraft is so tightly woven into the
history of Disney since the earliest of days (considering BEDKNOBS
& BROOMSTICKS, MARY POPPINS and so forth). Witches are a legacy
in Disney, why should knowing one more aspect of them make them
somehow more prohibitive? And, yes we MUST bring up the fact
that 'small children' are reading Disney comics, that way we
can make it seem even more horribly prohibitive.
I certainly do not believe this comic was in anyway heavy-handed
in it's delivery of Magica's interest in Wicca, nor do I believe
Disney generally pushes any particular religion (though I do believe
Christianity is depicted far more often than any other religious
belief in their comics, live-action movies and animated films).
I generally don't have a problem with this, and "SMALL ONE" is
among my favorite animated shorts, too.
I'm sorry, but sometimes I see how much the religious Right of
the USA tries to control every aspect of our culture and it both
frightens and angers me, especially when it gets into my "escapist
activities" like reading comics.
Thanks,
Rich Bellacera
(Email removed)
---- Msg sent via CWNet - http://cwnet.com/
Daniel J. Neyer
Geoffrey Blum and Reference Points
Message 84 -
2003-08-08 at 18:34:27
Sigvald, you are absolutely right when you say that Blum uses Barks to
promote himself. I've always been somewhat wary of Blum and his take on
the Ducks' world since he started writing those strange analytic articles
about Barks' stories. To Blum, the Ducks are not characters, but puppets
for acting out social-politico-psychological satires. I don't think that
Barks ever said to himself "I think I'll satirize this particular trend
or this particular invention in this new story"--any satire that occurred
in a Barks story was supplementary to the plot. The infamous stories from
Disney Comics' GOOFY ADVENTURES title show what happens when a writer
ceases to see the Disney characters as personalities and gets the idea
that they are tools for his own private jokes and philosophical
ramblings. If Blum's new stories gain any kind of popularity here or in
Europe, we Duck fans will have a serious problem on our hands.
________________________________________________________________
The best thing to hit the internet in years - Juno SpeedBand!
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promote himself. I've always been somewhat wary of Blum and his take on
the Ducks' world since he started writing those strange analytic articles
about Barks' stories. To Blum, the Ducks are not characters, but puppets
for acting out social-politico-psychological satires. I don't think that
Barks ever said to himself "I think I'll satirize this particular trend
or this particular invention in this new story"--any satire that occurred
in a Barks story was supplementary to the plot. The infamous stories from
Disney Comics' GOOFY ADVENTURES title show what happens when a writer
ceases to see the Disney characters as personalities and gets the idea
that they are tools for his own private jokes and philosophical
ramblings. If Blum's new stories gain any kind of popularity here or in
Europe, we Duck fans will have a serious problem on our hands.
________________________________________________________________
The best thing to hit the internet in years - Juno SpeedBand!
Surf the web up to FIVE TIMES FASTER!
Only $14.95/ month - visit www.juno.com to sign up today!
Don Rosa
DCML Digest Issue 4
Message 85 -
2003-08-08 at 19:29:41
From: S?ren Krarup Olesen<raptus at stofanet.dk>
Subject: AC, DvE and DR
>>>Don, you once wrote to me in private, that you "pity me" for not liking
your stories (in fact I do but apparently you ignored that in your eager to
promote yourself).Well, I pity you for not liking the Disney comics
universe! And that message applies to all your disciples.
Good lord! I'm downloading e-mails while on a camping trip in Olympic
National Park... and I belatedly catch this crack.What is this!?!??! What a
foul lie!!!!!!!!
I challenge you to produce any message where I said any such thing or
ever attempted to "promote myself" in the least way. I don't think that in
the past 15 years I've ever done or said one thing that could be construed
as "self promotion". Editors complain that the texts I write about my work
are too self-deprecating. List members bemoan the fact that I never discuss
my current projects or convention visits unless I am specifically asked
about them. I purposely choose not to have my own website, and, when
frequently asked, I even decline to contribute even a simple
guestbook comment to any of the many Rosa fansites because I feel it might
look even *vaguely* like self-promotion to some cruel observer. I go around
telling people that I already get *too much* attention and they should ease
off. As you should know if you were paying attention, self promotion would
do me no good whatsoever... if I could do or say something that succeeded in
selling an extra TRILLION of my own comics, it would not put one extra penny
in MY pocket... it would only make more $ for the publisher or for Disney. I
can't even imagine what I could have said that you could have misconstrued
as meaning this, or what I could have written concerning this "pity"
business such that you could pull it out of context to imply a meaning other
than was intended!
But, moreover, even if someone DID write something to you in a PRIVATE
e-mail, what right do you have to publish a public announcement of that
private conversation?! You can get yourself sued in a very nasty way for
this sort of reckless, sneaky and libelous activity!
And while we're at it, why do you suddenly address me directly in the midst
of an argument that I was not even part of, implying that I have some secret
involvement? I write/draw my stories, the publishers print them, then
*whatever* reaction comes from the readers is completely their own creation.
I have no control over what is said or not said, written or not written, by
my fans or detractors... and I resent your implication that I do by your
insinuating use of the word "disciples". I neither encourage nor discourage
anything written pro or con about my work. And if you think I am constantly
pleased by *every* syllable that is written or said by the Rosa fans around
the world, you're sadly mistaken. But they are on their own... I am not
their leader. I am not a "secret master" of every Rosa site on the WWW. I'll
thank you not to attempt to drag me into your squabbles just because you
resentfully want to blame me *personally* for every word written by a
professed fan of my work.
What happened? Did you just write that entire e-mail in a moment of
INCREDIBLY poor judgment?!
Let's have a retraction of your statement and an apology.
Subject: AC, DvE and DR
>>>Don, you once wrote to me in private, that you "pity me" for not liking
your stories (in fact I do but apparently you ignored that in your eager to
promote yourself).Well, I pity you for not liking the Disney comics
universe! And that message applies to all your disciples.
Good lord! I'm downloading e-mails while on a camping trip in Olympic
National Park... and I belatedly catch this crack.What is this!?!??! What a
foul lie!!!!!!!!
I challenge you to produce any message where I said any such thing or
ever attempted to "promote myself" in the least way. I don't think that in
the past 15 years I've ever done or said one thing that could be construed
as "self promotion". Editors complain that the texts I write about my work
are too self-deprecating. List members bemoan the fact that I never discuss
my current projects or convention visits unless I am specifically asked
about them. I purposely choose not to have my own website, and, when
frequently asked, I even decline to contribute even a simple
guestbook comment to any of the many Rosa fansites because I feel it might
look even *vaguely* like self-promotion to some cruel observer. I go around
telling people that I already get *too much* attention and they should ease
off. As you should know if you were paying attention, self promotion would
do me no good whatsoever... if I could do or say something that succeeded in
selling an extra TRILLION of my own comics, it would not put one extra penny
in MY pocket... it would only make more $ for the publisher or for Disney. I
can't even imagine what I could have said that you could have misconstrued
as meaning this, or what I could have written concerning this "pity"
business such that you could pull it out of context to imply a meaning other
than was intended!
But, moreover, even if someone DID write something to you in a PRIVATE
e-mail, what right do you have to publish a public announcement of that
private conversation?! You can get yourself sued in a very nasty way for
this sort of reckless, sneaky and libelous activity!
And while we're at it, why do you suddenly address me directly in the midst
of an argument that I was not even part of, implying that I have some secret
involvement? I write/draw my stories, the publishers print them, then
*whatever* reaction comes from the readers is completely their own creation.
I have no control over what is said or not said, written or not written, by
my fans or detractors... and I resent your implication that I do by your
insinuating use of the word "disciples". I neither encourage nor discourage
anything written pro or con about my work. And if you think I am constantly
pleased by *every* syllable that is written or said by the Rosa fans around
the world, you're sadly mistaken. But they are on their own... I am not
their leader. I am not a "secret master" of every Rosa site on the WWW. I'll
thank you not to attempt to drag me into your squabbles just because you
resentfully want to blame me *personally* for every word written by a
professed fan of my work.
What happened? Did you just write that entire e-mail in a moment of
INCREDIBLY poor judgment?!
Let's have a retraction of your statement and an apology.
Sigvald Grøsfjeld Jr.
Wicca and religions
Message 86 -
2003-08-08 at 20:44:55
Geo <geodiaz_79 at yahoo.com> wrote:
>> "And fads like this wicca nonsense aren't going
>> to be popular for long..."
>
> You just insulted a Religion. I do not practice
> it myself but already one other DCML member
> posted that they did. I assume from your
> post that you were unaware of the fact that it
> is a Religion. Now you are.
AFAIK it's *not* a religion! I have heared a bit about it and it's more like
a cult, though a peaceful one.
Religions is something that is thought about in School. AFAIK the
schoolbooks will say that Wicca, the old Viking-belief (the belief in Odin,
Thor, etc.), the old greek an d roman beliefs (Tsevs, Jupiter, tec.) and old
"heathen" beliefs around the world is pseudo-religions, while Christianity,
the Mosaic (Jewish) comunity, Budhism, Hinduism and Islam is seen as real
religions.
Anyway I know that there are people here that has studied religion so
perhaps they can tell us more about this.
Sigvald
>> "And fads like this wicca nonsense aren't going
>> to be popular for long..."
>
> You just insulted a Religion. I do not practice
> it myself but already one other DCML member
> posted that they did. I assume from your
> post that you were unaware of the fact that it
> is a Religion. Now you are.
AFAIK it's *not* a religion! I have heared a bit about it and it's more like
a cult, though a peaceful one.
Religions is something that is thought about in School. AFAIK the
schoolbooks will say that Wicca, the old Viking-belief (the belief in Odin,
Thor, etc.), the old greek an d roman beliefs (Tsevs, Jupiter, tec.) and old
"heathen" beliefs around the world is pseudo-religions, while Christianity,
the Mosaic (Jewish) comunity, Budhism, Hinduism and Islam is seen as real
religions.
Anyway I know that there are people here that has studied religion so
perhaps they can tell us more about this.
Sigvald
H.W.Fluks
A small remark to Soeren's Time for a reply
Message 87 -
2003-08-08 at 20:46:56
S?ren Krarup Olesen:
> Amazed to see how small remarks are being treated as main
> subjects here.
If you say something important in a "small remark", you can't expect other people not to react to it.
In this case, your "small remarks" were puzzling (and on places wrong).
--Harry.
> Amazed to see how small remarks are being treated as main
> subjects here.
If you say something important in a "small remark", you can't expect other people not to react to it.
In this case, your "small remarks" were puzzling (and on places wrong).
--Harry.
Kimba1962
Re "World Wide Witch"
Message 88 -
2003-08-08 at 21:57:31
A cautionary note to those who refer to Barks' "timelessness" as a weapon to
use vs. Blum/Branca's excellent effort: Barks was not above (or below) using
quickly perishable contemporary references in his own stories. The entire
plot of "Long Ago Today" is a riff on the briefly popular 1950s book "The
Search for Bridey Murphy." The early 60s portrayals of "natives" in stories
like "The Great Wig Mystery" and "A Spicy Tale" can't possibly be fully
appreciated without knowing something about the Peace Corps and the newly-
hatched independence of "developing," foreign-aid-bound African and Asian
nations. Personally, I'm glad someone finally got around to "wiring" Duckburg.
While the tech may have been upgraded, it was nice to see that the characters
THEMSELVES didn't change. Magica has previously employed a certain brand
of "high tech" in her anti-Scrooge efforts (remember the pooped-out foof
shooter in that early Magica story?); here, she's simply upping the ante
(measured in bytes, perhaps?). Donald would naturally gravitate towards the
type of technology that provides immediate self-gratification ("MTFree".) And
Scrooge characteristically questions the newfangled "technotwaddle" before he
learns to turn it to his own advantage.
If Blum can be faulted here, it is in his eagerness to do too much.
The "wiccan" subplot and the introduction of Magda Marshbird really deserved
stories of their own. Still, I'd rather see an overflow of "new ideas" than a
paucity of same.
Chris Barat
kimba1962 at comcast.net (NEW ADDRESS!)
use vs. Blum/Branca's excellent effort: Barks was not above (or below) using
quickly perishable contemporary references in his own stories. The entire
plot of "Long Ago Today" is a riff on the briefly popular 1950s book "The
Search for Bridey Murphy." The early 60s portrayals of "natives" in stories
like "The Great Wig Mystery" and "A Spicy Tale" can't possibly be fully
appreciated without knowing something about the Peace Corps and the newly-
hatched independence of "developing," foreign-aid-bound African and Asian
nations. Personally, I'm glad someone finally got around to "wiring" Duckburg.
While the tech may have been upgraded, it was nice to see that the characters
THEMSELVES didn't change. Magica has previously employed a certain brand
of "high tech" in her anti-Scrooge efforts (remember the pooped-out foof
shooter in that early Magica story?); here, she's simply upping the ante
(measured in bytes, perhaps?). Donald would naturally gravitate towards the
type of technology that provides immediate self-gratification ("MTFree".) And
Scrooge characteristically questions the newfangled "technotwaddle" before he
learns to turn it to his own advantage.
If Blum can be faulted here, it is in his eagerness to do too much.
The "wiccan" subplot and the introduction of Magda Marshbird really deserved
stories of their own. Still, I'd rather see an overflow of "new ideas" than a
paucity of same.
Chris Barat
kimba1962 at comcast.net (NEW ADDRESS!)
Rich Bellacera
The Dirty Dozen
Message 89 -
2003-08-08 at 23:28:17
In the Wolf/Pigs stories there is a gang of badguys called
The Foul Fellows' Club or The Dirty Dozen.
I know several of the members are:
Br'er Fox (Leader)
Br'er Bear
Zeb Wolf (Zeke's brother)
Zeke Wolf
Willy Weasel
Ricky Rat
Dirty Bill (a Bulldog)
Br'er Gator
Kalle (a Dog)
Hotte (a Coyote)
But that's only 10 members. Who are the other two?
I know Li'l Wolf usually attends their meeting along with his pop, but is he
actually considered a member. I would think Li'l Wolf's reputation would prevent
his membership. Maybe Izzy Wolf? Br'er Wolf? Aunt Terrible?
Thanks,
Rich Bellacera
(Email removed)
---- Msg sent via CWNet - http://cwnet.com/
The Foul Fellows' Club or The Dirty Dozen.
I know several of the members are:
Br'er Fox (Leader)
Br'er Bear
Zeb Wolf (Zeke's brother)
Zeke Wolf
Willy Weasel
Ricky Rat
Dirty Bill (a Bulldog)
Br'er Gator
Kalle (a Dog)
Hotte (a Coyote)
But that's only 10 members. Who are the other two?
I know Li'l Wolf usually attends their meeting along with his pop, but is he
actually considered a member. I would think Li'l Wolf's reputation would prevent
his membership. Maybe Izzy Wolf? Br'er Wolf? Aunt Terrible?
Thanks,
Rich Bellacera
(Email removed)
---- Msg sent via CWNet - http://cwnet.com/
Daniel Van Eijmeren
Barks and internet
Message 90 -
2003-08-09 at 00:27:20
LARS JENSEN to me, 07-08-2003:
>> There's a story in which Barks comes close to the concept of a
>> worldwide internet. I'm curious if somebody knows which story
>> I mean.
> "The Many Faces of Magica De Spell" (US 48, 1964), perhaps?
Indeed. That's the story I mean.
--- Dani?l
>> There's a story in which Barks comes close to the concept of a
>> worldwide internet. I'm curious if somebody knows which story
>> I mean.
> "The Many Faces of Magica De Spell" (US 48, 1964), perhaps?
Indeed. That's the story I mean.
--- Dani?l